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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC86D9 it is the complementary color #137926. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC86D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC86D9 shade: #F186D4, #FF98E7, #FFAAFA, #FFBCFF and #FFCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC86D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC86D9 shade: #EC86D9, #DB74C6, #CA62B3, #B950A0 and #A83E8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC86D9 shade: #EC87D9, #EC87BE, #EC87A3, #EC8788 and #EC8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC86D9 shade: #EC87D9, #E487EC, #C887EC, #AD87EC and #9287EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC86D9 shade matches the following richer shades: #EC87D9 and #F77CE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC86D9 shade: #EC87D9, #E193D2, #D69ECB, #CAA9C4 and #BFB4BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC86D9 shade: #C987EC, #E487EC, #EC87D9, #EC87BF and #EC87A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC86D9 shade: #E140C3, #E664CE, #EC87D9, #F1ABE4 and #F7CFF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC86D9 shade: #EC86D9, #ECAE87 and #87ECD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC86D9 shade: #EC86D9, #D9EC87 and #87D9EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC86D9 shade: #EC86D9, #ECAE87, #87EC9A and #87C5EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC86D9 shade: #EC86D9, #ECCC87, #87EC9A and #87A7EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 8 / 7

HEX #EC86D9

RGB 236 134 217

HSL 311.18, 0.73%, 0.73%

LAB 69.39, 50.2, -25.72

 

Complementary color

CMYK 84 / 0 / 69 / 53

HEX #137926

RGB 19 121 38

HSL 131.18, 0.73%, 0.27%

LAB 44.17, -45.3, 36.51

 

CMYK 0 / 44 / 12 / 5

HEX #F186D4

RGB 241 134 212

HSL 316.26, 0.79%, 0.74%

LAB 69.83, 50.92, -22.23

 

CMYK 0 / 40 / 9 / 0

HEX #FF98E7

RGB 255 152 231

HSL 313.98, 1%, 0.8%

LAB 75.75, 49.26, -23.49

 

CMYK 0 / 33 / 2 / 0

HEX #FFAAFA

RGB 255 170 250

HSL 303.53, 1%, 0.83%

LAB 80.13, 43.27, -27.09

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 43 / 8 / 7

HEX #EC86D9

RGB 236 134 217

HSL 311.18, 0.73%, 0.73%

LAB 69.39, 50.2, -25.72

 

CMYK 0 / 47 / 10 / 14

HEX #DB74C6

RGB 219 116 198

HSL 312.23, 0.59%, 0.66%

LAB 63.03, 50.91, -25.04

 

CMYK 0 / 51 / 11 / 21

HEX #CA62B3

RGB 202 98 179

HSL 313.27, 0.5%, 0.59%

LAB 56.63, 51.56, -24.24

 

CMYK 0 / 57 / 14 / 27

HEX #B950A0

RGB 185 80 160

HSL 314.29, 0.43%, 0.52%

LAB 50.2, 52.1, -23.26

 

CMYK 0 / 63 / 16 / 34

HEX #A83E8D

RGB 168 62 141

HSL 315.28, 0.46%, 0.45%

LAB 43.79, 52.41, -22.02

 

CMYK 0 / 43 / 8 / 7

HEX #EC87D9

RGB 236 135 217

HSL 311.29, 0.73%, 0.73%

LAB 69.59, 49.69, -25.42

 

CMYK 0 / 43 / 19 / 7

HEX #EC87BE

RGB 236 135 190

HSL 327.33, 0.73%, 0.73%

LAB 68.66, 45.45, -11.8

 

CMYK 0 / 43 / 31 / 7

HEX #EC87A3

RGB 236 135 163

HSL 343.37, 0.73%, 0.73%

LAB 67.88, 41.73, 2.19

 

CMYK 0 / 43 / 42 / 7

HEX #EC8788

RGB 236 135 136

HSL 359.41, 0.73%, 0.73%

LAB 67.23, 38.59, 16.46

 

CMYK 0 / 43 / 43 / 7

HEX #EC8787

RGB 236 135 135

HSL 0, 0.73%, 0.73%

LAB 67.21, 38.48, 16.99

 

CMYK 0 / 43 / 8 / 7

HEX #EC87D9

RGB 236 135 217

HSL 311.29, 0.73%, 0.73%

LAB 69.59, 49.69, -25.42

 

CMYK 3 / 43 / 0 / 7

HEX #E487EC

RGB 228 135 236

HSL 295.25, 0.73%, 0.73%

LAB 69.38, 50.64, -36.3

 

CMYK 15 / 43 / 0 / 7

HEX #C887EC

RGB 200 135 236

HSL 278.61, 0.73%, 0.73%

LAB 66.26, 42.55, -41.4

 

CMYK 27 / 43 / 0 / 7

HEX #AD87EC

RGB 173 135 236

HSL 262.57, 0.73%, 0.73%

LAB 63.56, 34.96, -45.83

 

CMYK 38 / 43 / 0 / 7

HEX #9287EC

RGB 146 135 236

HSL 246.53, 0.73%, 0.73%

LAB 61.22, 27.79, -49.69

 

CMYK 0 / 43 / 8 / 7

HEX #EC87D9

RGB 236 135 217

HSL 311.29, 0.73%, 0.73%

LAB 69.59, 49.69, -25.42

 

CMYK 0 / 50 / 9 / 3

HEX #F77CE0

RGB 247 124 224

HSL 311.22, 0.88%, 0.73%

LAB 69.16, 59.49, -29.83

 

CMYK 0 / 43 / 8 / 7

HEX #EC87D9

RGB 236 135 217

HSL 311.29, 0.73%, 0.73%

LAB 69.59, 49.69, -25.42

 

CMYK 0 / 35 / 7 / 12

HEX #E193D2

RGB 225 147 210

HSL 311.54, 0.57%, 0.73%

LAB 70.54, 38.81, -20.21

 

CMYK 0 / 26 / 5 / 16

HEX #D69ECB

RGB 214 158 203

HSL 311.79, 0.41%, 0.73%

LAB 71.6, 28.03, -14.86

 

CMYK 0 / 16 / 3 / 21

HEX #CAA9C4

RGB 202 169 196

HSL 310.91, 0.24%, 0.73%

LAB 72.84, 16.65, -9.27

 

CMYK 0 / 6 / 1 / 25

HEX #BFB4BD

RGB 191 180 189

HSL 310.91, 0.08%, 0.73%

LAB 74.44, 5.54, -3.17

 

CMYK 15 / 43 / 0 / 7

HEX #C987EC

RGB 201 135 236

HSL 279.21, 0.73%, 0.73%

LAB 66.37, 42.84, -41.23

 

CMYK 3 / 43 / 0 / 7

HEX #E487EC

RGB 228 135 236

HSL 295.25, 0.73%, 0.73%

LAB 69.38, 50.64, -36.3

 

CMYK 0 / 43 / 8 / 7

HEX #EC87D9

RGB 236 135 217

HSL 311.29, 0.73%, 0.73%

LAB 69.59, 49.69, -25.42

 

CMYK 0 / 43 / 19 / 7

HEX #EC87BF

RGB 236 135 191

HSL 326.73, 0.73%, 0.73%

LAB 68.7, 45.6, -12.31

 

CMYK 0 / 43 / 31 / 7

HEX #EC87A4

RGB 236 135 164

HSL 342.77, 0.73%, 0.73%

LAB 67.9, 41.86, 1.67

 

CMYK 0 / 72 / 13 / 12

HEX #E140C3

RGB 225 64 195

HSL 311.18, 0.73%, 0.57%

LAB 55.7, 74, -34.63

 

CMYK 0 / 57 / 10 / 10

HEX #E664CE

RGB 230 100 206

HSL 311.08, 0.72%, 0.65%

LAB 61.99, 62.91, -31.04

 

CMYK 0 / 43 / 8 / 7

HEX #EC87D9

RGB 236 135 217

HSL 311.29, 0.73%, 0.73%

LAB 69.59, 49.69, -25.42

 

CMYK 0 / 29 / 5 / 5

HEX #F1ABE4

RGB 241 171 228

HSL 311.14, 0.71%, 0.81%

LAB 78.13, 34.44, -18.4

 

CMYK 0 / 16 / 3 / 3

HEX #F7CFF0

RGB 247 207 240

HSL 310.5, 0.71%, 0.89%

LAB 87.33, 19.48, -10.95

 

CMYK 0 / 43 / 8 / 7

HEX #EC86D9

RGB 236 134 217

HSL 311.18, 0.73%, 0.73%

LAB 69.39, 50.2, -25.72

 

CMYK 0 / 26 / 43 / 7

HEX #ECAE87

RGB 236 174 135

HSL 23.17, 0.73%, 0.73%

LAB 75.98, 17.91, 28.89

 

CMYK 43 / 0 / 9 / 7

HEX #87ECD6

RGB 135 236 214

HSL 166.93, 0.73%, 0.73%

LAB 87, -34.68, 1.44

 

CMYK 0 / 43 / 8 / 7

HEX #EC86D9

RGB 236 134 217

HSL 311.18, 0.73%, 0.73%

LAB 69.39, 50.2, -25.72

 

CMYK 8 / 0 / 43 / 7

HEX #D9EC87

RGB 217 236 135

HSL 71.29, 0.73%, 0.73%

LAB 90.09, -21.36, 46.74

 

CMYK 43 / 8 / 0 / 7

HEX #87D9EC

RGB 135 217 236

HSL 191.29, 0.73%, 0.73%

LAB 82.29, -20.18, -17.16

 

CMYK 0 / 43 / 8 / 7

HEX #EC86D9

RGB 236 134 217

HSL 311.18, 0.73%, 0.73%

LAB 69.39, 50.2, -25.72

 

CMYK 0 / 26 / 43 / 7

HEX #ECAE87

RGB 236 174 135

HSL 23.17, 0.73%, 0.73%

LAB 75.98, 17.91, 28.89

 

CMYK 43 / 0 / 35 / 7

HEX #87EC9A

RGB 135 236 154

HSL 131.29, 0.73%, 0.73%

LAB 85.74, -46.5, 30.78

 

CMYK 43 / 17 / 0 / 7

HEX #87C5EC

RGB 135 197 236

HSL 203.17, 0.73%, 0.73%

LAB 76.76, -9.86, -25.54

 

CMYK 0 / 43 / 8 / 7

HEX #EC86D9

RGB 236 134 217

HSL 311.18, 0.73%, 0.73%

LAB 69.39, 50.2, -25.72

 

CMYK 0 / 14 / 43 / 7

HEX #ECCC87

RGB 236 204 135

HSL 40.99, 0.73%, 0.73%

LAB 83.32, 2.14, 38.48

 

CMYK 43 / 0 / 35 / 7

HEX #87EC9A

RGB 135 236 154

HSL 131.29, 0.73%, 0.73%

LAB 85.74, -46.5, 30.78

 

CMYK 43 / 29 / 0 / 7

HEX #87A7EC

RGB 135 167 236

HSL 220.99, 0.73%, 0.73%

LAB 68.64, 6.57, -38.08

 

Description

Color code: HEX #EC86D9 | qconv.com Color code: HEX #EC86D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 134 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 134 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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