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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBF790 it is the complementary color #14086F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBF790. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBF790 shade: #F0F78B, #FFFF9E, #FFFFB1, #FFFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBF790. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBF790 shade: #EBF790, #DAE57D, #C9D36A, #B8C157 and #A7AF44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBF790 shade: #EBF791, #F7E791, #F7CC91, #F7B091 and #F79591

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBF790 shade: #EBF791, #CFF791, #B4F791, #98F791 and #91F7A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBF790 shade matches the following richer shades: #EBF791

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBF790 shade: #EBF791, #E4ED9A, #DCE4A4, #D5DAAD and #CED1B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBF790 shade: #F7CB91, #F7E691, #EDF791, #D1F791 and #B6F791

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBF790 shade: #DDF244, #E4F46A, #EBF791, #F2FAB7 and #F9FCDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBF790 shade: #EBF790, #91F7AF and #D891F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBF790 shade: #EBF790, #91EDF7 and #F791ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBF790 shade: #EBF790, #91F7AF, #9B91F7 and #F791D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBF790 shade: #EBF790, #91F7CE, #9B91F7 and #F791BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 42 / 3

HEX #EBF790

RGB 235 247 144

HSL 66.99, 0.87%, 0.77%

LAB 94.4, -18.88, 48.06

 

Complementary color

CMYK 82 / 93 / 0 / 56

HEX #14086F

RGB 20 8 111

HSL 246.99, 0.87%, 0.23%

LAB 12.42, 39.71, -54.65

 

CMYK 3 / 0 / 44 / 3

HEX #F0F78B

RGB 240 247 139

HSL 63.89, 0.87%, 0.76%

LAB 94.7, -17.48, 50.91

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 5 / 0 / 42 / 3

HEX #EBF790

RGB 235 247 144

HSL 66.99, 0.87%, 0.77%

LAB 94.4, -18.88, 48.06

 

CMYK 5 / 0 / 45 / 10

HEX #DAE57D

RGB 218 229 125

HSL 66.35, 0.67%, 0.69%

LAB 88.17, -18.6, 49.2

 

CMYK 5 / 0 / 50 / 17

HEX #C9D36A

RGB 201 211 106

HSL 65.71, 0.54%, 0.62%

LAB 81.86, -18.24, 50.33

 

CMYK 5 / 0 / 55 / 24

HEX #B8C157

RGB 184 193 87

HSL 65.09, 0.46%, 0.55%

LAB 75.46, -17.81, 51.41

 

CMYK 5 / 0 / 61 / 31

HEX #A7AF44

RGB 167 175 68

HSL 64.49, 0.44%, 0.48%

LAB 68.96, -17.27, 52.36

 

CMYK 5 / 0 / 41 / 3

HEX #EBF791

RGB 235 247 145

HSL 67.06, 0.86%, 0.77%

LAB 94.41, -18.78, 47.6

 

CMYK 0 / 6 / 41 / 3

HEX #F7E791

RGB 247 231 145

HSL 50.59, 0.86%, 0.77%

LAB 91.22, -6.27, 43.76

 

CMYK 0 / 17 / 41 / 3

HEX #F7CC91

RGB 247 204 145

HSL 34.71, 0.86%, 0.77%

LAB 84.49, 7.53, 35.08

 

CMYK 0 / 29 / 41 / 3

HEX #F7B091

RGB 247 176 145

HSL 18.24, 0.86%, 0.77%

LAB 77.8, 22.21, 26.19

 

CMYK 0 / 40 / 41 / 3

HEX #F79591

RGB 247 149 145

HSL 2.35, 0.86%, 0.77%

LAB 71.77, 36.36, 17.95

 

CMYK 5 / 0 / 41 / 3

HEX #EBF791

RGB 235 247 145

HSL 67.06, 0.86%, 0.77%

LAB 94.41, -18.78, 47.6

 

CMYK 16 / 0 / 41 / 3

HEX #CFF791

RGB 207 247 145

HSL 83.53, 0.86%, 0.77%

LAB 92.5, -29.19, 44.79

 

CMYK 27 / 0 / 41 / 3

HEX #B4F791

RGB 180 247 145

HSL 99.41, 0.86%, 0.77%

LAB 90.9, -38.66, 42.42

 

CMYK 38 / 0 / 41 / 3

HEX #98F791

RGB 152 247 145

HSL 115.88, 0.86%, 0.77%

LAB 89.51, -47.62, 40.35

 

CMYK 41 / 0 / 33 / 3

HEX #91F7A5

RGB 145 247 165

HSL 131.76, 0.86%, 0.77%

LAB 89.51, -46.57, 30.35

 

CMYK 5 / 0 / 41 / 3

HEX #EBF791

RGB 235 247 145

HSL 67.06, 0.86%, 0.77%

LAB 94.41, -18.78, 47.6

 

CMYK 5 / 0 / 41 / 3

HEX #EBF791

RGB 235 247 145

HSL 67.06, 0.86%, 0.77%

LAB 94.41, -18.78, 47.6

 

CMYK 4 / 0 / 35 / 7

HEX #E4ED9A

RGB 228 237 154

HSL 66.51, 0.7%, 0.77%

LAB 91.41, -15.55, 39.25

 

CMYK 4 / 0 / 28 / 11

HEX #DCE4A4

RGB 220 228 164

HSL 67.5, 0.54%, 0.77%

LAB 88.63, -12.84, 30.42

 

CMYK 2 / 0 / 21 / 15

HEX #D5DAAD

RGB 213 218 173

HSL 66.67, 0.38%, 0.77%

LAB 85.66, -9.13, 21.63

 

CMYK 1 / 0 / 12 / 18

HEX #CED1B7

RGB 206 209 183

HSL 66.92, 0.22%, 0.77%

LAB 82.99, -5.52, 12.56

 

CMYK 0 / 18 / 41 / 3

HEX #F7CB91

RGB 247 203 145

HSL 34.12, 0.86%, 0.77%

LAB 84.24, 8.05, 34.76

 

CMYK 0 / 7 / 41 / 3

HEX #F7E691

RGB 247 230 145

HSL 50, 0.86%, 0.77%

LAB 90.97, -5.77, 43.44

 

CMYK 4 / 0 / 41 / 3

HEX #EDF791

RGB 237 247 145

HSL 65.88, 0.86%, 0.77%

LAB 94.56, -18.02, 47.81

 

CMYK 15 / 0 / 41 / 3

HEX #D1F791

RGB 209 247 145

HSL 82.35, 0.86%, 0.77%

LAB 92.63, -28.47, 44.97

 

CMYK 26 / 0 / 41 / 3

HEX #B6F791

RGB 182 247 145

HSL 98.24, 0.86%, 0.77%

LAB 91.01, -37.99, 42.59

 

CMYK 9 / 0 / 72 / 5

HEX #DDF244

RGB 221 242 68

HSL 67.24, 0.87%, 0.61%

LAB 91.37, -27.73, 76.43

 

CMYK 7 / 0 / 57 / 4

HEX #E4F46A

RGB 228 244 106

HSL 66.96, 0.86%, 0.69%

LAB 92.68, -23.57, 63.33

 

CMYK 5 / 0 / 41 / 3

HEX #EBF791

RGB 235 247 145

HSL 67.06, 0.86%, 0.77%

LAB 94.41, -18.78, 47.6

 

CMYK 3 / 0 / 27 / 2

HEX #F2FAB7

RGB 242 250 183

HSL 67.16, 0.87%, 0.85%

LAB 96.27, -13.13, 31.34

 

CMYK 1 / 0 / 12 / 1

HEX #F9FCDE

RGB 249 252 222

HSL 66, 0.83%, 0.93%

LAB 98.05, -6, 14.04

 

CMYK 5 / 0 / 42 / 3

HEX #EBF790

RGB 235 247 144

HSL 66.99, 0.87%, 0.77%

LAB 94.4, -18.88, 48.06

 

CMYK 41 / 0 / 29 / 3

HEX #91F7AF

RGB 145 247 175

HSL 137.65, 0.86%, 0.77%

LAB 89.69, -44.86, 25.51

 

CMYK 13 / 41 / 0 / 3

HEX #D891F7

RGB 216 145 247

HSL 281.76, 0.86%, 0.77%

LAB 70.57, 44.1, -40.57

 

CMYK 5 / 0 / 42 / 3

HEX #EBF790

RGB 235 247 144

HSL 66.99, 0.87%, 0.77%

LAB 94.4, -18.88, 48.06

 

CMYK 41 / 4 / 0 / 3

HEX #91EDF7

RGB 145 237 247

HSL 185.88, 0.86%, 0.77%

LAB 88.59, -24.91, -13.46

 

CMYK 0 / 41 / 4 / 3

HEX #F791ED

RGB 247 145 237

HSL 305.88, 0.86%, 0.77%

LAB 73.64, 51.36, -30.09

 

CMYK 5 / 0 / 42 / 3

HEX #EBF790

RGB 235 247 144

HSL 66.99, 0.87%, 0.77%

LAB 94.4, -18.88, 48.06

 

CMYK 41 / 0 / 29 / 3

HEX #91F7AF

RGB 145 247 175

HSL 137.65, 0.86%, 0.77%

LAB 89.69, -44.86, 25.51

 

CMYK 37 / 41 / 0 / 3

HEX #9B91F7

RGB 155 145 247

HSL 245.88, 0.86%, 0.77%

LAB 64.91, 27.28, -49.86

 

CMYK 0 / 41 / 13 / 3

HEX #F791D8

RGB 247 145 216

HSL 318.24, 0.86%, 0.77%

LAB 72.88, 47.89, -19.73

 

CMYK 5 / 0 / 42 / 3

HEX #EBF790

RGB 235 247 144

HSL 66.99, 0.87%, 0.77%

LAB 94.4, -18.88, 48.06

 

CMYK 41 / 0 / 17 / 3

HEX #91F7CE

RGB 145 247 206

HSL 155.88, 0.86%, 0.77%

LAB 90.32, -38.92, 10.45

 

CMYK 37 / 41 / 0 / 3

HEX #9B91F7

RGB 155 145 247

HSL 245.88, 0.86%, 0.77%

LAB 64.91, 27.28, -49.86

 

CMYK 0 / 41 / 25 / 3

HEX #F791BA

RGB 247 145 186

HSL 335.88, 0.86%, 0.77%

LAB 71.94, 43.45, -4.55

 

Description

Color code: HEX #EBF790 | qconv.com Color code: HEX #EBF790 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 247 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 247 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 42 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 42% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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