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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED72D0 it is the complementary color #128D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED72D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED72D0 shade: #F272CB, #FF84DE, #FF96F1, #FFA8FF and #FFBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED72D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED72D0 shade: #ED72D0, #DC60BD, #CB4EAA, #BA3C97 and #A92A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED72D0 shade: #EC73D0, #EC73AF, #EC738E and #EC7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED72D0 shade: #EC73D0, #E873EC, #C773EC, #A773EC and #8673EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED72D0 shade matches the following richer shades: #EC73D0 and #F966D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED72D0 shade: #EC73D0, #E07FC9, #D38CC2, #C699BB and #B9A6B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED72D0 shade: #C873EC, #E873EC, #EC73D0, #EC73AF and #EC738F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED72D0 shade: #E32AB7, #E84EC3, #EC73D0, #F197DC and #F6BCE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED72D0 shade: #ED72D0, #ECA773 and #73ECD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED72D0 shade: #ED72D0, #D0EC73 and #73D0EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED72D0 shade: #ED72D0, #ECA773, #73EC8F and #73B8EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED72D0 shade: #ED72D0, #ECCC73, #73EC8F and #7393EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 12 / 7

HEX #ED72D0

RGB 237 114 208

HSL 314.15, 0.77%, 0.69%

LAB 65.43, 58.8, -26.78

 

Complementary color

CMYK 87 / 0 / 67 / 45

HEX #128D2F

RGB 18 141 47

HSL 134.15, 0.77%, 0.31%

LAB 51.13, -51.08, 40.11

 

CMYK 0 / 53 / 16 / 5

HEX #F272CB

RGB 242 114 203

HSL 318.28, 0.83%, 0.7%

LAB 65.92, 59.5, -23.16

 

CMYK 0 / 48 / 13 / 0

HEX #FF84DE

RGB 255 132 222

HSL 316.1, 1%, 0.76%

LAB 71.58, 57.7, -24.93

 

CMYK 0 / 41 / 5 / 0

HEX #FF96F1

RGB 255 150 241

HSL 308, 1%, 0.79%

LAB 75.71, 51.92, -28.99

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 0 / 52 / 12 / 7

HEX #ED72D0

RGB 237 114 208

HSL 314.15, 0.77%, 0.69%

LAB 65.43, 58.8, -26.78

 

CMYK 0 / 56 / 14 / 14

HEX #DC60BD

RGB 220 96 189

HSL 315, 0.64%, 0.62%

LAB 59.21, 59.31, -25.8

 

CMYK 0 / 62 / 16 / 20

HEX #CB4EAA

RGB 203 78 170

HSL 315.84, 0.55%, 0.55%

LAB 53, 59.62, -24.59

 

CMYK 0 / 68 / 19 / 27

HEX #BA3C97

RGB 186 60 151

HSL 316.67, 0.51%, 0.48%

LAB 46.85, 59.6, -23.07

 

CMYK 0 / 75 / 22 / 34

HEX #A92A84

RGB 169 42 132

HSL 317.48, 0.6%, 0.41%

LAB 40.83, 59.02, -21.09

 

CMYK 0 / 51 / 12 / 7

HEX #EC73D0

RGB 236 115 208

HSL 313.88, 0.76%, 0.69%

LAB 65.47, 58.04, -26.73

 

CMYK 0 / 51 / 26 / 7

HEX #EC73AF

RGB 236 115 175

HSL 330.25, 0.76%, 0.69%

LAB 64.31, 53.26, -9.85

 

CMYK 0 / 51 / 40 / 7

HEX #EC738E

RGB 236 115 142

HSL 346.61, 0.76%, 0.69%

LAB 63.38, 49.27, 7.64

 

CMYK 0 / 51 / 51 / 7

HEX #EC7373

RGB 236 115 115

HSL 0, 0.76%, 0.69%

LAB 62.79, 46.65, 22.23

 

CMYK 0 / 51 / 12 / 7

HEX #EC73D0

RGB 236 115 208

HSL 313.88, 0.76%, 0.69%

LAB 65.47, 58.04, -26.73

 

CMYK 2 / 51 / 0 / 7

HEX #E873EC

RGB 232 115 236

HSL 298.02, 0.76%, 0.69%

LAB 66.12, 61.57, -41.36

 

CMYK 16 / 51 / 0 / 7

HEX #C773EC

RGB 199 115 236

HSL 281.65, 0.76%, 0.69%

LAB 62.05, 52.77, -48.04

 

CMYK 29 / 51 / 0 / 7

HEX #A773EC

RGB 167 115 236

HSL 265.79, 0.76%, 0.69%

LAB 58.54, 44.47, -53.83

 

CMYK 43 / 51 / 0 / 7

HEX #8673EC

RGB 134 115 236

HSL 249.42, 0.76%, 0.69%

LAB 55.47, 36.5, -58.91

 

CMYK 0 / 51 / 12 / 7

HEX #EC73D0

RGB 236 115 208

HSL 313.88, 0.76%, 0.69%

LAB 65.47, 58.04, -26.73

 

CMYK 0 / 59 / 14 / 2

HEX #F966D6

RGB 249 102 214

HSL 314.29, 0.92%, 0.69%

LAB 65.36, 68.39, -30.12

 

CMYK 0 / 51 / 12 / 7

HEX #EC73D0

RGB 236 115 208

HSL 313.88, 0.76%, 0.69%

LAB 65.47, 58.04, -26.73

 

CMYK 0 / 43 / 10 / 12

HEX #E07FC9

RGB 224 127 201

HSL 314.23, 0.61%, 0.69%

LAB 65.94, 47.39, -22.23

 

CMYK 0 / 34 / 8 / 17

HEX #D38CC2

RGB 211 140 194

HSL 314.37, 0.45%, 0.69%

LAB 66.9, 35.18, -16.98

 

CMYK 0 / 23 / 6 / 22

HEX #C699BB

RGB 198 153 187

HSL 314.67, 0.28%, 0.69%

LAB 68.3, 22.41, -11.11

 

CMYK 0 / 10 / 2 / 27

HEX #B9A6B5

RGB 185 166 181

HSL 312.63, 0.12%, 0.69%

LAB 70.12, 9.58, -5.2

 

CMYK 15 / 51 / 0 / 7

HEX #C873EC

RGB 200 115 236

HSL 282.15, 0.76%, 0.69%

LAB 62.17, 53.04, -47.85

 

CMYK 2 / 51 / 0 / 7

HEX #E873EC

RGB 232 115 236

HSL 298.02, 0.76%, 0.69%

LAB 66.12, 61.57, -41.36

 

CMYK 0 / 51 / 12 / 7

HEX #EC73D0

RGB 236 115 208

HSL 313.88, 0.76%, 0.69%

LAB 65.47, 58.04, -26.73

 

CMYK 0 / 51 / 26 / 7

HEX #EC73AF

RGB 236 115 175

HSL 330.25, 0.76%, 0.69%

LAB 64.31, 53.26, -9.85

 

CMYK 0 / 51 / 39 / 7

HEX #EC738F

RGB 236 115 143

HSL 346.12, 0.76%, 0.69%

LAB 63.41, 49.38, 7.1

 

CMYK 0 / 81 / 19 / 11

HEX #E32AB7

RGB 227 42 183

HSL 314.27, 0.77%, 0.53%

LAB 53.39, 78.86, -31.26

 

CMYK 0 / 66 / 16 / 9

HEX #E84EC3

RGB 232 78 195

HSL 314.42, 0.77%, 0.61%

LAB 58.55, 70.81, -30.1

 

CMYK 0 / 51 / 12 / 7

HEX #EC73D0

RGB 236 115 208

HSL 313.88, 0.76%, 0.69%

LAB 65.47, 58.04, -26.73

 

CMYK 0 / 37 / 9 / 5

HEX #F197DC

RGB 241 151 220

HSL 314, 0.76%, 0.77%

LAB 73.55, 43.56, -20.98

 

CMYK 0 / 24 / 6 / 4

HEX #F6BCE8

RGB 246 188 232

HSL 314.48, 0.76%, 0.85%

LAB 82.59, 27.79, -13.8

 

CMYK 0 / 52 / 12 / 7

HEX #ED72D0

RGB 237 114 208

HSL 314.15, 0.77%, 0.69%

LAB 65.43, 58.8, -26.78

 

CMYK 0 / 29 / 51 / 7

HEX #ECA773

RGB 236 167 115

HSL 25.79, 0.76%, 0.69%

LAB 74, 19.7, 36.9

 

CMYK 51 / 0 / 8 / 7

HEX #73ECD8

RGB 115 236 216

HSL 170.08, 0.76%, 0.69%

LAB 86.3, -38.79, -0.72

 

CMYK 0 / 52 / 12 / 7

HEX #ED72D0

RGB 237 114 208

HSL 314.15, 0.77%, 0.69%

LAB 65.43, 58.8, -26.78

 

CMYK 12 / 0 / 51 / 7

HEX #D0EC73

RGB 208 236 115

HSL 73.88, 0.76%, 0.69%

LAB 89.22, -26.78, 54.98

 

CMYK 51 / 12 / 0 / 7

HEX #73D0EC

RGB 115 208 236

HSL 193.88, 0.76%, 0.69%

LAB 78.93, -20.17, -22.32

 

CMYK 0 / 52 / 12 / 7

HEX #ED72D0

RGB 237 114 208

HSL 314.15, 0.77%, 0.69%

LAB 65.43, 58.8, -26.78

 

CMYK 0 / 29 / 51 / 7

HEX #ECA773

RGB 236 167 115

HSL 25.79, 0.76%, 0.69%

LAB 74, 19.7, 36.9

 

CMYK 51 / 0 / 39 / 7

HEX #73EC8F

RGB 115 236 143

HSL 133.88, 0.76%, 0.69%

LAB 84.8, -53.58, 34.94

 

CMYK 51 / 22 / 0 / 7

HEX #73B8EC

RGB 115 184 236

HSL 205.79, 0.76%, 0.69%

LAB 72.22, -7.59, -32.61

 

CMYK 0 / 52 / 12 / 7

HEX #ED72D0

RGB 237 114 208

HSL 314.15, 0.77%, 0.69%

LAB 65.43, 58.8, -26.78

 

CMYK 0 / 14 / 51 / 7

HEX #ECCC73

RGB 236 204 115

HSL 44.13, 0.76%, 0.69%

LAB 83.05, 0.26, 48.12

 

CMYK 51 / 0 / 39 / 7

HEX #73EC8F

RGB 115 236 143

HSL 133.88, 0.76%, 0.69%

LAB 84.8, -53.58, 34.94

 

CMYK 51 / 38 / 0 / 7

HEX #7393EC

RGB 115 147 236

HSL 224.13, 0.76%, 0.69%

LAB 62.14, 13.34, -48.36

 

Description

Color code: HEX #ED72D0 | qconv.com Color code: HEX #ED72D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 114 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 114 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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