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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC54E3 it is the complementary color #13AB1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC54E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC54E3 shade: #F154DE, #FF66F1, #FF78FF, #FF8AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC54E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC54E3 shade: #EC54E3, #DB42D0, #CA30BD, #B91EAA and #A80C97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC54E3 shade: #EC55E3, #EC55BA, #EC5591, #EC5569 and #EC5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC54E3 shade: #EC55E3, #CC55EC, #A355EC, #7A55EC and #5555EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC54E3 shade matches the following richer shades: #EC55E3 and #FB45F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC54E3 shade: #EC55E3, #DC64D5, #CD73C8, #BE82BA and #AF92AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC54E3 shade: #A355EC, #CB55EC, #EC55E4, #EC55BC and #EC5594

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC54E3 shade: #D617CB, #E830DD, #EC55E3, #F07AE9 and #F49FEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC54E3 shade: #EC54E3, #EC7A55 and #55ECB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC54E3 shade: #EC54E3, #E4EC55 and #55E4EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC54E3 shade: #EC54E3, #EC7A55, #55EC5C and #55C6EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC54E3 shade: #EC54E3, #ECA855, #55EC5C and #5599EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 4 / 7

HEX #EC54E3

RGB 236 84 227

HSL 303.55, 0.8%, 0.63%

LAB 61.41, 74.29, -43.7

 

Complementary color

CMYK 89 / 0 / 84 / 33

HEX #13AB1C

RGB 19 171 28

HSL 123.55, 0.8%, 0.37%

LAB 61.09, -61.83, 56.93

 

CMYK 0 / 65 / 8 / 5

HEX #F154DE

RGB 241 84 222

HSL 307.26, 0.85%, 0.64%

LAB 61.93, 74.7, -40.04

 

CMYK 0 / 60 / 5 / 0

HEX #FF66F1

RGB 255 102 241

HSL 305.49, 1%, 0.7%

LAB 67.36, 74.01, -41.95

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 64 / 4 / 7

HEX #EC54E3

RGB 236 84 227

HSL 303.55, 0.8%, 0.63%

LAB 61.41, 74.29, -43.7

 

CMYK 0 / 70 / 5 / 14

HEX #DB42D0

RGB 219 66 208

HSL 304.31, 0.68%, 0.56%

LAB 55.59, 73.89, -42.31

 

CMYK 0 / 76 / 6 / 21

HEX #CA30BD

RGB 202 48 189

HSL 305.06, 0.62%, 0.49%

LAB 49.91, 72.91, -40.52

 

CMYK 0 / 84 / 8 / 27

HEX #B91EAA

RGB 185 30 170

HSL 305.81, 0.72%, 0.42%

LAB 44.44, 71.09, -38.19

 

CMYK 0 / 93 / 10 / 34

HEX #A80C97

RGB 168 12 151

HSL 306.54, 0.87%, 0.35%

LAB 39.28, 68.1, -35.14

 

CMYK 0 / 64 / 4 / 7

HEX #EC55E3

RGB 236 85 227

HSL 303.58, 0.8%, 0.63%

LAB 61.55, 73.91, -43.49

 

CMYK 0 / 64 / 21 / 7

HEX #EC55BA

RGB 236 85 186

HSL 319.87, 0.8%, 0.63%

LAB 59.78, 67.94, -23.01

 

CMYK 0 / 64 / 39 / 7

HEX #EC5591

RGB 236 85 145

HSL 336.16, 0.8%, 0.63%

LAB 58.39, 63.04, -1.32

 

CMYK 0 / 64 / 56 / 7

HEX #EC5569

RGB 236 85 105

HSL 352.05, 0.8%, 0.63%

LAB 57.41, 59.47, 20.75

 

CMYK 0 / 64 / 64 / 7

HEX #EC5555

RGB 236 85 85

HSL 0, 0.8%, 0.63%

LAB 57.06, 58.14, 31.88

 

CMYK 0 / 64 / 4 / 7

HEX #EC55E3

RGB 236 85 227

HSL 303.58, 0.8%, 0.63%

LAB 61.55, 73.91, -43.49

 

CMYK 14 / 64 / 0 / 7

HEX #CC55EC

RGB 204 85 236

HSL 287.28, 0.8%, 0.63%

LAB 57.45, 68.09, -55.3

 

CMYK 31 / 64 / 0 / 7

HEX #A355EC

RGB 163 85 236

HSL 270.99, 0.8%, 0.63%

LAB 52.22, 59.12, -63.99

 

CMYK 48 / 64 / 0 / 7

HEX #7A55EC

RGB 122 85 236

HSL 254.7, 0.8%, 0.63%

LAB 47.87, 51, -71.24

 

CMYK 64 / 64 / 0 / 7

HEX #5555EC

RGB 85 85 236

HSL 240, 0.8%, 0.63%

LAB 44.92, 45.04, -76.17

 

CMYK 0 / 64 / 4 / 7

HEX #EC55E3

RGB 236 85 227

HSL 303.58, 0.8%, 0.63%

LAB 61.55, 73.91, -43.49

 

CMYK 0 / 73 / 4 / 2

HEX #FB45F0

RGB 251 69 240

HSL 303.63, 0.96%, 0.63%

LAB 62.56, 84.62, -49

 

CMYK 0 / 64 / 4 / 7

HEX #EC55E3

RGB 236 85 227

HSL 303.58, 0.8%, 0.63%

LAB 61.55, 73.91, -43.49

 

CMYK 0 / 55 / 3 / 14

HEX #DC64D5

RGB 220 100 213

HSL 303.5, 0.63%, 0.63%

LAB 60.9, 61.33, -36.8

 

CMYK 0 / 44 / 2 / 20

HEX #CD73C8

RGB 205 115 200

HSL 303.33, 0.47%, 0.63%

LAB 61.14, 47.52, -29.23

 

CMYK 0 / 32 / 2 / 25

HEX #BE82BA

RGB 190 130 186

HSL 304, 0.32%, 0.63%

LAB 62.05, 32.19, -20.07

 

CMYK 0 / 17 / 1 / 31

HEX #AF92AD

RGB 175 146 173

HSL 304.14, 0.15%, 0.63%

LAB 63.91, 15.65, -10.06

 

CMYK 31 / 64 / 0 / 7

HEX #A355EC

RGB 163 85 236

HSL 270.99, 0.8%, 0.63%

LAB 52.22, 59.12, -63.99

 

CMYK 14 / 64 / 0 / 7

HEX #CB55EC

RGB 203 85 236

HSL 286.89, 0.8%, 0.63%

LAB 57.32, 67.86, -55.52

 

CMYK 0 / 64 / 3 / 7

HEX #EC55E4

RGB 236 85 228

HSL 303.18, 0.8%, 0.63%

LAB 61.59, 74.07, -43.97

 

CMYK 0 / 64 / 20 / 7

HEX #EC55BC

RGB 236 85 188

HSL 319.07, 0.8%, 0.63%

LAB 59.85, 68.2, -24.03

 

CMYK 0 / 64 / 37 / 7

HEX #EC5594

RGB 236 85 148

HSL 334.97, 0.8%, 0.63%

LAB 58.48, 63.36, -2.95

 

CMYK 0 / 89 / 5 / 16

HEX #D617CB

RGB 214 23 203

HSL 303.46, 0.81%, 0.46%

LAB 50.94, 82.41, -46.86

 

CMYK 0 / 79 / 5 / 9

HEX #E830DD

RGB 232 48 221

HSL 303.59, 0.8%, 0.55%

LAB 56.58, 83.65, -48.01

 

CMYK 0 / 64 / 4 / 7

HEX #EC55E3

RGB 236 85 227

HSL 303.58, 0.8%, 0.63%

LAB 61.55, 73.91, -43.49

 

CMYK 0 / 49 / 3 / 6

HEX #F07AE9

RGB 240 122 233

HSL 303.56, 0.8%, 0.71%

LAB 68.26, 59.93, -36.28

 

CMYK 0 / 35 / 2 / 4

HEX #F49FEF

RGB 244 159 239

HSL 303.53, 0.79%, 0.79%

LAB 76.23, 43.62, -27.22

 

CMYK 0 / 64 / 4 / 7

HEX #EC54E3

RGB 236 84 227

HSL 303.55, 0.8%, 0.63%

LAB 61.41, 74.29, -43.7

 

CMYK 0 / 48 / 64 / 7

HEX #EC7A55

RGB 236 122 85

HSL 14.7, 0.8%, 0.63%

LAB 63.68, 40.96, 39.98

 

CMYK 64 / 0 / 22 / 7

HEX #55ECB7

RGB 85 236 183

HSL 158.94, 0.8%, 0.63%

LAB 84.66, -52.17, 14.09

 

CMYK 0 / 64 / 4 / 7

HEX #EC54E3

RGB 236 84 227

HSL 303.55, 0.8%, 0.63%

LAB 61.41, 74.29, -43.7

 

CMYK 3 / 0 / 64 / 7

HEX #E4EC55

RGB 228 236 85

HSL 63.18, 0.8%, 0.63%

LAB 90.39, -21.16, 69.49

 

CMYK 64 / 3 / 0 / 7

HEX #55E4EC

RGB 85 228 236

HSL 183.18, 0.8%, 0.63%

LAB 83.69, -35.36, -15.22

 

CMYK 0 / 64 / 4 / 7

HEX #EC54E3

RGB 236 84 227

HSL 303.55, 0.8%, 0.63%

LAB 61.41, 74.29, -43.7

 

CMYK 0 / 48 / 64 / 7

HEX #EC7A55

RGB 236 122 85

HSL 14.7, 0.8%, 0.63%

LAB 63.68, 40.96, 39.98

 

CMYK 64 / 0 / 61 / 7

HEX #55EC5C

RGB 85 236 92

HSL 122.78, 0.8%, 0.63%

LAB 83.28, -67.27, 56.83

 

CMYK 64 / 16 / 0 / 7

HEX #55C6EC

RGB 85 198 236

HSL 195.1, 0.8%, 0.63%

LAB 75.06, -20.7, -28.33

 

CMYK 0 / 64 / 4 / 7

HEX #EC54E3

RGB 236 84 227

HSL 303.55, 0.8%, 0.63%

LAB 61.41, 74.29, -43.7

 

CMYK 0 / 29 / 64 / 7

HEX #ECA855

RGB 236 168 85

HSL 32.98, 0.8%, 0.63%

LAB 73.86, 16.91, 51.83

 

CMYK 64 / 0 / 61 / 7

HEX #55EC5C

RGB 85 236 92

HSL 122.78, 0.8%, 0.63%

LAB 83.28, -67.27, 56.83

 

CMYK 64 / 35 / 0 / 7

HEX #5599EC

RGB 85 153 236

HSL 212.98, 0.8%, 0.63%

LAB 62.31, 3.92, -48.19

 

Description

Color code: HEX #EC54E3 | qconv.com Color code: HEX #EC54E3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 84 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 84 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 4% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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