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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC45DB it is the complementary color #13BA24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC45DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC45DB shade: #F145D6, #FF57E9, #FF69FC, #FF7BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC45DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC45DB shade: #EC45DB, #DB33C8, #CA21B5, #B90FA2 and #A8008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC45DB shade: #EB46DA, #EB46AE, #EB4681, #EB4655 and #EB4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC45DB shade: #EB46DA, #CF46EB, #A346EB, #7646EB and #4A46EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC45DB shade matches the following richer shades: #EB46DA and #FC35E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC45DB shade: #EB46DA, #DB56CD, #CA67C0, #BA77B3 and #A988A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC45DB shade: #A446EB, #D046EB, #EB46DB, #EB46AF and #EB4682

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC45DB shade: #CA15B7, #E721D3, #EB46DA, #EF6BE2 and #F391E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC45DB shade: #EC45DB, #EB7746 and #46EBBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC45DB shade: #EC45DB, #DBEB46 and #46DBEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC45DB shade: #EC45DB, #EB7746, #46EB56 and #46BAEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC45DB shade: #EC45DB, #EBA946, #46EB56 and #4688EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 7 / 7

HEX #EC45DB

RGB 236 69 219

HSL 306.11, 0.81%, 0.6%

LAB 59.16, 78.32, -42.74

 

Complementary color

CMYK 90 / 0 / 81 / 27

HEX #13BA24

RGB 19 186 36

HSL 126.11, 0.81%, 0.4%

LAB 66.05, -65.74, 59.32

 

CMYK 0 / 71 / 11 / 5

HEX #F145D6

RGB 241 69 214

HSL 309.42, 0.86%, 0.61%

LAB 59.72, 78.71, -38.99

 

CMYK 0 / 66 / 9 / 0

HEX #FF57E9

RGB 255 87 233

HSL 307.86, 1%, 0.67%

LAB 64.93, 78.54, -41.32

 

CMYK 0 / 59 / 1 / 0

HEX #FF69FC

RGB 255 105 252

HSL 301.2, 1%, 0.71%

LAB 68.31, 74.53, -46.51

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 71 / 7 / 7

HEX #EC45DB

RGB 236 69 219

HSL 306.11, 0.81%, 0.6%

LAB 59.16, 78.32, -42.74

 

CMYK 0 / 77 / 9 / 14

HEX #DB33C8

RGB 219 51 200

HSL 306.79, 0.7%, 0.53%

LAB 53.6, 77.26, -40.87

 

CMYK 0 / 84 / 10 / 21

HEX #CA21B5

RGB 202 33 181

HSL 307.46, 0.72%, 0.46%

LAB 48.24, 75.4, -38.49

 

CMYK 0 / 92 / 12 / 27

HEX #B90FA2

RGB 185 15 162

HSL 308.12, 0.85%, 0.39%

LAB 43.16, 72.47, -35.44

 

CMYK 0 / 100 / 15 / 34

HEX #A8008F

RGB 168 0 143

HSL 308.93, 1%, 0.33%

LAB 38.39, 68.34, -31.66

 

CMYK 0 / 70 / 7 / 8

HEX #EB46DA

RGB 235 70 218

HSL 306.18, 0.8%, 0.6%

LAB 59.07, 77.63, -42.33

 

CMYK 0 / 70 / 26 / 8

HEX #EB46AE

RGB 235 70 174

HSL 322.18, 0.8%, 0.6%

LAB 57.17, 71.66, -20.08

 

CMYK 0 / 70 / 45 / 8

HEX #EB4681

RGB 235 70 129

HSL 338.55, 0.8%, 0.6%

LAB 55.71, 66.87, 4.19

 

CMYK 0 / 70 / 64 / 8

HEX #EB4655

RGB 235 70 85

HSL 354.55, 0.8%, 0.6%

LAB 54.76, 63.63, 28.94

 

CMYK 0 / 70 / 70 / 8

HEX #EB4646

RGB 235 70 70

HSL 0, 0.8%, 0.6%

LAB 54.54, 62.86, 37.31

 

CMYK 0 / 70 / 7 / 8

HEX #EB46DA

RGB 235 70 218

HSL 306.18, 0.8%, 0.6%

LAB 59.07, 77.63, -42.33

 

CMYK 12 / 70 / 0 / 8

HEX #CF46EB

RGB 207 70 235

HSL 289.82, 0.8%, 0.6%

LAB 55.73, 74.41, -57.47

 

CMYK 31 / 70 / 0 / 8

HEX #A346EB

RGB 163 70 235

HSL 273.82, 0.8%, 0.6%

LAB 49.7, 65.71, -67.5

 

CMYK 50 / 70 / 0 / 8

HEX #7646EB

RGB 118 70 235

HSL 257.45, 0.8%, 0.6%

LAB 44.56, 57.85, -76.09

 

CMYK 69 / 70 / 0 / 8

HEX #4A46EB

RGB 74 70 235

HSL 241.45, 0.8%, 0.6%

LAB 40.95, 51.96, -82.15

 

CMYK 0 / 70 / 7 / 8

HEX #EB46DA

RGB 235 70 218

HSL 306.18, 0.8%, 0.6%

LAB 59.07, 77.63, -42.33

 

CMYK 0 / 79 / 8 / 1

HEX #FC35E7

RGB 252 53 231

HSL 306.33, 0.97%, 0.6%

LAB 60.79, 87.77, -46.75

 

CMYK 0 / 70 / 7 / 8

HEX #EB46DA

RGB 235 70 218

HSL 306.18, 0.8%, 0.6%

LAB 59.07, 77.63, -42.33

 

CMYK 0 / 61 / 6 / 14

HEX #DB56CD

RGB 219 86 205

HSL 306.32, 0.65%, 0.6%

LAB 58.15, 65.87, -36.57

 

CMYK 0 / 49 / 5 / 21

HEX #CA67C0

RGB 202 103 192

HSL 306.06, 0.48%, 0.6%

LAB 58.1, 51.28, -29.43

 

CMYK 0 / 36 / 4 / 27

HEX #BA77B3

RGB 186 119 179

HSL 306.27, 0.33%, 0.6%

LAB 58.87, 35.61, -20.98

 

CMYK 0 / 20 / 2 / 34

HEX #A988A6

RGB 169 136 166

HSL 305.45, 0.16%, 0.6%

LAB 60.6, 17.83, -11.1

 

CMYK 30 / 70 / 0 / 8

HEX #A446EB

RGB 164 70 235

HSL 274.18, 0.8%, 0.6%

LAB 49.82, 65.9, -67.29

 

CMYK 11 / 70 / 0 / 8

HEX #D046EB

RGB 208 70 235

HSL 290.18, 0.8%, 0.6%

LAB 55.88, 74.62, -57.23

 

CMYK 0 / 70 / 7 / 8

HEX #EB46DB

RGB 235 70 219

HSL 305.82, 0.8%, 0.6%

LAB 59.12, 77.77, -42.82

 

CMYK 0 / 70 / 26 / 8

HEX #EB46AF

RGB 235 70 175

HSL 321.82, 0.8%, 0.6%

LAB 57.21, 71.79, -20.6

 

CMYK 0 / 70 / 45 / 8

HEX #EB4682

RGB 235 70 130

HSL 338.18, 0.8%, 0.6%

LAB 55.74, 66.96, 3.63

 

CMYK 0 / 90 / 9 / 21

HEX #CA15B7

RGB 202 21 183

HSL 306.3, 0.81%, 0.44%

LAB 47.64, 77.73, -40.61

 

CMYK 0 / 86 / 9 / 9

HEX #E721D3

RGB 231 33 211

HSL 306.06, 0.8%, 0.52%

LAB 54.84, 85.07, -45.07

 

CMYK 0 / 70 / 7 / 8

HEX #EB46DA

RGB 235 70 218

HSL 306.18, 0.8%, 0.6%

LAB 59.07, 77.63, -42.33

 

CMYK 0 / 55 / 5 / 6

HEX #EF6BE2

RGB 239 107 226

HSL 305.91, 0.8%, 0.68%

LAB 65.25, 65.4, -37.1

 

CMYK 0 / 40 / 4 / 5

HEX #F391E9

RGB 243 145 233

HSL 306.12, 0.8%, 0.76%

LAB 73.02, 49.47, -28.9

 

CMYK 0 / 71 / 7 / 7

HEX #EC45DB

RGB 236 69 219

HSL 306.11, 0.81%, 0.6%

LAB 59.16, 78.32, -42.74

 

CMYK 0 / 49 / 70 / 8

HEX #EB7746

RGB 235 119 70

HSL 17.82, 0.8%, 0.6%

LAB 62.76, 41.25, 46.7

 

CMYK 70 / 0 / 21 / 8

HEX #46EBBA

RGB 70 235 186

HSL 162.18, 0.8%, 0.6%

LAB 84.1, -53.39, 11.69

 

CMYK 0 / 71 / 7 / 7

HEX #EC45DB

RGB 236 69 219

HSL 306.11, 0.81%, 0.6%

LAB 59.16, 78.32, -42.74

 

CMYK 7 / 0 / 70 / 8

HEX #DBEB46

RGB 219 235 70

HSL 65.82, 0.8%, 0.6%

LAB 89.36, -25.13, 73.76

 

CMYK 70 / 7 / 0 / 8

HEX #46DBEB

RGB 70 219 235

HSL 185.82, 0.8%, 0.6%

LAB 80.72, -33.49, -19.21

 

CMYK 0 / 71 / 7 / 7

HEX #EC45DB

RGB 236 69 219

HSL 306.11, 0.81%, 0.6%

LAB 59.16, 78.32, -42.74

 

CMYK 0 / 49 / 70 / 8

HEX #EB7746

RGB 235 119 70

HSL 17.82, 0.8%, 0.6%

LAB 62.76, 41.25, 46.7

 

CMYK 70 / 0 / 63 / 8

HEX #46EB56

RGB 70 235 86

HSL 125.82, 0.8%, 0.6%

LAB 82.59, -70.31, 58.48

 

CMYK 70 / 21 / 0 / 8

HEX #46BAEB

RGB 70 186 235

HSL 197.82, 0.8%, 0.6%

LAB 71.16, -17.03, -33.84

 

CMYK 0 / 71 / 7 / 7

HEX #EC45DB

RGB 236 69 219

HSL 306.11, 0.81%, 0.6%

LAB 59.16, 78.32, -42.74

 

CMYK 0 / 28 / 70 / 8

HEX #EBA946

RGB 235 169 70

HSL 36, 0.8%, 0.6%

LAB 73.86, 15.11, 58.63

 

CMYK 70 / 0 / 63 / 8

HEX #46EB56

RGB 70 235 86

HSL 125.82, 0.8%, 0.6%

LAB 82.59, -70.31, 58.48

 

CMYK 70 / 42 / 0 / 8

HEX #4688EB

RGB 70 136 235

HSL 216, 0.8%, 0.6%

LAB 56.99, 11.33, -56.14

 

Description

Color code: HEX #EC45DB | qconv.com Color code: HEX #EC45DB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 69 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 69 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 7 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 7% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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