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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED432A it is the complementary color #12BCD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED432A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED432A shade: #F24325, #FF5538, #FF674B, #FF795E and #FF8B71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED432A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED432A shade: #ED432A, #DC3117, #CB1F04, #BA0D00 and #A90000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED432A shade: #EC442B and #EC2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED432A shade: #EC442B, #EC782B, #ECAC2B, #ECE02B and #C4EC2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED432A shade matches the following richer shades: #EC442B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED432A shade: #EC442B, #DA523E, #C76050, #B46D63 and #A27B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED432A shade: #EC2B7C, #EC2B48, #EC422B, #EC752B and #ECA92B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED432A shade: #B6250F, #DC2C13, #EC442B, #EF6651 and #F38777

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED432A shade: #ED432A, #AFEC2B and #2B62EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED432A shade: #ED432A, #2BEC42 and #422BEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED432A shade: #ED432A, #AFEC2B, #2BD6EC and #682BEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED432A shade: #ED432A, #75EC2B, #2BD6EC and #A22BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 82 / 7

HEX #ED432A

RGB 237 67 42

HSL 7.69, 0.84%, 0.55%

LAB 54.22, 63.54, 51.91

 

Complementary color

CMYK 92 / 12 / 0 / 16

HEX #12BCD5

RGB 18 188 213

HSL 187.69, 0.84%, 0.45%

LAB 70.11, -29.79, -23.54

 

CMYK 0 / 72 / 85 / 5

HEX #F24325

RGB 242 67 37

HSL 8.78, 0.89%, 0.55%

LAB 55.1, 64.96, 55.32

 

CMYK 0 / 67 / 78 / 0

HEX #FF5538

RGB 255 85 56

HSL 8.74, 1%, 0.61%

LAB 59.93, 63.01, 51.67

 

CMYK 0 / 60 / 71 / 0

HEX #FF674B

RGB 255 103 75

HSL 9.33, 1%, 0.65%

LAB 62.9, 56.3, 45.1

 

CMYK 0 / 53 / 63 / 0

HEX #FF795E

RGB 255 121 94

HSL 10.06, 1%, 0.68%

LAB 66.32, 49.05, 38.99

 

CMYK 0 / 45 / 56 / 0

HEX #FF8B71

RGB 255 139 113

HSL 10.99, 1%, 0.72%

LAB 70.12, 41.51, 33.47

 

CMYK 0 / 72 / 82 / 7

HEX #ED432A

RGB 237 67 42

HSL 7.69, 0.84%, 0.55%

LAB 54.22, 63.54, 51.91

 

CMYK 0 / 78 / 90 / 14

HEX #DC3117

RGB 220 49 23

HSL 7.92, 0.81%, 0.48%

LAB 48.85, 63.78, 54.5

 

CMYK 0 / 85 / 98 / 20

HEX #CB1F04

RGB 203 31 4

HSL 8.14, 0.96%, 0.41%

LAB 43.78, 63.29, 55.86

 

CMYK 0 / 93 / 100 / 27

HEX #BA0D00

RGB 186 13 0

HSL 4.19, 1%, 0.36%

LAB 39.12, 61.76, 53.21

 

CMYK 0 / 100 / 100 / 34

HEX #A90000

RGB 169 0 0

HSL 0, 1%, 0.33%

LAB 34.87, 58.87, 49.17

 

CMYK 0 / 71 / 82 / 7

HEX #EC442B

RGB 236 68 43

HSL 7.77, 0.84%, 0.55%

LAB 54.18, 62.91, 51.32

 

CMYK 0 / 82 / 82 / 7

HEX #EC2B2B

RGB 236 43 43

HSL 0, 0.84%, 0.55%

LAB 51.54, 70.3, 48.85

 

CMYK 0 / 71 / 82 / 7

HEX #EC442B

RGB 236 68 43

HSL 7.77, 0.84%, 0.55%

LAB 54.18, 62.91, 51.32

 

CMYK 0 / 49 / 82 / 7

HEX #EC782B

RGB 236 120 43

HSL 23.94, 0.84%, 0.55%

LAB 62.88, 40.08, 59.24

 

CMYK 0 / 27 / 82 / 7

HEX #ECAC2B

RGB 236 172 43

HSL 40.1, 0.84%, 0.55%

LAB 74.52, 12.88, 69.48

 

CMYK 0 / 5 / 82 / 7

HEX #ECE02B

RGB 236 224 43

HSL 56.27, 0.84%, 0.55%

LAB 87.64, -13.83, 80.71

 

CMYK 17 / 0 / 82 / 7

HEX #C4EC2B

RGB 196 236 43

HSL 72.44, 0.84%, 0.55%

LAB 87.92, -35.88, 79.79

 

CMYK 0 / 71 / 82 / 7

HEX #EC442B

RGB 236 68 43

HSL 7.77, 0.84%, 0.55%

LAB 54.18, 62.91, 51.32

 

CMYK 0 / 71 / 82 / 7

HEX #EC442B

RGB 236 68 43

HSL 7.77, 0.84%, 0.55%

LAB 54.18, 62.91, 51.32

 

CMYK 0 / 62 / 72 / 15

HEX #DA523E

RGB 218 82 62

HSL 7.69, 0.68%, 0.55%

LAB 53.26, 52.16, 39.54

 

CMYK 0 / 52 / 60 / 22

HEX #C76050

RGB 199 96 80

HSL 8.07, 0.52%, 0.55%

LAB 53.04, 39.71, 28.44

 

CMYK 0 / 39 / 45 / 29

HEX #B46D63

RGB 180 109 99

HSL 7.41, 0.35%, 0.55%

LAB 53.54, 27.09, 17.61

 

CMYK 0 / 24 / 27 / 36

HEX #A27B76

RGB 162 123 118

HSL 6.82, 0.19%, 0.55%

LAB 55.23, 14.4, 8.6

 

CMYK 0 / 82 / 47 / 7

HEX #EC2B7C

RGB 236 43 124

HSL 334.82, 0.84%, 0.55%

LAB 52.97, 74.57, 3.24

 

CMYK 0 / 82 / 69 / 7

HEX #EC2B48

RGB 236 43 72

HSL 350.98, 0.84%, 0.55%

LAB 51.87, 71.31, 33.02

 

CMYK 0 / 72 / 82 / 7

HEX #EC422B

RGB 236 66 43

HSL 7.15, 0.84%, 0.55%

LAB 53.92, 63.61, 51.08

 

CMYK 0 / 50 / 82 / 7

HEX #EC752B

RGB 236 117 43

HSL 23.01, 0.84%, 0.55%

LAB 62.28, 41.57, 58.71

 

CMYK 0 / 28 / 82 / 7

HEX #ECA92B

RGB 236 169 43

HSL 39.17, 0.84%, 0.55%

LAB 73.79, 14.47, 68.86

 

CMYK 0 / 80 / 92 / 29

HEX #B6250F

RGB 182 37 15

HSL 7.9, 0.85%, 0.39%

LAB 40.09, 55.84, 47.94

 

CMYK 0 / 80 / 91 / 14

HEX #DC2C13

RGB 220 44 19

HSL 7.46, 0.84%, 0.47%

LAB 48.34, 65.11, 55.64

 

CMYK 0 / 71 / 82 / 7

HEX #EC442B

RGB 236 68 43

HSL 7.77, 0.84%, 0.55%

LAB 54.18, 62.91, 51.32

 

CMYK 0 / 57 / 66 / 6

HEX #EF6651

RGB 239 102 81

HSL 7.97, 0.83%, 0.63%

LAB 60.29, 51.49, 38.19

 

CMYK 0 / 44 / 51 / 5

HEX #F38777

RGB 243 135 119

HSL 7.74, 0.84%, 0.71%

LAB 67.81, 39.55, 26.87

 

CMYK 0 / 72 / 82 / 7

HEX #ED432A

RGB 237 67 42

HSL 7.69, 0.84%, 0.55%

LAB 54.22, 63.54, 51.91

 

CMYK 26 / 0 / 82 / 7

HEX #AFEC2B

RGB 175 236 43

HSL 78.96, 0.84%, 0.55%

LAB 86.64, -43.95, 78.18

 

CMYK 82 / 58 / 0 / 7

HEX #2B62EC

RGB 43 98 236

HSL 222.9, 0.84%, 0.55%

LAB 46.05, 32.42, -74.41

 

CMYK 0 / 72 / 82 / 7

HEX #ED432A

RGB 237 67 42

HSL 7.69, 0.84%, 0.55%

LAB 54.22, 63.54, 51.91

 

CMYK 82 / 0 / 72 / 7

HEX #2BEC42

RGB 43 236 66

HSL 127.15, 0.84%, 0.55%

LAB 82.32, -76.06, 65.72

 

CMYK 72 / 82 / 0 / 7

HEX #422BEC

RGB 66 43 236

HSL 247.15, 0.84%, 0.55%

LAB 35.87, 64.87, -91.13

 

CMYK 0 / 72 / 82 / 7

HEX #ED432A

RGB 237 67 42

HSL 7.69, 0.84%, 0.55%

LAB 54.22, 63.54, 51.91

 

CMYK 26 / 0 / 82 / 7

HEX #AFEC2B

RGB 175 236 43

HSL 78.96, 0.84%, 0.55%

LAB 86.64, -43.95, 78.18

 

CMYK 82 / 9 / 0 / 7

HEX #2BD6EC

RGB 43 214 236

HSL 186.84, 0.84%, 0.55%

LAB 78.85, -33.56, -22.62

 

CMYK 56 / 82 / 0 / 7

HEX #682BEC

RGB 104 43 236

HSL 258.96, 0.84%, 0.55%

LAB 39.12, 68.08, -85.65

 

CMYK 0 / 72 / 82 / 7

HEX #ED432A

RGB 237 67 42

HSL 7.69, 0.84%, 0.55%

LAB 54.22, 63.54, 51.91

 

CMYK 50 / 0 / 82 / 7

HEX #75EC2B

RGB 117 236 43

HSL 96.99, 0.84%, 0.55%

LAB 83.94, -63.18, 74.75

 

CMYK 82 / 9 / 0 / 7

HEX #2BD6EC

RGB 43 214 236

HSL 186.84, 0.84%, 0.55%

LAB 78.85, -33.56, -22.62

 

CMYK 31 / 82 / 0 / 7

HEX #A22BEC

RGB 162 43 236

HSL 276.99, 0.84%, 0.55%

LAB 46.26, 75.44, -73.65

 

Description

Color code: HEX #ED432A | qconv.com Color code: HEX #ED432A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 67 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 67 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 82 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 82% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

71% - 코글리
Link: http://cogly.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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