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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC2B59 it is the complementary color #13D4A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC2B59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC2B59 shade: #F12B54, #FF3D67, #FF4F7A, #FF618D and #FF73A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC2B59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC2B59 shade: #EC2B59, #DB1946, #CA0733, #B90020 and #A8000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC2B59 shade: #EC2B59 and #EC2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC2B59 shade: #EC2B59, #EC2B8D, #EC2BC1, #E32BEC and #AF2BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC2B59 shade matches the following richer shades: #EC2B59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC2B59 shade: #EC2B59, #DA3E63, #C7506D, #B46376 and #A27680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC2B59 shade: #EC2BC2, #EC2B8F, #EC2B5C, #EC2F2B and #EC622B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC2B59 shade: #B60F37, #DC1343, #EC2B59, #EF5177 and #F37795

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC2B59 shade: #EC2B59, #ECE32B and #2BA9EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC2B59 shade: #EC2B59, #5CEC2B and #2B5CEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC2B59 shade: #EC2B59, #ECE32B, #2BECBC and #2B35EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC2B59 shade: #EC2B59, #BCEC2B, #2BECBC and #5C2BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 62 / 7

HEX #EC2B59

RGB 236 43 89

HSL 345.7, 0.84%, 0.55%

LAB 52.15, 72.16, 23.24

 

Complementary color

CMYK 91 / 0 / 22 / 17

HEX #13D4A6

RGB 19 212 166

HSL 165.7, 0.84%, 0.45%

LAB 76.06, -53.75, 10.74

 

CMYK 0 / 82 / 65 / 5

HEX #F12B54

RGB 241 43 84

HSL 347.58, 0.88%, 0.56%

LAB 53.02, 73.2, 27.55

 

CMYK 0 / 76 / 60 / 0

HEX #FF3D67

RGB 255 61 103

HSL 347.01, 1%, 0.62%

LAB 57.63, 73.34, 22.8

 

CMYK 0 / 69 / 52 / 0

HEX #FF4F7A

RGB 255 79 122

HSL 345.34, 1%, 0.65%

LAB 60.12, 68.82, 15.03

 

CMYK 0 / 62 / 45 / 0

HEX #FF618D

RGB 255 97 141

HSL 343.29, 1%, 0.69%

LAB 63.12, 63.45, 8.22

 

CMYK 0 / 55 / 37 / 0

HEX #FF73A0

RGB 255 115 160

HSL 340.71, 1%, 0.73%

LAB 66.57, 57.5, 2.3

 

CMYK 0 / 82 / 62 / 7

HEX #EC2B59

RGB 236 43 89

HSL 345.7, 0.84%, 0.55%

LAB 52.15, 72.16, 23.24

 

CMYK 0 / 89 / 68 / 14

HEX #DB1946

RGB 219 25 70

HSL 346.08, 0.8%, 0.48%

LAB 47.23, 70.38, 27.76

 

CMYK 0 / 97 / 75 / 21

HEX #CA0733

RGB 202 7 51

HSL 346.46, 0.93%, 0.41%

LAB 42.68, 67.54, 33.01

 

CMYK 0 / 100 / 83 / 27

HEX #B90020

RGB 185 0 32

HSL 349.62, 1%, 0.36%

LAB 38.58, 63.45, 38.75

 

CMYK 0 / 100 / 92 / 34

HEX #A8000D

RGB 168 0 13

HSL 355.36, 1%, 0.33%

LAB 34.71, 58.77, 43.7

 

CMYK 0 / 82 / 62 / 7

HEX #EC2B59

RGB 236 43 89

HSL 345.7, 0.84%, 0.55%

LAB 52.15, 72.16, 23.24

 

CMYK 0 / 82 / 82 / 7

HEX #EC2B2B

RGB 236 43 43

HSL 0, 0.84%, 0.55%

LAB 51.54, 70.3, 48.85

 

CMYK 0 / 82 / 62 / 7

HEX #EC2B59

RGB 236 43 89

HSL 345.7, 0.84%, 0.55%

LAB 52.15, 72.16, 23.24

 

CMYK 0 / 82 / 40 / 7

HEX #EC2B8D

RGB 236 43 141

HSL 329.53, 0.84%, 0.55%

LAB 53.47, 76.06, -6.21

 

CMYK 0 / 82 / 18 / 7

HEX #EC2BC1

RGB 236 43 193

HSL 313.37, 0.84%, 0.55%

LAB 55.49, 81.77, -33.66

 

CMYK 4 / 82 / 0 / 7

HEX #E32BEC

RGB 227 43 236

HSL 297.2, 0.84%, 0.55%

LAB 56.2, 86.08, -57.1

 

CMYK 26 / 82 / 0 / 7

HEX #AF2BEC

RGB 175 43 236

HSL 281.04, 0.84%, 0.55%

LAB 48.13, 77.4, -70.53

 

CMYK 0 / 82 / 62 / 7

HEX #EC2B59

RGB 236 43 89

HSL 345.7, 0.84%, 0.55%

LAB 52.15, 72.16, 23.24

 

CMYK 0 / 82 / 62 / 7

HEX #EC2B59

RGB 236 43 89

HSL 345.7, 0.84%, 0.55%

LAB 52.15, 72.16, 23.24

 

CMYK 0 / 72 / 55 / 15

HEX #DA3E63

RGB 218 62 99

HSL 345.77, 0.68%, 0.55%

LAB 50.98, 62.32, 15.05

 

CMYK 0 / 60 / 45 / 22

HEX #C7506D

RGB 199 80 109

HSL 345.38, 0.52%, 0.55%

LAB 50.67, 49.95, 8.11

 

CMYK 0 / 45 / 34 / 29

HEX #B46376

RGB 180 99 118

HSL 345.93, 0.35%, 0.55%

LAB 51.76, 34.78, 3.93

 

CMYK 0 / 27 / 21 / 36

HEX #A27680

RGB 162 118 128

HSL 346.36, 0.19%, 0.55%

LAB 54.24, 18.79, 1.34

 

CMYK 0 / 82 / 18 / 7

HEX #EC2BC2

RGB 236 43 194

HSL 313.06, 0.84%, 0.55%

LAB 55.54, 81.9, -34.17

 

CMYK 0 / 82 / 39 / 7

HEX #EC2B8F

RGB 236 43 143

HSL 328.91, 0.84%, 0.55%

LAB 53.54, 76.24, -7.31

 

CMYK 0 / 82 / 61 / 7

HEX #EC2B5C

RGB 236 43 92

HSL 344.77, 0.84%, 0.55%

LAB 52.21, 72.34, 21.51

 

CMYK 0 / 80 / 82 / 7

HEX #EC2F2B

RGB 236 47 43

HSL 1.24, 0.84%, 0.55%

LAB 51.88, 69.31, 49.18

 

CMYK 0 / 58 / 82 / 7

HEX #EC622B

RGB 236 98 43

HSL 17.1, 0.84%, 0.55%

LAB 58.74, 50.66, 55.51

 

CMYK 0 / 92 / 70 / 29

HEX #B60F37

RGB 182 15 55

HSL 345.63, 0.85%, 0.39%

LAB 38.83, 61.79, 24.93

 

CMYK 0 / 91 / 70 / 14

HEX #DC1343

RGB 220 19 67

HSL 345.67, 0.84%, 0.47%

LAB 47.09, 71.36, 29.45

 

CMYK 0 / 82 / 62 / 7

HEX #EC2B59

RGB 236 43 89

HSL 345.7, 0.84%, 0.55%

LAB 52.15, 72.16, 23.24

 

CMYK 0 / 66 / 50 / 6

HEX #EF5177

RGB 239 81 119

HSL 345.57, 0.83%, 0.63%

LAB 57.62, 63.1, 12.91

 

CMYK 0 / 51 / 39 / 5

HEX #F37795

RGB 243 119 149

HSL 345.48, 0.84%, 0.71%

LAB 65.29, 50.47, 6.51

 

CMYK 0 / 82 / 62 / 7

HEX #EC2B59

RGB 236 43 89

HSL 345.7, 0.84%, 0.55%

LAB 52.15, 72.16, 23.24

 

CMYK 0 / 4 / 82 / 7

HEX #ECE32B

RGB 236 227 43

HSL 57.2, 0.84%, 0.55%

LAB 88.42, -15.31, 81.38

 

CMYK 82 / 28 / 0 / 7

HEX #2BA9EC

RGB 43 169 236

HSL 200.83, 0.84%, 0.55%

LAB 65.71, -10.53, -42.92

 

CMYK 0 / 82 / 62 / 7

HEX #EC2B59

RGB 236 43 89

HSL 345.7, 0.84%, 0.55%

LAB 52.15, 72.16, 23.24

 

CMYK 61 / 0 / 82 / 7

HEX #5CEC2B

RGB 92 236 43

HSL 104.77, 0.84%, 0.55%

LAB 83.15, -69.51, 73.74

 

CMYK 82 / 61 / 0 / 7

HEX #2B5CEC

RGB 43 92 236

HSL 224.77, 0.84%, 0.55%

LAB 44.55, 36.21, -76.86

 

CMYK 0 / 82 / 62 / 7

HEX #EC2B59

RGB 236 43 89

HSL 345.7, 0.84%, 0.55%

LAB 52.15, 72.16, 23.24

 

CMYK 0 / 4 / 82 / 7

HEX #ECE32B

RGB 236 227 43

HSL 57.2, 0.84%, 0.55%

LAB 88.42, -15.31, 81.38

 

CMYK 82 / 0 / 20 / 7

HEX #2BECBC

RGB 43 236 188

HSL 165.08, 0.84%, 0.55%

LAB 84.04, -56.28, 10.5

 

CMYK 82 / 78 / 0 / 7

HEX #2B35EC

RGB 43 53 236

HSL 236.89, 0.84%, 0.55%

LAB 36.21, 58.93, -90.61

 

CMYK 0 / 82 / 62 / 7

HEX #EC2B59

RGB 236 43 89

HSL 345.7, 0.84%, 0.55%

LAB 52.15, 72.16, 23.24

 

CMYK 20 / 0 / 82 / 7

HEX #BCEC2B

RGB 188 236 43

HSL 74.92, 0.84%, 0.55%

LAB 87.42, -39, 79.15

 

CMYK 82 / 0 / 20 / 7

HEX #2BECBC

RGB 43 236 188

HSL 165.08, 0.84%, 0.55%

LAB 84.04, -56.28, 10.5

 

CMYK 61 / 82 / 0 / 7

HEX #5C2BEC

RGB 92 43 236

HSL 255.23, 0.84%, 0.55%

LAB 37.95, 66.92, -87.62

 

Description

Color code: HEX #EC2B59 | qconv.com Color code: HEX #EC2B59 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 43 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 43 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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