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Color name
HEX #EBE285

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBE285 it is the complementary color #141D7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBE285. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBE285 shade: #F0E280, #FFF493, #FFFFA6, #FFFFB9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBE285. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBE285 shade: #EBE285, #DAD072, #C9BE5F, #B8AC4C and #A79A39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBE285 shade: #EBE184, #EBC684, #EBAA84, #EB8E84 and #EB8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBE285 shade: #EBE184, #D8EB84, #BCEB84, #A0EB84 and #85EB84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBE285 shade matches the following richer shades: #EBE184 and #F6EB78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBE285 shade: #EBE184, #DFD88F, #D3CE9B, #C8C5A6 and #BCBBB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBE285 shade: #EBA984, #EBC584, #EBE084, #D9EB84 and #BEEB84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBE285 shade: #DFD13D, #E5D960, #EBE184, #F0EAA7 and #F6F2CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBE285 shade: #EBE285, #84EB8E and #B784EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBE285 shade: #EBE285, #84EBE0 and #E084EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBE285 shade: #EBE285, #84EB8E, #848EEB and #EB84E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBE285 shade: #EBE285, #84EBAD, #848EEB and #EB84C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 43 / 8

HEX #EBE285

RGB 235 226 133

HSL 54.71, 0.72%, 0.72%

LAB 88.8, -9.67, 46.4

 

Complementary color

CMYK 84 / 76 / 0 / 52

HEX #141D7A

RGB 20 29 122

HSL 234.71, 0.72%, 0.28%

LAB 17.61, 32.46, -53.14

 

CMYK 0 / 6 / 47 / 6

HEX #F0E280

RGB 240 226 128

HSL 52.5, 0.79%, 0.72%

LAB 89.15, -8.17, 49.34

 

CMYK 0 / 4 / 42 / 0

HEX #FFF493

RGB 255 244 147

HSL 53.89, 1%, 0.79%

LAB 95.19, -9.44, 47.94

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 4 / 43 / 8

HEX #EBE285

RGB 235 226 133

HSL 54.71, 0.72%, 0.72%

LAB 88.8, -9.67, 46.4

 

CMYK 0 / 5 / 48 / 15

HEX #DAD072

RGB 218 208 114

HSL 54.23, 0.58%, 0.65%

LAB 82.5, -9.18, 47.58

 

CMYK 0 / 5 / 53 / 21

HEX #C9BE5F

RGB 201 190 95

HSL 53.77, 0.5%, 0.58%

LAB 76.11, -8.59, 48.76

 

CMYK 0 / 7 / 59 / 28

HEX #B8AC4C

RGB 184 172 76

HSL 53.33, 0.43%, 0.51%

LAB 69.62, -7.9, 49.88

 

CMYK 0 / 8 / 66 / 35

HEX #A79A39

RGB 167 154 57

HSL 52.91, 0.49%, 0.44%

LAB 63.03, -7.04, 50.83

 

CMYK 0 / 4 / 44 / 8

HEX #EBE184

RGB 235 225 132

HSL 54.17, 0.72%, 0.72%

LAB 88.53, -9.26, 46.55

 

CMYK 0 / 16 / 44 / 8

HEX #EBC684

RGB 235 198 132

HSL 38.45, 0.72%, 0.72%

LAB 81.68, 4.55, 37.89

 

CMYK 0 / 28 / 44 / 8

HEX #EBAA84

RGB 235 170 132

HSL 22.14, 0.72%, 0.72%

LAB 74.87, 19.33, 29

 

CMYK 0 / 40 / 44 / 8

HEX #EB8E84

RGB 235 142 132

HSL 5.83, 0.72%, 0.72%

LAB 68.51, 34.16, 20.44

 

CMYK 0 / 44 / 44 / 8

HEX #EB8484

RGB 235 132 132

HSL 0, 0.72%, 0.72%

LAB 66.39, 39.35, 17.52

 

CMYK 0 / 4 / 44 / 8

HEX #EBE184

RGB 235 225 132

HSL 54.17, 0.72%, 0.72%

LAB 88.53, -9.26, 46.55

 

CMYK 8 / 0 / 44 / 8

HEX #D8EB84

RGB 216 235 132

HSL 71.07, 0.72%, 0.72%

LAB 89.71, -21.57, 47.7

 

CMYK 20 / 0 / 44 / 8

HEX #BCEB84

RGB 188 235 132

HSL 87.38, 0.72%, 0.72%

LAB 87.86, -32, 44.99

 

CMYK 32 / 0 / 44 / 8

HEX #A0EB84

RGB 160 235 132

HSL 103.69, 0.72%, 0.72%

LAB 86.28, -41.68, 42.67

 

CMYK 43 / 0 / 44 / 8

HEX #85EB84

RGB 133 235 132

HSL 119.42, 0.72%, 0.72%

LAB 85.03, -50.03, 40.82

 

CMYK 0 / 4 / 44 / 8

HEX #EBE184

RGB 235 225 132

HSL 54.17, 0.72%, 0.72%

LAB 88.53, -9.26, 46.55

 

CMYK 0 / 4 / 51 / 4

HEX #F6EB78

RGB 246 235 120

HSL 54.76, 0.88%, 0.72%

LAB 91.85, -10.97, 56.48

 

CMYK 0 / 4 / 44 / 8

HEX #EBE184

RGB 235 225 132

HSL 54.17, 0.72%, 0.72%

LAB 88.53, -9.26, 46.55

 

CMYK 0 / 3 / 36 / 13

HEX #DFD88F

RGB 223 216 143

HSL 54.75, 0.56%, 0.72%

LAB 85.39, -8.26, 36.88

 

CMYK 0 / 2 / 27 / 17

HEX #D3CE9B

RGB 211 206 155

HSL 54.64, 0.39%, 0.72%

LAB 82.03, -6.27, 26.06

 

CMYK 0 / 1 / 17 / 22

HEX #C8C5A6

RGB 200 197 166

HSL 54.71, 0.24%, 0.72%

LAB 79.02, -4.16, 15.95

 

CMYK 0 / 1 / 5 / 26

HEX #BCBBB2

RGB 188 187 178

HSL 54, 0.07%, 0.72%

LAB 75.73, -1.27, 4.67

 

CMYK 0 / 28 / 44 / 8

HEX #EBA984

RGB 235 169 132

HSL 21.55, 0.72%, 0.72%

LAB 74.64, 19.86, 28.69

 

CMYK 0 / 16 / 44 / 8

HEX #EBC584

RGB 235 197 132

HSL 37.86, 0.72%, 0.72%

LAB 81.43, 5.07, 37.57

 

CMYK 0 / 5 / 44 / 8

HEX #EBE084

RGB 235 224 132

HSL 53.59, 0.72%, 0.72%

LAB 88.28, -8.76, 46.23

 

CMYK 8 / 0 / 44 / 8

HEX #D9EB84

RGB 217 235 132

HSL 70.49, 0.72%, 0.72%

LAB 89.78, -21.19, 47.81

 

CMYK 19 / 0 / 44 / 8

HEX #BEEB84

RGB 190 235 132

HSL 86.21, 0.72%, 0.72%

LAB 87.98, -31.27, 45.17

 

CMYK 0 / 6 / 73 / 13

HEX #DFD13D

RGB 223 209 61

HSL 54.81, 0.72%, 0.56%

LAB 82.71, -11.19, 70.57

 

CMYK 0 / 5 / 58 / 10

HEX #E5D960

RGB 229 217 96

HSL 54.59, 0.72%, 0.64%

LAB 85.57, -10.7, 59.75

 

CMYK 0 / 4 / 44 / 8

HEX #EBE184

RGB 235 225 132

HSL 54.17, 0.72%, 0.72%

LAB 88.53, -9.26, 46.55

 

CMYK 0 / 3 / 30 / 6

HEX #F0EAA7

RGB 240 234 167

HSL 55.07, 0.71%, 0.8%

LAB 91.76, -7.97, 33.34

 

CMYK 0 / 2 / 17 / 4

HEX #F6F2CB

RGB 246 242 203

HSL 54.42, 0.7%, 0.88%

LAB 94.91, -4.93, 19.33

 

CMYK 0 / 4 / 43 / 8

HEX #EBE285

RGB 235 226 133

HSL 54.71, 0.72%, 0.72%

LAB 88.8, -9.67, 46.4

 

CMYK 44 / 0 / 40 / 8

HEX #84EB8E

RGB 132 235 142

HSL 125.83, 0.72%, 0.72%

LAB 85.14, -48.83, 36

 

CMYK 22 / 44 / 0 / 8

HEX #B784EB

RGB 183 132 235

HSL 269.71, 0.72%, 0.72%

LAB 63.81, 39.16, -44.82

 

CMYK 0 / 4 / 43 / 8

HEX #EBE285

RGB 235 226 133

HSL 54.71, 0.72%, 0.72%

LAB 88.8, -9.67, 46.4

 

CMYK 44 / 0 / 5 / 8

HEX #84EBE0

RGB 132 235 224

HSL 173.59, 0.72%, 0.72%

LAB 86.85, -32.62, -4.04

 

CMYK 5 / 44 / 0 / 8

HEX #E084EB

RGB 224 132 235

HSL 293.59, 0.72%, 0.72%

LAB 68.28, 50.82, -37.51

 

CMYK 0 / 4 / 43 / 8

HEX #EBE285

RGB 235 226 133

HSL 54.71, 0.72%, 0.72%

LAB 88.8, -9.67, 46.4

 

CMYK 44 / 0 / 40 / 8

HEX #84EB8E

RGB 132 235 142

HSL 125.83, 0.72%, 0.72%

LAB 85.14, -48.83, 36

 

CMYK 44 / 40 / 0 / 8

HEX #848EEB

RGB 132 142 235

HSL 234.17, 0.72%, 0.72%

LAB 61.87, 19.93, -48.17

 

CMYK 0 / 44 / 5 / 8

HEX #EB84E0

RGB 235 132 224

HSL 306.41, 0.72%, 0.72%

LAB 69.15, 52.08, -29.99

 

CMYK 0 / 4 / 43 / 8

HEX #EBE285

RGB 235 226 133

HSL 54.71, 0.72%, 0.72%

LAB 88.8, -9.67, 46.4

 

CMYK 44 / 0 / 26 / 8

HEX #84EBAD

RGB 132 235 173

HSL 143.88, 0.72%, 0.72%

LAB 85.68, -43.52, 20.93

 

CMYK 44 / 40 / 0 / 8

HEX #848EEB

RGB 132 142 235

HSL 234.17, 0.72%, 0.72%

LAB 61.87, 19.93, -48.17

 

CMYK 0 / 44 / 18 / 8

HEX #EB84C1

RGB 235 132 193

HSL 324.47, 0.72%, 0.72%

LAB 68.03, 47.09, -14.44

 

Description

Color code: HEX #EBE285 | qconv.com Color code: HEX #EBE285 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 226 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 226 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 43 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 43% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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