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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED1B96 it is the complementary color #12E469. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED1B96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED1B96 shade: #F21B91, #FF2DA4, #FF3FB7, #FF51CA and #FF63DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED1B96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED1B96 shade: #ED1B96, #DC0983, #CB0070, #BA005D and #A9004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED1B96 shade: #EC1C96, #EC1C5E, #EC1C26 and #EC1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED1B96 shade: #EC1C96, #EC1CCE, #D21CEC, #9A1CEC and #621CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED1B96 shade matches the following richer shades: #EC1C96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED1B96 shade: #EC1C96, #D83093, #C5448F, #B1578C and #9D6B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED1B96 shade: #D01CEC, #EC1CD0, #EC1C99, #EC1C61 and #EC1C2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED1B96 shade: #A80D68, #CF1080, #EC1C96, #EF42A8 and #F268B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED1B96 shade: #ED1B96, #EC991C and #1CECEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED1B96 shade: #ED1B96, #99EC1C and #1C99EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED1B96 shade: #ED1B96, #EC991C, #1CEC6F and #1C6FEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED1B96 shade: #ED1B96, #ECD71C, #1CEC6F and #1C31EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 37 / 7

HEX #ED1B96

RGB 237 27 150

HSL 324.86, 0.85%, 0.52%

LAB 52.94, 80.09, -12.36

 

Complementary color

CMYK 92 / 0 / 54 / 11

HEX #12E469

RGB 18 228 105

HSL 144.86, 0.85%, 0.48%

LAB 79.97, -71.21, 46.9

 

CMYK 0 / 89 / 40 / 5

HEX #F21B91

RGB 242 27 145

HSL 327.07, 0.89%, 0.53%

LAB 53.71, 80.72, -8.13

 

CMYK 0 / 82 / 36 / 0

HEX #FF2DA4

RGB 255 45 164

HSL 326, 1%, 0.59%

LAB 57.86, 82.21, -12.88

 

CMYK 0 / 75 / 28 / 0

HEX #FF3FB7

RGB 255 63 183

HSL 322.5, 1%, 0.62%

LAB 60.1, 79.78, -20.51

 

CMYK 0 / 68 / 21 / 0

HEX #FF51CA

RGB 255 81 202

HSL 318.28, 1%, 0.66%

LAB 62.85, 76.38, -27.15

 

CMYK 0 / 61 / 13 / 0

HEX #FF63DD

RGB 255 99 221

HSL 313.08, 1%, 0.69%

LAB 66.06, 72.21, -32.87

 

CMYK 0 / 89 / 37 / 7

HEX #ED1B96

RGB 237 27 150

HSL 324.86, 0.85%, 0.52%

LAB 52.94, 80.09, -12.36

 

CMYK 0 / 96 / 40 / 14

HEX #DC0983

RGB 220 9 131

HSL 325.31, 0.92%, 0.45%

LAB 48.32, 76.67, -8.19

 

CMYK 0 / 100 / 45 / 20

HEX #CB0070

RGB 203 0 112

HSL 326.9, 1%, 0.4%

LAB 44.04, 72.12, -3.22

 

CMYK 0 / 100 / 50 / 27

HEX #BA005D

RGB 186 0 93

HSL 330, 1%, 0.36%

LAB 39.96, 66.82, 2.36

 

CMYK 0 / 100 / 56 / 34

HEX #A9004A

RGB 169 0 74

HSL 333.73, 1%, 0.33%

LAB 35.85, 61.5, 8.24

 

CMYK 0 / 88 / 36 / 7

HEX #EC1C96

RGB 236 28 150

HSL 324.81, 0.85%, 0.52%

LAB 52.8, 79.73, -12.59

 

CMYK 0 / 88 / 60 / 7

HEX #EC1C5E

RGB 236 28 94

HSL 340.96, 0.85%, 0.52%

LAB 51.23, 75.37, 18.99

 

CMYK 0 / 88 / 84 / 7

HEX #EC1C26

RGB 236 28 38

HSL 357.12, 0.85%, 0.52%

LAB 50.46, 73.15, 50.39

 

CMYK 0 / 88 / 88 / 7

HEX #EC1C1C

RGB 236 28 28

HSL 0, 0.85%, 0.52%

LAB 50.39, 72.96, 55.01

 

CMYK 0 / 88 / 36 / 7

HEX #EC1C96

RGB 236 28 150

HSL 324.81, 0.85%, 0.52%

LAB 52.8, 79.73, -12.59

 

CMYK 0 / 88 / 13 / 7

HEX #EC1CCE

RGB 236 28 206

HSL 308.65, 0.85%, 0.52%

LAB 55.2, 86.11, -41.6

 

CMYK 11 / 88 / 0 / 7

HEX #D21CEC

RGB 210 28 236

HSL 292.5, 0.85%, 0.52%

LAB 52.5, 86, -63.21

 

CMYK 35 / 88 / 0 / 7

HEX #9A1CEC

RGB 154 28 236

HSL 276.35, 0.85%, 0.52%

LAB 43.88, 78.04, -77.59

 

CMYK 58 / 88 / 0 / 7

HEX #621CEC

RGB 98 28 236

HSL 260.19, 0.85%, 0.52%

LAB 36.9, 72.29, -89.34

 

CMYK 0 / 88 / 36 / 7

HEX #EC1C96

RGB 236 28 150

HSL 324.81, 0.85%, 0.52%

LAB 52.8, 79.73, -12.59

 

CMYK 0 / 88 / 36 / 7

HEX #EC1C96

RGB 236 28 150

HSL 324.81, 0.85%, 0.52%

LAB 52.8, 79.73, -12.59

 

CMYK 0 / 78 / 32 / 15

HEX #D83093

RGB 216 48 147

HSL 324.64, 0.68%, 0.52%

LAB 50.48, 70.63, -14.67

 

CMYK 0 / 65 / 27 / 23

HEX #C5448F

RGB 197 68 143

HSL 325.12, 0.53%, 0.52%

LAB 49.48, 58.38, -14.09

 

CMYK 0 / 51 / 21 / 31

HEX #B1578C

RGB 177 87 140

HSL 324.67, 0.37%, 0.52%

LAB 49.57, 43.1, -12.47

 

CMYK 0 / 32 / 13 / 38

HEX #9D6B88

RGB 157 107 136

HSL 325.2, 0.2%, 0.52%

LAB 51.22, 24.54, -7.87

 

CMYK 12 / 88 / 0 / 7

HEX #D01CEC

RGB 208 28 236

HSL 291.92, 0.85%, 0.52%

LAB 52.17, 85.69, -63.75

 

CMYK 0 / 88 / 12 / 7

HEX #EC1CD0

RGB 236 28 208

HSL 308.08, 0.85%, 0.52%

LAB 55.3, 86.37, -42.59

 

CMYK 0 / 88 / 35 / 7

HEX #EC1C99

RGB 236 28 153

HSL 323.94, 0.85%, 0.52%

LAB 52.91, 80.02, -14.21

 

CMYK 0 / 88 / 59 / 7

HEX #EC1C61

RGB 236 28 97

HSL 340.1, 0.85%, 0.52%

LAB 51.3, 75.55, 17.25

 

CMYK 0 / 88 / 82 / 7

HEX #EC1C2A

RGB 236 28 42

HSL 355.96, 0.85%, 0.52%

LAB 50.49, 73.24, 48.38

 

CMYK 0 / 92 / 38 / 34

HEX #A80D68

RGB 168 13 104

HSL 324.77, 0.86%, 0.35%

LAB 37.14, 62.24, -9.24

 

CMYK 0 / 92 / 38 / 19

HEX #CF1080

RGB 207 16 128

HSL 324.82, 0.86%, 0.44%

LAB 45.9, 72.92, -10.25

 

CMYK 0 / 88 / 36 / 7

HEX #EC1C96

RGB 236 28 150

HSL 324.81, 0.85%, 0.52%

LAB 52.8, 79.73, -12.59

 

CMYK 0 / 72 / 30 / 6

HEX #EF42A8

RGB 239 66 168

HSL 324.62, 0.84%, 0.6%

LAB 57.15, 73.28, -16.56

 

CMYK 0 / 57 / 24 / 5

HEX #F268B9

RGB 242 104 185

HSL 324.78, 0.84%, 0.68%

LAB 63.57, 61.51, -16.56

 

CMYK 0 / 89 / 37 / 7

HEX #ED1B96

RGB 237 27 150

HSL 324.86, 0.85%, 0.52%

LAB 52.94, 80.09, -12.36

 

CMYK 0 / 35 / 88 / 7

HEX #EC991C

RGB 236 153 28

HSL 36.06, 0.85%, 0.52%

LAB 69.96, 22.57, 69.97

 

CMYK 88 / 0 / 0 / 7

HEX #1CECEC

RGB 28 236 236

HSL 180, 0.85%, 0.52%

LAB 85.15, -44.51, -13.13

 

CMYK 0 / 89 / 37 / 7

HEX #ED1B96

RGB 237 27 150

HSL 324.86, 0.85%, 0.52%

LAB 52.94, 80.09, -12.36

 

CMYK 35 / 0 / 88 / 7

HEX #99EC1C

RGB 153 236 28

HSL 83.94, 0.85%, 0.52%

LAB 85.43, -52.33, 79.74

 

CMYK 88 / 35 / 0 / 7

HEX #1C99EC

RGB 28 153 236

HSL 203.94, 0.85%, 0.52%

LAB 60.86, -2.55, -50.59

 

CMYK 0 / 89 / 37 / 7

HEX #ED1B96

RGB 237 27 150

HSL 324.86, 0.85%, 0.52%

LAB 52.94, 80.09, -12.36

 

CMYK 0 / 35 / 88 / 7

HEX #EC991C

RGB 236 153 28

HSL 36.06, 0.85%, 0.52%

LAB 69.96, 22.57, 69.97

 

CMYK 88 / 0 / 53 / 7

HEX #1CEC6F

RGB 28 236 111

HSL 143.94, 0.85%, 0.52%

LAB 82.59, -72.3, 47.29

 

CMYK 88 / 53 / 0 / 7

HEX #1C6FEC

RGB 28 111 236

HSL 216.06, 0.85%, 0.52%

LAB 49.1, 23.14, -69.47

 

CMYK 0 / 89 / 37 / 7

HEX #ED1B96

RGB 237 27 150

HSL 324.86, 0.85%, 0.52%

LAB 52.94, 80.09, -12.36

 

CMYK 0 / 9 / 88 / 7

HEX #ECD71C

RGB 236 215 28

HSL 53.94, 0.85%, 0.52%

LAB 85.26, -9.7, 81.94

 

CMYK 88 / 0 / 53 / 7

HEX #1CEC6F

RGB 28 236 111

HSL 143.94, 0.85%, 0.52%

LAB 82.59, -72.3, 47.29

 

CMYK 88 / 79 / 0 / 7

HEX #1C31EC

RGB 28 49 236

HSL 233.94, 0.85%, 0.52%

LAB 35, 60.31, -92.62

 

Description

Color code: HEX #ED1B96 | qconv.com Color code: HEX #ED1B96 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 27 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 27 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 37 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 37% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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