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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED28C0 it is the complementary color #12D73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED28C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED28C0 shade: #F228BB, #FF3ACE, #FF4CE1, #FF5EF4 and #FF70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED28C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED28C0 shade: #ED28C0, #DC16AD, #CB049A, #BA0087 and #A90074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED28C0 shade: #ED25BF, #ED258A, #ED2554 and #ED2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED28C0 shade: #ED25BF, #E525ED, #AF25ED, #7925ED and #4325ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED28C0 shade matches the following richer shades: #ED25BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED28C0 shade: #ED25BF, #DA38B5, #C74BAB, #B45EA0 and #A17196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED28C0 shade: #AE25ED, #E325ED, #ED25C2, #ED258D and #ED2557

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED28C0 shade: #B20E8C, #D811AB, #ED25BF, #F04CCA and #F372D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED28C0 shade: #ED28C0, #ED7925 and #25EDC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED28C0 shade: #ED28C0, #C2ED25 and #25C2ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED28C0 shade: #ED28C0, #ED7925, #25ED51 and #259AED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED28C0 shade: #ED28C0, #EDB425, #25ED51 and #255EED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 19 / 7

HEX #ED28C0

RGB 237 40 192

HSL 313.71, 0.85%, 0.54%

LAB 55.41, 82.47, -33.2

 

Complementary color

CMYK 92 / 0 / 71 / 16

HEX #12D73F

RGB 18 215 63

HSL 133.71, 0.85%, 0.46%

LAB 75.51, -72.17, 59.7

 

CMYK 0 / 83 / 23 / 5

HEX #F228BB

RGB 242 40 187

HSL 316.34, 0.89%, 0.55%

LAB 56.07, 82.9, -29.21

 

CMYK 0 / 77 / 19 / 0

HEX #FF3ACE

RGB 255 58 206

HSL 314.92, 1%, 0.61%

LAB 60.55, 83.87, -32.98

 

CMYK 0 / 70 / 12 / 0

HEX #FF4CE1

RGB 255 76 225

HSL 310.06, 1%, 0.65%

LAB 63.23, 81.15, -39.52

 

CMYK 0 / 63 / 4 / 0

HEX #FF5EF4

RGB 255 94 244

HSL 304.1, 1%, 0.68%

LAB 66.36, 77.61, -45.17

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 83 / 19 / 7

HEX #ED28C0

RGB 237 40 192

HSL 313.71, 0.85%, 0.54%

LAB 55.41, 82.47, -33.2

 

CMYK 0 / 90 / 21 / 14

HEX #DC16AD

RGB 220 22 173

HSL 314.24, 0.82%, 0.47%

LAB 50.46, 79.75, -30.07

 

CMYK 0 / 98 / 24 / 20

HEX #CB049A

RGB 203 4 154

HSL 314.77, 0.96%, 0.41%

LAB 45.79, 75.98, -26.27

 

CMYK 0 / 100 / 27 / 27

HEX #BA0087

RGB 186 0 135

HSL 316.45, 1%, 0.36%

LAB 41.51, 70.84, -21.61

 

CMYK 0 / 100 / 31 / 34

HEX #A90074

RGB 169 0 116

HSL 318.82, 1%, 0.33%

LAB 37.29, 65.27, -16.58

 

CMYK 0 / 84 / 19 / 7

HEX #ED25BF

RGB 237 37 191

HSL 313.8, 0.85%, 0.54%

LAB 55.16, 82.93, -33.01

 

CMYK 0 / 84 / 42 / 7

HEX #ED258A

RGB 237 37 138

HSL 329.7, 0.85%, 0.54%

LAB 53.13, 77.28, -4.91

 

CMYK 0 / 84 / 65 / 7

HEX #ED2554

RGB 237 37 84

HSL 345.9, 0.85%, 0.54%

LAB 51.8, 73.45, 25.82

 

CMYK 0 / 84 / 84 / 7

HEX #ED2525

RGB 237 37 37

HSL 0, 0.85%, 0.54%

LAB 51.22, 71.74, 51.63

 

CMYK 0 / 84 / 19 / 7

HEX #ED25BF

RGB 237 37 191

HSL 313.8, 0.85%, 0.54%

LAB 55.16, 82.93, -33.01

 

CMYK 3 / 84 / 0 / 7

HEX #E525ED

RGB 229 37 237

HSL 297.6, 0.85%, 0.54%

LAB 56.18, 87.76, -57.68

 

CMYK 26 / 84 / 0 / 7

HEX #AF25ED

RGB 175 37 237

HSL 281.4, 0.85%, 0.54%

LAB 47.69, 79.11, -71.81

 

CMYK 49 / 84 / 0 / 7

HEX #7925ED

RGB 121 37 237

HSL 265.2, 0.85%, 0.54%

LAB 40.41, 72.13, -84.02

 

CMYK 72 / 84 / 0 / 7

HEX #4325ED

RGB 67 37 237

HSL 249, 0.85%, 0.54%

LAB 35.26, 67.56, -92.7

 

CMYK 0 / 84 / 19 / 7

HEX #ED25BF

RGB 237 37 191

HSL 313.8, 0.85%, 0.54%

LAB 55.16, 82.93, -33.01

 

CMYK 0 / 84 / 19 / 7

HEX #ED25BF

RGB 237 37 191

HSL 313.8, 0.85%, 0.54%

LAB 55.16, 82.93, -33.01

 

CMYK 0 / 74 / 17 / 15

HEX #DA38B5

RGB 218 56 181

HSL 313.7, 0.69%, 0.54%

LAB 53.03, 72.96, -30.78

 

CMYK 0 / 62 / 14 / 22

HEX #C74BAB

RGB 199 75 171

HSL 313.55, 0.53%, 0.54%

LAB 51.97, 59.95, -26.83

 

CMYK 0 / 48 / 11 / 29

HEX #B45EA0

RGB 180 94 160

HSL 313.95, 0.36%, 0.54%

LAB 52.12, 43.67, -20.38

 

CMYK 0 / 30 / 7 / 37

HEX #A17196

RGB 161 113 150

HSL 313.75, 0.2%, 0.54%

LAB 53.59, 25.07, -12.5

 

CMYK 27 / 84 / 0 / 7

HEX #AE25ED

RGB 174 37 237

HSL 281.1, 0.85%, 0.54%

LAB 47.54, 78.96, -72.06

 

CMYK 4 / 84 / 0 / 7

HEX #E325ED

RGB 227 37 237

HSL 297, 0.85%, 0.54%

LAB 55.86, 87.42, -58.22

 

CMYK 0 / 84 / 18 / 7

HEX #ED25C2

RGB 237 37 194

HSL 312.9, 0.85%, 0.54%

LAB 55.3, 83.3, -34.52

 

CMYK 0 / 84 / 41 / 7

HEX #ED258D

RGB 237 37 141

HSL 328.8, 0.85%, 0.54%

LAB 53.22, 77.55, -6.57

 

CMYK 0 / 84 / 63 / 7

HEX #ED2557

RGB 237 37 87

HSL 345, 0.85%, 0.54%

LAB 51.86, 73.61, 24.09

 

CMYK 0 / 92 / 21 / 30

HEX #B20E8C

RGB 178 14 140

HSL 313.9, 0.85%, 0.38%

LAB 40.69, 68.35, -26.08

 

CMYK 0 / 92 / 21 / 15

HEX #D811AB

RGB 216 17 171

HSL 313.57, 0.85%, 0.46%

LAB 49.42, 79.33, -30.56

 

CMYK 0 / 84 / 19 / 7

HEX #ED25BF

RGB 237 37 191

HSL 313.8, 0.85%, 0.54%

LAB 55.16, 82.93, -33.01

 

CMYK 0 / 68 / 16 / 6

HEX #F04CCA

RGB 240 76 202

HSL 313.9, 0.85%, 0.62%

LAB 59.85, 74.46, -31.98

 

CMYK 0 / 53 / 12 / 5

HEX #F372D6

RGB 243 114 214

HSL 313.49, 0.84%, 0.7%

LAB 66.48, 61.45, -28.46

 

CMYK 0 / 83 / 19 / 7

HEX #ED28C0

RGB 237 40 192

HSL 313.71, 0.85%, 0.54%

LAB 55.41, 82.47, -33.2

 

CMYK 0 / 49 / 84 / 7

HEX #ED7925

RGB 237 121 37

HSL 25.2, 0.85%, 0.54%

LAB 63.19, 39.8, 61.84

 

CMYK 84 / 0 / 16 / 7

HEX #25EDC8

RGB 37 237 200

HSL 168.9, 0.85%, 0.54%

LAB 84.55, -54.18, 4.94

 

CMYK 0 / 83 / 19 / 7

HEX #ED28C0

RGB 237 40 192

HSL 313.71, 0.85%, 0.54%

LAB 55.41, 82.47, -33.2

 

CMYK 18 / 0 / 84 / 7

HEX #C2ED25

RGB 194 237 37

HSL 72.9, 0.85%, 0.54%

LAB 88.05, -37.3, 81.18

 

CMYK 84 / 18 / 0 / 7

HEX #25C2ED

RGB 37 194 237

HSL 192.9, 0.85%, 0.54%

LAB 72.95, -23.87, -32.2

 

CMYK 0 / 83 / 19 / 7

HEX #ED28C0

RGB 237 40 192

HSL 313.71, 0.85%, 0.54%

LAB 55.41, 82.47, -33.2

 

CMYK 0 / 49 / 84 / 7

HEX #ED7925

RGB 237 121 37

HSL 25.2, 0.85%, 0.54%

LAB 63.19, 39.8, 61.84

 

CMYK 84 / 0 / 66 / 7

HEX #25ED51

RGB 37 237 81

HSL 133.2, 0.85%, 0.54%

LAB 82.68, -75.58, 60.47

 

CMYK 84 / 35 / 0 / 7

HEX #259AED

RGB 37 154 237

HSL 204.9, 0.85%, 0.54%

LAB 61.32, -2.17, -50.39

 

CMYK 0 / 83 / 19 / 7

HEX #ED28C0

RGB 237 40 192

HSL 313.71, 0.85%, 0.54%

LAB 55.41, 82.47, -33.2

 

CMYK 0 / 24 / 84 / 7

HEX #EDB425

RGB 237 180 37

HSL 42.9, 0.85%, 0.54%

LAB 76.55, 8.93, 72.98

 

CMYK 84 / 0 / 66 / 7

HEX #25ED51

RGB 37 237 81

HSL 133.2, 0.85%, 0.54%

LAB 82.68, -75.58, 60.47

 

CMYK 84 / 60 / 0 / 7

HEX #255EED

RGB 37 94 237

HSL 222.9, 0.85%, 0.54%

LAB 44.96, 34.89, -76.76

 

Description

Color code: HEX #ED28C0 | qconv.com Color code: HEX #ED28C0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 40 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 40 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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