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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED4962 it is the complementary color #12B69D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED4962. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED4962 shade: #F2495D, #FF5B70, #FF6D83, #FF7F96 and #FF91A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED4962. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED4962 shade: #ED4962, #DC374F, #CB253C, #BA1329 and #A90116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED4962 shade: #ED4A62 and #ED4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED4962 shade: #ED4A62, #ED4A8E, #ED4ABA, #ED4AE6 and #C74AED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED4962 shade matches the following richer shades: #ED4A62 and #FD3957

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED4962 shade: #ED4A62, #DD5A6E, #CC6A79, #BC7A84 and #AC8A8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED4962 shade: #ED4ABC, #ED4A90, #ED4A65, #ED5A4A and #ED854A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED4962 shade: #D01431, #E92442, #ED4A62, #F06F83 and #F495A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED4962 shade: #ED4962, #E7ED4A and #4AA6ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED4962 shade: #ED4962, #65ED4A and #4A65ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED4962 shade: #ED4962, #E7ED4A, #4AEDD1 and #4F4AED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED4962 shade: #ED4962, #B6ED4A, #4AEDD1 and #804AED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 59 / 7

HEX #ED4962

RGB 237 73 98

HSL 350.85, 0.82%, 0.61%

LAB 55.74, 63.95, 22.65

 

Complementary color

CMYK 90 / 0 / 14 / 29

HEX #12B69D

RGB 18 182 157

HSL 170.85, 0.82%, 0.39%

LAB 66.53, -43.89, 1.94

 

CMYK 0 / 70 / 62 / 5

HEX #F2495D

RGB 242 73 93

HSL 352.9, 0.87%, 0.62%

LAB 56.52, 65.14, 26.77

 

CMYK 0 / 64 / 56 / 0

HEX #FF5B70

RGB 255 91 112

HSL 352.32, 1%, 0.68%

LAB 61.58, 63.52, 22.83

 

CMYK 0 / 57 / 49 / 0

HEX #FF6D83

RGB 255 109 131

HSL 350.96, 1%, 0.71%

LAB 64.83, 57.37, 16.37

 

CMYK 0 / 50 / 41 / 0

HEX #FF7F96

RGB 255 127 150

HSL 349.22, 1%, 0.75%

LAB 68.49, 50.79, 10.72

 

CMYK 0 / 43 / 34 / 0

HEX #FF91A9

RGB 255 145 169

HSL 346.91, 1%, 0.78%

LAB 72.48, 44, 5.8

 

CMYK 0 / 69 / 59 / 7

HEX #ED4962

RGB 237 73 98

HSL 350.85, 0.82%, 0.61%

LAB 55.74, 63.95, 22.65

 

CMYK 0 / 75 / 64 / 14

HEX #DC374F

RGB 220 55 79

HSL 351.27, 0.7%, 0.54%

LAB 50.11, 63.93, 26.01

 

CMYK 0 / 82 / 70 / 20

HEX #CB253C

RGB 203 37 60

HSL 351.69, 0.69%, 0.47%

LAB 44.72, 63.27, 30.02

 

CMYK 0 / 90 / 78 / 27

HEX #BA1329

RGB 186 19 41

HSL 352.1, 0.81%, 0.4%

LAB 39.69, 61.67, 34.73

 

CMYK 0 / 99 / 87 / 34

HEX #A90116

RGB 169 1 22

HSL 352.5, 0.99%, 0.33%

LAB 35.03, 59.06, 39.7

 

CMYK 0 / 69 / 59 / 7

HEX #ED4A62

RGB 237 74 98

HSL 351.17, 0.82%, 0.61%

LAB 55.87, 63.59, 22.83

 

CMYK 0 / 69 / 69 / 7

HEX #ED4A4A

RGB 237 74 74

HSL 0, 0.82%, 0.61%

LAB 55.48, 62.21, 36.25

 

CMYK 0 / 69 / 59 / 7

HEX #ED4A62

RGB 237 74 98

HSL 351.17, 0.82%, 0.61%

LAB 55.87, 63.59, 22.83

 

CMYK 0 / 69 / 40 / 7

HEX #ED4A8E

RGB 237 74 142

HSL 334.97, 0.82%, 0.61%

LAB 56.93, 67.24, -1.68

 

CMYK 0 / 69 / 22 / 7

HEX #ED4ABA

RGB 237 74 186

HSL 318.77, 0.82%, 0.61%

LAB 58.46, 72.29, -25.01

 

CMYK 0 / 69 / 3 / 7

HEX #ED4AE6

RGB 237 74 230

HSL 302.58, 0.82%, 0.61%

LAB 60.44, 78.55, -46.9

 

CMYK 16 / 69 / 0 / 7

HEX #C74AED

RGB 199 74 237

HSL 286.01, 0.82%, 0.61%

LAB 55.23, 71.64, -59.46

 

CMYK 0 / 69 / 59 / 7

HEX #ED4A62

RGB 237 74 98

HSL 351.17, 0.82%, 0.61%

LAB 55.87, 63.59, 22.83

 

CMYK 0 / 77 / 66 / 1

HEX #FD3957

RGB 253 57 87

HSL 350.82, 0.98%, 0.61%

LAB 56.58, 73.03, 30.76

 

CMYK 0 / 69 / 59 / 7

HEX #ED4A62

RGB 237 74 98

HSL 351.17, 0.82%, 0.61%

LAB 55.87, 63.59, 22.83

 

CMYK 0 / 59 / 50 / 13

HEX #DD5A6E

RGB 221 90 110

HSL 350.84, 0.66%, 0.61%

LAB 55.9, 52.83, 15.36

 

CMYK 0 / 48 / 41 / 20

HEX #CC6A79

RGB 204 106 121

HSL 350.82, 0.49%, 0.61%

LAB 56.61, 40.24, 9.53

 

CMYK 0 / 35 / 30 / 26

HEX #BC7A84

RGB 188 122 132

HSL 350.91, 0.33%, 0.61%

LAB 58.3, 27.09, 5.27

 

CMYK 0 / 20 / 17 / 33

HEX #AC8A8F

RGB 172 138 143

HSL 351.18, 0.17%, 0.61%

LAB 60.72, 13.7, 2.23

 

CMYK 0 / 69 / 21 / 7

HEX #ED4ABC

RGB 237 74 188

HSL 318.04, 0.82%, 0.61%

LAB 58.54, 72.55, -26.04

 

CMYK 0 / 69 / 39 / 7

HEX #ED4A90

RGB 237 74 144

HSL 334.23, 0.82%, 0.61%

LAB 56.99, 67.44, -2.77

 

CMYK 0 / 69 / 57 / 7

HEX #ED4A65

RGB 237 74 101

HSL 350.06, 0.82%, 0.61%

LAB 55.93, 63.79, 21.14

 

CMYK 0 / 62 / 69 / 7

HEX #ED5A4A

RGB 237 90 74

HSL 5.89, 0.82%, 0.61%

LAB 57.86, 55.77, 39.07

 

CMYK 0 / 44 / 69 / 7

HEX #ED854A

RGB 237 133 74

HSL 21.72, 0.82%, 0.61%

LAB 65.96, 35.11, 48.34

 

CMYK 0 / 90 / 76 / 18

HEX #D01431

RGB 208 20 49

HSL 350.74, 0.82%, 0.45%

LAB 44.42, 67.5, 36.49

 

CMYK 0 / 85 / 72 / 9

HEX #E92442

RGB 233 36 66

HSL 350.86, 0.82%, 0.53%

LAB 50.66, 71.79, 34.96

 

CMYK 0 / 69 / 59 / 7

HEX #ED4A62

RGB 237 74 98

HSL 351.17, 0.82%, 0.61%

LAB 55.87, 63.59, 22.83

 

CMYK 0 / 54 / 45 / 6

HEX #F06F83

RGB 240 111 131

HSL 350.7, 0.81%, 0.69%

LAB 62.95, 51.43, 13.42

 

CMYK 0 / 39 / 33 / 4

HEX #F495A3

RGB 244 149 163

HSL 351.16, 0.81%, 0.77%

LAB 71.81, 37.33, 7.98

 

CMYK 0 / 69 / 59 / 7

HEX #ED4962

RGB 237 73 98

HSL 350.85, 0.82%, 0.61%

LAB 55.74, 63.95, 22.65

 

CMYK 3 / 0 / 69 / 7

HEX #E7ED4A

RGB 231 237 74

HSL 62.21, 0.82%, 0.61%

LAB 90.8, -21.03, 74.08

 

CMYK 69 / 30 / 0 / 7

HEX #4AA6ED

RGB 74 166 237

HSL 206.13, 0.82%, 0.61%

LAB 65.63, -4.92, -43.54

 

CMYK 0 / 69 / 59 / 7

HEX #ED4962

RGB 237 73 98

HSL 350.85, 0.82%, 0.61%

LAB 55.74, 63.95, 22.65

 

CMYK 57 / 0 / 69 / 7

HEX #65ED4A

RGB 101 237 74

HSL 110.06, 0.82%, 0.61%

LAB 83.88, -65.79, 64.81

 

CMYK 69 / 57 / 0 / 7

HEX #4A65ED

RGB 74 101 237

HSL 230.06, 0.82%, 0.61%

LAB 48.11, 34.19, -71.57

 

CMYK 0 / 69 / 59 / 7

HEX #ED4962

RGB 237 73 98

HSL 350.85, 0.82%, 0.61%

LAB 55.74, 63.95, 22.65

 

CMYK 3 / 0 / 69 / 7

HEX #E7ED4A

RGB 231 237 74

HSL 62.21, 0.82%, 0.61%

LAB 90.8, -21.03, 74.08

 

CMYK 69 / 0 / 12 / 7

HEX #4AEDD1

RGB 74 237 209

HSL 169.69, 0.82%, 0.61%

LAB 85.32, -48.12, 1.39

 

CMYK 67 / 69 / 0 / 7

HEX #4F4AED

RGB 79 74 237

HSL 241.84, 0.82%, 0.61%

LAB 42.27, 50.92, -81.1

 

CMYK 0 / 69 / 59 / 7

HEX #ED4962

RGB 237 73 98

HSL 350.85, 0.82%, 0.61%

LAB 55.74, 63.95, 22.65

 

CMYK 23 / 0 / 69 / 7

HEX #B6ED4A

RGB 182 237 74

HSL 80.25, 0.82%, 0.61%

LAB 87.49, -40.27, 69.68

 

CMYK 69 / 0 / 12 / 7

HEX #4AEDD1

RGB 74 237 209

HSL 169.69, 0.82%, 0.61%

LAB 85.32, -48.12, 1.39

 

CMYK 46 / 69 / 0 / 7

HEX #804AED

RGB 128 74 237

HSL 259.88, 0.82%, 0.61%

LAB 46.45, 58.04, -74.09

 

Description

Color code: HEX #ED4962 | qconv.com Color code: HEX #ED4962 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 73 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 73 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 59 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 59% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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