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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC9BE8 it is the complementary color #136417. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC9BE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC9BE8 shade: #F19BE3, #FFADF6, #FFBFFF, #FFD1FF and #FFE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC9BE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC9BE8 shade: #EC9BE8, #DB89D5, #CA77C2, #B965AF and #A8539C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC9BE8 shade: #EC9CE8, #EC9CD2, #EC9CBD, #EC9CA7 and #EC9C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC9BE8 shade: #EC9CE8, #DA9CEC, #C59CEC, #AF9CEC and #9C9CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC9BE8 shade matches the following richer shades: #EC9CE8 and #F592F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC9BE8 shade: #EC9CE8, #E2A5DF, #D9AFD7, #CFB8CE and #C6C2C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC9BE8 shade: #C49CEC, #D99CEC, #EC9CE9, #EC9CD4 and #EC9CBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC9BE8 shade: #DF57D8, #E579E0, #EC9CE8, #F2BFF0 and #F9E1F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC9BE8 shade: #EC9BE8, #ECAF9C and #9CECCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC9BE8 shade: #EC9BE8, #E9EC9C and #9CE9EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC9BE8 shade: #EC9BE8, #ECAF9C, #9CEC9F and #9CD9EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC9BE8 shade: #EC9BE8, #ECC79C, #9CEC9F and #9CC1EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 2 / 7

HEX #EC9BE8

RGB 236 155 232

HSL 302.96, 0.68%, 0.77%

LAB 74.25, 41.97, -26.52

 

Complementary color

CMYK 81 / 0 / 77 / 61

HEX #136417

RGB 19 100 23

HSL 122.96, 0.68%, 0.23%

LAB 36.58, -39.55, 35.01

 

CMYK 0 / 36 / 6 / 5

HEX #F19BE3

RGB 241 155 227

HSL 309.77, 0.75%, 0.78%

LAB 74.63, 42.67, -23.17

 

CMYK 0 / 32 / 4 / 0

HEX #FFADF6

RGB 255 173 246

HSL 306.59, 1%, 0.84%

LAB 80.63, 41.01, -24.18

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 34 / 2 / 7

HEX #EC9BE8

RGB 236 155 232

HSL 302.96, 0.68%, 0.77%

LAB 74.25, 41.97, -26.52

 

CMYK 0 / 37 / 3 / 14

HEX #DB89D5

RGB 219 137 213

HSL 304.39, 0.53%, 0.7%

LAB 67.84, 42.7, -26.06

 

CMYK 0 / 41 / 4 / 21

HEX #CA77C2

RGB 202 119 194

HSL 305.78, 0.44%, 0.63%

LAB 61.35, 43.45, -25.55

 

CMYK 0 / 45 / 5 / 27

HEX #B965AF

RGB 185 101 175

HSL 307.14, 0.38%, 0.56%

LAB 54.78, 44.19, -24.97

 

CMYK 0 / 51 / 7 / 34

HEX #A8539C

RGB 168 83 156

HSL 308.47, 0.34%, 0.49%

LAB 48.15, 44.89, -24.26

 

CMYK 0 / 34 / 2 / 7

HEX #EC9CE8

RGB 236 156 232

HSL 303, 0.68%, 0.77%

LAB 74.47, 41.45, -26.19

 

CMYK 0 / 34 / 11 / 7

HEX #EC9CD2

RGB 236 156 210

HSL 319.5, 0.68%, 0.77%

LAB 73.72, 37.67, -15.29

 

CMYK 0 / 34 / 20 / 7

HEX #EC9CBD

RGB 236 156 189

HSL 335.25, 0.68%, 0.77%

LAB 73.08, 34.37, -4.68

 

CMYK 0 / 34 / 29 / 7

HEX #EC9CA7

RGB 236 156 167

HSL 351.75, 0.68%, 0.77%

LAB 72.49, 31.28, 6.63

 

CMYK 0 / 34 / 34 / 7

HEX #EC9C9C

RGB 236 156 156

HSL 0, 0.68%, 0.77%

LAB 72.24, 29.87, 12.34

 

CMYK 0 / 34 / 2 / 7

HEX #EC9CE8

RGB 236 156 232

HSL 303, 0.68%, 0.77%

LAB 74.47, 41.45, -26.19

 

CMYK 8 / 34 / 0 / 7

HEX #DA9CEC

RGB 218 156 236

HSL 286.5, 0.68%, 0.77%

LAB 72.72, 36.61, -31.22

 

CMYK 17 / 34 / 0 / 7

HEX #C59CEC

RGB 197 156 236

HSL 270.75, 0.68%, 0.77%

LAB 70.67, 30.21, -34.56

 

CMYK 26 / 34 / 0 / 7

HEX #AF9CEC

RGB 175 156 236

HSL 254.25, 0.68%, 0.77%

LAB 68.71, 23.71, -37.75

 

CMYK 34 / 34 / 0 / 7

HEX #9C9CEC

RGB 156 156 236

HSL 240, 0.68%, 0.77%

LAB 67.2, 18.36, -40.22

 

CMYK 0 / 34 / 2 / 7

HEX #EC9CE8

RGB 236 156 232

HSL 303, 0.68%, 0.77%

LAB 74.47, 41.45, -26.19

 

CMYK 0 / 40 / 2 / 4

HEX #F592F0

RGB 245 146 240

HSL 303.03, 0.83%, 0.77%

LAB 73.71, 50.77, -31.62

 

CMYK 0 / 34 / 2 / 7

HEX #EC9CE8

RGB 236 156 232

HSL 303, 0.68%, 0.77%

LAB 74.47, 41.45, -26.19

 

CMYK 0 / 27 / 1 / 11

HEX #E2A5DF

RGB 226 165 223

HSL 302.95, 0.51%, 0.77%

LAB 75.08, 31.85, -20.45

 

CMYK 0 / 19 / 1 / 15

HEX #D9AFD7

RGB 217 175 215

HSL 302.86, 0.36%, 0.77%

LAB 76.26, 22, -14.39

 

CMYK 0 / 11 / 0 / 19

HEX #CFB8CE

RGB 207 184 206

HSL 302.61, 0.19%, 0.77%

LAB 77.28, 12.07, -8.07

 

CMYK 0 / 2 / 0 / 22

HEX #C6C2C6

RGB 198 194 198

HSL 300, 0.03%, 0.77%

LAB 78.85, 2.13, -1.52

 

CMYK 17 / 34 / 0 / 7

HEX #C49CEC

RGB 196 156 236

HSL 270, 0.68%, 0.77%

LAB 70.57, 29.91, -34.72

 

CMYK 8 / 34 / 0 / 7

HEX #D99CEC

RGB 217 156 236

HSL 285.75, 0.68%, 0.77%

LAB 72.62, 36.3, -31.39

 

CMYK 0 / 34 / 1 / 7

HEX #EC9CE9

RGB 236 156 233

HSL 302.25, 0.68%, 0.77%

LAB 74.5, 41.63, -26.68

 

CMYK 0 / 34 / 10 / 7

HEX #EC9CD4

RGB 236 156 212

HSL 318, 0.68%, 0.77%

LAB 73.78, 38, -16.29

 

CMYK 0 / 34 / 19 / 7

HEX #EC9CBF

RGB 236 156 191

HSL 333.75, 0.68%, 0.77%

LAB 73.14, 34.67, -5.7

 

CMYK 0 / 61 / 3 / 13

HEX #DF57D8

RGB 223 87 216

HSL 303.09, 0.68%, 0.61%

LAB 59.4, 68.23, -40.81

 

CMYK 0 / 47 / 2 / 10

HEX #E579E0

RGB 229 121 224

HSL 302.78, 0.68%, 0.69%

LAB 66.3, 55.77, -34.45

 

CMYK 0 / 34 / 2 / 7

HEX #EC9CE8

RGB 236 156 232

HSL 303, 0.68%, 0.77%

LAB 74.47, 41.45, -26.19

 

CMYK 0 / 21 / 1 / 5

HEX #F2BFF0

RGB 242 191 240

HSL 302.35, 0.66%, 0.85%

LAB 83.14, 26.29, -17.28

 

CMYK 0 / 10 / 0 / 2

HEX #F9E1F8

RGB 249 225 248

HSL 302.5, 0.67%, 0.93%

LAB 92.03, 12.15, -8.17

 

CMYK 0 / 34 / 2 / 7

HEX #EC9BE8

RGB 236 155 232

HSL 302.96, 0.68%, 0.77%

LAB 74.25, 41.97, -26.52

 

CMYK 0 / 26 / 34 / 7

HEX #ECAF9C

RGB 236 175 156

HSL 14.25, 0.68%, 0.77%

LAB 76.61, 19.77, 18.46

 

CMYK 34 / 0 / 13 / 7

HEX #9CECCE

RGB 156 236 206

HSL 157.5, 0.68%, 0.77%

LAB 87.73, -30.86, 6.81

 

CMYK 0 / 34 / 2 / 7

HEX #EC9BE8

RGB 236 155 232

HSL 302.96, 0.68%, 0.77%

LAB 74.25, 41.97, -26.52

 

CMYK 1 / 0 / 34 / 7

HEX #E9EC9C

RGB 233 236 156

HSL 62.25, 0.68%, 0.77%

LAB 91.56, -12.93, 38.51

 

CMYK 34 / 1 / 0 / 7

HEX #9CE9EC

RGB 156 233 236

HSL 182.25, 0.68%, 0.77%

LAB 87.68, -22.82, -9

 

CMYK 0 / 34 / 2 / 7

HEX #EC9BE8

RGB 236 155 232

HSL 302.96, 0.68%, 0.77%

LAB 74.25, 41.97, -26.52

 

CMYK 0 / 26 / 34 / 7

HEX #ECAF9C

RGB 236 175 156

HSL 14.25, 0.68%, 0.77%

LAB 76.61, 19.77, 18.46

 

CMYK 34 / 0 / 33 / 7

HEX #9CEC9F

RGB 156 236 159

HSL 122.25, 0.68%, 0.77%

LAB 86.78, -39.49, 29.8

 

CMYK 34 / 8 / 0 / 7

HEX #9CD9EC

RGB 156 217 236

HSL 194.25, 0.68%, 0.77%

LAB 83.31, -14.81, -15.52

 

CMYK 0 / 34 / 2 / 7

HEX #EC9BE8

RGB 236 155 232

HSL 302.96, 0.68%, 0.77%

LAB 74.25, 41.97, -26.52

 

CMYK 0 / 16 / 34 / 7

HEX #ECC79C

RGB 236 199 156

HSL 32.25, 0.68%, 0.77%

LAB 82.42, 7.09, 26.42

 

CMYK 34 / 0 / 33 / 7

HEX #9CEC9F

RGB 156 236 159

HSL 122.25, 0.68%, 0.77%

LAB 86.78, -39.49, 29.8

 

CMYK 34 / 18 / 0 / 7

HEX #9CC1EC

RGB 156 193 236

HSL 212.25, 0.68%, 0.77%

LAB 76.84, -2.21, -25.33

 

Description

Color code: HEX #EC9BE8 | qconv.com Color code: HEX #EC9BE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 155 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 155 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 2 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 2% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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