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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC6EDA it is the complementary color #139125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC6EDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC6EDA shade: #F16ED5, #FF80E8, #FF92FB, #FFA4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC6EDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC6EDA shade: #EC6EDA, #DB5CC7, #CA4AB4, #B938A1 and #A8268E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC6EDA shade: #EC6EDA, #EC6EB8, #EC6E96, #EC6E74 and #EC6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC6EDA shade: #EC6EDA, #DC6EEC, #BA6EEC, #986EEC and #766EEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC6EDA shade matches the following richer shades: #EC6EDA and #F961E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC6EDA shade: #EC6EDA, #DF7BD0, #D188C7, #C496BD and #B7A3B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC6EDA shade: #B96EEC, #DB6EEC, #EC6EDB, #EC6EB9 and #EC6E98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC6EDA shade: #E225C7, #E74AD1, #EC6EDA, #F093E3 and #F5B7EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC6EDA shade: #EC6EDA, #EC986E and #6EECCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC6EDA shade: #EC6EDA, #DBEC6E and #6EDBEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC6EDA shade: #EC6EDA, #EC986E, #6EEC7F and #6EC2EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC6EDA shade: #EC6EDA, #ECBE6E, #6EEC7F and #6E9CEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 8 / 7

HEX #EC6EDA

RGB 236 110 218

HSL 308.57, 0.77%, 0.68%

LAB 65, 61.95, -33.06

 

Complementary color

CMYK 87 / 0 / 74 / 43

HEX #139125

RGB 19 145 37

HSL 128.57, 0.77%, 0.32%

LAB 52.42, -53.29, 45.66

 

CMYK 0 / 54 / 12 / 5

HEX #F16ED5

RGB 241 110 213

HSL 312.82, 0.82%, 0.69%

LAB 65.48, 62.55, -29.46

 

CMYK 0 / 50 / 9 / 0

HEX #FF80E8

RGB 255 128 232

HSL 310.87, 1%, 0.75%

LAB 71.23, 61.16, -30.97

 

CMYK 0 / 43 / 2 / 0

HEX #FF92FB

RGB 255 146 251

HSL 302.2, 1%, 0.79%

LAB 75.32, 55.62, -35.03

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 53 / 8 / 7

HEX #EC6EDA

RGB 236 110 218

HSL 308.57, 0.77%, 0.68%

LAB 65, 61.95, -33.06

 

CMYK 0 / 58 / 9 / 14

HEX #DB5CC7

RGB 219 92 199

HSL 309.45, 0.64%, 0.61%

LAB 58.82, 62.36, -32.11

 

CMYK 0 / 63 / 11 / 21

HEX #CA4AB4

RGB 202 74 180

HSL 310.31, 0.55%, 0.54%

LAB 52.67, 62.52, -30.94

 

CMYK 0 / 70 / 13 / 27

HEX #B938A1

RGB 185 56 161

HSL 311.16, 0.54%, 0.47%

LAB 46.6, 62.29, -29.44

 

CMYK 0 / 77 / 15 / 34

HEX #A8268E

RGB 168 38 142

HSL 312, 0.63%, 0.4%

LAB 40.68, 61.41, -27.46

 

CMYK 0 / 53 / 8 / 7

HEX #EC6EDA

RGB 236 110 218

HSL 308.57, 0.77%, 0.68%

LAB 65, 61.95, -33.06

 

CMYK 0 / 53 / 22 / 7

HEX #EC6EB8

RGB 236 110 184

HSL 324.76, 0.77%, 0.68%

LAB 63.71, 56.85, -15.87

 

CMYK 0 / 53 / 36 / 7

HEX #EC6E96

RGB 236 110 150

HSL 340.95, 0.77%, 0.68%

LAB 62.66, 52.56, 2.01

 

CMYK 0 / 53 / 51 / 7

HEX #EC6E74

RGB 236 110 116

HSL 357.14, 0.77%, 0.68%

LAB 61.87, 49.16, 20.41

 

CMYK 0 / 53 / 53 / 7

HEX #EC6E6E

RGB 236 110 110

HSL 0, 0.77%, 0.68%

LAB 61.75, 48.66, 23.68

 

CMYK 0 / 53 / 8 / 7

HEX #EC6EDA

RGB 236 110 218

HSL 308.57, 0.77%, 0.68%

LAB 65, 61.95, -33.06

 

CMYK 7 / 53 / 0 / 7

HEX #DC6EEC

RGB 220 110 236

HSL 292.38, 0.77%, 0.68%

LAB 63.69, 60.75, -45.28

 

CMYK 21 / 53 / 0 / 7

HEX #BA6EEC

RGB 186 110 236

HSL 276.19, 0.77%, 0.68%

LAB 59.57, 51.96, -52.07

 

CMYK 36 / 53 / 0 / 7

HEX #986EEC

RGB 152 110 236

HSL 260, 0.77%, 0.68%

LAB 55.97, 43.55, -58.02

 

CMYK 50 / 53 / 0 / 7

HEX #766EEC

RGB 118 110 236

HSL 243.81, 0.77%, 0.68%

LAB 53.01, 35.96, -62.92

 

CMYK 0 / 53 / 8 / 7

HEX #EC6EDA

RGB 236 110 218

HSL 308.57, 0.77%, 0.68%

LAB 65, 61.95, -33.06

 

CMYK 0 / 61 / 9 / 2

HEX #F961E3

RGB 249 97 227

HSL 308.68, 0.93%, 0.68%

LAB 65.15, 72.38, -37.71

 

CMYK 0 / 53 / 8 / 7

HEX #EC6EDA

RGB 236 110 218

HSL 308.57, 0.77%, 0.68%

LAB 65, 61.95, -33.06

 

CMYK 0 / 45 / 7 / 13

HEX #DF7BD0

RGB 223 123 208

HSL 309, 0.61%, 0.68%

LAB 65.29, 50.28, -27.16

 

CMYK 0 / 35 / 5 / 18

HEX #D188C7

RGB 209 136 199

HSL 308.22, 0.44%, 0.68%

LAB 65.97, 37.54, -21.21

 

CMYK 0 / 23 / 4 / 23

HEX #C496BD

RGB 196 150 189

HSL 309.13, 0.28%, 0.68%

LAB 67.44, 23.74, -13.53

 

CMYK 0 / 11 / 2 / 28

HEX #B7A3B4

RGB 183 163 180

HSL 309, 0.12%, 0.68%

LAB 69.15, 10.33, -6.1

 

CMYK 22 / 53 / 0 / 7

HEX #B96EEC

RGB 185 110 236

HSL 275.71, 0.77%, 0.68%

LAB 59.45, 51.71, -52.25

 

CMYK 7 / 53 / 0 / 7

HEX #DB6EEC

RGB 219 110 236

HSL 291.9, 0.77%, 0.68%

LAB 63.56, 60.49, -45.49

 

CMYK 0 / 53 / 7 / 7

HEX #EC6EDB

RGB 236 110 219

HSL 308.1, 0.77%, 0.68%

LAB 65.04, 62.11, -33.55

 

CMYK 0 / 53 / 22 / 7

HEX #EC6EB9

RGB 236 110 185

HSL 324.29, 0.77%, 0.68%

LAB 63.74, 56.99, -16.39

 

CMYK 0 / 53 / 36 / 7

HEX #EC6E98

RGB 236 110 152

HSL 340, 0.77%, 0.68%

LAB 62.72, 52.79, 0.94

 

CMYK 0 / 84 / 12 / 11

HEX #E225C7

RGB 226 37 199

HSL 308.57, 0.77%, 0.52%

LAB 53.62, 81.77, -40.19

 

CMYK 0 / 68 / 10 / 9

HEX #E74AD1

RGB 231 74 209

HSL 308.41, 0.77%, 0.6%

LAB 58.5, 74.02, -38.18

 

CMYK 0 / 53 / 8 / 7

HEX #EC6EDA

RGB 236 110 218

HSL 308.57, 0.77%, 0.68%

LAB 65, 61.95, -33.06

 

CMYK 0 / 39 / 5 / 6

HEX #F093E3

RGB 240 147 227

HSL 308.39, 0.76%, 0.76%

LAB 72.85, 46.49, -25.89

 

CMYK 0 / 25 / 4 / 4

HEX #F5B7EC

RGB 245 183 236

HSL 308.71, 0.76%, 0.84%

LAB 81.48, 30.8, -17.62

 

CMYK 0 / 53 / 8 / 7

HEX #EC6EDA

RGB 236 110 218

HSL 308.57, 0.77%, 0.68%

LAB 65, 61.95, -33.06

 

CMYK 0 / 36 / 53 / 7

HEX #EC986E

RGB 236 152 110

HSL 20, 0.77%, 0.68%

LAB 70.47, 27.22, 35.04

 

CMYK 53 / 0 / 14 / 7

HEX #6EECCA

RGB 110 236 202

HSL 163.81, 0.77%, 0.68%

LAB 85.79, -43.12, 5.87

 

CMYK 0 / 53 / 8 / 7

HEX #EC6EDA

RGB 236 110 218

HSL 308.57, 0.77%, 0.68%

LAB 65, 61.95, -33.06

 

CMYK 7 / 0 / 53 / 7

HEX #DBEC6E

RGB 219 236 110

HSL 68.1, 0.77%, 0.68%

LAB 89.94, -22.96, 58.28

 

CMYK 53 / 7 / 0 / 7

HEX #6EDBEC

RGB 110 219 236

HSL 188.1, 0.77%, 0.68%

LAB 81.86, -26.68, -17.91

 

CMYK 0 / 53 / 8 / 7

HEX #EC6EDA

RGB 236 110 218

HSL 308.57, 0.77%, 0.68%

LAB 65, 61.95, -33.06

 

CMYK 0 / 36 / 53 / 7

HEX #EC986E

RGB 236 152 110

HSL 20, 0.77%, 0.68%

LAB 70.47, 27.22, 35.04

 

CMYK 53 / 0 / 46 / 7

HEX #6EEC7F

RGB 110 236 127

HSL 128.1, 0.77%, 0.68%

LAB 84.4, -57.27, 42.28

 

CMYK 53 / 18 / 0 / 7

HEX #6EC2EC

RGB 110 194 236

HSL 200, 0.77%, 0.68%

LAB 74.8, -14, -28.66

 

CMYK 0 / 53 / 8 / 7

HEX #EC6EDA

RGB 236 110 218

HSL 308.57, 0.77%, 0.68%

LAB 65, 61.95, -33.06

 

CMYK 0 / 19 / 53 / 7

HEX #ECBE6E

RGB 236 190 110

HSL 38.1, 0.77%, 0.68%

LAB 79.49, 7.12, 46.26

 

CMYK 53 / 0 / 46 / 7

HEX #6EEC7F

RGB 110 236 127

HSL 128.1, 0.77%, 0.68%

LAB 84.4, -57.27, 42.28

 

CMYK 53 / 34 / 0 / 7

HEX #6E9CEC

RGB 110 156 236

HSL 218.1, 0.77%, 0.68%

LAB 64.28, 7.01, -45.01

 

Description

Color code: HEX #EC6EDA | qconv.com Color code: HEX #EC6EDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 110 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 110 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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