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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC6B5F it is the complementary color #1394A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC6B5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC6B5F shade: #F16B5A, #FF7D6D, #FF8F80, #FFA193 and #FFB3A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC6B5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC6B5F shade: #EC6B5F, #DB594C, #CA4739, #B93526 and #A82313

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC6B5F shade: #EC6B5F and #EC5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC6B5F shade: #EC6B5F, #EC915F, #ECB75F, #ECDD5F and #D5EC5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC6B5F shade matches the following richer shades: #EC6B5F and #FA5F50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC6B5F shade: #EC6B5F, #DD776D, #CF837C, #C08F8A and #B29B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC6B5F shade: #EC5F9E, #EC5F79, #EC6A5F, #EC905F and #ECB65F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC6B5F shade: #DE2A1A, #E7493A, #EC6B5F, #F08D84 and #F4AFA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC6B5F shade: #EC6B5F, #C4EC5F and #5F8BEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC6B5F shade: #EC6B5F, #5FEC6A and #6A5FEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC6B5F shade: #EC6B5F, #C4EC5F, #5FE0EC and #875FEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC6B5F shade: #EC6B5F, #99EC5F, #5FE0EC and #B15FEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

Complementary color

CMYK 88 / 7 / 0 / 37

HEX #1394A0

RGB 19 148 160

HSL 185.11, 0.79%, 0.35%

LAB 55.94, -27.27, -15.47

 

CMYK 0 / 56 / 63 / 5

HEX #F16B5A

RGB 241 107 90

HSL 6.75, 0.84%, 0.65%

LAB 61.61, 50.41, 34.91

 

CMYK 0 / 51 / 57 / 0

HEX #FF7D6D

RGB 255 125 109

HSL 6.58, 1%, 0.71%

LAB 67.3, 48.13, 32.04

 

CMYK 0 / 44 / 50 / 0

HEX #FF8F80

RGB 255 143 128

HSL 7.09, 1%, 0.75%

LAB 71.19, 40.74, 26.69

 

CMYK 0 / 37 / 42 / 0

HEX #FFA193

RGB 255 161 147

HSL 7.78, 1%, 0.79%

LAB 75.36, 33.33, 21.95

 

CMYK 0 / 30 / 35 / 0

HEX #FFB3A6

RGB 255 179 166

HSL 8.76, 1%, 0.83%

LAB 79.76, 26.05, 17.74

 

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

CMYK 0 / 59 / 65 / 14

HEX #DB594C

RGB 219 89 76

HSL 5.45, 0.67%, 0.58%

LAB 54.79, 50.12, 33.57

 

CMYK 0 / 65 / 72 / 21

HEX #CA4739

RGB 202 71 57

HSL 5.79, 0.58%, 0.51%

LAB 48.71, 51.18, 36.4

 

CMYK 0 / 71 / 79 / 27

HEX #B93526

RGB 185 53 38

HSL 6.12, 0.66%, 0.44%

LAB 42.76, 51.97, 39.58

 

CMYK 0 / 79 / 89 / 34

HEX #A82313

RGB 168 35 19

HSL 6.44, 0.8%, 0.37%

LAB 37.07, 52.24, 42.76

 

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

CMYK 0 / 60 / 60 / 7

HEX #EC5F5F

RGB 236 95 95

HSL 0, 0.79%, 0.65%

LAB 58.83, 54.48, 28.41

 

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

CMYK 0 / 39 / 60 / 7

HEX #EC915F

RGB 236 145 95

HSL 21.28, 0.79%, 0.65%

LAB 68.69, 29.75, 40.75

 

CMYK 0 / 22 / 60 / 7

HEX #ECB75F

RGB 236 183 95

HSL 37.45, 0.79%, 0.65%

LAB 77.59, 9.64, 51.32

 

CMYK 0 / 6 / 60 / 7

HEX #ECDD5F

RGB 236 221 95

HSL 53.62, 0.79%, 0.65%

LAB 87.18, -9.91, 62.13

 

CMYK 10 / 0 / 60 / 7

HEX #D5EC5F

RGB 213 236 95

HSL 69.79, 0.79%, 0.65%

LAB 89.38, -26.48, 64.04

 

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

CMYK 0 / 62 / 68 / 2

HEX #FA5F50

RGB 250 95 80

HSL 5.29, 0.94%, 0.65%

LAB 60.86, 58.31, 39.84

 

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

CMYK 0 / 46 / 51 / 13

HEX #DD776D

RGB 221 119 109

HSL 5.36, 0.62%, 0.65%

LAB 61.37, 38.62, 23.36

 

CMYK 0 / 37 / 40 / 19

HEX #CF837C

RGB 207 131 124

HSL 5.06, 0.46%, 0.65%

LAB 62.47, 28.45, 16.06

 

CMYK 0 / 26 / 28 / 25

HEX #C08F8A

RGB 192 143 138

HSL 5.56, 0.3%, 0.65%

LAB 63.91, 17.84, 9.91

 

CMYK 0 / 13 / 14 / 30

HEX #B29B99

RGB 178 155 153

HSL 4.8, 0.14%, 0.65%

LAB 65.91, 8.14, 4.16

 

CMYK 0 / 60 / 33 / 7

HEX #EC5F9E

RGB 236 95 158

HSL 333.19, 0.79%, 0.65%

LAB 60.33, 60.29, -6.03

 

CMYK 0 / 60 / 49 / 7

HEX #EC5F79

RGB 236 95 121

HSL 348.94, 0.79%, 0.65%

LAB 59.34, 56.5, 14.06

 

CMYK 0 / 55 / 60 / 7

HEX #EC6A5F

RGB 236 106 95

HSL 4.68, 0.79%, 0.65%

LAB 60.75, 49.44, 30.88

 

CMYK 0 / 39 / 60 / 7

HEX #EC905F

RGB 236 144 95

HSL 20.85, 0.79%, 0.65%

LAB 68.46, 30.28, 40.49

 

CMYK 0 / 23 / 60 / 7

HEX #ECB65F

RGB 236 182 95

HSL 37.02, 0.79%, 0.65%

LAB 77.35, 10.17, 51.04

 

CMYK 0 / 81 / 88 / 13

HEX #DE2A1A

RGB 222 42 26

HSL 4.9, 0.79%, 0.49%

LAB 48.59, 66.3, 53.27

 

CMYK 0 / 68 / 75 / 9

HEX #E7493A

RGB 231 73 58

HSL 5.2, 0.78%, 0.57%

LAB 54.09, 59.99, 43.25

 

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

CMYK 0 / 41 / 45 / 6

HEX #F08D84

RGB 240 141 132

HSL 5, 0.78%, 0.73%

LAB 68.93, 36.56, 21.1

 

CMYK 0 / 28 / 31 / 4

HEX #F4AFA9

RGB 244 175 169

HSL 4.8, 0.77%, 0.81%

LAB 77.73, 24.42, 13.11

 

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

CMYK 17 / 0 / 60 / 7

HEX #C4EC5F

RGB 196 236 95

HSL 77.02, 0.79%, 0.65%

LAB 88.23, -33.07, 62.46

 

CMYK 60 / 41 / 0 / 7

HEX #5F8BEC

RGB 95 139 236

HSL 221.28, 0.79%, 0.65%

LAB 58.93, 13.98, -53.53

 

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

CMYK 60 / 0 / 55 / 7

HEX #5FEC6A

RGB 95 236 106

HSL 124.68, 0.79%, 0.65%

LAB 83.69, -63.56, 51.2

 

CMYK 55 / 60 / 0 / 7

HEX #6A5FEC

RGB 106 95 236

HSL 244.68, 0.79%, 0.65%

LAB 48.64, 42.48, -70.04

 

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

CMYK 17 / 0 / 60 / 7

HEX #C4EC5F

RGB 196 236 95

HSL 77.02, 0.79%, 0.65%

LAB 88.23, -33.07, 62.46

 

CMYK 60 / 5 / 0 / 7

HEX #5FE0EC

RGB 95 224 236

HSL 185.11, 0.79%, 0.65%

LAB 82.81, -31.87, -16.53

 

CMYK 43 / 60 / 0 / 7

HEX #875FEC

RGB 135 95 236

HSL 257.02, 0.79%, 0.65%

LAB 51.14, 48.07, -65.87

 

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

CMYK 35 / 0 / 60 / 7

HEX #99EC5F

RGB 153 236 95

HSL 95.32, 0.79%, 0.65%

LAB 85.8, -48.53, 59.07

 

CMYK 60 / 5 / 0 / 7

HEX #5FE0EC

RGB 95 224 236

HSL 185.11, 0.79%, 0.65%

LAB 82.81, -31.87, -16.53

 

CMYK 25 / 60 / 0 / 7

HEX #B15FEC

RGB 177 95 236

HSL 274.89, 0.79%, 0.65%

LAB 55.67, 57.34, -58.34

 

Description

Color code: HEX #EC6B5F | qconv.com Color code: HEX #EC6B5F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 107 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 107 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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