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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC64ED it is the complementary color #139B12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC64ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC64ED shade: #F164E8, #FF76FB, #FF88FF, #FF9AFF and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC64ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC64ED shade: #EC64ED, #DB52DA, #CA40C7, #B92EB4 and #A81CA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC64ED shade: #EB63EC, #EC63C8, #EC63A3, #EC637E and #EC6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC64ED shade: #EB63EC, #C663EC, #A163EC, #7C63EC and #6363EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC64ED shade matches the following richer shades: #EB63EC and #F955FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC64ED shade: #EB63EC, #DD71DE, #D07FD0, #C28DC2 and #B49BB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC64ED shade: #A163EC, #C563EC, #EA63EC, #EC63CA and #EC63A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC64ED shade: #E11AE3, #E73EE8, #EB63EC, #F088F1 and #F4ADF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC64ED shade: #EC64ED, #EC7C63 and #63ECB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC64ED shade: #EC64ED, #ECEA63 and #63ECEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC64ED shade: #EC64ED, #EC7C63, #66EC63 and #63D3EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC64ED shade: #EC64ED, #ECA663, #66EC63 and #63AAEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 0 / 7

HEX #EC64ED

RGB 236 100 237

HSL 299.56, 0.79%, 0.66%

LAB 64.21, 69.49, -44.87

 

Complementary color

CMYK 88 / 0 / 88 / 39

HEX #139B12

RGB 19 155 18

HSL 119.56, 0.79%, 0.34%

LAB 55.71, -57.57, 54.52

 

CMYK 0 / 59 / 4 / 5

HEX #F164E8

RGB 241 100 232

HSL 303.83, 0.83%, 0.67%

LAB 64.68, 69.91, -41.31

 

CMYK 0 / 54 / 2 / 0

HEX #FF76FB

RGB 255 118 251

HSL 301.75, 1%, 0.73%

LAB 70.3, 68.82, -42.84

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 58 / 0 / 7

HEX #EC64ED

RGB 236 100 237

HSL 299.56, 0.79%, 0.66%

LAB 64.21, 69.49, -44.87

 

CMYK 0 / 63 / 0 / 14

HEX #DB52DA

RGB 219 82 218

HSL 300.44, 0.66%, 0.59%

LAB 58.19, 69.6, -43.89

 

CMYK 0 / 68 / 1 / 21

HEX #CA40C7

RGB 202 64 199

HSL 301.3, 0.57%, 0.52%

LAB 52.23, 69.35, -42.64

 

CMYK 0 / 75 / 3 / 27

HEX #B92EB4

RGB 185 46 180

HSL 302.16, 0.6%, 0.45%

LAB 46.4, 68.52, -41

 

CMYK 0 / 83 / 4 / 34

HEX #A81CA1

RGB 168 28 161

HSL 303, 0.71%, 0.38%

LAB 40.78, 66.82, -38.8

 

CMYK 0 / 58 / 0 / 7

HEX #EB63EC

RGB 235 99 236

HSL 299.56, 0.78%, 0.66%

LAB 63.87, 69.5, -44.86

 

CMYK 0 / 58 / 15 / 7

HEX #EC63C8

RGB 236 99 200

HSL 315.77, 0.78%, 0.66%

LAB 62.45, 64.09, -26.88

 

CMYK 0 / 58 / 31 / 7

HEX #EC63A3

RGB 236 99 163

HSL 331.97, 0.78%, 0.66%

LAB 61.13, 59.13, -7.72

 

CMYK 0 / 58 / 47 / 7

HEX #EC637E

RGB 236 99 126

HSL 348.18, 0.78%, 0.66%

LAB 60.13, 55.17, 12.25

 

CMYK 0 / 58 / 58 / 7

HEX #EC6363

RGB 236 99 99

HSL 0, 0.78%, 0.66%

LAB 59.58, 52.96, 27.09

 

CMYK 0 / 58 / 0 / 7

HEX #EB63EC

RGB 235 99 236

HSL 299.56, 0.78%, 0.66%

LAB 63.87, 69.5, -44.86

 

CMYK 16 / 58 / 0 / 7

HEX #C663EC

RGB 198 99 236

HSL 283.36, 0.78%, 0.66%

LAB 58.96, 60.4, -52.94

 

CMYK 32 / 58 / 0 / 7

HEX #A163EC

RGB 161 99 236

HSL 267.15, 0.78%, 0.66%

LAB 54.61, 51.61, -60.14

 

CMYK 47 / 58 / 0 / 7

HEX #7C63EC

RGB 124 99 236

HSL 250.95, 0.78%, 0.66%

LAB 51, 43.58, -66.16

 

CMYK 58 / 58 / 0 / 7

HEX #6363EC

RGB 99 99 236

HSL 240, 0.78%, 0.66%

LAB 49.05, 38.9, -69.41

 

CMYK 0 / 58 / 0 / 7

HEX #EB63EC

RGB 235 99 236

HSL 299.56, 0.78%, 0.66%

LAB 63.87, 69.5, -44.86

 

CMYK 0 / 66 / 0 / 2

HEX #F955FA

RGB 249 85 250

HSL 299.64, 0.94%, 0.66%

LAB 64.59, 80.5, -51.33

 

CMYK 0 / 58 / 0 / 7

HEX #EB63EC

RGB 235 99 236

HSL 299.56, 0.78%, 0.66%

LAB 63.87, 69.5, -44.86

 

CMYK 0 / 49 / 0 / 13

HEX #DD71DE

RGB 221 113 222

HSL 299.45, 0.62%, 0.66%

LAB 63.72, 57.06, -37.44

 

CMYK 0 / 39 / 0 / 18

HEX #D07FD0

RGB 208 127 208

HSL 300, 0.46%, 0.66%

LAB 64.28, 43.64, -28.87

 

CMYK 0 / 27 / 0 / 24

HEX #C28DC2

RGB 194 141 194

HSL 300, 0.3%, 0.66%

LAB 65.29, 28.97, -19.6

 

CMYK 0 / 14 / 0 / 29

HEX #B49BB4

RGB 180 155 180

HSL 300, 0.14%, 0.66%

LAB 66.86, 13.72, -9.54

 

CMYK 32 / 58 / 0 / 7

HEX #A163EC

RGB 161 99 236

HSL 267.15, 0.78%, 0.66%

LAB 54.61, 51.61, -60.14

 

CMYK 17 / 58 / 0 / 7

HEX #C563EC

RGB 197 99 236

HSL 282.92, 0.78%, 0.66%

LAB 58.84, 60.16, -53.15

 

CMYK 1 / 58 / 0 / 7

HEX #EA63EC

RGB 234 99 236

HSL 299.12, 0.78%, 0.66%

LAB 63.73, 69.25, -45.09

 

CMYK 0 / 58 / 14 / 7

HEX #EC63CA

RGB 236 99 202

HSL 314.89, 0.78%, 0.66%

LAB 62.53, 64.39, -27.89

 

CMYK 0 / 58 / 30 / 7

HEX #EC63A6

RGB 236 99 166

HSL 330.66, 0.78%, 0.66%

LAB 61.23, 59.5, -9.31

 

CMYK 1 / 89 / 0 / 11

HEX #E11AE3

RGB 225 26 227

HSL 299.4, 0.79%, 0.5%

LAB 54.34, 87.35, -55.04

 

CMYK 0 / 73 / 0 / 9

HEX #E73EE8

RGB 231 62 232

HSL 299.65, 0.79%, 0.58%

LAB 58.28, 81.39, -51.5

 

CMYK 0 / 58 / 0 / 7

HEX #EB63EC

RGB 235 99 236

HSL 299.56, 0.78%, 0.66%

LAB 63.87, 69.5, -44.86

 

CMYK 0 / 44 / 0 / 5

HEX #F088F1

RGB 240 136 241

HSL 299.43, 0.79%, 0.74%

LAB 71.2, 54.5, -36.1

 

CMYK 0 / 29 / 0 / 4

HEX #F4ADF5

RGB 244 173 245

HSL 299.17, 0.78%, 0.82%

LAB 79.45, 37.37, -25.54

 

CMYK 0 / 58 / 0 / 7

HEX #EC64ED

RGB 236 100 237

HSL 299.56, 0.79%, 0.66%

LAB 64.21, 69.49, -44.87

 

CMYK 0 / 47 / 58 / 7

HEX #EC7C63

RGB 236 124 99

HSL 10.95, 0.78%, 0.66%

LAB 64.28, 40.9, 33.14

 

CMYK 58 / 0 / 24 / 7

HEX #63ECB3

RGB 99 236 179

HSL 155.04, 0.78%, 0.66%

LAB 84.94, -50.44, 16.63

 

CMYK 0 / 58 / 0 / 7

HEX #EC64ED

RGB 236 100 237

HSL 299.56, 0.79%, 0.66%

LAB 64.21, 69.49, -44.87

 

CMYK 0 / 1 / 58 / 7

HEX #ECEA63

RGB 236 234 99

HSL 59.12, 0.78%, 0.66%

LAB 90.59, -16.07, 64.17

 

CMYK 58 / 0 / 1 / 7

HEX #63ECEA

RGB 99 236 234

HSL 179.12, 0.78%, 0.66%

LAB 86.3, -37.33, -10.23

 

CMYK 0 / 58 / 0 / 7

HEX #EC64ED

RGB 236 100 237

HSL 299.56, 0.79%, 0.66%

LAB 64.21, 69.49, -44.87

 

CMYK 0 / 47 / 58 / 7

HEX #EC7C63

RGB 236 124 99

HSL 10.95, 0.78%, 0.66%

LAB 64.28, 40.9, 33.14

 

CMYK 57 / 0 / 58 / 7

HEX #66EC63

RGB 102 236 99

HSL 118.69, 0.78%, 0.66%

LAB 83.82, -62.79, 54.54

 

CMYK 58 / 11 / 0 / 7

HEX #63D3EC

RGB 99 211 236

HSL 190.95, 0.78%, 0.66%

LAB 79.21, -24.84, -21.95

 

CMYK 0 / 58 / 0 / 7

HEX #EC64ED

RGB 236 100 237

HSL 299.56, 0.79%, 0.66%

LAB 64.21, 69.49, -44.87

 

CMYK 0 / 30 / 58 / 7

HEX #ECA663

RGB 236 166 99

HSL 29.34, 0.78%, 0.66%

LAB 73.55, 18.93, 44.58

 

CMYK 57 / 0 / 58 / 7

HEX #66EC63

RGB 102 236 99

HSL 118.69, 0.78%, 0.66%

LAB 83.82, -62.79, 54.54

 

CMYK 58 / 28 / 0 / 7

HEX #63AAEC

RGB 99 170 236

HSL 208.91, 0.78%, 0.66%

LAB 67.62, -3.21, -39.81

 

Description

Color code: HEX #EC64ED | qconv.com Color code: HEX #EC64ED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 100 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 100 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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