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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC75FE it is the complementary color #138A01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC75FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC75FE shade: #F175F9, #FF87FF, #FF99FF, #FFABFF and #FFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC75FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC75FE shade: #EC75FE, #DB63EB, #CA51D8, #B93FC5 and #A82DB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC75FE shade: #EC75FE, #FE75EB, #FE75C6, #FE75A1 and #FE757D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC75FE shade: #EC75FE, #C775FE, #A275FE, #7E75FE and #7575FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC75FE shade matches the following richer shades: #EC75FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC75FE shade: #EC75FE, #E481F3, #DB8CE8, #D397DC and #CBA2D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC75FE shade: #A375FE, #C775FE, #EC75FE, #FE75EC and #FE75C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC75FE shade: #E123FD, #E64CFE, #EC75FE, #F19FFE and #F7C8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC75FE shade: #EC75FE, #FE7F75 and #75FEB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC75FE shade: #EC75FE, #FEEC75 and #75FEEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC75FE shade: #EC75FE, #FE7F75, #88FE75 and #75F5FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC75FE shade: #EC75FE, #FEA775, #88FE75 and #75CCFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

Complementary color

CMYK 86 / 0 / 99 / 46

HEX #138A01

RGB 19 138 1

HSL 112.12, 0.99%, 0.27%

LAB 49.88, -53.05, 52.71

 

CMYK 3 / 53 / 0 / 2

HEX #F175F9

RGB 241 117 249

HSL 296.36, 0.92%, 0.72%

LAB 68.21, 65.3, -45.15

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 7 / 58 / 0 / 8

HEX #DB63EB

RGB 219 99 235

HSL 292.94, 0.77%, 0.65%

LAB 61.64, 65.37, -47.97

 

CMYK 6 / 63 / 0 / 15

HEX #CA51D8

RGB 202 81 216

HSL 293.78, 0.63%, 0.58%

LAB 55.48, 65.63, -47.2

 

CMYK 6 / 68 / 0 / 23

HEX #B93FC5

RGB 185 63 197

HSL 294.63, 0.54%, 0.51%

LAB 49.38, 65.55, -46.18

 

CMYK 6 / 75 / 0 / 30

HEX #A82DB2

RGB 168 45 178

HSL 295.49, 0.6%, 0.44%

LAB 43.38, 64.92, -44.79

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 0 / 54 / 7 / 0

HEX #FE75EB

RGB 254 117 235

HSL 308.32, 0.99%, 0.73%

LAB 69.32, 66.4, -35.59

 

CMYK 0 / 54 / 22 / 0

HEX #FE75C6

RGB 254 117 198

HSL 324.53, 0.99%, 0.73%

LAB 67.93, 60.95, -17.16

 

CMYK 0 / 54 / 37 / 0

HEX #FE75A1

RGB 254 117 161

HSL 340.73, 0.99%, 0.73%

LAB 66.8, 56.37, 2.06

 

CMYK 0 / 54 / 51 / 0

HEX #FE757D

RGB 254 117 125

HSL 356.5, 0.99%, 0.73%

LAB 65.96, 52.85, 21.3

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 22 / 54 / 0 / 0

HEX #C775FE

RGB 199 117 254

HSL 275.91, 0.99%, 0.73%

LAB 63.36, 55.56, -55.9

 

CMYK 36 / 54 / 0 / 0

HEX #A275FE

RGB 162 117 254

HSL 259.71, 0.99%, 0.73%

LAB 59.49, 46.64, -62.3

 

CMYK 50 / 54 / 0 / 0

HEX #7E75FE

RGB 126 117 254

HSL 243.94, 0.99%, 0.73%

LAB 56.4, 38.83, -67.43

 

CMYK 54 / 54 / 0 / 0

HEX #7575FE

RGB 117 117 254

HSL 240, 0.99%, 0.73%

LAB 55.75, 37.08, -68.52

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 6 / 47 / 0 / 5

HEX #E481F3

RGB 228 129 243

HSL 292.11, 0.83%, 0.73%

LAB 68.51, 54.96, -41.51

 

CMYK 6 / 40 / 0 / 9

HEX #DB8CE8

RGB 219 140 232

HSL 291.52, 0.67%, 0.73%

LAB 69.21, 44.65, -34.44

 

CMYK 4 / 31 / 0 / 14

HEX #D397DC

RGB 211 151 220

HSL 292.17, 0.5%, 0.73%

LAB 70.28, 34, -26.26

 

CMYK 3 / 22 / 0 / 18

HEX #CBA2D1

RGB 203 162 209

HSL 292.34, 0.34%, 0.73%

LAB 71.65, 23.27, -18.19

 

CMYK 36 / 54 / 0 / 0

HEX #A375FE

RGB 163 117 254

HSL 260.15, 0.99%, 0.73%

LAB 59.58, 46.87, -62.14

 

CMYK 22 / 54 / 0 / 0

HEX #C775FE

RGB 199 117 254

HSL 275.91, 0.99%, 0.73%

LAB 63.36, 55.56, -55.9

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 0 / 54 / 7 / 0

HEX #FE75EC

RGB 254 117 236

HSL 307.88, 0.99%, 0.73%

LAB 69.36, 66.56, -36.08

 

CMYK 0 / 54 / 22 / 0

HEX #FE75C7

RGB 254 117 199

HSL 324.09, 0.99%, 0.73%

LAB 67.96, 61.09, -17.66

 

CMYK 11 / 86 / 0 / 1

HEX #E123FD

RGB 225 35 253

HSL 292.29, 0.98%, 0.56%

LAB 56.39, 89.94, -66.31

 

CMYK 9 / 70 / 0 / 0

HEX #E64CFE

RGB 230 76 254

HSL 291.91, 0.99%, 0.65%

LAB 60.91, 80.3, -59.57

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 5 / 37 / 0 / 0

HEX #F19FFE

RGB 241 159 254

HSL 291.79, 0.98%, 0.81%

LAB 76.47, 45.45, -35

 

CMYK 3 / 21 / 0 / 0

HEX #F7C8FE

RGB 247 200 254

HSL 292.22, 0.96%, 0.89%

LAB 86.13, 25.71, -20.18

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 0 / 50 / 54 / 0

HEX #FE7F75

RGB 254 127 117

HSL 4.38, 0.99%, 0.73%

LAB 67.68, 47.41, 28.07

 

CMYK 54 / 0 / 29 / 0

HEX #75FEB5

RGB 117 254 181

HSL 148.03, 0.99%, 0.73%

LAB 90.78, -53.65, 23.79

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 0 / 7 / 54 / 0

HEX #FEEC75

RGB 254 236 117

HSL 52.12, 0.99%, 0.73%

LAB 92.73, -8.51, 59.05

 

CMYK 54 / 0 / 7 / 0

HEX #75FEEC

RGB 117 254 236

HSL 172.12, 0.99%, 0.73%

LAB 92.01, -41.65, -2.78

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 0 / 50 / 54 / 0

HEX #FE7F75

RGB 254 127 117

HSL 4.38, 0.99%, 0.73%

LAB 67.68, 47.41, 28.07

 

CMYK 46 / 0 / 54 / 0

HEX #88FE75

RGB 136 254 117

HSL 111.68, 0.99%, 0.73%

LAB 90.51, -58.69, 54.66

 

CMYK 54 / 4 / 0 / 0

HEX #75F5FE

RGB 117 245 254

HSL 183.94, 0.99%, 0.73%

LAB 89.97, -32.97, -15.15

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FE

RGB 236 117 254

HSL 292.12, 0.99%, 0.73%

LAB 67.81, 64.9, -48.57

 

CMYK 0 / 34 / 54 / 0

HEX #FEA775

RGB 254 167 117

HSL 21.9, 0.99%, 0.73%

LAB 76.06, 27.03, 38.89

 

CMYK 46 / 0 / 54 / 0

HEX #88FE75

RGB 136 254 117

HSL 111.68, 0.99%, 0.73%

LAB 90.51, -58.69, 54.66

 

CMYK 54 / 20 / 0 / 0

HEX #75CCFE

RGB 117 204 254

HSL 201.9, 0.99%, 0.73%

LAB 78.53, -12.59, -32.54

 

Description

Color code: HEX #EC75FE | qconv.com Color code: HEX #EC75FE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 117 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 117 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 54 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 54% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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