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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC546D it is the complementary color #13AB92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC546D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC546D shade: #F15468, #FF667B, #FF788E, #FF8AA1 and #FF9CB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC546D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC546D shade: #EC546D, #DB425A, #CA3047, #B91E34 and #A80C21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC546D shade: #EC556E and #EC5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC546D shade: #EC556E, #EC5596, #EC55BF, #EC55E8 and #C755EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC546D shade matches the following richer shades: #EC556E and #FB4563

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC546D shade: #EC556E, #DC6478, #CD7382, #BE828C and #AF9296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC546D shade: #EC55BE, #EC5596, #EC556E, #EC6455 and #EC8C55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC546D shade: #D61737, #E8304E, #EC556E, #F07A8D and #F49FAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC546D shade: #EC546D, #E7EC55 and #55AAEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC546D shade: #EC546D, #6EEC55 and #556EEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC546D shade: #EC546D, #E7EC55, #55ECD2 and #5A55EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC546D shade: #EC546D, #B9EC55, #55ECD2 and #8755EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 54 / 7

HEX #EC546D

RGB 236 84 109

HSL 350.13, 0.8%, 0.63%

LAB 57.34, 60.18, 18.32

 

Complementary color

CMYK 89 / 0 / 15 / 33

HEX #13AB92

RGB 19 171 146

HSL 170.13, 0.8%, 0.37%

LAB 62.79, -42.13, 2.62

 

CMYK 0 / 65 / 57 / 5

HEX #F15468

RGB 241 84 104

HSL 352.36, 0.85%, 0.64%

LAB 58.08, 61.38, 22.37

 

CMYK 0 / 60 / 52 / 0

HEX #FF667B

RGB 255 102 123

HSL 351.76, 1%, 0.7%

LAB 63.5, 59.78, 19.11

 

CMYK 0 / 53 / 44 / 0

HEX #FF788E

RGB 255 120 142

HSL 350.22, 1%, 0.74%

LAB 67.01, 53.32, 13.15

 

CMYK 0 / 46 / 37 / 0

HEX #FF8AA1

RGB 255 138 161

HSL 348.21, 1%, 0.77%

LAB 70.88, 46.58, 7.95

 

CMYK 0 / 39 / 29 / 0

HEX #FF9CB4

RGB 255 156 180

HSL 345.45, 1%, 0.81%

LAB 75.03, 39.76, 3.4

 

CMYK 0 / 64 / 54 / 7

HEX #EC546D

RGB 236 84 109

HSL 350.13, 0.8%, 0.63%

LAB 57.34, 60.18, 18.32

 

CMYK 0 / 70 / 59 / 14

HEX #DB425A

RGB 219 66 90

HSL 350.59, 0.68%, 0.56%

LAB 51.49, 60.54, 21.19

 

CMYK 0 / 76 / 65 / 21

HEX #CA3047

RGB 202 48 71

HSL 351.04, 0.62%, 0.49%

LAB 45.81, 60.45, 24.65

 

CMYK 0 / 84 / 72 / 27

HEX #B91E34

RGB 185 30 52

HSL 351.48, 0.72%, 0.42%

LAB 40.4, 59.63, 28.83

 

CMYK 0 / 93 / 80 / 34

HEX #A80C21

RGB 168 12 33

HSL 351.92, 0.87%, 0.35%

LAB 35.4, 57.7, 33.77

 

CMYK 0 / 64 / 53 / 7

HEX #EC556E

RGB 236 85 110

HSL 350.07, 0.8%, 0.63%

LAB 57.52, 59.85, 17.97

 

CMYK 0 / 64 / 64 / 7

HEX #EC5555

RGB 236 85 85

HSL 0, 0.8%, 0.63%

LAB 57.06, 58.14, 31.88

 

CMYK 0 / 64 / 53 / 7

HEX #EC556E

RGB 236 85 110

HSL 350.07, 0.8%, 0.63%

LAB 57.52, 59.85, 17.97

 

CMYK 0 / 64 / 36 / 7

HEX #EC5596

RGB 236 85 150

HSL 334.17, 0.8%, 0.63%

LAB 58.54, 63.58, -4.03

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BF

RGB 236 85 191

HSL 317.88, 0.8%, 0.63%

LAB 59.97, 68.61, -25.57

 

CMYK 0 / 64 / 2 / 7

HEX #EC55E8

RGB 236 85 232

HSL 301.59, 0.8%, 0.63%

LAB 61.79, 74.7, -45.9

 

CMYK 16 / 64 / 0 / 7

HEX #C755EC

RGB 199 85 236

HSL 285.3, 0.8%, 0.63%

LAB 56.78, 66.97, -56.42

 

CMYK 0 / 64 / 53 / 7

HEX #EC556E

RGB 236 85 110

HSL 350.07, 0.8%, 0.63%

LAB 57.52, 59.85, 17.97

 

CMYK 0 / 73 / 61 / 2

HEX #FB4563

RGB 251 69 99

HSL 350.11, 0.96%, 0.63%

LAB 57.72, 69.52, 25.13

 

CMYK 0 / 64 / 53 / 7

HEX #EC556E

RGB 236 85 110

HSL 350.07, 0.8%, 0.63%

LAB 57.52, 59.85, 17.97

 

CMYK 0 / 55 / 45 / 14

HEX #DC6478

RGB 220 100 120

HSL 350, 0.63%, 0.63%

LAB 57.74, 48.76, 12.04

 

CMYK 0 / 44 / 37 / 20

HEX #CD7382

RGB 205 115 130

HSL 350, 0.47%, 0.63%

LAB 58.84, 36.95, 7.48

 

CMYK 0 / 32 / 26 / 25

HEX #BE828C

RGB 190 130 140

HSL 350, 0.32%, 0.63%

LAB 60.61, 24.55, 4.03

 

CMYK 0 / 17 / 14 / 31

HEX #AF9296

RGB 175 146 150

HSL 351.72, 0.15%, 0.63%

LAB 63.24, 11.51, 1.95

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 0 / 64 / 36 / 7

HEX #EC5596

RGB 236 85 150

HSL 334.17, 0.8%, 0.63%

LAB 58.54, 63.58, -4.03

 

CMYK 0 / 64 / 53 / 7

HEX #EC556E

RGB 236 85 110

HSL 350.07, 0.8%, 0.63%

LAB 57.52, 59.85, 17.97

 

CMYK 0 / 58 / 64 / 7

HEX #EC6455

RGB 236 100 85

HSL 5.96, 0.8%, 0.63%

LAB 59.53, 51.59, 34.94

 

CMYK 0 / 41 / 64 / 7

HEX #EC8C55

RGB 236 140 85

HSL 21.85, 0.8%, 0.63%

LAB 67.46, 31.71, 44.47

 

CMYK 0 / 89 / 74 / 16

HEX #D61737

RGB 214 23 55

HSL 349.95, 0.81%, 0.46%

LAB 45.89, 68.8, 34.93

 

CMYK 0 / 79 / 66 / 9

HEX #E8304E

RGB 232 48 78

HSL 350.22, 0.8%, 0.55%

LAB 51.63, 69.27, 29

 

CMYK 0 / 64 / 53 / 7

HEX #EC556E

RGB 236 85 110

HSL 350.07, 0.8%, 0.63%

LAB 57.52, 59.85, 17.97

 

CMYK 0 / 49 / 41 / 6

HEX #F07A8D

RGB 240 122 141

HSL 350.34, 0.8%, 0.71%

LAB 65.25, 47.12, 10.94

 

CMYK 0 / 35 / 29 / 4

HEX #F49FAD

RGB 244 159 173

HSL 350.12, 0.79%, 0.79%

LAB 74.22, 33.38, 5.92

 

CMYK 0 / 64 / 54 / 7

HEX #EC546D

RGB 236 84 109

HSL 350.13, 0.8%, 0.63%

LAB 57.34, 60.18, 18.32

 

CMYK 2 / 0 / 64 / 7

HEX #E7EC55

RGB 231 236 85

HSL 61.99, 0.8%, 0.63%

LAB 90.61, -19.95, 69.8

 

CMYK 64 / 28 / 0 / 7

HEX #55AAEC

RGB 85 170 236

HSL 206.23, 0.8%, 0.63%

LAB 67.08, -5.75, -40.69

 

CMYK 0 / 64 / 54 / 7

HEX #EC546D

RGB 236 84 109

HSL 350.13, 0.8%, 0.63%

LAB 57.34, 60.18, 18.32

 

CMYK 53 / 0 / 64 / 7

HEX #6EEC55

RGB 110 236 85

HSL 110.07, 0.8%, 0.63%

LAB 83.95, -62.25, 60.69

 

CMYK 64 / 53 / 0 / 7

HEX #556EEC

RGB 85 110 236

HSL 230.07, 0.8%, 0.63%

LAB 50.85, 29.9, -66.53

 

CMYK 0 / 64 / 54 / 7

HEX #EC546D

RGB 236 84 109

HSL 350.13, 0.8%, 0.63%

LAB 57.34, 60.18, 18.32

 

CMYK 2 / 0 / 64 / 7

HEX #E7EC55

RGB 231 236 85

HSL 61.99, 0.8%, 0.63%

LAB 90.61, -19.95, 69.8

 

CMYK 64 / 0 / 11 / 7

HEX #55ECD2

RGB 85 236 210

HSL 169.67, 0.8%, 0.63%

LAB 85.29, -45.81, 0.85

 

CMYK 62 / 64 / 0 / 7

HEX #5A55EC

RGB 90 85 236

HSL 241.99, 0.8%, 0.63%

LAB 45.26, 45.74, -75.61

 

CMYK 0 / 64 / 54 / 7

HEX #EC546D

RGB 236 84 109

HSL 350.13, 0.8%, 0.63%

LAB 57.34, 60.18, 18.32

 

CMYK 22 / 0 / 64 / 7

HEX #B9EC55

RGB 185 236 85

HSL 80.26, 0.8%, 0.63%

LAB 87.47, -37.97, 65.52

 

CMYK 64 / 0 / 11 / 7

HEX #55ECD2

RGB 85 236 210

HSL 169.67, 0.8%, 0.63%

LAB 85.29, -45.81, 0.85

 

CMYK 43 / 64 / 0 / 7

HEX #8755EC

RGB 135 85 236

HSL 259.87, 0.8%, 0.63%

LAB 49.14, 53.44, -69.12

 

Description

Color code: HEX #EC546D | qconv.com Color code: HEX #EC546D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 84 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 84 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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