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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED4036 it is the complementary color #12BFC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED4036. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED4036 shade: #F24031, #FF5244, #FF6457, #FF766A and #FF887D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED4036. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED4036 shade: #ED4036, #DC2E23, #CB1C10, #BA0A00 and #A90000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED4036 shade: #ED3F35 and #ED3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED4036 shade: #ED3F35, #ED7035, #EDA235, #EDD435 and #D4ED35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED4036 shade matches the following richer shades: #ED3F35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED4036 shade: #ED3F35, #DB4F46, #C95E58, #B86E6A and #A67E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED4036 shade: #ED358E, #ED355D, #ED3E35, #ED6F35 and #EDA035

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED4036 shade: #BF1A10, #E51F13, #ED3F35, #F0635B and #F48781

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED4036 shade: #ED4036, #BFED35 and #3575ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED4036 shade: #ED4036, #35ED3E and #3E35ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED4036 shade: #ED4036, #BFED35, #35E4ED and #6335ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED4036 shade: #ED4036, #88ED35, #35E4ED and #9A35ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 77 / 7

HEX #ED4036

RGB 237 64 54

HSL 3.28, 0.84%, 0.57%

LAB 53.96, 64.92, 45.58

 

Complementary color

CMYK 91 / 5 / 0 / 21

HEX #12BFC9

RGB 18 191 201

HSL 183.28, 0.84%, 0.43%

LAB 70.6, -35.04, -16.23

 

CMYK 0 / 74 / 80 / 5

HEX #F24031

RGB 242 64 49

HSL 4.66, 0.88%, 0.57%

LAB 54.83, 66.26, 49.35

 

CMYK 0 / 68 / 73 / 0

HEX #FF5244

RGB 255 82 68

HSL 4.49, 1%, 0.63%

LAB 59.63, 64.58, 45.15

 

CMYK 0 / 61 / 66 / 0

HEX #FF6457

RGB 255 100 87

HSL 4.64, 1%, 0.67%

LAB 62.56, 58.21, 38.22

 

CMYK 0 / 54 / 58 / 0

HEX #FF766A

RGB 255 118 106

HSL 4.83, 1%, 0.71%

LAB 65.95, 51.26, 31.96

 

CMYK 0 / 47 / 51 / 0

HEX #FF887D

RGB 255 136 125

HSL 5.08, 1%, 0.75%

LAB 69.72, 43.99, 26.38

 

CMYK 0 / 73 / 77 / 7

HEX #ED4036

RGB 237 64 54

HSL 3.28, 0.84%, 0.57%

LAB 53.96, 64.92, 45.58

 

CMYK 0 / 79 / 84 / 14

HEX #DC2E23

RGB 220 46 35

HSL 3.57, 0.73%, 0.5%

LAB 48.62, 64.86, 49.04

 

CMYK 0 / 86 / 92 / 20

HEX #CB1C10

RGB 203 28 16

HSL 3.85, 0.85%, 0.43%

LAB 43.6, 64.04, 51.97

 

CMYK 0 / 95 / 100 / 27

HEX #BA0A00

RGB 186 10 0

HSL 3.23, 1%, 0.36%

LAB 39, 62.11, 53.16

 

CMYK 0 / 100 / 100 / 34

HEX #A90000

RGB 169 0 0

HSL 0, 1%, 0.33%

LAB 34.87, 58.87, 49.17

 

CMYK 0 / 73 / 78 / 7

HEX #ED3F35

RGB 237 63 53

HSL 3.26, 0.84%, 0.57%

LAB 53.83, 65.21, 45.97

 

CMYK 0 / 78 / 78 / 7

HEX #ED3535

RGB 237 53 53

HSL 0, 0.84%, 0.57%

LAB 52.74, 68.27, 44.84

 

CMYK 0 / 73 / 78 / 7

HEX #ED3F35

RGB 237 63 53

HSL 3.26, 0.84%, 0.57%

LAB 53.83, 65.21, 45.97

 

CMYK 0 / 53 / 78 / 7

HEX #ED7035

RGB 237 112 53

HSL 19.24, 0.84%, 0.57%

LAB 61.52, 44.74, 53.73

 

CMYK 0 / 32 / 78 / 7

HEX #EDA235

RGB 237 162 53

HSL 35.54, 0.84%, 0.57%

LAB 72.3, 18.93, 64.08

 

CMYK 0 / 11 / 78 / 7

HEX #EDD435

RGB 237 212 53

HSL 51.85, 0.84%, 0.57%

LAB 84.66, -7.1, 75.41

 

CMYK 11 / 0 / 78 / 7

HEX #D4ED35

RGB 212 237 53

HSL 68.15, 0.84%, 0.57%

LAB 89.31, -29.63, 78.85

 

CMYK 0 / 73 / 78 / 7

HEX #ED3F35

RGB 237 63 53

HSL 3.26, 0.84%, 0.57%

LAB 53.83, 65.21, 45.97

 

CMYK 0 / 73 / 78 / 7

HEX #ED3F35

RGB 237 63 53

HSL 3.26, 0.84%, 0.57%

LAB 53.83, 65.21, 45.97

 

CMYK 0 / 64 / 68 / 14

HEX #DB4F46

RGB 219 79 70

HSL 3.62, 0.67%, 0.57%

LAB 53.05, 54.19, 34.87

 

CMYK 0 / 53 / 56 / 21

HEX #C95E58

RGB 201 94 88

HSL 3.19, 0.51%, 0.57%

LAB 53.09, 42.07, 23.93

 

CMYK 0 / 40 / 42 / 28

HEX #B86E6A

RGB 184 110 106

HSL 3.08, 0.35%, 0.57%

LAB 54.43, 28.89, 14.84

 

CMYK 0 / 24 / 25 / 35

HEX #A67E7C

RGB 166 126 124

HSL 2.86, 0.19%, 0.57%

LAB 56.57, 15.17, 7.09

 

CMYK 0 / 78 / 40 / 7

HEX #ED358E

RGB 237 53 142

HSL 330.98, 0.84%, 0.57%

LAB 54.56, 73.91, -5.18

 

CMYK 0 / 78 / 61 / 7

HEX #ED355D

RGB 237 53 93

HSL 346.96, 0.84%, 0.57%

LAB 53.32, 70.11, 22.41

 

CMYK 0 / 74 / 78 / 7

HEX #ED3E35

RGB 237 62 53

HSL 2.93, 0.84%, 0.57%

LAB 53.71, 65.54, 45.85

 

CMYK 0 / 53 / 78 / 7

HEX #ED6F35

RGB 237 111 53

HSL 18.91, 0.84%, 0.57%

LAB 61.33, 45.23, 53.55

 

CMYK 0 / 32 / 78 / 7

HEX #EDA035

RGB 237 160 53

HSL 34.89, 0.84%, 0.57%

LAB 71.83, 19.99, 63.64

 

CMYK 0 / 86 / 92 / 25

HEX #BF1A10

RGB 191 26 16

HSL 3.43, 0.85%, 0.41%

LAB 40.98, 61.15, 49.04

 

CMYK 0 / 86 / 92 / 10

HEX #E51F13

RGB 229 31 19

HSL 3.43, 0.85%, 0.49%

LAB 49.11, 70.49, 57.02

 

CMYK 0 / 73 / 78 / 7

HEX #ED3F35

RGB 237 63 53

HSL 3.26, 0.84%, 0.57%

LAB 53.83, 65.21, 45.97

 

CMYK 0 / 59 / 62 / 6

HEX #F0635B

RGB 240 99 91

HSL 3.22, 0.83%, 0.65%

LAB 60.07, 53.8, 32.39

 

CMYK 0 / 45 / 47 / 4

HEX #F48781

RGB 244 135 129

HSL 3.13, 0.84%, 0.73%

LAB 68.13, 40.83, 21.77

 

CMYK 0 / 73 / 77 / 7

HEX #ED4036

RGB 237 64 54

HSL 3.28, 0.84%, 0.57%

LAB 53.96, 64.92, 45.58

 

CMYK 19 / 0 / 78 / 7

HEX #BFED35

RGB 191 237 53

HSL 75, 0.84%, 0.57%

LAB 87.92, -37.92, 77.08

 

CMYK 78 / 51 / 0 / 7

HEX #3575ED

RGB 53 117 237

HSL 219.13, 0.84%, 0.57%

LAB 51.37, 21.69, -66.3

 

CMYK 0 / 73 / 77 / 7

HEX #ED4036

RGB 237 64 54

HSL 3.28, 0.84%, 0.57%

LAB 53.96, 64.92, 45.58

 

CMYK 78 / 0 / 74 / 7

HEX #35ED3E

RGB 53 237 62

HSL 122.93, 0.84%, 0.57%

LAB 82.74, -75.53, 67.54

 

CMYK 74 / 78 / 0 / 7

HEX #3E35ED

RGB 62 53 237

HSL 242.93, 0.84%, 0.57%

LAB 37.27, 60.39, -89.38

 

CMYK 0 / 73 / 77 / 7

HEX #ED4036

RGB 237 64 54

HSL 3.28, 0.84%, 0.57%

LAB 53.96, 64.92, 45.58

 

CMYK 19 / 0 / 78 / 7

HEX #BFED35

RGB 191 237 53

HSL 75, 0.84%, 0.57%

LAB 87.92, -37.92, 77.08

 

CMYK 78 / 4 / 0 / 7

HEX #35E4ED

RGB 53 228 237

HSL 182.93, 0.84%, 0.57%

LAB 83.1, -38.93, -16.7

 

CMYK 58 / 78 / 0 / 7

HEX #6335ED

RGB 99 53 237

HSL 255, 0.84%, 0.57%

LAB 40.1, 63.79, -84.61

 

CMYK 0 / 73 / 77 / 7

HEX #ED4036

RGB 237 64 54

HSL 3.28, 0.84%, 0.57%

LAB 53.96, 64.92, 45.58

 

CMYK 43 / 0 / 78 / 7

HEX #88ED35

RGB 136 237 53

HSL 92.93, 0.84%, 0.57%

LAB 85.03, -57.42, 73.35

 

CMYK 78 / 4 / 0 / 7

HEX #35E4ED

RGB 53 228 237

HSL 182.93, 0.84%, 0.57%

LAB 83.1, -38.93, -16.7

 

CMYK 35 / 78 / 0 / 7

HEX #9A35ED

RGB 154 53 237

HSL 272.93, 0.84%, 0.57%

LAB 46.35, 71.24, -74.12

 

Description

Color code: HEX #ED4036 | qconv.com Color code: HEX #ED4036 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 64 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 64 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 77 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 77% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

63% - svenBit - A weblog a...
Link: http://www.svenbit.com

18% - Sun Chemical | Inks,...
Link: http://www.sunchemical.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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