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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC4ED7 it is the complementary color #13B128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC4ED7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC4ED7 shade: #F14ED2, #FF60E5, #FF72F8, #FF84FF and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC4ED7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC4ED7 shade: #EC4ED7, #DB3CC4, #CA2AB1, #B9189E and #A8068B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC4ED7 shade: #EC4FD7, #EC4FAD, #EC4F83, #EC4F58 and #EC4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC4ED7 shade: #EC4FD7, #D74FEC, #AC4FEC, #824FEC and #584FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC4ED7 shade matches the following richer shades: #EC4FD7 and #FC3FE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC4ED7 shade: #EC4FD7, #DC5FCC, #CD6EC0, #BD7EB5 and #AD8EA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC4ED7 shade: #AB4FEC, #D54FEC, #EC4FDA, #EC4FB0 and #EC4F86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC4ED7 shade: #D316BA, #E82ACF, #EC4FD7, #F074E0 and #F49AE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC4ED7 shade: #EC4ED7, #EC814F and #4FECC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC4ED7 shade: #EC4ED7, #DAEC4F and #4FDAEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC4ED7 shade: #EC4ED7, #EC814F, #4FEC61 and #4FBAEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC4ED7 shade: #EC4ED7, #ECB04F, #4FEC61 and #4F8BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 9 / 7

HEX #EC4ED7

RGB 236 78 215

HSL 307.97, 0.81%, 0.62%

LAB 60.06, 74.66, -39.08

 

Complementary color

CMYK 89 / 0 / 77 / 31

HEX #13B128

RGB 19 177 40

HSL 127.97, 0.81%, 0.38%

LAB 63.12, -62.84, 55.28

 

CMYK 0 / 68 / 13 / 5

HEX #F14ED2

RGB 241 78 210

HSL 311.41, 0.85%, 0.63%

LAB 60.61, 75.12, -35.33

 

CMYK 0 / 62 / 10 / 0

HEX #FF60E5

RGB 255 96 229

HSL 309.81, 1%, 0.69%

LAB 65.97, 74.57, -37.48

 

CMYK 0 / 55 / 3 / 0

HEX #FF72F8

RGB 255 114 248

HSL 302.98, 1%, 0.72%

LAB 69.52, 70.08, -42.42

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 67 / 9 / 7

HEX #EC4ED7

RGB 236 78 215

HSL 307.97, 0.81%, 0.62%

LAB 60.06, 74.66, -39.08

 

CMYK 0 / 73 / 11 / 14

HEX #DB3CC4

RGB 219 60 196

HSL 308.68, 0.69%, 0.55%

LAB 54.32, 74.05, -37.43

 

CMYK 0 / 79 / 12 / 21

HEX #CA2AB1

RGB 202 42 177

HSL 309.38, 0.66%, 0.48%

LAB 48.74, 72.78, -35.34

 

CMYK 0 / 87 / 15 / 27

HEX #B9189E

RGB 185 24 158

HSL 310.06, 0.77%, 0.41%

LAB 43.41, 70.57, -32.64

 

CMYK 0 / 96 / 17 / 34

HEX #A8068B

RGB 168 6 139

HSL 310.74, 0.93%, 0.34%

LAB 38.41, 67.14, -29.18

 

CMYK 0 / 67 / 9 / 7

HEX #EC4FD7

RGB 236 79 215

HSL 308.03, 0.81%, 0.62%

LAB 60.19, 74.3, -38.88

 

CMYK 0 / 67 / 27 / 7

HEX #EC4FAD

RGB 236 79 173

HSL 324.08, 0.81%, 0.62%

LAB 58.45, 68.57, -17.53

 

CMYK 0 / 67 / 44 / 7

HEX #EC4F83

RGB 236 79 131

HSL 340.13, 0.81%, 0.62%

LAB 57.14, 64.03, 5.08

 

CMYK 0 / 67 / 63 / 7

HEX #EC4F58

RGB 236 79 88

HSL 356.56, 0.81%, 0.62%

LAB 56.22, 60.74, 29.09

 

CMYK 0 / 67 / 67 / 7

HEX #EC4F4F

RGB 236 79 79

HSL 0, 0.81%, 0.62%

LAB 56.08, 60.23, 34.09

 

CMYK 0 / 67 / 9 / 7

HEX #EC4FD7

RGB 236 79 215

HSL 308.03, 0.81%, 0.62%

LAB 60.19, 74.3, -38.88

 

CMYK 9 / 67 / 0 / 7

HEX #D74FEC

RGB 215 79 236

HSL 291.97, 0.81%, 0.62%

LAB 58.13, 72.94, -54.14

 

CMYK 27 / 67 / 0 / 7

HEX #AC4FEC

RGB 172 79 236

HSL 275.54, 0.81%, 0.62%

LAB 52.31, 63.78, -63.79

 

CMYK 45 / 67 / 0 / 7

HEX #824FEC

RGB 130 79 236

HSL 259.49, 0.81%, 0.62%

LAB 47.49, 55.61, -71.83

 

CMYK 63 / 67 / 0 / 7

HEX #584FEC

RGB 88 79 236

HSL 243.44, 0.81%, 0.62%

LAB 43.83, 48.91, -77.95

 

CMYK 0 / 67 / 9 / 7

HEX #EC4FD7

RGB 236 79 215

HSL 308.03, 0.81%, 0.62%

LAB 60.19, 74.3, -38.88

 

CMYK 0 / 75 / 10 / 1

HEX #FC3FE3

RGB 252 63 227

HSL 307.94, 0.97%, 0.62%

LAB 61.48, 84.68, -43.43

 

CMYK 0 / 67 / 9 / 7

HEX #EC4FD7

RGB 236 79 215

HSL 308.03, 0.81%, 0.62%

LAB 60.19, 74.3, -38.88

 

CMYK 0 / 57 / 7 / 14

HEX #DC5FCC

RGB 220 95 204

HSL 307.68, 0.64%, 0.62%

LAB 59.67, 62.1, -33.63

 

CMYK 0 / 46 / 6 / 20

HEX #CD6EC0

RGB 205 110 192

HSL 308.21, 0.49%, 0.62%

LAB 59.83, 48.67, -26.72

 

CMYK 0 / 33 / 4 / 26

HEX #BD7EB5

RGB 189 126 181

HSL 307.62, 0.32%, 0.62%

LAB 60.85, 33.14, -19.07

 

CMYK 0 / 18 / 2 / 32

HEX #AD8EA9

RGB 173 142 169

HSL 307.74, 0.16%, 0.62%

LAB 62.59, 16.43, -9.79

 

CMYK 28 / 67 / 0 / 7

HEX #AB4FEC

RGB 171 79 236

HSL 275.16, 0.81%, 0.62%

LAB 52.18, 63.58, -64

 

CMYK 10 / 67 / 0 / 7

HEX #D54FEC

RGB 213 79 236

HSL 291.21, 0.81%, 0.62%

LAB 57.84, 72.5, -54.61

 

CMYK 0 / 67 / 8 / 7

HEX #EC4FDA

RGB 236 79 218

HSL 306.88, 0.81%, 0.62%

LAB 60.33, 74.75, -40.35

 

CMYK 0 / 67 / 25 / 7

HEX #EC4FB0

RGB 236 79 176

HSL 322.93, 0.81%, 0.62%

LAB 58.56, 68.95, -19.1

 

CMYK 0 / 67 / 43 / 7

HEX #EC4F86

RGB 236 79 134

HSL 338.98, 0.81%, 0.62%

LAB 57.22, 64.31, 3.43

 

CMYK 0 / 90 / 12 / 17

HEX #D316BA

RGB 211 22 186

HSL 307.94, 0.81%, 0.46%

LAB 49.46, 79.67, -39.38

 

CMYK 0 / 82 / 11 / 9

HEX #E82ACF

RGB 232 42 207

HSL 307.89, 0.81%, 0.54%

LAB 55.4, 83.01, -41.9

 

CMYK 0 / 67 / 9 / 7

HEX #EC4FD7

RGB 236 79 215

HSL 308.03, 0.81%, 0.62%

LAB 60.19, 74.3, -38.88

 

CMYK 0 / 52 / 7 / 6

HEX #F074E0

RGB 240 116 224

HSL 307.74, 0.81%, 0.7%

LAB 66.82, 61.26, -33.53

 

CMYK 0 / 37 / 5 / 4

HEX #F49AE8

RGB 244 154 232

HSL 308, 0.8%, 0.78%

LAB 74.93, 44.99, -25.4

 

CMYK 0 / 67 / 9 / 7

HEX #EC4ED7

RGB 236 78 215

HSL 307.97, 0.81%, 0.62%

LAB 60.06, 74.66, -39.08

 

CMYK 0 / 45 / 67 / 7

HEX #EC814F

RGB 236 129 79

HSL 19.11, 0.81%, 0.62%

LAB 65.04, 37.05, 44.73

 

CMYK 67 / 0 / 19 / 7

HEX #4FECC0

RGB 79 236 192

HSL 163.18, 0.81%, 0.62%

LAB 84.72, -51.09, 9.46

 

CMYK 0 / 67 / 9 / 7

HEX #EC4ED7

RGB 236 78 215

HSL 307.97, 0.81%, 0.62%

LAB 60.06, 74.66, -39.08

 

CMYK 8 / 0 / 67 / 7

HEX #DAEC4F

RGB 218 236 79

HSL 66.88, 0.81%, 0.62%

LAB 89.61, -25.53, 70.75

 

CMYK 67 / 8 / 0 / 7

HEX #4FDAEC

RGB 79 218 236

HSL 186.88, 0.81%, 0.62%

LAB 80.66, -31.51, -19.8

 

CMYK 0 / 67 / 9 / 7

HEX #EC4ED7

RGB 236 78 215

HSL 307.97, 0.81%, 0.62%

LAB 60.06, 74.66, -39.08

 

CMYK 0 / 45 / 67 / 7

HEX #EC814F

RGB 236 129 79

HSL 19.11, 0.81%, 0.62%

LAB 65.04, 37.05, 44.73

 

CMYK 67 / 0 / 59 / 7

HEX #4FEC61

RGB 79 236 97

HSL 126.88, 0.81%, 0.62%

LAB 83.19, -67.86, 54.53

 

CMYK 67 / 21 / 0 / 7

HEX #4FBAEC

RGB 79 186 236

HSL 199.11, 0.81%, 0.62%

LAB 71.44, -15.4, -33.92

 

CMYK 0 / 67 / 9 / 7

HEX #EC4ED7

RGB 236 78 215

HSL 307.97, 0.81%, 0.62%

LAB 60.06, 74.66, -39.08

 

CMYK 0 / 25 / 67 / 7

HEX #ECB04F

RGB 236 176 79

HSL 37.07, 0.81%, 0.62%

LAB 75.73, 12.31, 56.67

 

CMYK 67 / 0 / 59 / 7

HEX #4FEC61

RGB 79 236 97

HSL 126.88, 0.81%, 0.62%

LAB 83.19, -67.86, 54.53

 

CMYK 67 / 41 / 0 / 7

HEX #4F8BEC

RGB 79 139 236

HSL 217.07, 0.81%, 0.62%

LAB 58.21, 11.22, -54.72

 

Description

Color code: HEX #EC4ED7 | qconv.com Color code: HEX #EC4ED7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 78 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 78 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 9 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 9% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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