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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED7EBD it is the complementary color #128142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED7EBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED7EBD shade: #F27EB8, #FF90CB, #FFA2DE, #FFB4F1 and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED7EBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED7EBD shade: #ED7EBD, #DC6CAA, #CB5A97, #BA4884 and #A93671

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED7EBD shade: #ED7CBC, #ED7C9E, #ED7C80 and #ED7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED7EBD shade: #ED7CBC, #ED7CDA, #E17CED, #C27CED and #A47CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED7EBD shade matches the following richer shades: #ED7CBC and #F970BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED7EBD shade: #ED7CBC, #E188BB, #D594B9, #C9A0B7 and #BDACB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED7EBD shade: #E07CED, #ED7CDC, #ED7CBE, #ED7CA0 and #ED7C82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED7EBD shade: #E33497, #E858AA, #ED7CBC, #F2A1CF and #F7C5E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED7EBD shade: #ED7EBD, #EDC27C and #7CEBED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED7EBD shade: #ED7EBD, #BEED7C and #7CBEED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED7EBD shade: #ED7EBD, #EDC27C, #7CEDAB and #7CA7ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED7EBD shade: #ED7EBD, #EDE37C, #7CEDAB and #7C86ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 20 / 7

HEX #ED7EBD

RGB 237 126 189

HSL 325.95, 0.76%, 0.71%

LAB 66.98, 50.16, -13.76

 

Complementary color

CMYK 86 / 0 / 49 / 49

HEX #128142

RGB 18 129 66

HSL 145.95, 0.76%, 0.29%

LAB 47.27, -44.1, 25.99

 

CMYK 0 / 48 / 24 / 5

HEX #F27EB8

RGB 242 126 184

HSL 330, 0.82%, 0.72%

LAB 67.47, 51.05, -10.14

 

CMYK 0 / 44 / 20 / 0

HEX #FF90CB

RGB 255 144 203

HSL 328.11, 1%, 0.78%

LAB 73.23, 48.99, -11.94

 

CMYK 0 / 36 / 13 / 0

HEX #FFA2DE

RGB 255 162 222

HSL 321.29, 1%, 0.82%

LAB 77.5, 42.72, -15.94

 

CMYK 0 / 29 / 5 / 0

HEX #FFB4F1

RGB 255 180 241

HSL 311.2, 1%, 0.85%

LAB 81.98, 36.5, -19.45

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 47 / 20 / 7

HEX #ED7EBD

RGB 237 126 189

HSL 325.95, 0.76%, 0.71%

LAB 66.98, 50.16, -13.76

 

CMYK 0 / 51 / 23 / 14

HEX #DC6CAA

RGB 220 108 170

HSL 326.79, 0.62%, 0.64%

LAB 60.64, 50.88, -12.72

 

CMYK 0 / 56 / 26 / 20

HEX #CB5A97

RGB 203 90 151

HSL 327.61, 0.52%, 0.57%

LAB 54.28, 51.54, -11.5

 

CMYK 0 / 61 / 29 / 27

HEX #BA4884

RGB 186 72 132

HSL 328.42, 0.45%, 0.51%

LAB 47.93, 52.03, -10

 

CMYK 0 / 68 / 33 / 34

HEX #A93671

RGB 169 54 113

HSL 329.22, 0.52%, 0.44%

LAB 41.64, 52.21, -8.11

 

CMYK 0 / 48 / 21 / 7

HEX #ED7CBC

RGB 237 124 188

HSL 326.02, 0.76%, 0.71%

LAB 66.56, 51, -13.82

 

CMYK 0 / 48 / 33 / 7

HEX #ED7C9E

RGB 237 124 158

HSL 341.95, 0.76%, 0.71%

LAB 65.66, 47.02, 1.82

 

CMYK 0 / 48 / 46 / 7

HEX #ED7C80

RGB 237 124 128

HSL 357.88, 0.76%, 0.71%

LAB 64.95, 43.74, 17.82

 

CMYK 0 / 48 / 48 / 7

HEX #ED7C7C

RGB 237 124 124

HSL 0, 0.76%, 0.71%

LAB 64.86, 43.36, 19.97

 

CMYK 0 / 48 / 21 / 7

HEX #ED7CBC

RGB 237 124 188

HSL 326.02, 0.76%, 0.71%

LAB 66.56, 51, -13.82

 

CMYK 0 / 48 / 8 / 7

HEX #ED7CDA

RGB 237 124 218

HSL 310.09, 0.76%, 0.71%

LAB 67.64, 55.62, -28.97

 

CMYK 5 / 48 / 0 / 7

HEX #E17CED

RGB 225 124 237

HSL 293.63, 0.76%, 0.71%

LAB 66.93, 55.5, -40.7

 

CMYK 18 / 48 / 0 / 7

HEX #C27CED

RGB 194 124 237

HSL 277.17, 0.76%, 0.71%

LAB 63.34, 46.96, -46.59

 

CMYK 31 / 48 / 0 / 7

HEX #A47CED

RGB 164 124 237

HSL 261.24, 0.76%, 0.71%

LAB 60.27, 38.96, -51.65

 

CMYK 0 / 48 / 21 / 7

HEX #ED7CBC

RGB 237 124 188

HSL 326.02, 0.76%, 0.71%

LAB 66.56, 51, -13.82

 

CMYK 0 / 55 / 24 / 2

HEX #F970BE

RGB 249 112 190

HSL 325.84, 0.92%, 0.71%

LAB 66.09, 60.66, -15.49

 

CMYK 0 / 48 / 21 / 7

HEX #ED7CBC

RGB 237 124 188

HSL 326.02, 0.76%, 0.71%

LAB 66.56, 51, -13.82

 

CMYK 0 / 40 / 17 / 12

HEX #E188BB

RGB 225 136 187

HSL 325.62, 0.6%, 0.71%

LAB 67.43, 40.83, -12.11

 

CMYK 0 / 31 / 13 / 16

HEX #D594B9

RGB 213 148 185

HSL 325.85, 0.44%, 0.71%

LAB 68.63, 30.02, -9.34

 

CMYK 0 / 20 / 9 / 21

HEX #C9A0B7

RGB 201 160 183

HSL 326.34, 0.28%, 0.71%

LAB 70.16, 18.91, -6.08

 

CMYK 0 / 9 / 4 / 26

HEX #BDACB6

RGB 189 172 182

HSL 324.71, 0.11%, 0.71%

LAB 72.03, 7.89, -2.9

 

CMYK 5 / 48 / 0 / 7

HEX #E07CED

RGB 224 124 237

HSL 293.1, 0.76%, 0.71%

LAB 66.81, 55.22, -40.9

 

CMYK 0 / 48 / 7 / 7

HEX #ED7CDC

RGB 237 124 220

HSL 309.03, 0.76%, 0.71%

LAB 67.72, 55.94, -29.96

 

CMYK 0 / 48 / 20 / 7

HEX #ED7CBE

RGB 237 124 190

HSL 324.96, 0.76%, 0.71%

LAB 66.62, 51.29, -14.85

 

CMYK 0 / 48 / 32 / 7

HEX #ED7CA0

RGB 237 124 160

HSL 340.88, 0.76%, 0.71%

LAB 65.72, 47.27, 0.76

 

CMYK 0 / 48 / 45 / 7

HEX #ED7C82

RGB 237 124 130

HSL 356.81, 0.76%, 0.71%

LAB 64.99, 43.94, 16.75

 

CMYK 0 / 77 / 33 / 11

HEX #E33497

RGB 227 52 151

HSL 326.06, 0.76%, 0.55%

LAB 52.97, 72.63, -13.09

 

CMYK 0 / 62 / 27 / 9

HEX #E858AA

RGB 232 88 170

HSL 325.83, 0.76%, 0.63%

LAB 59.01, 63.55, -15.01

 

CMYK 0 / 48 / 21 / 7

HEX #ED7CBC

RGB 237 124 188

HSL 326.02, 0.76%, 0.71%

LAB 66.56, 51, -13.82

 

CMYK 0 / 33 / 14 / 5

HEX #F2A1CF

RGB 242 161 207

HSL 325.93, 0.76%, 0.79%

LAB 75.37, 36.56, -11.1

 

CMYK 0 / 20 / 9 / 3

HEX #F7C5E1

RGB 247 197 225

HSL 326.4, 0.76%, 0.87%

LAB 84.56, 22.18, -7.11

 

CMYK 0 / 47 / 20 / 7

HEX #ED7EBD

RGB 237 126 189

HSL 325.95, 0.76%, 0.71%

LAB 66.98, 50.16, -13.76

 

CMYK 0 / 18 / 48 / 7

HEX #EDC27C

RGB 237 194 124

HSL 37.17, 0.76%, 0.71%

LAB 80.76, 6.66, 40.84

 

CMYK 48 / 1 / 0 / 7

HEX #7CEBED

RGB 124 235 237

HSL 181.06, 0.76%, 0.71%

LAB 86.91, -31.23, -10.82

 

CMYK 0 / 47 / 20 / 7

HEX #ED7EBD

RGB 237 126 189

HSL 325.95, 0.76%, 0.71%

LAB 66.98, 50.16, -13.76

 

CMYK 20 / 0 / 48 / 7

HEX #BEED7C

RGB 190 237 124

HSL 84.96, 0.76%, 0.71%

LAB 88.43, -33.09, 49.56

 

CMYK 48 / 20 / 0 / 7

HEX #7CBEED

RGB 124 190 237

HSL 204.96, 0.76%, 0.71%

LAB 74.33, -8.5, -29.85

 

CMYK 0 / 47 / 20 / 7

HEX #ED7EBD

RGB 237 126 189

HSL 325.95, 0.76%, 0.71%

LAB 66.98, 50.16, -13.76

 

CMYK 0 / 18 / 48 / 7

HEX #EDC27C

RGB 237 194 124

HSL 37.17, 0.76%, 0.71%

LAB 80.76, 6.66, 40.84

 

CMYK 48 / 0 / 28 / 7

HEX #7CEDAB

RGB 124 237 171

HSL 144.96, 0.76%, 0.71%

LAB 85.9, -46.83, 22.23

 

CMYK 48 / 30 / 0 / 7

HEX #7CA7ED

RGB 124 167 237

HSL 217.17, 0.76%, 0.71%

LAB 68.05, 4.17, -39.6

 

CMYK 0 / 47 / 20 / 7

HEX #ED7EBD

RGB 237 126 189

HSL 325.95, 0.76%, 0.71%

LAB 66.98, 50.16, -13.76

 

CMYK 0 / 4 / 48 / 7

HEX #EDE37C

RGB 237 227 124

HSL 54.69, 0.76%, 0.71%

LAB 89.11, -10.23, 51.16

 

CMYK 48 / 0 / 28 / 7

HEX #7CEDAB

RGB 124 237 171

HSL 144.96, 0.76%, 0.71%

LAB 85.9, -46.83, 22.23

 

CMYK 48 / 43 / 0 / 7

HEX #7C86ED

RGB 124 134 237

HSL 234.69, 0.76%, 0.71%

LAB 59.39, 23.33, -53.25

 

Description

Color code: HEX #ED7EBD | qconv.com Color code: HEX #ED7EBD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 126 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 126 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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