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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED0C18 it is the complementary color #12F3E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED0C18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED0C18 shade: #F20C13, #FF1E26, #FF3039, #FF424C and #FF545F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED0C18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED0C18 shade: #ED0C18, #DC0005, #CB0000, #BA0000 and #A90000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED0C18 shade: #ED0C18 and #ED0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED0C18 shade: #ED0C18, #ED0C55, #ED0C91, #ED0CCE and #CF0CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED0C18 shade matches the following richer shades: #ED0C18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED0C18 shade: #ED0C18, #D9202A, #C4343C, #B0494E and #9C5D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED0C18 shade: #ED0C93, #ED0C57, #ED0C1B, #ED390C and #ED750C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED0C18 shade: #9F0810, #C60A14, #ED0C18, #F42F39 and #F6565E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED0C18 shade: #ED0C18, #CFED0C and #0C75ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED0C18 shade: #ED0C18, #1BED0C and #0C1BED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED0C18 shade: #ED0C18, #CFED0C, #0CEDDE and #2A0CED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED0C18 shade: #ED0C18, #8BED0C, #0CEDDE and #6D0CED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 90 / 7

HEX #ED0C18

RGB 237 12 24

HSL 356.8, 0.9%, 0.49%

LAB 49.9, 75.09, 56.42

 

Complementary color

CMYK 93 / 0 / 5 / 5

HEX #12F3E7

RGB 18 243 231

HSL 176.8, 0.9%, 0.51%

LAB 87, -49.34, -7.76

 

CMYK 0 / 95 / 92 / 5

HEX #F20C13

RGB 242 12 19

HSL 358.17, 0.91%, 0.5%

LAB 50.91, 76.26, 59.46

 

CMYK 0 / 88 / 85 / 0

HEX #FF1E26

RGB 255 30 38

HSL 357.87, 1%, 0.56%

LAB 54.37, 77.67, 55.25

 

CMYK 0 / 81 / 78 / 0

HEX #FF3039

RGB 255 48 57

HSL 357.39, 1%, 0.59%

LAB 55.76, 74.65, 46.89

 

CMYK 0 / 74 / 70 / 0

HEX #FF424C

RGB 255 66 76

HSL 356.83, 1%, 0.63%

LAB 57.73, 70.42, 38.58

 

CMYK 0 / 67 / 63 / 0

HEX #FF545F

RGB 255 84 95

HSL 356.14, 1%, 0.66%

LAB 60.27, 65.15, 30.89

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C18

RGB 237 12 24

HSL 356.8, 0.9%, 0.49%

LAB 49.9, 75.09, 56.42

 

CMYK 0 / 100 / 98 / 14

HEX #DC0005

RGB 220 0 5

HSL 358.64, 1%, 0.43%

LAB 45.94, 71.7, 58.58

 

CMYK 0 / 100 / 100 / 20

HEX #CB0000

RGB 203 0 0

HSL 0, 1%, 0.4%

LAB 42.3, 67.46, 56.61

 

CMYK 0 / 100 / 100 / 27

HEX #BA0000

RGB 186 0 0

HSL 0, 1%, 0.36%

LAB 38.62, 63.2, 53.03

 

CMYK 0 / 100 / 100 / 34

HEX #A90000

RGB 169 0 0

HSL 0, 1%, 0.33%

LAB 34.87, 58.87, 49.17

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C18

RGB 237 12 24

HSL 356.8, 0.9%, 0.49%

LAB 49.9, 75.09, 56.42

 

CMYK 0 / 95 / 95 / 7

HEX #ED0C0C

RGB 237 12 12

HSL 0, 0.9%, 0.49%

LAB 49.85, 74.96, 60.52

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C18

RGB 237 12 24

HSL 356.8, 0.9%, 0.49%

LAB 49.9, 75.09, 56.42

 

CMYK 0 / 95 / 64 / 7

HEX #ED0C55

RGB 237 12 85

HSL 340.53, 0.9%, 0.49%

LAB 50.6, 77.02, 23.66

 

CMYK 0 / 95 / 39 / 7

HEX #ED0C91

RGB 237 12 145

HSL 324.53, 0.9%, 0.49%

LAB 52.19, 81.3, -10.51

 

CMYK 0 / 95 / 13 / 7

HEX #ED0CCE

RGB 237 12 206

HSL 308.27, 0.9%, 0.49%

LAB 54.79, 88.01, -42.24

 

CMYK 13 / 95 / 0 / 7

HEX #CF0CED

RGB 207 12 237

HSL 292, 0.9%, 0.49%

LAB 51.43, 87.6, -65.51

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C18

RGB 237 12 24

HSL 356.8, 0.9%, 0.49%

LAB 49.9, 75.09, 56.42

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C18

RGB 237 12 24

HSL 356.8, 0.9%, 0.49%

LAB 49.9, 75.09, 56.42

 

CMYK 0 / 85 / 81 / 15

HEX #D9202A

RGB 217 32 42

HSL 356.76, 0.74%, 0.49%

LAB 46.91, 67.55, 43.62

 

CMYK 0 / 73 / 69 / 23

HEX #C4343C

RGB 196 52 60

HSL 356.67, 0.58%, 0.49%

LAB 44.97, 56.75, 29.99

 

CMYK 0 / 59 / 56 / 31

HEX #B0494E

RGB 176 73 78

HSL 357.09, 0.41%, 0.49%

LAB 45, 42.46, 18.47

 

CMYK 0 / 40 / 38 / 39

HEX #9C5D60

RGB 156 93 96

HSL 357.14, 0.25%, 0.49%

LAB 46.63, 26.11, 9.34

 

CMYK 0 / 95 / 38 / 7

HEX #ED0C93

RGB 237 12 147

HSL 324, 0.9%, 0.49%

LAB 52.26, 81.49, -11.6

 

CMYK 0 / 95 / 63 / 7

HEX #ED0C57

RGB 237 12 87

HSL 340, 0.9%, 0.49%

LAB 50.64, 77.13, 22.49

 

CMYK 0 / 95 / 89 / 7

HEX #ED0C1B

RGB 237 12 27

HSL 356, 0.9%, 0.49%

LAB 49.91, 75.14, 55.18

 

CMYK 0 / 76 / 95 / 7

HEX #ED390C

RGB 237 57 12

HSL 12, 0.9%, 0.49%

LAB 52.9, 66.29, 62.17

 

CMYK 0 / 51 / 95 / 7

HEX #ED750C

RGB 237 117 12

HSL 28, 0.9%, 0.49%

LAB 62.3, 41.38, 67.94

 

CMYK 0 / 95 / 90 / 38

HEX #9F0810

RGB 159 8 16

HSL 356.82, 0.9%, 0.33%

LAB 33.1, 55.41, 40.26

 

CMYK 0 / 95 / 90 / 22

HEX #C60A14

RGB 198 10 20

HSL 356.81, 0.9%, 0.41%

LAB 41.65, 65.44, 48.53

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C18

RGB 237 12 24

HSL 356.8, 0.9%, 0.49%

LAB 49.9, 75.09, 56.42

 

CMYK 0 / 81 / 77 / 4

HEX #F42F39

RGB 244 47 57

HSL 356.95, 0.9%, 0.57%

LAB 53.56, 71.92, 43.93

 

CMYK 0 / 65 / 62 / 4

HEX #F6565E

RGB 246 86 94

HSL 357, 0.9%, 0.65%

LAB 59.03, 61.5, 29.56

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C18

RGB 237 12 24

HSL 356.8, 0.9%, 0.49%

LAB 49.9, 75.09, 56.42

 

CMYK 13 / 0 / 95 / 7

HEX #CFED0C

RGB 207 237 12

HSL 68, 0.9%, 0.49%

LAB 88.86, -32.59, 85.84

 

CMYK 95 / 51 / 0 / 7

HEX #0C75ED

RGB 12 117 237

HSL 212, 0.9%, 0.49%

LAB 50.59, 19.04, -67.62

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C18

RGB 237 12 24

HSL 356.8, 0.9%, 0.49%

LAB 49.9, 75.09, 56.42

 

CMYK 89 / 0 / 95 / 7

HEX #1BED0C

RGB 27 237 12

HSL 116, 0.9%, 0.49%

LAB 82.29, -80.21, 77.85

 

CMYK 95 / 89 / 0 / 7

HEX #0C1BED

RGB 12 27 237

HSL 236, 0.9%, 0.49%

LAB 31.75, 69.26, -98.61

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C18

RGB 237 12 24

HSL 356.8, 0.9%, 0.49%

LAB 49.9, 75.09, 56.42

 

CMYK 13 / 0 / 95 / 7

HEX #CFED0C

RGB 207 237 12

HSL 68, 0.9%, 0.49%

LAB 88.86, -32.59, 85.84

 

CMYK 95 / 0 / 6 / 7

HEX #0CEDDE

RGB 12 237 222

HSL 176, 0.9%, 0.49%

LAB 84.96, -49.48, -6.06

 

CMYK 82 / 95 / 0 / 7

HEX #2A0CED

RGB 42 12 237

HSL 248, 0.9%, 0.49%

LAB 31.51, 73.43, -99

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C18

RGB 237 12 24

HSL 356.8, 0.9%, 0.49%

LAB 49.9, 75.09, 56.42

 

CMYK 41 / 0 / 95 / 7

HEX #8BED0C

RGB 139 237 12

HSL 86.13, 0.9%, 0.49%

LAB 85.04, -57.73, 81.22

 

CMYK 95 / 0 / 6 / 7

HEX #0CEDDE

RGB 12 237 222

HSL 176, 0.9%, 0.49%

LAB 84.96, -49.48, -6.06

 

CMYK 54 / 95 / 0 / 7

HEX #6D0CED

RGB 109 12 237

HSL 265.87, 0.9%, 0.49%

LAB 37.17, 76.54, -89.43

 

Description

Color code: HEX #ED0C18 | qconv.com Color code: HEX #ED0C18 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 12 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 12 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 90 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 90% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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