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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC32DB it is the complementary color #13CD24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC32DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC32DB shade: #F132D6, #FF44E9, #FF56FC, #FF68FF and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC32DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC32DB shade: #EC32DB, #DB20C8, #CA0EB5, #B900A2 and #A8008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC32DB shade: #EB31DA, #EB31A8, #EB3176, #EB3144 and #EB3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC32DB shade: #EB31DA, #CA31EB, #9831EB, #6631EB and #3431EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC32DB shade matches the following richer shades: #EB31DA and #FE1FE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC32DB shade: #EB31DA, #D943CC, #C755BD, #B568AE and #A37A9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC32DB shade: #9831EB, #C931EB, #EB31DC, #EB31AA and #EB3179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC32DB shade: #B911AA, #DF14CD, #EB31DA, #EF57E1 and #F27DE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC32DB shade: #EC32DB, #EB6631 and #31EBB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC32DB shade: #EC32DB, #DCEB31 and #31DCEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC32DB shade: #EC32DB, #EB6631, #31EB41 and #31B7EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC32DB shade: #EC32DB, #EB9E31, #31EB41 and #317FEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 7 / 7

HEX #EC32DB

RGB 236 50 219

HSL 305.48, 0.83%, 0.56%

LAB 57.3, 83.66, -45.69

 

Complementary color

CMYK 91 / 0 / 82 / 20

HEX #13CD24

RGB 19 205 36

HSL 125.48, 0.83%, 0.44%

LAB 72.18, -71.16, 65.02

 

CMYK 0 / 79 / 11 / 5

HEX #F132D6

RGB 241 50 214

HSL 308.48, 0.87%, 0.57%

LAB 57.88, 83.97, -41.87

 

CMYK 0 / 73 / 9 / 0

HEX #FF44E9

RGB 255 68 233

HSL 307.06, 1%, 0.63%

LAB 62.74, 84.73, -44.76

 

CMYK 0 / 66 / 1 / 0

HEX #FF56FC

RGB 255 86 252

HSL 301.07, 1%, 0.67%

LAB 65.7, 81.78, -50.62

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 79 / 7 / 7

HEX #EC32DB

RGB 236 50 219

HSL 305.48, 0.83%, 0.56%

LAB 57.3, 83.66, -45.69

 

CMYK 0 / 85 / 9 / 14

HEX #DB20C8

RGB 219 32 200

HSL 306.1, 0.75%, 0.49%

LAB 52.13, 81.5, -43.19

 

CMYK 0 / 93 / 10 / 21

HEX #CA0EB5

RGB 202 14 181

HSL 306.7, 0.87%, 0.42%

LAB 47.24, 78.3, -40.06

 

CMYK 0 / 100 / 12 / 27

HEX #B900A2

RGB 185 0 162

HSL 307.46, 1%, 0.36%

LAB 42.65, 73.97, -36.25

 

CMYK 0 / 100 / 15 / 34

HEX #A8008F

RGB 168 0 143

HSL 308.93, 1%, 0.33%

LAB 38.39, 68.34, -31.66

 

CMYK 0 / 79 / 7 / 8

HEX #EB31DA

RGB 235 49 218

HSL 305.48, 0.82%, 0.56%

LAB 57, 83.56, -45.6

 

CMYK 0 / 79 / 29 / 8

HEX #EB31A8

RGB 235 49 168

HSL 321.61, 0.82%, 0.56%

LAB 54.75, 77.18, -20.29

 

CMYK 0 / 79 / 50 / 8

HEX #EB3176

RGB 235 49 118

HSL 337.74, 0.82%, 0.56%

LAB 53.13, 72.38, 7.06

 

CMYK 0 / 79 / 71 / 8

HEX #EB3144

RGB 235 49 68

HSL 353.87, 0.82%, 0.56%

LAB 52.15, 69.37, 35.64

 

CMYK 0 / 79 / 79 / 8

HEX #EB3131

RGB 235 49 49

HSL 0, 0.82%, 0.56%

LAB 51.93, 68.68, 46.03

 

CMYK 0 / 79 / 7 / 8

HEX #EB31DA

RGB 235 49 218

HSL 305.48, 0.82%, 0.56%

LAB 57, 83.56, -45.6

 

CMYK 14 / 79 / 0 / 8

HEX #CA31EB

RGB 202 49 235

HSL 289.35, 0.82%, 0.56%

LAB 52.68, 80.08, -62.42

 

CMYK 35 / 79 / 0 / 8

HEX #9831EB

RGB 152 49 235

HSL 273.23, 0.82%, 0.56%

LAB 45.46, 71.88, -74.46

 

CMYK 57 / 79 / 0 / 8

HEX #6631EB

RGB 102 49 235

HSL 257.1, 0.82%, 0.56%

LAB 39.61, 65.28, -84.27

 

CMYK 78 / 79 / 0 / 8

HEX #3431EB

RGB 52 49 235

HSL 240.97, 0.82%, 0.56%

LAB 35.84, 61.06, -90.64

 

CMYK 0 / 79 / 7 / 8

HEX #EB31DA

RGB 235 49 218

HSL 305.48, 0.82%, 0.56%

LAB 57, 83.56, -45.6

 

CMYK 0 / 88 / 8 / 0

HEX #FE1FE9

RGB 254 31 233

HSL 305.65, 0.99%, 0.56%

LAB 59.83, 92.49, -49.37

 

CMYK 0 / 79 / 7 / 8

HEX #EB31DA

RGB 235 49 218

HSL 305.48, 0.82%, 0.56%

LAB 57, 83.56, -45.6

 

CMYK 0 / 69 / 6 / 15

HEX #D943CC

RGB 217 67 204

HSL 305.2, 0.66%, 0.56%

LAB 55.2, 72.48, -40.66

 

CMYK 0 / 57 / 5 / 22

HEX #C755BD

RGB 199 85 189

HSL 305.26, 0.5%, 0.56%

LAB 54.36, 58.45, -33.56

 

CMYK 0 / 43 / 4 / 29

HEX #B568AE

RGB 181 104 174

HSL 305.45, 0.34%, 0.56%

LAB 54.85, 41.18, -24.33

 

CMYK 0 / 25 / 2 / 36

HEX #A37A9F

RGB 163 122 159

HSL 305.85, 0.18%, 0.56%

LAB 56.3, 22.34, -13.62

 

CMYK 35 / 79 / 0 / 8

HEX #9831EB

RGB 152 49 235

HSL 273.23, 0.82%, 0.56%

LAB 45.46, 71.88, -74.46

 

CMYK 14 / 79 / 0 / 8

HEX #C931EB

RGB 201 49 235

HSL 289.03, 0.82%, 0.56%

LAB 52.52, 79.9, -62.67

 

CMYK 0 / 79 / 6 / 8

HEX #EB31DC

RGB 235 49 220

HSL 304.84, 0.82%, 0.56%

LAB 57.1, 83.85, -46.57

 

CMYK 0 / 79 / 28 / 8

HEX #EB31AA

RGB 235 49 170

HSL 320.97, 0.82%, 0.56%

LAB 54.83, 77.41, -21.34

 

CMYK 0 / 79 / 49 / 8

HEX #EB3179

RGB 235 49 121

HSL 336.77, 0.82%, 0.56%

LAB 53.21, 72.62, 5.37

 

CMYK 0 / 91 / 8 / 27

HEX #B911AA

RGB 185 17 170

HSL 305.36, 0.83%, 0.4%

LAB 43.68, 73.32, -39.4

 

CMYK 0 / 91 / 8 / 13

HEX #DF14CD

RGB 223 20 205

HSL 305.32, 0.84%, 0.48%

LAB 52.5, 84.65, -45.43

 

CMYK 0 / 79 / 7 / 8

HEX #EB31DA

RGB 235 49 218

HSL 305.48, 0.82%, 0.56%

LAB 57, 83.56, -45.6

 

CMYK 0 / 64 / 6 / 6

HEX #EF57E1

RGB 239 87 225

HSL 305.53, 0.83%, 0.64%

LAB 62.17, 73.55, -41.35

 

CMYK 0 / 48 / 4 / 5

HEX #F27DE8

RGB 242 125 232

HSL 305.13, 0.82%, 0.72%

LAB 69.02, 58.89, -34.53

 

CMYK 0 / 79 / 7 / 7

HEX #EC32DB

RGB 236 50 219

HSL 305.48, 0.83%, 0.56%

LAB 57.3, 83.66, -45.69

 

CMYK 0 / 57 / 79 / 8

HEX #EB6631

RGB 235 102 49

HSL 17.1, 0.82%, 0.56%

LAB 59.33, 48.64, 53.33

 

CMYK 79 / 0 / 25 / 8

HEX #31EBB0

RGB 49 235 176

HSL 160.97, 0.82%, 0.56%

LAB 83.55, -58.15, 16.08

 

CMYK 0 / 79 / 7 / 7

HEX #EC32DB

RGB 236 50 219

HSL 305.48, 0.83%, 0.56%

LAB 57.3, 83.66, -45.69

 

CMYK 6 / 0 / 79 / 8

HEX #DCEB31

RGB 220 235 49

HSL 64.84, 0.82%, 0.56%

LAB 89.32, -25.6, 80.16

 

CMYK 79 / 6 / 0 / 8

HEX #31DCEB

RGB 49 220 235

HSL 184.84, 0.82%, 0.56%

LAB 80.65, -36.19, -19.35

 

CMYK 0 / 79 / 7 / 7

HEX #EC32DB

RGB 236 50 219

HSL 305.48, 0.83%, 0.56%

LAB 57.3, 83.66, -45.69

 

CMYK 0 / 57 / 79 / 8

HEX #EB6631

RGB 235 102 49

HSL 17.1, 0.82%, 0.56%

LAB 59.33, 48.64, 53.33

 

CMYK 79 / 0 / 72 / 8

HEX #31EB41

RGB 49 235 65

HSL 125.16, 0.82%, 0.56%

LAB 82.08, -75.19, 65.85

 

CMYK 79 / 22 / 0 / 8

HEX #31B7EB

RGB 49 183 235

HSL 196.77, 0.82%, 0.56%

LAB 69.84, -17.87, -35.92

 

CMYK 0 / 79 / 7 / 7

HEX #EC32DB

RGB 236 50 219

HSL 305.48, 0.83%, 0.56%

LAB 57.3, 83.66, -45.69

 

CMYK 0 / 33 / 79 / 8

HEX #EB9E31

RGB 235 158 49

HSL 35.16, 0.82%, 0.56%

LAB 71.1, 20.06, 64.37

 

CMYK 79 / 0 / 72 / 8

HEX #31EB41

RGB 49 235 65

HSL 125.16, 0.82%, 0.56%

LAB 82.08, -75.19, 65.85

 

CMYK 79 / 46 / 0 / 8

HEX #317FEB

RGB 49 127 235

HSL 214.84, 0.82%, 0.56%

LAB 53.85, 14.32, -61.21

 

Description

Color code: HEX #EC32DB | qconv.com Color code: HEX #EC32DB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 50 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 50 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 7 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 7% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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