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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBCDDB it is the complementary color #143224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBCDDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBCDDB shade: #F0CDD6, #FFDFE9 and #FFF1FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBCDDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBCDDB shade: #EBCDDB, #DABBC8, #C9A9B5, #B897A2 and #A7858F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBCDDB shade: #EACBDA, #EACBD1 and #EACBCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBCDDB shade: #EACBDA, #EACBE2, #EACBEA, #E2CBEA and #D9CBEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBCDDB shade matches the following richer shades: #EACBDA, #F0C6D9, #F6C0D9 and #FBBAD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBCDDB shade: #EACBDA, #E4D1DA, #DFD7DB, #D9DDDB and #D3E3DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBCDDB shade: #EACBEA, #EACBE2, #EACBDA, #EACBD2 and #EACDCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBCDDB shade: #D390AF, #DEAEC5, #EACBDA and #F6E9EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBCDDB shade: #EBCDDB, #EAE2CB and #CBE6EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBCDDB shade: #EBCDDB, #DAEACB and #CBDAEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBCDDB shade: #EBCDDB, #EAE2CB, #CBEADC and #CBD4EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBCDDB shade: #EBCDDB, #E9EACB, #CBEADC and #CCCBEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 7 / 8

HEX #EBCDDB

RGB 235 205 219

HSL 332, 0.43%, 0.86%

LAB 85.22, 12.82, -3.06

 

Complementary color

CMYK 60 / 0 / 28 / 80

HEX #143224

RGB 20 50 36

HSL 152, 0.43%, 0.14%

LAB 18.18, -15.34, 5.54

 

CMYK 0 / 15 / 11 / 6

HEX #F0CDD6

RGB 240 205 214

HSL 344.57, 0.54%, 0.87%

LAB 85.53, 13.72, 0.1

 

CMYK 0 / 13 / 9 / 0

HEX #FFDFE9

RGB 255 223 233

HSL 341.25, 1%, 0.94%

LAB 91.65, 12.63, -0.82

 

CMYK 0 / 5 / 1 / 0

HEX #FFF1FC

RGB 255 241 252

HSL 312.86, 1%, 0.97%

LAB 96.49, 6.59, -3.61

 

CMYK 0 / 13 / 7 / 8

HEX #EBCDDB

RGB 235 205 219

HSL 332, 0.43%, 0.86%

LAB 85.22, 12.82, -3.06

 

CMYK 0 / 14 / 8 / 15

HEX #DABBC8

RGB 218 187 200

HSL 334.84, 0.3%, 0.79%

LAB 78.82, 13.21, -2.44

 

CMYK 0 / 16 / 10 / 21

HEX #C9A9B5

RGB 201 169 181

HSL 337.5, 0.23%, 0.73%

LAB 72.32, 13.64, -1.8

 

CMYK 0 / 18 / 12 / 28

HEX #B897A2

RGB 184 151 162

HSL 340, 0.19%, 0.66%

LAB 65.7, 14.11, -1.13

 

CMYK 0 / 20 / 14 / 35

HEX #A7858F

RGB 167 133 143

HSL 342.35, 0.16%, 0.59%

LAB 58.95, 14.63, -0.41

 

CMYK 0 / 13 / 7 / 8

HEX #EACBDA

RGB 234 203 218

HSL 330.97, 0.42%, 0.86%

LAB 84.62, 13.36, -3.42

 

CMYK 0 / 13 / 11 / 8

HEX #EACBD1

RGB 234 203 209

HSL 348.39, 0.42%, 0.86%

LAB 84.38, 11.84, 1.03

 

CMYK 0 / 13 / 13 / 8

HEX #EACBCB

RGB 234 203 203

HSL 0, 0.42%, 0.86%

LAB 84.23, 10.87, 4.01

 

CMYK 0 / 13 / 7 / 8

HEX #EACBDA

RGB 234 203 218

HSL 330.97, 0.42%, 0.86%

LAB 84.62, 13.36, -3.42

 

CMYK 0 / 13 / 3 / 8

HEX #EACBE2

RGB 234 203 226

HSL 315.48, 0.42%, 0.86%

LAB 84.84, 14.75, -7.35

 

CMYK 0 / 13 / 0 / 8

HEX #EACBEA

RGB 234 203 234

HSL 300, 0.42%, 0.86%

LAB 85.07, 16.18, -11.27

 

CMYK 3 / 13 / 0 / 8

HEX #E2CBEA

RGB 226 203 234

HSL 284.52, 0.42%, 0.86%

LAB 84.39, 13.53, -12.35

 

CMYK 7 / 13 / 0 / 8

HEX #D9CBEA

RGB 217 203 234

HSL 267.1, 0.42%, 0.86%

LAB 83.65, 10.57, -13.53

 

CMYK 0 / 13 / 7 / 8

HEX #EACBDA

RGB 234 203 218

HSL 330.97, 0.42%, 0.86%

LAB 84.62, 13.36, -3.42

 

CMYK 0 / 18 / 10 / 6

HEX #F0C6D9

RGB 240 198 217

HSL 332.86, 0.58%, 0.86%

LAB 83.93, 17.91, -3.84

 

CMYK 0 / 22 / 12 / 4

HEX #F6C0D9

RGB 246 192 217

HSL 332.22, 0.75%, 0.86%

LAB 83.07, 23.15, -5.04

 

CMYK 0 / 26 / 14 / 2

HEX #FBBAD9

RGB 251 186 217

HSL 331.38, 0.89%, 0.86%

LAB 82.18, 28.04, -6.3

 

CMYK 0 / 13 / 7 / 8

HEX #EACBDA

RGB 234 203 218

HSL 330.97, 0.42%, 0.86%

LAB 84.62, 13.36, -3.42

 

CMYK 0 / 8 / 4 / 11

HEX #E4D1DA

RGB 228 209 218

HSL 331.58, 0.26%, 0.86%

LAB 85.58, 8.12, -2.06

 

CMYK 0 / 4 / 2 / 13

HEX #DFD7DB

RGB 223 215 219

HSL 330, 0.11%, 0.86%

LAB 86.7, 3.45, -1

 

CMYK 2 / 0 / 1 / 13

HEX #D9DDDB

RGB 217 221 219

HSL 150, 0.06%, 0.86%

LAB 87.77, -1.71, 0.5

 

CMYK 7 / 0 / 4 / 11

HEX #D3E3DB

RGB 211 227 219

HSL 150, 0.22%, 0.86%

LAB 88.88, -6.8, 2.06

 

CMYK 0 / 13 / 0 / 8

HEX #EACBEA

RGB 234 203 234

HSL 300, 0.42%, 0.86%

LAB 85.07, 16.18, -11.27

 

CMYK 0 / 13 / 3 / 8

HEX #EACBE2

RGB 234 203 226

HSL 315.48, 0.42%, 0.86%

LAB 84.84, 14.75, -7.35

 

CMYK 0 / 13 / 7 / 8

HEX #EACBDA

RGB 234 203 218

HSL 330.97, 0.42%, 0.86%

LAB 84.62, 13.36, -3.42

 

CMYK 0 / 13 / 10 / 8

HEX #EACBD2

RGB 234 203 210

HSL 346.45, 0.42%, 0.86%

LAB 84.41, 12.01, 0.54

 

CMYK 0 / 12 / 13 / 8

HEX #EACDCB

RGB 234 205 203

HSL 3.87, 0.42%, 0.86%

LAB 84.72, 9.82, 4.72

 

CMYK 0 / 32 / 17 / 17

HEX #D390AF

RGB 211 144 175

HSL 332.24, 0.43%, 0.7%

LAB 67.19, 29.87, -5.9

 

CMYK 0 / 22 / 11 / 13

HEX #DEAEC5

RGB 222 174 197

HSL 331.25, 0.42%, 0.78%

LAB 75.97, 21.1, -4.97

 

CMYK 0 / 13 / 7 / 8

HEX #EACBDA

RGB 234 203 218

HSL 330.97, 0.42%, 0.86%

LAB 84.62, 13.36, -3.42

 

CMYK 0 / 5 / 3 / 4

HEX #F6E9EF

RGB 246 233 239

HSL 332.31, 0.42%, 0.94%

LAB 93.5, 5.42, -1.34

 

CMYK 0 / 13 / 7 / 8

HEX #EBCDDB

RGB 235 205 219

HSL 332, 0.43%, 0.86%

LAB 85.22, 12.82, -3.06

 

CMYK 0 / 3 / 13 / 8

HEX #EAE2CB

RGB 234 226 203

HSL 44.52, 0.42%, 0.86%

LAB 89.95, -1.09, 12.21

 

CMYK 13 / 2 / 0 / 8

HEX #CBE6EA

RGB 203 230 234

HSL 187.74, 0.42%, 0.86%

LAB 89.5, -8.04, -4.95

 

CMYK 0 / 13 / 7 / 8

HEX #EBCDDB

RGB 235 205 219

HSL 332, 0.43%, 0.86%

LAB 85.22, 12.82, -3.06

 

CMYK 7 / 0 / 13 / 8

HEX #DAEACB

RGB 218 234 203

HSL 90.97, 0.42%, 0.86%

LAB 90.81, -10.76, 13.26

 

CMYK 13 / 7 / 0 / 8

HEX #CBDAEA

RGB 203 218 234

HSL 210.97, 0.42%, 0.86%

LAB 86.39, -1.86, -9.55

 

CMYK 0 / 13 / 7 / 8

HEX #EBCDDB

RGB 235 205 219

HSL 332, 0.43%, 0.86%

LAB 85.22, 12.82, -3.06

 

CMYK 0 / 3 / 13 / 8

HEX #EAE2CB

RGB 234 226 203

HSL 44.52, 0.42%, 0.86%

LAB 89.95, -1.09, 12.21

 

CMYK 13 / 0 / 6 / 8

HEX #CBEADC

RGB 203 234 220

HSL 152.9, 0.42%, 0.86%

LAB 90.19, -12.78, 3.38

 

CMYK 13 / 9 / 0 / 8

HEX #CBD4EA

RGB 203 212 234

HSL 222.58, 0.42%, 0.86%

LAB 84.86, 1.28, -11.85

 

CMYK 0 / 13 / 7 / 8

HEX #EBCDDB

RGB 235 205 219

HSL 332, 0.43%, 0.86%

LAB 85.22, 12.82, -3.06

 

CMYK 0 / 0 / 13 / 8

HEX #E9EACB

RGB 233 234 203

HSL 61.94, 0.42%, 0.86%

LAB 91.9, -5.51, 14.96

 

CMYK 13 / 0 / 6 / 8

HEX #CBEADC

RGB 203 234 220

HSL 152.9, 0.42%, 0.86%

LAB 90.19, -12.78, 3.38

 

CMYK 13 / 13 / 0 / 8

HEX #CCCBEA

RGB 204 203 234

HSL 241.94, 0.42%, 0.86%

LAB 82.64, 6.37, -15.15

 

Description

Color code: HEX #EBCDDB | qconv.com Color code: HEX #EBCDDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 205 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 205 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 7 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 7% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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