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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC39D0 it is the complementary color #13C62F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC39D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC39D0 shade: #F139CB, #FF4BDE, #FF5DF1, #FF6FFF and #FF81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC39D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC39D0 shade: #EC39D0, #DB27BD, #CA15AA, #B90397 and #A80084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC39D0 shade: #EB37CF, #EB379E, #EB376E, #EB373D and #EB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC39D0 shade: #EB37CF, #D637EB, #A637EB, #7537EB and #4537EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC39D0 shade matches the following richer shades: #EB37CF and #FD25DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC39D0 shade: #EB37CF, #D949C2, #C75AB6, #B66CAA and #A47E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC39D0 shade: #A637EB, #D637EB, #EB37D0, #EB37A0 and #EB3770

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC39D0 shade: #BD12A2, #E216C2, #EB37CF, #EE5CD8 and #F282E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC39D0 shade: #EC39D0, #EB7637 and #37EBBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC39D0 shade: #EC39D0, #D0EB37 and #37D0EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC39D0 shade: #EC39D0, #EB7637, #37EB52 and #37ACEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC39D0 shade: #EC39D0, #EBAC37, #37EB52 and #3776EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 12 / 7

HEX #EC39D0

RGB 236 57 208

HSL 309.39, 0.82%, 0.57%

LAB 57.38, 80.33, -39.31

 

Complementary color

CMYK 90 / 0 / 76 / 22

HEX #13C62F

RGB 19 198 47

HSL 129.39, 0.82%, 0.43%

LAB 69.99, -68.48, 59.72

 

CMYK 0 / 76 / 16 / 5

HEX #F139CB

RGB 241 57 203

HSL 312.39, 0.87%, 0.58%

LAB 57.98, 80.73, -35.46

 

CMYK 0 / 71 / 13 / 0

HEX #FF4BDE

RGB 255 75 222

HSL 311, 1%, 0.65%

LAB 62.98, 81.06, -38.23

 

CMYK 0 / 64 / 5 / 0

HEX #FF5DF1

RGB 255 93 241

HSL 305.19, 1%, 0.68%

LAB 66.09, 77.53, -43.94

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 76 / 12 / 7

HEX #EC39D0

RGB 236 57 208

HSL 309.39, 0.82%, 0.57%

LAB 57.38, 80.33, -39.31

 

CMYK 0 / 82 / 14 / 14

HEX #DB27BD

RGB 219 39 189

HSL 310, 0.71%, 0.51%

LAB 52.05, 78.64, -36.96

 

CMYK 0 / 90 / 16 / 21

HEX #CA15AA

RGB 202 21 170

HSL 310.61, 0.81%, 0.44%

LAB 46.97, 75.99, -34

 

CMYK 0 / 98 / 18 / 27

HEX #B90397

RGB 185 3 151

HSL 311.21, 0.97%, 0.37%

LAB 42.18, 72.26, -30.36

 

CMYK 0 / 100 / 21 / 34

HEX #A80084

RGB 168 0 132

HSL 312.86, 1%, 0.33%

LAB 37.83, 66.93, -25.77

 

CMYK 0 / 77 / 12 / 8

HEX #EB37CF

RGB 235 55 207

HSL 309.33, 0.82%, 0.57%

LAB 56.98, 80.52, -39.38

 

CMYK 0 / 77 / 33 / 8

HEX #EB379E

RGB 235 55 158

HSL 325.67, 0.82%, 0.57%

LAB 54.93, 74.49, -14.13

 

CMYK 0 / 77 / 53 / 8

HEX #EB376E

RGB 235 55 110

HSL 341.67, 0.82%, 0.57%

LAB 53.51, 70.13, 12.41

 

CMYK 0 / 77 / 74 / 8

HEX #EB373D

RGB 235 55 61

HSL 358, 0.82%, 0.57%

LAB 52.65, 67.41, 40.23

 

CMYK 0 / 77 / 77 / 8

HEX #EB3737

RGB 235 55 55

HSL 0, 0.82%, 0.57%

LAB 52.59, 67.19, 43.48

 

CMYK 0 / 77 / 12 / 8

HEX #EB37CF

RGB 235 55 207

HSL 309.33, 0.82%, 0.57%

LAB 56.98, 80.52, -39.38

 

CMYK 9 / 77 / 0 / 8

HEX #D637EB

RGB 214 55 235

HSL 293, 0.82%, 0.57%

LAB 55.1, 80.6, -58.42

 

CMYK 29 / 77 / 0 / 8

HEX #A637EB

RGB 166 55 235

HSL 277, 0.82%, 0.57%

LAB 48.05, 72.05, -70.15

 

CMYK 50 / 77 / 0 / 8

HEX #7537EB

RGB 117 55 235

HSL 260.67, 0.82%, 0.57%

LAB 42.02, 64.61, -80.26

 

CMYK 71 / 77 / 0 / 8

HEX #4537EB

RGB 69 55 235

HSL 244.67, 0.82%, 0.57%

LAB 37.83, 59.36, -87.3

 

CMYK 0 / 77 / 12 / 8

HEX #EB37CF

RGB 235 55 207

HSL 309.33, 0.82%, 0.57%

LAB 56.98, 80.52, -39.38

 

CMYK 0 / 85 / 13 / 1

HEX #FD25DB

RGB 253 37 219

HSL 309.44, 0.98%, 0.57%

LAB 59.27, 89.56, -42.38

 

CMYK 0 / 77 / 12 / 8

HEX #EB37CF

RGB 235 55 207

HSL 309.33, 0.82%, 0.57%

LAB 56.98, 80.52, -39.38

 

CMYK 0 / 66 / 11 / 15

HEX #D949C2

RGB 217 73 194

HSL 309.58, 0.65%, 0.57%

LAB 55.49, 68.81, -34.47

 

CMYK 0 / 55 / 9 / 22

HEX #C75AB6

RGB 199 90 182

HSL 309.36, 0.49%, 0.57%

LAB 54.9, 55, -28.68

 

CMYK 0 / 41 / 7 / 29

HEX #B66CAA

RGB 182 108 170

HSL 309.73, 0.34%, 0.57%

LAB 55.66, 38.64, -20.76

 

CMYK 0 / 23 / 4 / 36

HEX #A47E9E

RGB 164 126 158

HSL 309.47, 0.17%, 0.57%

LAB 57.35, 20.22, -11.45

 

CMYK 29 / 77 / 0 / 8

HEX #A637EB

RGB 166 55 235

HSL 277, 0.82%, 0.57%

LAB 48.05, 72.05, -70.15

 

CMYK 9 / 77 / 0 / 8

HEX #D637EB

RGB 214 55 235

HSL 293, 0.82%, 0.57%

LAB 55.1, 80.6, -58.42

 

CMYK 0 / 77 / 11 / 8

HEX #EB37D0

RGB 235 55 208

HSL 309, 0.82%, 0.57%

LAB 57.03, 80.66, -39.88

 

CMYK 0 / 77 / 32 / 8

HEX #EB37A0

RGB 235 55 160

HSL 325, 0.82%, 0.57%

LAB 55, 74.71, -15.2

 

CMYK 0 / 77 / 52 / 8

HEX #EB3770

RGB 235 55 112

HSL 341, 0.82%, 0.57%

LAB 53.56, 70.28, 11.28

 

CMYK 0 / 90 / 14 / 26

HEX #BD12A2

RGB 189 18 162

HSL 309.47, 0.83%, 0.41%

LAB 44.03, 72.84, -34.02

 

CMYK 0 / 90 / 14 / 11

HEX #E216C2

RGB 226 22 194

HSL 309.41, 0.82%, 0.49%

LAB 52.55, 83.5, -38.98

 

CMYK 0 / 77 / 12 / 8

HEX #EB37CF

RGB 235 55 207

HSL 309.33, 0.82%, 0.57%

LAB 56.98, 80.52, -39.38

 

CMYK 0 / 61 / 9 / 7

HEX #EE5CD8

RGB 238 92 216

HSL 309.04, 0.81%, 0.65%

LAB 62.33, 69.95, -36.07

 

CMYK 0 / 46 / 7 / 5

HEX #F282E1

RGB 242 130 225

HSL 309.11, 0.81%, 0.73%

LAB 69.67, 55.31, -29.66

 

CMYK 0 / 76 / 12 / 7

HEX #EC39D0

RGB 236 57 208

HSL 309.39, 0.82%, 0.57%

LAB 57.38, 80.33, -39.31

 

CMYK 0 / 50 / 77 / 8

HEX #EB7637

RGB 235 118 55

HSL 21, 0.82%, 0.57%

LAB 62.42, 41.09, 53.61

 

CMYK 77 / 0 / 19 / 8

HEX #37EBBE

RGB 55 235 190

HSL 165, 0.82%, 0.57%

LAB 83.94, -54.28, 9.33

 

CMYK 0 / 76 / 12 / 7

HEX #EC39D0

RGB 236 57 208

HSL 309.39, 0.82%, 0.57%

LAB 57.38, 80.33, -39.31

 

CMYK 11 / 0 / 77 / 8

HEX #D0EB37

RGB 208 235 55

HSL 69, 0.82%, 0.57%

LAB 88.5, -30.23, 77.45

 

CMYK 77 / 11 / 0 / 8

HEX #37D0EB

RGB 55 208 235

HSL 189, 0.82%, 0.57%

LAB 77.23, -29.92, -24.52

 

CMYK 0 / 76 / 12 / 7

HEX #EC39D0

RGB 236 57 208

HSL 309.39, 0.82%, 0.57%

LAB 57.38, 80.33, -39.31

 

CMYK 0 / 50 / 77 / 8

HEX #EB7637

RGB 235 118 55

HSL 21, 0.82%, 0.57%

LAB 62.42, 41.09, 53.61

 

CMYK 77 / 0 / 65 / 8

HEX #37EB52

RGB 55 235 82

HSL 129, 0.82%, 0.57%

LAB 82.29, -72.94, 59.71

 

CMYK 77 / 27 / 0 / 8

HEX #37ACEB

RGB 55 172 235

HSL 201, 0.82%, 0.57%

LAB 66.76, -11.36, -40.71

 

CMYK 0 / 76 / 12 / 7

HEX #EC39D0

RGB 236 57 208

HSL 309.39, 0.82%, 0.57%

LAB 57.38, 80.33, -39.31

 

CMYK 0 / 27 / 77 / 8

HEX #EBAC37

RGB 235 172 55

HSL 39, 0.82%, 0.57%

LAB 74.47, 12.86, 65.3

 

CMYK 77 / 0 / 65 / 8

HEX #37EB52

RGB 55 235 82

HSL 129, 0.82%, 0.57%

LAB 82.29, -72.94, 59.71

 

CMYK 77 / 50 / 0 / 8

HEX #3776EB

RGB 55 118 235

HSL 219, 0.82%, 0.57%

LAB 51.57, 20.54, -64.86

 

Description

Color code: HEX #EC39D0 | qconv.com Color code: HEX #EC39D0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 57 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 57 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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