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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED772A it is the complementary color #1288D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED772A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED772A shade: #F27725, #FF8938, #FF9B4B, #FFAD5E and #FFBF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED772A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED772A shade: #ED772A, #DC6517, #CB5304, #BA4100 and #A92F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED772A shade: #EC772B, #EC432B and #EC2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED772A shade: #EC772B, #ECAB2B, #ECDF2B, #C5EC2B and #91EC2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED772A shade matches the following richer shades: #EC772B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED772A shade: #EC772B, #DA7B3E, #C77F50, #B48363 and #A28776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED772A shade: #EC2B48, #EC422B, #EC752B, #ECA92B and #ECDC2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED772A shade: #B6510F, #DC6213, #EC772B, #EF9051 and #F3A877

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED772A shade: #ED772A, #7CEC2B and #2B2FEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED772A shade: #ED772A, #2BEC75 and #752BEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED772A shade: #ED772A, #7CEC2B, #2BA2EC and #9C2BEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED772A shade: #ED772A, #42EC2B, #2BA2EC and #D62BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 82 / 7

HEX #ED772A

RGB 237 119 42

HSL 23.69, 0.84%, 0.55%

LAB 62.81, 40.94, 59.64

 

Complementary color

CMYK 92 / 36 / 0 / 16

HEX #1288D5

RGB 18 136 213

HSL 203.69, 0.84%, 0.45%

LAB 54.6, -1.72, -47.71

 

CMYK 0 / 51 / 85 / 5

HEX #F27725

RGB 242 119 37

HSL 24, 0.89%, 0.55%

LAB 63.51, 42.74, 62.4

 

CMYK 0 / 46 / 78 / 0

HEX #FF8938

RGB 255 137 56

HSL 24.42, 1%, 0.61%

LAB 69.07, 39.37, 60.62

 

CMYK 0 / 39 / 71 / 0

HEX #FF9B4B

RGB 255 155 75

HSL 26.67, 1%, 0.65%

LAB 73.03, 30.95, 56.23

 

CMYK 0 / 32 / 63 / 0

HEX #FFAD5E

RGB 255 173 94

HSL 29.44, 1%, 0.68%

LAB 77.25, 22.64, 51.94

 

CMYK 0 / 25 / 56 / 0

HEX #FFBF71

RGB 255 191 113

HSL 32.96, 1%, 0.72%

LAB 81.68, 14.56, 47.88

 

CMYK 0 / 50 / 82 / 7

HEX #ED772A

RGB 237 119 42

HSL 23.69, 0.84%, 0.55%

LAB 62.81, 40.94, 59.64

 

CMYK 0 / 54 / 90 / 14

HEX #DC6517

RGB 220 101 23

HSL 23.76, 0.81%, 0.48%

LAB 56.67, 42.83, 60.24

 

CMYK 0 / 59 / 98 / 20

HEX #CB5304

RGB 203 83 4

HSL 23.82, 0.96%, 0.41%

LAB 50.56, 44.78, 59.48

 

CMYK 0 / 65 / 100 / 27

HEX #BA4100

RGB 186 65 0

HSL 20.97, 1%, 0.36%

LAB 44.55, 46.67, 55.63

 

CMYK 0 / 72 / 100 / 34

HEX #A92F00

RGB 169 47 0

HSL 16.69, 1%, 0.33%

LAB 38.67, 48.14, 50.96

 

CMYK 0 / 50 / 82 / 7

HEX #EC772B

RGB 236 119 43

HSL 23.63, 0.84%, 0.55%

LAB 62.68, 40.58, 59.06

 

CMYK 0 / 72 / 82 / 7

HEX #EC432B

RGB 236 67 43

HSL 7.46, 0.84%, 0.55%

LAB 54.05, 63.26, 51.2

 

CMYK 0 / 82 / 82 / 7

HEX #EC2B2B

RGB 236 43 43

HSL 0, 0.84%, 0.55%

LAB 51.54, 70.3, 48.85

 

CMYK 0 / 50 / 82 / 7

HEX #EC772B

RGB 236 119 43

HSL 23.63, 0.84%, 0.55%

LAB 62.68, 40.58, 59.06

 

CMYK 0 / 28 / 82 / 7

HEX #ECAB2B

RGB 236 171 43

HSL 39.79, 0.84%, 0.55%

LAB 74.27, 13.41, 69.28

 

CMYK 0 / 6 / 82 / 7

HEX #ECDF2B

RGB 236 223 43

HSL 55.96, 0.84%, 0.55%

LAB 87.38, -13.33, 80.49

 

CMYK 17 / 0 / 82 / 7

HEX #C5EC2B

RGB 197 236 43

HSL 72.12, 0.84%, 0.55%

LAB 87.99, -35.49, 79.87

 

CMYK 39 / 0 / 82 / 7

HEX #91EC2B

RGB 145 236 43

HSL 88.29, 0.84%, 0.55%

LAB 85.09, -54.57, 76.21

 

CMYK 0 / 50 / 82 / 7

HEX #EC772B

RGB 236 119 43

HSL 23.63, 0.84%, 0.55%

LAB 62.68, 40.58, 59.06

 

CMYK 0 / 50 / 82 / 7

HEX #EC772B

RGB 236 119 43

HSL 23.63, 0.84%, 0.55%

LAB 62.68, 40.58, 59.06

 

CMYK 0 / 44 / 72 / 15

HEX #DA7B3E

RGB 218 123 62

HSL 23.46, 0.68%, 0.55%

LAB 61.15, 32.1, 48.24

 

CMYK 0 / 36 / 60 / 22

HEX #C77F50

RGB 199 127 80

HSL 23.7, 0.52%, 0.55%

LAB 59.8, 23.25, 36.82

 

CMYK 0 / 27 / 45 / 29

HEX #B48363

RGB 180 131 99

HSL 23.7, 0.35%, 0.55%

LAB 58.82, 14.83, 24.7

 

CMYK 0 / 17 / 27 / 36

HEX #A28776

RGB 162 135 118

HSL 23.18, 0.19%, 0.55%

LAB 58.34, 7.59, 12.97

 

CMYK 0 / 82 / 69 / 7

HEX #EC2B48

RGB 236 43 72

HSL 350.98, 0.84%, 0.55%

LAB 51.87, 71.31, 33.02

 

CMYK 0 / 72 / 82 / 7

HEX #EC422B

RGB 236 66 43

HSL 7.15, 0.84%, 0.55%

LAB 53.92, 63.61, 51.08

 

CMYK 0 / 50 / 82 / 7

HEX #EC752B

RGB 236 117 43

HSL 23.01, 0.84%, 0.55%

LAB 62.28, 41.57, 58.71

 

CMYK 0 / 28 / 82 / 7

HEX #ECA92B

RGB 236 169 43

HSL 39.17, 0.84%, 0.55%

LAB 73.79, 14.47, 68.86

 

CMYK 0 / 7 / 82 / 7

HEX #ECDC2B

RGB 236 220 43

HSL 55.03, 0.84%, 0.55%

LAB 86.6, -11.85, 79.83

 

CMYK 0 / 55 / 92 / 29

HEX #B6510F

RGB 182 81 15

HSL 23.71, 0.85%, 0.39%

LAB 46.8, 37.8, 52.68

 

CMYK 0 / 55 / 91 / 14

HEX #DC6213

RGB 220 98 19

HSL 23.58, 0.84%, 0.47%

LAB 56.09, 44.22, 60.96

 

CMYK 0 / 50 / 82 / 7

HEX #EC772B

RGB 236 119 43

HSL 23.63, 0.84%, 0.55%

LAB 62.68, 40.58, 59.06

 

CMYK 0 / 40 / 66 / 6

HEX #EF9051

RGB 239 144 81

HSL 23.92, 0.83%, 0.63%

LAB 68.67, 30.57, 47.98

 

CMYK 0 / 31 / 51 / 5

HEX #F3A877

RGB 243 168 119

HSL 23.71, 0.84%, 0.71%

LAB 75.07, 22.32, 36.32

 

CMYK 0 / 50 / 82 / 7

HEX #ED772A

RGB 237 119 42

HSL 23.69, 0.84%, 0.55%

LAB 62.81, 40.94, 59.64

 

CMYK 47 / 0 / 82 / 7

HEX #7CEC2B

RGB 124 236 43

HSL 94.82, 0.84%, 0.55%

LAB 84.2, -61.17, 75.08

 

CMYK 82 / 80 / 0 / 7

HEX #2B2FEC

RGB 43 47 236

HSL 238.76, 0.84%, 0.55%

LAB 35.21, 61.83, -92.27

 

CMYK 0 / 50 / 82 / 7

HEX #ED772A

RGB 237 119 42

HSL 23.69, 0.84%, 0.55%

LAB 62.81, 40.94, 59.64

 

CMYK 82 / 0 / 50 / 7

HEX #2BEC75

RGB 43 236 117

HSL 143.01, 0.84%, 0.55%

LAB 82.8, -70.23, 44.77

 

CMYK 50 / 82 / 0 / 7

HEX #752BEC

RGB 117 43 236

HSL 263.01, 0.84%, 0.55%

LAB 40.52, 69.5, -83.3

 

CMYK 0 / 50 / 82 / 7

HEX #ED772A

RGB 237 119 42

HSL 23.69, 0.84%, 0.55%

LAB 62.81, 40.94, 59.64

 

CMYK 47 / 0 / 82 / 7

HEX #7CEC2B

RGB 124 236 43

HSL 94.82, 0.84%, 0.55%

LAB 84.2, -61.17, 75.08

 

CMYK 82 / 31 / 0 / 7

HEX #2BA2EC

RGB 43 162 236

HSL 203.01, 0.84%, 0.55%

LAB 63.68, -6.62, -46.11

 

CMYK 34 / 82 / 0 / 7

HEX #9C2BEC

RGB 156 43 236

HSL 275.13, 0.84%, 0.55%

LAB 45.43, 74.56, -75.05

 

CMYK 0 / 50 / 82 / 7

HEX #ED772A

RGB 237 119 42

HSL 23.69, 0.84%, 0.55%

LAB 62.81, 40.94, 59.64

 

CMYK 72 / 0 / 82 / 7

HEX #42EC2B

RGB 66 236 43

HSL 112.85, 0.84%, 0.55%

LAB 82.55, -74.52, 72.98

 

CMYK 82 / 31 / 0 / 7

HEX #2BA2EC

RGB 43 162 236

HSL 203.01, 0.84%, 0.55%

LAB 63.68, -6.62, -46.11

 

CMYK 9 / 82 / 0 / 7

HEX #D62BEC

RGB 214 43 236

HSL 293.16, 0.84%, 0.55%

LAB 54.11, 83.81, -60.57

 

Description

Color code: HEX #ED772A | qconv.com Color code: HEX #ED772A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 119 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 119 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 82 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 82% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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