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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC3D3A it is the complementary color #13C2C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC3D3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC3D3A shade: #F13D35, #FF4F48, #FF615B, #FF736E and #FF8581

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC3D3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC3D3A shade: #EC3D3A, #DB2B27, #CA1914, #B90701 and #A80000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC3D3A shade: #EB3F3C and #EB3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC3D3A shade: #EB3F3C, #EB6E3C, #EB9D3C, #EBCD3C and #DAEB3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC3D3A shade matches the following richer shades: #EB3F3C and #FD2E2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC3D3A shade: #EB3F3C, #DA4F4D, #C9605E, #B77170 and #A68281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC3D3A shade: #EB3C96, #EB3C67, #EB3F3C, #EB6D3C and #EB9C3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC3D3A shade: #C21613, #E71A16, #EB3F3C, #EF6461 and #F38887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC3D3A shade: #EC3D3A, #C5EB3C and #3C7FEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC3D3A shade: #EC3D3A, #3CEB3F and #3F3CEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC3D3A shade: #EC3D3A, #C5EB3C, #3CE8EB and #623CEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC3D3A shade: #EC3D3A, #90EB3C, #3CE8EB and #963CEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 75 / 7

HEX #EC3D3A

RGB 236 61 58

HSL 1.01, 0.82%, 0.58%

LAB 53.47, 65.74, 42.84

 

Complementary color

CMYK 90 / 2 / 0 / 23

HEX #13C2C5

RGB 19 194 197

HSL 181.01, 0.82%, 0.42%

LAB 71.39, -37.61, -12.86

 

CMYK 0 / 75 / 78 / 5

HEX #F13D35

RGB 241 61 53

HSL 2.55, 0.87%, 0.58%

LAB 54.34, 67.04, 46.73

 

CMYK 0 / 69 / 72 / 0

HEX #FF4F48

RGB 255 79 72

HSL 2.3, 1%, 0.64%

LAB 59.27, 65.85, 42.58

 

CMYK 0 / 62 / 64 / 0

HEX #FF615B

RGB 255 97 91

HSL 2.2, 1%, 0.68%

LAB 62.14, 59.71, 35.49

 

CMYK 0 / 55 / 57 / 0

HEX #FF736E

RGB 255 115 110

HSL 2.07, 1%, 0.72%

LAB 65.47, 52.95, 29.11

 

CMYK 0 / 48 / 49 / 0

HEX #FF8581

RGB 255 133 129

HSL 1.9, 1%, 0.75%

LAB 69.2, 45.83, 23.47

 

CMYK 0 / 74 / 75 / 7

HEX #EC3D3A

RGB 236 61 58

HSL 1.01, 0.82%, 0.58%

LAB 53.47, 65.74, 42.84

 

CMYK 0 / 80 / 82 / 14

HEX #DB2B27

RGB 219 43 39

HSL 1.33, 0.71%, 0.51%

LAB 48.18, 65.48, 46.56

 

CMYK 0 / 88 / 90 / 21

HEX #CA1914

RGB 202 25 20

HSL 1.65, 0.82%, 0.44%

LAB 43.22, 64.4, 50.03

 

CMYK 0 / 96 / 99 / 27

HEX #B90701

RGB 185 7 1

HSL 1.96, 0.99%, 0.36%

LAB 38.67, 62.19, 52.51

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3C

RGB 235 63 60

HSL 1.03, 0.81%, 0.58%

LAB 53.54, 64.86, 41.77

 

CMYK 0 / 74 / 74 / 8

HEX #EB3C3C

RGB 235 60 60

HSL 0, 0.81%, 0.58%

LAB 53.19, 65.84, 41.38

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3C

RGB 235 63 60

HSL 1.03, 0.81%, 0.58%

LAB 53.54, 64.86, 41.77

 

CMYK 0 / 53 / 74 / 8

HEX #EB6E3C

RGB 235 110 60

HSL 17.14, 0.81%, 0.58%

LAB 60.91, 45.23, 49.69

 

CMYK 0 / 33 / 74 / 8

HEX #EB9D3C

RGB 235 157 60

HSL 33.26, 0.81%, 0.58%

LAB 70.94, 21.01, 59.91

 

CMYK 0 / 13 / 74 / 8

HEX #EBCD3C

RGB 235 205 60

HSL 49.71, 0.81%, 0.58%

LAB 82.73, -4.13, 71.3

 

CMYK 7 / 0 / 74 / 8

HEX #DAEB3C

RGB 218 235 60

HSL 65.83, 0.81%, 0.58%

LAB 89.23, -26, 76.88

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3C

RGB 235 63 60

HSL 1.03, 0.81%, 0.58%

LAB 53.54, 64.86, 41.77

 

CMYK 0 / 82 / 83 / 1

HEX #FD2E2A

RGB 253 46 42

HSL 1.14, 0.98%, 0.58%

LAB 55.08, 74.18, 53.8

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3C

RGB 235 63 60

HSL 1.03, 0.81%, 0.58%

LAB 53.54, 64.86, 41.77

 

CMYK 0 / 64 / 65 / 15

HEX #DA4F4D

RGB 218 79 77

HSL 0.85, 0.66%, 0.58%

LAB 52.99, 54.24, 30.74

 

CMYK 0 / 52 / 53 / 21

HEX #C9605E

RGB 201 96 94

HSL 1.12, 0.5%, 0.58%

LAB 53.59, 41.57, 21.1

 

CMYK 0 / 38 / 39 / 28

HEX #B77170

RGB 183 113 112

HSL 0.85, 0.33%, 0.58%

LAB 55.12, 27.55, 12.28

 

CMYK 0 / 22 / 22 / 35

HEX #A68281

RGB 166 130 129

HSL 1.62, 0.17%, 0.58%

LAB 57.71, 13.67, 5.83

 

CMYK 0 / 74 / 36 / 8

HEX #EB3C96

RGB 235 60 150

HSL 329.14, 0.81%, 0.58%

LAB 55.17, 72.19, -9.05

 

CMYK 0 / 74 / 56 / 8

HEX #EB3C67

RGB 235 60 103

HSL 345.26, 0.81%, 0.58%

LAB 53.89, 68.13, 17.13

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3C

RGB 235 63 60

HSL 1.03, 0.81%, 0.58%

LAB 53.54, 64.86, 41.77

 

CMYK 0 / 54 / 74 / 8

HEX #EB6D3C

RGB 235 109 60

HSL 16.8, 0.81%, 0.58%

LAB 60.72, 45.72, 49.49

 

CMYK 0 / 34 / 74 / 8

HEX #EB9C3C

RGB 235 156 60

HSL 32.91, 0.81%, 0.58%

LAB 70.71, 21.54, 59.68

 

CMYK 0 / 89 / 90 / 24

HEX #C21613

RGB 194 22 19

HSL 1.03, 0.82%, 0.42%

LAB 41.36, 62.76, 48.37

 

CMYK 0 / 89 / 90 / 9

HEX #E71A16

RGB 231 26 22

HSL 1.15, 0.83%, 0.5%

LAB 49.24, 71.89, 56.18

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3C

RGB 235 63 60

HSL 1.03, 0.81%, 0.58%

LAB 53.54, 64.86, 41.77

 

CMYK 0 / 58 / 59 / 6

HEX #EF6461

RGB 239 100 97

HSL 1.27, 0.82%, 0.66%

LAB 60.18, 53.4, 29.11

 

CMYK 0 / 44 / 44 / 5

HEX #F38887

RGB 243 136 135

HSL 0.56, 0.82%, 0.74%

LAB 68.32, 40.54, 18.67

 

CMYK 0 / 74 / 75 / 7

HEX #EC3D3A

RGB 236 61 58

HSL 1.01, 0.82%, 0.58%

LAB 53.47, 65.74, 42.84

 

CMYK 16 / 0 / 74 / 8

HEX #C5EB3C

RGB 197 235 60

HSL 73.03, 0.81%, 0.58%

LAB 87.78, -34.37, 75.01

 

CMYK 74 / 46 / 0 / 8

HEX #3C7FEB

RGB 60 127 235

HSL 217.03, 0.81%, 0.58%

LAB 54.17, 15.52, -60.66

 

CMYK 0 / 74 / 75 / 7

HEX #EC3D3A

RGB 236 61 58

HSL 1.01, 0.82%, 0.58%

LAB 53.47, 65.74, 42.84

 

CMYK 74 / 0 / 73 / 8

HEX #3CEB3F

RGB 60 235 63

HSL 121.03, 0.81%, 0.58%

LAB 82.24, -73.91, 66.74

 

CMYK 73 / 74 / 0 / 8

HEX #3F3CEB

RGB 63 60 235

HSL 241.03, 0.81%, 0.58%

LAB 38.35, 56.33, -86.46

 

CMYK 0 / 74 / 75 / 7

HEX #EC3D3A

RGB 236 61 58

HSL 1.01, 0.82%, 0.58%

LAB 53.47, 65.74, 42.84

 

CMYK 16 / 0 / 74 / 8

HEX #C5EB3C

RGB 197 235 60

HSL 73.03, 0.81%, 0.58%

LAB 87.78, -34.37, 75.01

 

CMYK 74 / 1 / 0 / 8

HEX #3CE8EB

RGB 60 232 235

HSL 181.03, 0.81%, 0.58%

LAB 84.31, -40.64, -13.81

 

CMYK 58 / 74 / 0 / 8

HEX #623CEB

RGB 98 60 235

HSL 253.03, 0.81%, 0.58%

LAB 40.94, 59.92, -82.1

 

CMYK 0 / 74 / 75 / 7

HEX #EC3D3A

RGB 236 61 58

HSL 1.01, 0.82%, 0.58%

LAB 53.47, 65.74, 42.84

 

CMYK 39 / 0 / 74 / 8

HEX #90EB3C

RGB 144 235 60

HSL 91.2, 0.81%, 0.58%

LAB 84.83, -53.69, 71.16

 

CMYK 74 / 1 / 0 / 8

HEX #3CE8EB

RGB 60 232 235

HSL 181.03, 0.81%, 0.58%

LAB 84.31, -40.64, -13.81

 

CMYK 36 / 74 / 0 / 8

HEX #963CEB

RGB 150 60 235

HSL 270.86, 0.81%, 0.58%

LAB 46.6, 67.52, -72.61

 

Description

Color code: HEX #EC3D3A | qconv.com Color code: HEX #EC3D3A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 61 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 61 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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