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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED953A it is the complementary color #126AC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED953A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED953A shade: #F29535, #FFA748, #FFB95B, #FFCB6E and #FFDD81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED953A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED953A shade: #ED953A, #DC8327, #CB7114, #BA5F01 and #A94D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED953A shade: #EC953B, #EC653B and #EC3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED953A shade: #EC953B, #ECC53B, #E4EC3B, #B4EC3B and #84EC3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED953A shade matches the following richer shades: #EC953B and #FE9529

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED953A shade: #EC953B, #DB954C, #CA945D, #B8946E and #A79480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED953A shade: #EC3B40, #EC643B, #EC933B, #ECC33B and #E6EC3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED953A shade: #C36C12, #E88115, #EC953B, #F0A960 and #F3BE86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED953A shade: #ED953A, #70EC3B and #4C3BEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED953A shade: #ED953A, #3BEC93 and #933BEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED953A shade: #ED953A, #70EC3B, #3B93EC and #B73BEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED953A shade: #ED953A, #3BEC3B, #3B93EC and #EC3BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 76 / 7

HEX #ED953A

RGB 237 149 58

HSL 30.5, 0.83%, 0.58%

LAB 69.33, 26, 59.24

 

Complementary color

CMYK 91 / 46 / 0 / 23

HEX #126AC5

RGB 18 106 197

HSL 210.5, 0.83%, 0.42%

LAB 44.9, 10.58, -54.09

 

CMYK 0 / 38 / 78 / 5

HEX #F29535

RGB 242 149 53

HSL 30.48, 0.88%, 0.58%

LAB 69.92, 27.87, 62.05

 

CMYK 0 / 35 / 72 / 0

HEX #FFA748

RGB 255 167 72

HSL 31.15, 1%, 0.64%

LAB 75.68, 24.57, 60.36

 

CMYK 0 / 27 / 64 / 0

HEX #FFB95B

RGB 255 185 91

HSL 34.39, 1%, 0.68%

LAB 80.02, 16.18, 56.48

 

CMYK 0 / 20 / 57 / 0

HEX #FFCB6E

RGB 255 203 110

HSL 38.48, 1%, 0.72%

LAB 84.53, 8.1, 52.74

 

CMYK 0 / 13 / 49 / 0

HEX #FFDD81

RGB 255 221 129

HSL 43.81, 1%, 0.75%

LAB 89.19, 0.41, 49.2

 

CMYK 0 / 37 / 76 / 7

HEX #ED953A

RGB 237 149 58

HSL 30.5, 0.83%, 0.58%

LAB 69.33, 26, 59.24

 

CMYK 0 / 40 / 82 / 14

HEX #DC8327

RGB 220 131 39

HSL 30.5, 0.72%, 0.51%

LAB 63.01, 27.79, 60.05

 

CMYK 0 / 44 / 90 / 20

HEX #CB7114

RGB 203 113 20

HSL 30.49, 0.82%, 0.44%

LAB 56.64, 29.8, 59.97

 

CMYK 0 / 49 / 99 / 27

HEX #BA5F01

RGB 186 95 1

HSL 30.49, 0.99%, 0.37%

LAB 50.25, 32, 58.61

 

CMYK 0 / 54 / 100 / 34

HEX #A94D00

RGB 169 77 0

HSL 27.34, 1%, 0.33%

LAB 43.86, 34.41, 53.71

 

CMYK 0 / 37 / 75 / 7

HEX #EC953B

RGB 236 149 59

HSL 30.51, 0.82%, 0.58%

LAB 69.21, 25.62, 58.66

 

CMYK 0 / 57 / 75 / 7

HEX #EC653B

RGB 236 101 59

HSL 14.24, 0.82%, 0.58%

LAB 59.39, 49.83, 48.64

 

CMYK 0 / 75 / 75 / 7

HEX #EC3B3B

RGB 236 59 59

HSL 0, 0.82%, 0.58%

LAB 53.25, 66.41, 42.05

 

CMYK 0 / 37 / 75 / 7

HEX #EC953B

RGB 236 149 59

HSL 30.51, 0.82%, 0.58%

LAB 69.21, 25.62, 58.66

 

CMYK 0 / 17 / 75 / 7

HEX #ECC53B

RGB 236 197 59

HSL 46.78, 0.82%, 0.58%

LAB 80.78, 0.36, 69.84

 

CMYK 3 / 0 / 75 / 7

HEX #E4EC3B

RGB 228 236 59

HSL 62.71, 0.82%, 0.58%

LAB 90.23, -22.44, 78.38

 

CMYK 24 / 0 / 75 / 7

HEX #B4EC3B

RGB 180 236 59

HSL 78.98, 0.82%, 0.58%

LAB 87, -41.41, 74.21

 

CMYK 44 / 0 / 75 / 7

HEX #84EC3B

RGB 132 236 59

HSL 95.25, 0.82%, 0.58%

LAB 84.59, -57.96, 71.07

 

CMYK 0 / 37 / 75 / 7

HEX #EC953B

RGB 236 149 59

HSL 30.51, 0.82%, 0.58%

LAB 69.21, 25.62, 58.66

 

CMYK 0 / 41 / 84 / 0

HEX #FE9529

RGB 254 149 41

HSL 30.42, 0.99%, 0.58%

LAB 71.37, 32.4, 68.28

 

CMYK 0 / 37 / 75 / 7

HEX #EC953B

RGB 236 149 59

HSL 30.51, 0.82%, 0.58%

LAB 69.21, 25.62, 58.66

 

CMYK 0 / 32 / 65 / 14

HEX #DB954C

RGB 219 149 76

HSL 30.63, 0.67%, 0.58%

LAB 67.33, 19.4, 48.28

 

CMYK 0 / 27 / 54 / 21

HEX #CA945D

RGB 202 148 93

HSL 30.28, 0.51%, 0.58%

LAB 65.38, 14.06, 36.84

 

CMYK 0 / 20 / 40 / 28

HEX #B8946E

RGB 184 148 110

HSL 30.81, 0.34%, 0.58%

LAB 63.75, 8.28, 25.2

 

CMYK 0 / 11 / 23 / 35

HEX #A79480

RGB 167 148 128

HSL 30.77, 0.18%, 0.58%

LAB 62.47, 3.8, 13.16

 

CMYK 0 / 75 / 73 / 7

HEX #EC3B40

RGB 236 59 64

HSL 358.31, 0.82%, 0.58%

LAB 53.31, 66.6, 39.33

 

CMYK 0 / 58 / 75 / 7

HEX #EC643B

RGB 236 100 59

HSL 13.9, 0.82%, 0.58%

LAB 59.22, 50.29, 48.45

 

CMYK 0 / 38 / 75 / 7

HEX #EC933B

RGB 236 147 59

HSL 29.83, 0.82%, 0.58%

LAB 68.76, 26.68, 58.21

 

CMYK 0 / 17 / 75 / 7

HEX #ECC33B

RGB 236 195 59

HSL 46.1, 0.82%, 0.58%

LAB 80.28, 1.39, 69.37

 

CMYK 3 / 0 / 75 / 7

HEX #E6EC3B

RGB 230 236 59

HSL 62.03, 0.82%, 0.58%

LAB 90.38, -21.63, 78.58

 

CMYK 0 / 45 / 91 / 24

HEX #C36C12

RGB 195 108 18

HSL 30.51, 0.83%, 0.42%

LAB 54.42, 29.08, 58.33

 

CMYK 0 / 44 / 91 / 9

HEX #E88115

RGB 232 129 21

HSL 30.71, 0.83%, 0.5%

LAB 64.09, 33.39, 67.01

 

CMYK 0 / 37 / 75 / 7

HEX #EC953B

RGB 236 149 59

HSL 30.51, 0.82%, 0.58%

LAB 69.21, 25.62, 58.66

 

CMYK 0 / 30 / 60 / 6

HEX #F0A960

RGB 240 169 96

HSL 30.42, 0.83%, 0.66%

LAB 74.66, 18.76, 47.52

 

CMYK 0 / 22 / 45 / 5

HEX #F3BE86

RGB 243 190 134

HSL 30.83, 0.82%, 0.74%

LAB 80.52, 12.13, 35.51

 

CMYK 0 / 37 / 76 / 7

HEX #ED953A

RGB 237 149 58

HSL 30.5, 0.83%, 0.58%

LAB 69.33, 26, 59.24

 

CMYK 53 / 0 / 75 / 7

HEX #70EC3B

RGB 112 236 59

HSL 102.03, 0.82%, 0.58%

LAB 83.84, -63.72, 70.07

 

CMYK 68 / 75 / 0 / 7

HEX #4C3BEC

RGB 76 59 236

HSL 245.76, 0.82%, 0.58%

LAB 39.11, 58.3, -85.75

 

CMYK 0 / 37 / 76 / 7

HEX #ED953A

RGB 237 149 58

HSL 30.5, 0.83%, 0.58%

LAB 69.33, 26, 59.24

 

CMYK 75 / 0 / 38 / 7

HEX #3BEC93

RGB 59 236 147

HSL 149.83, 0.82%, 0.58%

LAB 83.46, -63.39, 30.89

 

CMYK 38 / 75 / 0 / 7

HEX #933BEC

RGB 147 59 236

HSL 269.83, 0.82%, 0.58%

LAB 46.16, 67.66, -73.91

 

CMYK 0 / 37 / 76 / 7

HEX #ED953A

RGB 237 149 58

HSL 30.5, 0.83%, 0.58%

LAB 69.33, 26, 59.24

 

CMYK 53 / 0 / 75 / 7

HEX #70EC3B

RGB 112 236 59

HSL 102.03, 0.82%, 0.58%

LAB 83.84, -63.72, 70.07

 

CMYK 75 / 38 / 0 / 7

HEX #3B93EC

RGB 59 147 236

HSL 210.17, 0.82%, 0.58%

LAB 59.76, 3.67, -52.3

 

CMYK 22 / 75 / 0 / 7

HEX #B73BEC

RGB 183 59 236

HSL 282.03, 0.82%, 0.58%

LAB 50.98, 73.83, -65.86

 

CMYK 0 / 37 / 76 / 7

HEX #ED953A

RGB 237 149 58

HSL 30.5, 0.83%, 0.58%

LAB 69.33, 26, 59.24

 

CMYK 75 / 0 / 75 / 7

HEX #3BEC3B

RGB 59 236 59

HSL 120, 0.82%, 0.58%

LAB 82.51, -74.64, 68.32

 

CMYK 75 / 38 / 0 / 7

HEX #3B93EC

RGB 59 147 236

HSL 210.17, 0.82%, 0.58%

LAB 59.76, 3.67, -52.3

 

CMYK 0 / 75 / 0 / 7

HEX #EC3BEC

RGB 236 59 236

HSL 300, 0.82%, 0.58%

LAB 58.99, 83.85, -52.57

 

Description

Color code: HEX #ED953A | qconv.com Color code: HEX #ED953A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 149 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 149 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 76 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 76% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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