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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBFE94 it is the complementary color #14016B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBFE94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBFE94 shade: #F0FE8F, #FFFFA2, #FFFFB5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBFE94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBFE94 shade: #EBFE94, #DAEC81, #C9DA6E, #B8C85B and #A7B648

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBFE94 shade: #EBFD94, #FDF494, #FDD894, #FDBB94 and #FD9F94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBFE94 shade: #EBFD94, #CEFD94, #B2FD94, #96FD94 and #94FDB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBFE94 shade matches the following richer shades: #EBFD94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBFE94 shade: #EBFD94, #E5F59D, #E0ECA6, #DAE3AE and #D4DBB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBFE94 shade: #FDD794, #FDF394, #ECFD94, #D0FD94 and #B4FD94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBFE94 shade: #DBFD43, #E3FD6C, #EBFD94, #F2FEBD and #FAFEE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBFE94 shade: #EBFE94, #94FDBB and #E594FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBFE94 shade: #EBFE94, #94ECFD and #FD94EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBFE94 shade: #EBFE94, #94FDBB, #A694FD and #FD94D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBFE94 shade: #EBFE94, #94FDDA, #A694FD and #FD94B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 42 / 0

HEX #EBFE94

RGB 235 254 148

HSL 70.75, 0.98%, 0.79%

LAB 96.28, -21.83, 48.5

 

Complementary color

CMYK 81 / 99 / 0 / 58

HEX #14016B

RGB 20 1 107

HSL 250.75, 0.98%, 0.21%

LAB 10.79, 41.71, -54.73

 

CMYK 6 / 0 / 44 / 0

HEX #F0FE8F

RGB 240 254 143

HSL 67.57, 0.98%, 0.78%

LAB 96.57, -20.46, 51.32

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 7 / 0 / 42 / 0

HEX #EBFE94

RGB 235 254 148

HSL 70.75, 0.98%, 0.79%

LAB 96.28, -21.83, 48.5

 

CMYK 8 / 0 / 45 / 7

HEX #DAEC81

RGB 218 236 129

HSL 70.09, 0.74%, 0.72%

LAB 90.08, -21.6, 49.63

 

CMYK 8 / 0 / 50 / 15

HEX #C9DA6E

RGB 201 218 110

HSL 69.44, 0.59%, 0.64%

LAB 83.8, -21.31, 50.75

 

CMYK 8 / 0 / 55 / 22

HEX #B8C85B

RGB 184 200 91

HSL 68.81, 0.5%, 0.57%

LAB 77.43, -20.95, 51.83

 

CMYK 8 / 0 / 60 / 29

HEX #A7B648

RGB 167 182 72

HSL 68.18, 0.43%, 0.5%

LAB 70.97, -20.5, 52.79

 

CMYK 7 / 0 / 42 / 1

HEX #EBFD94

RGB 235 253 148

HSL 70.29, 0.96%, 0.79%

LAB 96.02, -21.35, 48.17

 

CMYK 0 / 4 / 42 / 1

HEX #FDF494

RGB 253 244 148

HSL 54.86, 0.96%, 0.79%

LAB 95.04, -10.11, 47.23

 

CMYK 0 / 15 / 42 / 1

HEX #FDD894

RGB 253 216 148

HSL 38.86, 0.96%, 0.79%

LAB 88.03, 4, 38.27

 

CMYK 0 / 26 / 42 / 1

HEX #FDBB94

RGB 253 187 148

HSL 22.29, 0.96%, 0.79%

LAB 81.05, 19.07, 29.07

 

CMYK 0 / 37 / 42 / 1

HEX #FD9F94

RGB 253 159 148

HSL 6.29, 0.96%, 0.79%

LAB 74.71, 33.72, 20.47

 

CMYK 7 / 0 / 42 / 1

HEX #EBFD94

RGB 235 253 148

HSL 70.29, 0.96%, 0.79%

LAB 96.02, -21.35, 48.17

 

CMYK 19 / 0 / 42 / 1

HEX #CEFD94

RGB 206 253 148

HSL 86.86, 0.96%, 0.79%

LAB 94.1, -31.99, 45.35

 

CMYK 30 / 0 / 42 / 1

HEX #B2FD94

RGB 178 253 148

HSL 102.86, 0.96%, 0.79%

LAB 92.51, -41.6, 43

 

CMYK 41 / 0 / 42 / 1

HEX #96FD94

RGB 150 253 148

HSL 118.86, 0.96%, 0.79%

LAB 91.18, -50.3, 41.02

 

CMYK 42 / 0 / 30 / 1

HEX #94FDB0

RGB 148 253 176

HSL 136, 0.96%, 0.79%

LAB 91.54, -46.44, 27.55

 

CMYK 7 / 0 / 42 / 1

HEX #EBFD94

RGB 235 253 148

HSL 70.29, 0.96%, 0.79%

LAB 96.02, -21.35, 48.17

 

CMYK 7 / 0 / 42 / 1

HEX #EBFD94

RGB 235 253 148

HSL 70.29, 0.96%, 0.79%

LAB 96.02, -21.35, 48.17

 

CMYK 7 / 0 / 36 / 4

HEX #E5F59D

RGB 229 245 157

HSL 70.91, 0.81%, 0.79%

LAB 93.62, -18.73, 40.65

 

CMYK 5 / 0 / 30 / 7

HEX #E0ECA6

RGB 224 236 166

HSL 70.29, 0.65%, 0.79%

LAB 91.05, -15.06, 32.69

 

CMYK 4 / 0 / 23 / 11

HEX #DAE3AE

RGB 218 227 174

HSL 70.19, 0.49%, 0.79%

LAB 88.4, -11.7, 24.94

 

CMYK 3 / 0 / 16 / 14

HEX #D4DBB7

RGB 212 219 183

HSL 71.67, 0.33%, 0.79%

LAB 86.05, -8.49, 16.93

 

CMYK 0 / 15 / 42 / 1

HEX #FDD794

RGB 253 215 148

HSL 38.29, 0.96%, 0.79%

LAB 87.79, 4.51, 37.95

 

CMYK 0 / 4 / 42 / 1

HEX #FDF394

RGB 253 243 148

HSL 54.29, 0.96%, 0.79%

LAB 94.79, -9.62, 46.91

 

CMYK 7 / 0 / 42 / 1

HEX #ECFD94

RGB 236 253 148

HSL 69.71, 0.96%, 0.79%

LAB 96.09, -20.97, 48.28

 

CMYK 18 / 0 / 42 / 1

HEX #D0FD94

RGB 208 253 148

HSL 85.71, 0.96%, 0.79%

LAB 94.23, -31.27, 45.54

 

CMYK 29 / 0 / 42 / 1

HEX #B4FD94

RGB 180 253 148

HSL 101.71, 0.96%, 0.79%

LAB 92.62, -40.94, 43.15

 

CMYK 13 / 0 / 74 / 1

HEX #DBFD43

RGB 219 253 67

HSL 70.97, 0.98%, 0.63%

LAB 94.19, -33.65, 79.39

 

CMYK 10 / 0 / 57 / 1

HEX #E3FD6C

RGB 227 253 108

HSL 70.76, 0.97%, 0.71%

LAB 95.02, -28.05, 65.08

 

CMYK 7 / 0 / 42 / 1

HEX #EBFD94

RGB 235 253 148

HSL 70.29, 0.96%, 0.79%

LAB 96.02, -21.35, 48.17

 

CMYK 5 / 0 / 26 / 0

HEX #F2FEBD

RGB 242 254 189

HSL 71.08, 0.97%, 0.87%

LAB 97.4, -14.29, 29.85

 

CMYK 2 / 0 / 9 / 0

HEX #FAFEE6

RGB 250 254 230

HSL 70, 0.92%, 0.95%

LAB 98.8, -5.38, 11.02

 

CMYK 7 / 0 / 42 / 0

HEX #EBFE94

RGB 235 254 148

HSL 70.75, 0.98%, 0.79%

LAB 96.28, -21.83, 48.5

 

CMYK 42 / 0 / 26 / 1

HEX #94FDBB

RGB 148 253 187

HSL 142.29, 0.96%, 0.79%

LAB 91.75, -44.49, 22.24

 

CMYK 9 / 42 / 0 / 1

HEX #E594FD

RGB 229 148 253

HSL 286.29, 0.96%, 0.79%

LAB 72.85, 47.47, -40.19

 

CMYK 7 / 0 / 42 / 0

HEX #EBFE94

RGB 235 254 148

HSL 70.75, 0.98%, 0.79%

LAB 96.28, -21.83, 48.5

 

CMYK 42 / 7 / 0 / 1

HEX #94ECFD

RGB 148 236 253

HSL 189.71, 0.96%, 0.79%

LAB 88.63, -22.21, -16.53

 

CMYK 0 / 42 / 7 / 1

HEX #FD94EC

RGB 253 148 236

HSL 309.71, 0.96%, 0.79%

LAB 74.9, 51.49, -27.54

 

CMYK 7 / 0 / 42 / 0

HEX #EBFE94

RGB 235 254 148

HSL 70.75, 0.98%, 0.79%

LAB 96.28, -21.83, 48.5

 

CMYK 42 / 0 / 26 / 1

HEX #94FDBB

RGB 148 253 187

HSL 142.29, 0.96%, 0.79%

LAB 91.75, -44.49, 22.24

 

CMYK 34 / 42 / 0 / 1

HEX #A694FD

RGB 166 148 253

HSL 250.29, 0.96%, 0.79%

LAB 66.81, 29.99, -50.08

 

CMYK 0 / 42 / 15 / 1

HEX #FD94D7

RGB 253 148 215

HSL 321.71, 0.96%, 0.79%

LAB 74.17, 48.13, -17.16

 

CMYK 7 / 0 / 42 / 0

HEX #EBFE94

RGB 235 254 148

HSL 70.75, 0.98%, 0.79%

LAB 96.28, -21.83, 48.5

 

CMYK 42 / 0 / 14 / 1

HEX #94FDDA

RGB 148 253 218

HSL 160, 0.96%, 0.79%

LAB 92.4, -38.35, 7.24

 

CMYK 34 / 42 / 0 / 1

HEX #A694FD

RGB 166 148 253

HSL 250.29, 0.96%, 0.79%

LAB 66.81, 29.99, -50.08

 

CMYK 0 / 42 / 28 / 1

HEX #FD94B7

RGB 253 148 183

HSL 340, 0.96%, 0.79%

LAB 73.21, 43.55, -0.94

 

Description

Color code: HEX #EBFE94 | qconv.com Color code: HEX #EBFE94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 254 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 254 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 42 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 42% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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