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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC16F7 it is the complementary color #13E908. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC16F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC16F7 shade: #F116F2, #FF28FF, #FF3AFF, #FF4CFF and #FF5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC16F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC16F7 shade: #EC16F7, #DB04E4, #CA00D1, #B900BE and #A800AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC16F7 shade: #EB17F6, #F617C5, #F61789, #F6174D and #F61717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC16F7 shade: #EB17F6, #AF17F6, #7317F6, #3717F6 and #1717F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC16F7 shade matches the following richer shades: #EB17F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC16F7 shade: #EB17F6, #DA2BE3, #C83ECF, #B751BC and #A565A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC16F7 shade: #7417F6, #B017F6, #EB17F6, #F617C6 and #F6178A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC16F7 shade: #AC06B5, #D208DD, #EB17F6, #EF3FF8 and #F267F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC16F7 shade: #EC16F7, #F63917 and #17F692

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC16F7 shade: #EC16F7, #F6EB17 and #17F6EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC16F7 shade: #EC16F7, #F63917, #22F617 and #17D5F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC16F7 shade: #EC16F7, #F67C17, #22F617 and #1792F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 91 / 0 / 3

HEX #EC16F7

RGB 236 22 247

HSL 297.07, 0.93%, 0.53%

LAB 57.19, 92.57, -61.58

 

Complementary color

CMYK 92 / 0 / 97 / 9

HEX #13E908

RGB 19 233 8

HSL 117.07, 0.93%, 0.47%

LAB 80.98, -79.67, 77.1

 

CMYK 0 / 91 / 0 / 5

HEX #F116F2

RGB 241 22 242

HSL 299.73, 0.89%, 0.52%

LAB 57.74, 92.65, -57.88

 

CMYK 0 / 84 / 0 / 0

HEX #FF28FF

RGB 255 40 255

HSL 300, 1%, 0.58%

LAB 61.65, 94.33, -58.71

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 4 / 91 / 0 / 3

HEX #EC16F7

RGB 236 22 247

HSL 297.07, 0.93%, 0.53%

LAB 57.19, 92.57, -61.58

 

CMYK 4 / 98 / 0 / 11

HEX #DB04E4

RGB 219 4 228

HSL 297.59, 0.97%, 0.45%

LAB 52.67, 88.61, -58.32

 

CMYK 3 / 100 / 0 / 18

HEX #CA00D1

RGB 202 0 209

HSL 297.99, 1%, 0.41%

LAB 48.46, 83.46, -54.4

 

CMYK 3 / 100 / 0 / 25

HEX #B900BE

RGB 185 0 190

HSL 298.42, 1%, 0.37%

LAB 44.28, 77.95, -50.25

 

CMYK 2 / 100 / 0 / 33

HEX #A800AB

RGB 168 0 171

HSL 298.95, 1%, 0.34%

LAB 40.02, 72.34, -46

 

CMYK 4 / 91 / 0 / 4

HEX #EB17F6

RGB 235 23 246

HSL 297.04, 0.93%, 0.53%

LAB 57.01, 92.15, -61.34

 

CMYK 0 / 91 / 20 / 4

HEX #F617C5

RGB 246 23 197

HSL 313.18, 0.93%, 0.53%

LAB 56.32, 87.51, -34.54

 

CMYK 0 / 91 / 44 / 4

HEX #F61789

RGB 246 23 137

HSL 329.33, 0.93%, 0.53%

LAB 54.04, 81.43, -2.78

 

CMYK 0 / 91 / 69 / 4

HEX #F6174D

RGB 246 23 77

HSL 345.47, 0.93%, 0.53%

LAB 52.67, 77.63, 31.48

 

CMYK 0 / 91 / 91 / 4

HEX #F61717

RGB 246 23 23

HSL 0, 0.93%, 0.53%

LAB 52.14, 76.15, 59.19

 

CMYK 4 / 91 / 0 / 4

HEX #EB17F6

RGB 235 23 246

HSL 297.04, 0.93%, 0.53%

LAB 57.01, 92.15, -61.34

 

CMYK 29 / 91 / 0 / 4

HEX #AF17F6

RGB 175 23 246

HSL 280.9, 0.93%, 0.53%

LAB 47.47, 83.5, -77.24

 

CMYK 53 / 91 / 0 / 4

HEX #7317F6

RGB 115 23 246

HSL 264.75, 0.93%, 0.53%

LAB 39.43, 77.15, -90.75

 

CMYK 78 / 91 / 0 / 4

HEX #3717F6

RGB 55 23 246

HSL 248.61, 0.93%, 0.53%

LAB 34.15, 73.7, -99.68

 

CMYK 91 / 91 / 0 / 4

HEX #1717F6

RGB 23 23 246

HSL 240, 0.93%, 0.53%

LAB 32.81, 72.95, -101.94

 

CMYK 4 / 91 / 0 / 4

HEX #EB17F6

RGB 235 23 246

HSL 297.04, 0.93%, 0.53%

LAB 57.01, 92.15, -61.34

 

CMYK 4 / 91 / 0 / 4

HEX #EB17F6

RGB 235 23 246

HSL 297.04, 0.93%, 0.53%

LAB 57.01, 92.15, -61.34

 

CMYK 4 / 81 / 0 / 11

HEX #DA2BE3

RGB 218 43 227

HSL 297.07, 0.77%, 0.53%

LAB 54.22, 83.08, -55.29

 

CMYK 3 / 70 / 0 / 19

HEX #C83ECF

RGB 200 62 207

HSL 297.1, 0.6%, 0.53%

LAB 52.1, 70.92, -47.46

 

CMYK 3 / 57 / 0 / 26

HEX #B751BC

RGB 183 81 188

HSL 297.2, 0.44%, 0.53%

LAB 51.36, 55.83, -37.84

 

CMYK 2 / 40 / 0 / 34

HEX #A565A9

RGB 165 101 169

HSL 296.47, 0.28%, 0.53%

LAB 52.03, 36.79, -25.93

 

CMYK 53 / 91 / 0 / 4

HEX #7417F6

RGB 116 23 246

HSL 265.02, 0.93%, 0.53%

LAB 39.55, 77.23, -90.55

 

CMYK 28 / 91 / 0 / 4

HEX #B017F6

RGB 176 23 246

HSL 281.17, 0.93%, 0.53%

LAB 47.62, 83.63, -76.99

 

CMYK 4 / 91 / 0 / 4

HEX #EB17F6

RGB 235 23 246

HSL 297.04, 0.93%, 0.53%

LAB 57.01, 92.15, -61.34

 

CMYK 0 / 91 / 20 / 4

HEX #F617C6

RGB 246 23 198

HSL 312.91, 0.93%, 0.53%

LAB 56.37, 87.63, -35.04

 

CMYK 0 / 91 / 44 / 4

HEX #F6178A

RGB 246 23 138

HSL 329.06, 0.93%, 0.53%

LAB 54.07, 81.51, -3.33

 

CMYK 5 / 97 / 0 / 29

HEX #AC06B5

RGB 172 6 181

HSL 296.91, 0.94%, 0.37%

LAB 41.59, 73.9, -49.39

 

CMYK 5 / 96 / 0 / 13

HEX #D208DD

RGB 210 8 221

HSL 296.9, 0.93%, 0.45%

LAB 50.8, 85.88, -57.44

 

CMYK 4 / 91 / 0 / 4

HEX #EB17F6

RGB 235 23 246

HSL 297.04, 0.93%, 0.53%

LAB 57.01, 92.15, -61.34

 

CMYK 4 / 75 / 0 / 3

HEX #EF3FF8

RGB 239 63 248

HSL 297.08, 0.93%, 0.61%

LAB 60.5, 85.18, -56.82

 

CMYK 3 / 59 / 0 / 2

HEX #F267F9

RGB 242 103 249

HSL 297.12, 0.92%, 0.69%

LAB 66.07, 71.72, -48.51

 

CMYK 4 / 91 / 0 / 3

HEX #EC16F7

RGB 236 22 247

HSL 297.07, 0.93%, 0.53%

LAB 57.19, 92.57, -61.58

 

CMYK 0 / 77 / 91 / 4

HEX #F63917

RGB 246 57 23

HSL 9.15, 0.93%, 0.53%

LAB 54.64, 69.04, 60.85

 

CMYK 91 / 0 / 41 / 4

HEX #17F692

RGB 23 246 146

HSL 153.09, 0.93%, 0.53%

LAB 86.09, -70.1, 34.81

 

CMYK 4 / 91 / 0 / 3

HEX #EC16F7

RGB 236 22 247

HSL 297.07, 0.93%, 0.53%

LAB 57.19, 92.57, -61.58

 

CMYK 0 / 4 / 91 / 4

HEX #F6EB17

RGB 246 235 23

HSL 57.04, 0.93%, 0.53%

LAB 91.27, -15.45, 87.75

 

CMYK 91 / 0 / 4 / 4

HEX #17F6EB

RGB 23 246 235

HSL 177.04, 0.93%, 0.53%

LAB 88.01, -49.32, -8.34

 

CMYK 4 / 91 / 0 / 3

HEX #EC16F7

RGB 236 22 247

HSL 297.07, 0.93%, 0.53%

LAB 57.19, 92.57, -61.58

 

CMYK 0 / 77 / 91 / 4

HEX #F63917

RGB 246 57 23

HSL 9.15, 0.93%, 0.53%

LAB 54.64, 69.04, 60.85

 

CMYK 86 / 0 / 91 / 4

HEX #22F617

RGB 34 246 23

HSL 117.04, 0.93%, 0.53%

LAB 85.16, -81.88, 78.97

 

CMYK 91 / 13 / 0 / 4

HEX #17D5F6

RGB 23 213 246

HSL 188.88, 0.93%, 0.53%

LAB 78.71, -31.11, -28.18

 

CMYK 4 / 91 / 0 / 3

HEX #EC16F7

RGB 236 22 247

HSL 297.07, 0.93%, 0.53%

LAB 57.19, 92.57, -61.58

 

CMYK 0 / 50 / 91 / 4

HEX #F67C17

RGB 246 124 23

HSL 27.17, 0.93%, 0.53%

LAB 65.02, 41.54, 68.09

 

CMYK 86 / 0 / 91 / 4

HEX #22F617

RGB 34 246 23

HSL 117.04, 0.93%, 0.53%

LAB 85.16, -81.88, 78.97

 

CMYK 91 / 41 / 0 / 4

HEX #1792F6

RGB 23 146 246

HSL 206.91, 0.93%, 0.53%

LAB 59.34, 5.03, -58.53

 

Description

Color code: HEX #EC16F7 | qconv.com Color code: HEX #EC16F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 22 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 22 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 91 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 91% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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