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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC8C97 it is the complementary color #137368. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC8C97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC8C97 shade: #F18C92, #FF9EA5, #FFB0B8, #FFC2CB and #FFD4DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC8C97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC8C97 shade: #EC8C97, #DB7A84, #CA6871, #B9565E and #A8444B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC8C97 shade: #EC8C97 and #EC8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC8C97 shade: #EC8C97, #EC8CB1, #EC8CCB, #EC8CE5 and #D98CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC8C97 shade matches the following richer shades: #EC8C97 and #F7828F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC8C97 shade: #EC8C97, #E197A0, #D6A2A8, #CCADB0 and #C1B7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC8C97 shade: #EC8CCB, #EC8CB1, #EC8C98, #EC9B8C and #ECB48C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC8C97 shade: #E04557, #E66977, #EC8C97, #F2B0B7 and #F7D3D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC8C97 shade: #EC8C97, #E4EC8C and #8CBEEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC8C97 shade: #EC8C97, #98EC8C and #8C98EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC8C97 shade: #EC8C97, #E4EC8C, #8CECE1 and #948CEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC8C97 shade: #EC8C97, #C7EC8C, #8CECE1 and #B18CEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 36 / 7

HEX #EC8C97

RGB 236 140 151

HSL 353.13, 0.72%, 0.74%

LAB 68.62, 37.67, 10

 

Complementary color

CMYK 83 / 0 / 10 / 55

HEX #137368

RGB 19 115 104

HSL 173.13, 0.72%, 0.26%

LAB 43.36, -28.83, -1.44

 

CMYK 0 / 42 / 39 / 5

HEX #F18C92

RGB 241 140 146

HSL 356.44, 0.78%, 0.75%

LAB 69.14, 38.92, 13.61

 

CMYK 0 / 38 / 35 / 0

HEX #FF9EA5

RGB 255 158 165

HSL 355.67, 1%, 0.81%

LAB 75.1, 36.88, 11.74

 

CMYK 0 / 31 / 28 / 0

HEX #FFB0B8

RGB 255 176 184

HSL 353.92, 1%, 0.85%

LAB 79.48, 29.89, 7.63

 

CMYK 0 / 24 / 20 / 0

HEX #FFC2CB

RGB 255 194 203

HSL 351.15, 1%, 0.88%

LAB 84.05, 23.1, 3.98

 

CMYK 0 / 17 / 13 / 0

HEX #FFD4DE

RGB 255 212 222

HSL 346.05, 1%, 0.92%

LAB 88.74, 16.58, 0.72

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C97

RGB 236 140 151

HSL 353.13, 0.72%, 0.74%

LAB 68.62, 37.67, 10

 

CMYK 0 / 44 / 40 / 14

HEX #DB7A84

RGB 219 122 132

HSL 353.81, 0.57%, 0.67%

LAB 62.21, 38.65, 11.37

 

CMYK 0 / 49 / 44 / 21

HEX #CA6871

RGB 202 104 113

HSL 354.49, 0.48%, 0.6%

LAB 55.74, 39.67, 12.94

 

CMYK 0 / 54 / 49 / 27

HEX #B9565E

RGB 185 86 94

HSL 355.15, 0.41%, 0.53%

LAB 49.23, 40.73, 14.78

 

CMYK 0 / 60 / 55 / 34

HEX #A8444B

RGB 168 68 75

HSL 355.8, 0.42%, 0.46%

LAB 42.71, 41.75, 17

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C97

RGB 236 140 151

HSL 353.13, 0.72%, 0.74%

LAB 68.62, 37.67, 10

 

CMYK 0 / 41 / 41 / 7

HEX #EC8C8C

RGB 236 140 140

HSL 0, 0.72%, 0.74%

LAB 68.37, 36.42, 15.81

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C97

RGB 236 140 151

HSL 353.13, 0.72%, 0.74%

LAB 68.62, 37.67, 10

 

CMYK 0 / 41 / 25 / 7

HEX #EC8CB1

RGB 236 140 177

HSL 336.88, 0.72%, 0.74%

LAB 69.3, 41.02, -3.58

 

CMYK 0 / 41 / 14 / 7

HEX #EC8CCB

RGB 236 140 203

HSL 320.63, 0.72%, 0.74%

LAB 70.11, 44.88, -16.87

 

CMYK 0 / 41 / 3 / 7

HEX #EC8CE5

RGB 236 140 229

HSL 304.38, 0.72%, 0.74%

LAB 71.04, 49.2, -29.81

 

CMYK 8 / 41 / 0 / 7

HEX #D98CEC

RGB 217 140 236

HSL 288.13, 0.72%, 0.74%

LAB 69.16, 44.83, -36.75

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C97

RGB 236 140 151

HSL 353.13, 0.72%, 0.74%

LAB 68.62, 37.67, 10

 

CMYK 0 / 47 / 42 / 3

HEX #F7828F

RGB 247 130 143

HSL 353.33, 0.88%, 0.74%

LAB 67.82, 45.82, 13.56

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C97

RGB 236 140 151

HSL 353.13, 0.72%, 0.74%

LAB 68.62, 37.67, 10

 

CMYK 0 / 33 / 29 / 12

HEX #E197A0

RGB 225 151 160

HSL 352.7, 0.55%, 0.74%

LAB 69.95, 28.97, 6.7

 

CMYK 0 / 24 / 21 / 16

HEX #D6A2A8

RGB 214 162 168

HSL 353.08, 0.39%, 0.74%

LAB 71.53, 20.11, 4.38

 

CMYK 0 / 15 / 14 / 20

HEX #CCADB0

RGB 204 173 176

HSL 354.19, 0.23%, 0.74%

LAB 73.45, 11.71, 2.64

 

CMYK 0 / 5 / 5 / 24

HEX #C1B7B8

RGB 193 183 184

HSL 354, 0.07%, 0.74%

LAB 75.24, 3.71, 0.75

 

CMYK 0 / 41 / 14 / 7

HEX #EC8CCB

RGB 236 140 203

HSL 320.63, 0.72%, 0.74%

LAB 70.11, 44.88, -16.87

 

CMYK 0 / 41 / 25 / 7

HEX #EC8CB1

RGB 236 140 177

HSL 336.88, 0.72%, 0.74%

LAB 69.3, 41.02, -3.58

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C98

RGB 236 140 152

HSL 352.5, 0.72%, 0.74%

LAB 68.65, 37.79, 9.48

 

CMYK 0 / 34 / 41 / 7

HEX #EC9B8C

RGB 236 155 140

HSL 9.37, 0.72%, 0.74%

LAB 71.67, 28.54, 20.36

 

CMYK 0 / 24 / 41 / 7

HEX #ECB48C

RGB 236 180 140

HSL 25, 0.72%, 0.74%

LAB 77.5, 15.26, 28.26

 

CMYK 0 / 69 / 61 / 12

HEX #E04557

RGB 224 69 87

HSL 353.03, 0.71%, 0.57%

LAB 52.72, 60.76, 24.76

 

CMYK 0 / 54 / 48 / 10

HEX #E66977

RGB 230 105 119

HSL 353.28, 0.71%, 0.66%

LAB 60.12, 49.73, 16.16

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C97

RGB 236 140 151

HSL 353.13, 0.72%, 0.74%

LAB 68.62, 37.67, 10

 

CMYK 0 / 27 / 24 / 5

HEX #F2B0B7

RGB 242 176 183

HSL 353.64, 0.72%, 0.82%

LAB 78.08, 25.04, 5.98

 

CMYK 0 / 15 / 13 / 3

HEX #F7D3D8

RGB 247 211 216

HSL 351.67, 0.69%, 0.9%

LAB 87.64, 13.35, 2.19

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C97

RGB 236 140 151

HSL 353.13, 0.72%, 0.74%

LAB 68.62, 37.67, 10

 

CMYK 3 / 0 / 41 / 7

HEX #E4EC8C

RGB 228 236 140

HSL 65, 0.72%, 0.74%

LAB 90.95, -16.62, 45.56

 

CMYK 41 / 19 / 0 / 7

HEX #8CBEEC

RGB 140 190 236

HSL 208.75, 0.72%, 0.74%

LAB 75.11, -4.86, -28.05

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C97

RGB 236 140 151

HSL 353.13, 0.72%, 0.74%

LAB 68.62, 37.67, 10

 

CMYK 36 / 0 / 41 / 7

HEX #98EC8C

RGB 152 236 140

HSL 112.5, 0.72%, 0.74%

LAB 86.29, -43.61, 38.66

 

CMYK 41 / 36 / 0 / 7

HEX #8C98EC

RGB 140 152 236

HSL 232.5, 0.72%, 0.74%

LAB 65.03, 16.41, -43.7

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C97

RGB 236 140 151

HSL 353.13, 0.72%, 0.74%

LAB 68.62, 37.67, 10

 

CMYK 3 / 0 / 41 / 7

HEX #E4EC8C

RGB 228 236 140

HSL 65, 0.72%, 0.74%

LAB 90.95, -16.62, 45.56

 

CMYK 41 / 0 / 5 / 7

HEX #8CECE1

RGB 140 236 225

HSL 173.13, 0.72%, 0.74%

LAB 87.49, -30.92, -3.59

 

CMYK 37 / 41 / 0 / 7

HEX #948CEC

RGB 148 140 236

HSL 245, 0.72%, 0.74%

LAB 62.6, 25.41, -47.5

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C97

RGB 236 140 151

HSL 353.13, 0.72%, 0.74%

LAB 68.62, 37.67, 10

 

CMYK 16 / 0 / 41 / 7

HEX #C7EC8C

RGB 199 236 140

HSL 83.13, 0.72%, 0.74%

LAB 88.93, -27.52, 42.59

 

CMYK 41 / 0 / 5 / 7

HEX #8CECE1

RGB 140 236 225

HSL 173.13, 0.72%, 0.74%

LAB 87.49, -30.92, -3.59

 

CMYK 25 / 41 / 0 / 7

HEX #B18CEC

RGB 177 140 236

HSL 263.13, 0.72%, 0.74%

LAB 65.09, 33.27, -43.4

 

Description

Color code: HEX #EC8C97 | qconv.com Color code: HEX #EC8C97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 140 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 140 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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