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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC7D0C it is the complementary color #1382F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC7D0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC7D0C shade: #F17D07, #FF8F1A, #FFA12D, #FFB340 and #FFC553

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC7D0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC7D0C shade: #EC7D0C, #DB6B00, #CA5900, #B94700 and #A83500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC7D0C shade: #ED7D0C, #ED410C and #ED0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC7D0C shade: #ED7D0C, #EDBA0C, #E3ED0C, #A6ED0C and #6AED0C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC7D0C shade matches the following richer shades: #ED7D0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC7D0C shade: #ED7D0C, #D97D20, #C47D34, #B07D49 and #9C7D5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC7D0C shade: #ED0C13, #ED400C, #ED7C0C, #EDB80C and #E5ED0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC7D0C shade: #9F5408, #C6690A, #ED7D0C, #F4922F and #F6A656

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC7D0C shade: #EC7D0C, #4FED0C and #220CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC7D0C shade: #EC7D0C, #0CED7C and #7C0CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC7D0C shade: #EC7D0C, #4FED0C, #0C7CED and #A90CED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC7D0C shade: #EC7D0C, #0CED0C, #0C7CED and #ED0CED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 95 / 7

HEX #EC7D0C

RGB 236 125 12

HSL 30.27, 0.9%, 0.49%

LAB 63.78, 36.95, 68.85

 

Complementary color

CMYK 92 / 47 / 0 / 5

HEX #1382F3

RGB 19 130 243

HSL 210.27, 0.9%, 0.51%

LAB 54.63, 13.45, -64.42

 

CMYK 0 / 48 / 97 / 5

HEX #F17D07

RGB 241 125 7

HSL 30.26, 0.94%, 0.49%

LAB 64.47, 38.9, 70.4

 

CMYK 0 / 44 / 90 / 0

HEX #FF8F1A

RGB 255 143 26

HSL 30.66, 1%, 0.55%

LAB 70.16, 35.57, 71.67

 

CMYK 0 / 37 / 82 / 0

HEX #FFA12D

RGB 255 161 45

HSL 33.14, 1%, 0.59%

LAB 74.15, 26.7, 69.38

 

CMYK 0 / 30 / 75 / 0

HEX #FFB340

RGB 255 179 64

HSL 36.13, 1%, 0.63%

LAB 78.39, 17.96, 66.38

 

CMYK 0 / 23 / 67 / 0

HEX #FFC553

RGB 255 197 83

HSL 39.77, 1%, 0.66%

LAB 82.82, 9.48, 63.09

 

CMYK 0 / 47 / 95 / 7

HEX #EC7D0C

RGB 236 125 12

HSL 30.27, 0.9%, 0.49%

LAB 63.78, 36.95, 68.85

 

CMYK 0 / 51 / 100 / 14

HEX #DB6B00

RGB 219 107 0

HSL 29.32, 1%, 0.43%

LAB 57.63, 39.19, 65.75

 

CMYK 0 / 56 / 100 / 21

HEX #CA5900

RGB 202 89 0

HSL 26.44, 1%, 0.4%

LAB 51.5, 41.47, 60.84

 

CMYK 0 / 62 / 100 / 27

HEX #B94700

RGB 185 71 0

HSL 23.03, 1%, 0.36%

LAB 45.39, 43.6, 55.98

HEX #B94700

CMYK 0 / 68 / 100 / 34

HEX #A83500

RGB 168 53 0

HSL 18.93, 1%, 0.33%

LAB 39.36, 45.39, 51.19

HEX #A83500

CMYK 0 / 47 / 95 / 7

HEX #ED7D0C

RGB 237 125 12

HSL 30.13, 0.9%, 0.49%

LAB 63.92, 37.35, 69.01

 

CMYK 0 / 73 / 95 / 7

HEX #ED410C

RGB 237 65 12

HSL 14.13, 0.9%, 0.49%

LAB 53.83, 63.72, 62.69

 

CMYK 0 / 95 / 95 / 7

HEX #ED0C0C

RGB 237 12 12

HSL 0, 0.9%, 0.49%

LAB 49.85, 74.96, 60.52

 

CMYK 0 / 47 / 95 / 7

HEX #ED7D0C

RGB 237 125 12

HSL 30.13, 0.9%, 0.49%

LAB 63.92, 37.35, 69.01

 

CMYK 0 / 22 / 95 / 7

HEX #EDBA0C

RGB 237 186 12

HSL 46.4, 0.9%, 0.49%

LAB 77.96, 5.36, 78.81

 

CMYK 4 / 0 / 95 / 7

HEX #E3ED0C

RGB 227 237 12

HSL 62.67, 0.9%, 0.49%

LAB 90.29, -24.44, 87.56

 

CMYK 30 / 0 / 95 / 7

HEX #A6ED0C

RGB 166 237 12

HSL 78.93, 0.9%, 0.49%

LAB 86.36, -48.41, 82.82

 

CMYK 55 / 0 / 95 / 7

HEX #6AED0C

RGB 106 237 12

HSL 94.93, 0.9%, 0.49%

LAB 83.79, -67.37, 79.69

 

CMYK 0 / 47 / 95 / 7

HEX #ED7D0C

RGB 237 125 12

HSL 30.13, 0.9%, 0.49%

LAB 63.92, 37.35, 69.01

 

CMYK 0 / 47 / 95 / 7

HEX #ED7D0C

RGB 237 125 12

HSL 30.13, 0.9%, 0.49%

LAB 63.92, 37.35, 69.01

 

CMYK 0 / 42 / 85 / 15

HEX #D97D20

RGB 217 125 32

HSL 30.16, 0.74%, 0.49%

LAB 61.24, 29.53, 60.81

 

CMYK 0 / 36 / 73 / 23

HEX #C47D34

RGB 196 125 52

HSL 30.42, 0.58%, 0.49%

LAB 58.65, 21.36, 49.46

 

CMYK 0 / 29 / 59 / 31

HEX #B07D49

RGB 176 125 73

HSL 30.29, 0.41%, 0.49%

LAB 56.46, 14.05, 35.88

 

CMYK 0 / 20 / 40 / 39

HEX #9C7D5D

RGB 156 125 93

HSL 30.48, 0.25%, 0.49%

LAB 54.58, 7.44, 21.98

 

CMYK 0 / 95 / 92 / 7

HEX #ED0C13

RGB 237 12 19

HSL 358.13, 0.9%, 0.49%

LAB 49.88, 75.03, 58.31

 

CMYK 0 / 73 / 95 / 7

HEX #ED400C

RGB 237 64 12

HSL 13.87, 0.9%, 0.49%

LAB 53.7, 64.05, 62.62

 

CMYK 0 / 48 / 95 / 7

HEX #ED7C0C

RGB 237 124 12

HSL 29.87, 0.9%, 0.49%

LAB 63.71, 37.86, 68.87

 

CMYK 0 / 22 / 95 / 7

HEX #EDB80C

RGB 237 184 12

HSL 45.87, 0.9%, 0.49%

LAB 77.47, 6.41, 78.45

 

CMYK 3 / 0 / 95 / 7

HEX #E5ED0C

RGB 229 237 12

HSL 62.13, 0.9%, 0.49%

LAB 90.44, -23.61, 87.74

 

CMYK 0 / 47 / 95 / 38

HEX #9F5408

RGB 159 84 8

HSL 30.2, 0.9%, 0.33%

LAB 43.84, 26.58, 50.79

 

CMYK 0 / 47 / 95 / 22

HEX #C6690A

RGB 198 105 10

HSL 30.32, 0.9%, 0.41%

LAB 54.17, 31.81, 60.15

 

CMYK 0 / 47 / 95 / 7

HEX #ED7D0C

RGB 237 125 12

HSL 30.13, 0.9%, 0.49%

LAB 63.92, 37.35, 69.01

 

CMYK 0 / 40 / 81 / 4

HEX #F4922F

RGB 244 146 47

HSL 30.15, 0.9%, 0.57%

LAB 69.47, 30.06, 64.03

 

CMYK 0 / 33 / 65 / 4

HEX #F6A656

RGB 246 166 86

HSL 30, 0.9%, 0.65%

LAB 74.53, 22.15, 52.41

 

CMYK 0 / 47 / 95 / 7

HEX #EC7D0C

RGB 236 125 12

HSL 30.27, 0.9%, 0.49%

LAB 63.78, 36.95, 68.85

 

CMYK 67 / 0 / 95 / 7

HEX #4FED0C

RGB 79 237 12

HSL 102.13, 0.9%, 0.49%

LAB 83.05, -73.49, 78.78

 

CMYK 86 / 95 / 0 / 7

HEX #220CED

RGB 34 12 237

HSL 245.87, 0.9%, 0.49%

LAB 31.15, 73.27, -99.6

 

CMYK 0 / 47 / 95 / 7

HEX #EC7D0C

RGB 236 125 12

HSL 30.27, 0.9%, 0.49%

LAB 63.78, 36.95, 68.85

 

CMYK 95 / 0 / 48 / 7

HEX #0CED7C

RGB 12 237 124

HSL 149.87, 0.9%, 0.49%

LAB 82.97, -71.39, 41.57

 

CMYK 48 / 95 / 0 / 7

HEX #7C0CED

RGB 124 12 237

HSL 269.87, 0.9%, 0.49%

LAB 39.01, 77.74, -86.33

 

CMYK 0 / 47 / 95 / 7

HEX #EC7D0C

RGB 236 125 12

HSL 30.27, 0.9%, 0.49%

LAB 63.78, 36.95, 68.85

 

CMYK 67 / 0 / 95 / 7

HEX #4FED0C

RGB 79 237 12

HSL 102.13, 0.9%, 0.49%

LAB 83.05, -73.49, 78.78

 

CMYK 95 / 48 / 0 / 7

HEX #0C7CED

RGB 12 124 237

HSL 210.13, 0.9%, 0.49%

LAB 52.52, 14.63, -64.5

 

CMYK 29 / 95 / 0 / 7

HEX #A90CED

RGB 169 12 237

HSL 281.87, 0.9%, 0.49%

LAB 45.38, 82.48, -75.63

 

CMYK 0 / 47 / 95 / 7

HEX #EC7D0C

RGB 236 125 12

HSL 30.27, 0.9%, 0.49%

LAB 63.78, 36.95, 68.85

 

CMYK 95 / 0 / 95 / 7

HEX #0CED0C

RGB 12 237 12

HSL 120, 0.9%, 0.49%

LAB 82.2, -80.97, 77.74

 

CMYK 95 / 48 / 0 / 7

HEX #0C7CED

RGB 12 124 237

HSL 210.13, 0.9%, 0.49%

LAB 52.52, 14.63, -64.5

 

CMYK 0 / 95 / 0 / 7

HEX #ED0CED

RGB 237 12 237

HSL 300, 0.9%, 0.49%

LAB 56.47, 92.18, -57.15

 

Description

Color code: HEX #EC7D0C | qconv.com Color code: HEX #EC7D0C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 125 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 125 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 95 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 95% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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