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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBCD82 it is the complementary color #14327D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBCD82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBCD82 shade: #F0CD7D, #FFDF90, #FFF1A3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBCD82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBCD82 shade: #EBCD82, #DABB6F, #C9A95C, #B89749 and #A78536

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBCD82 shade: #EBCD84, #EBB184, #EB9684 and #EB8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBCD82 shade: #EBCD84, #EBE984, #D0EB84, #B5EB84 and #99EB84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBCD82 shade matches the following richer shades: #EBCD84 and #F6D278

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBCD82 shade: #EBCD84, #DFC88F, #D3C39B, #C8BEA6 and #BCB9B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBCD82 shade: #EB9584, #EBB084, #EBCC84, #EBE784 and #D3EB84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBCD82 shade: #DFB13D, #E5BF60, #EBCD84, #F0DBA7 and #F6EACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBCD82 shade: #EBCD82, #8EEB84 and #A384EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBCD82 shade: #EBCD82, #84EBCC and #CC84EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBCD82 shade: #EBCD82, #8EEB84, #84A3EB and #E084EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBCD82 shade: #EBCD82, #84EB98, #84A3EB and #EB84D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 45 / 8

HEX #EBCD82

RGB 235 205 130

HSL 42.86, 0.72%, 0.72%

LAB 83.41, 0.72, 41.11

 

Complementary color

CMYK 84 / 60 / 0 / 51

HEX #14327D

RGB 20 50 125

HSL 222.86, 0.72%, 0.28%

LAB 23.37, 19.25, -45.59

 

CMYK 0 / 15 / 48 / 6

HEX #F0CD7D

RGB 240 205 125

HSL 41.74, 0.79%, 0.72%

LAB 83.79, 2.25, 44.19

 

CMYK 0 / 13 / 44 / 0

HEX #FFDF90

RGB 255 223 144

HSL 42.7, 1%, 0.78%

LAB 89.88, 0.8, 42.7

 

CMYK 0 / 5 / 36 / 0

HEX #FFF1A3

RGB 255 241 163

HSL 50.87, 1%, 0.82%

LAB 94.66, -6.26, 39.4

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 13 / 45 / 8

HEX #EBCD82

RGB 235 205 130

HSL 42.86, 0.72%, 0.72%

LAB 83.41, 0.72, 41.11

 

CMYK 0 / 14 / 49 / 15

HEX #DABB6F

RGB 218 187 111

HSL 42.62, 0.59%, 0.65%

LAB 77.04, 1.4, 42.37

 

CMYK 0 / 16 / 54 / 21

HEX #C9A95C

RGB 201 169 92

HSL 42.39, 0.5%, 0.57%

LAB 70.57, 2.19, 43.66

 

CMYK 0 / 18 / 60 / 28

HEX #B89749

RGB 184 151 73

HSL 42.16, 0.44%, 0.5%

LAB 64, 3.13, 44.94

 

CMYK 0 / 20 / 68 / 35

HEX #A78536

RGB 167 133 54

HSL 41.95, 0.51%, 0.43%

LAB 57.32, 4.26, 46.12

 

CMYK 0 / 13 / 44 / 8

HEX #EBCD84

RGB 235 205 132

HSL 42.52, 0.72%, 0.72%

LAB 83.44, 0.92, 40.14

 

CMYK 0 / 25 / 44 / 8

HEX #EBB184

RGB 235 177 132

HSL 26.21, 0.72%, 0.72%

LAB 76.54, 15.61, 31.21

 

CMYK 0 / 36 / 44 / 8

HEX #EB9684

RGB 235 150 132

HSL 10.49, 0.72%, 0.72%

LAB 70.27, 29.95, 22.83

 

CMYK 0 / 44 / 44 / 8

HEX #EB8484

RGB 235 132 132

HSL 0, 0.72%, 0.72%

LAB 66.39, 39.35, 17.52

 

CMYK 0 / 13 / 44 / 8

HEX #EBCD84

RGB 235 205 132

HSL 42.52, 0.72%, 0.72%

LAB 83.44, 0.92, 40.14

 

CMYK 0 / 1 / 44 / 8

HEX #EBE984

RGB 235 233 132

HSL 58.83, 0.72%, 0.72%

LAB 90.6, -13.25, 49.11

 

CMYK 11 / 0 / 44 / 8

HEX #D0EB84

RGB 208 235 132

HSL 75.73, 0.72%, 0.72%

LAB 89.15, -24.61, 46.89

 

CMYK 23 / 0 / 44 / 8

HEX #B5EB84

RGB 181 235 132

HSL 91.46, 0.72%, 0.72%

LAB 87.44, -34.5, 44.37

 

CMYK 35 / 0 / 44 / 8

HEX #99EB84

RGB 153 235 132

HSL 107.77, 0.72%, 0.72%

LAB 85.93, -43.95, 42.16

 

CMYK 0 / 13 / 44 / 8

HEX #EBCD84

RGB 235 205 132

HSL 42.52, 0.72%, 0.72%

LAB 83.44, 0.92, 40.14

 

CMYK 0 / 15 / 51 / 4

HEX #F6D278

RGB 246 210 120

HSL 42.86, 0.88%, 0.72%

LAB 85.53, 1.65, 48.91

 

CMYK 0 / 13 / 44 / 8

HEX #EBCD84

RGB 235 205 132

HSL 42.52, 0.72%, 0.72%

LAB 83.44, 0.92, 40.14

 

CMYK 0 / 10 / 36 / 13

HEX #DFC88F

RGB 223 200 143

HSL 42.75, 0.56%, 0.72%

LAB 81.28, -0.04, 31.49

 

CMYK 0 / 8 / 27 / 17

HEX #D3C39B

RGB 211 195 155

HSL 42.86, 0.39%, 0.72%

LAB 79.18, -0.56, 22.17

 

CMYK 0 / 5 / 17 / 22

HEX #C8BEA6

RGB 200 190 166

HSL 42.35, 0.24%, 0.72%

LAB 77.2, -0.48, 13.39

 

CMYK 0 / 2 / 5 / 26

HEX #BCB9B2

RGB 188 185 178

HSL 42, 0.07%, 0.72%

LAB 75.2, -0.21, 3.91

 

CMYK 0 / 37 / 44 / 8

HEX #EB9584

RGB 235 149 132

HSL 9.9, 0.72%, 0.72%

LAB 70.05, 30.48, 22.53

 

CMYK 0 / 25 / 44 / 8

HEX #EBB084

RGB 235 176 132

HSL 25.63, 0.72%, 0.72%

LAB 76.3, 16.14, 30.89

 

CMYK 0 / 13 / 44 / 8

HEX #EBCC84

RGB 235 204 132

HSL 41.94, 0.72%, 0.72%

LAB 83.19, 1.44, 39.82

 

CMYK 0 / 2 / 44 / 8

HEX #EBE784

RGB 235 231 132

HSL 57.67, 0.72%, 0.72%

LAB 90.08, -12.26, 48.47

 

CMYK 10 / 0 / 44 / 8

HEX #D3EB84

RGB 211 235 132

HSL 73.98, 0.72%, 0.72%

LAB 89.36, -23.47, 47.19

 

CMYK 0 / 21 / 73 / 13

HEX #DFB13D

RGB 223 177 61

HSL 42.96, 0.72%, 0.56%

LAB 74.49, 5.34, 62.58

 

CMYK 0 / 17 / 58 / 10

HEX #E5BF60

RGB 229 191 96

HSL 42.86, 0.72%, 0.64%

LAB 78.91, 2.61, 52.18

 

CMYK 0 / 13 / 44 / 8

HEX #EBCD84

RGB 235 205 132

HSL 42.52, 0.72%, 0.72%

LAB 83.44, 0.92, 40.14

 

CMYK 0 / 9 / 30 / 6

HEX #F0DBA7

RGB 240 219 167

HSL 42.74, 0.71%, 0.8%

LAB 87.96, -0.37, 28.24

 

CMYK 0 / 5 / 17 / 4

HEX #F6EACB

RGB 246 234 203

HSL 43.26, 0.7%, 0.88%

LAB 92.9, -0.88, 16.52

 

CMYK 0 / 13 / 45 / 8

HEX #EBCD82

RGB 235 205 130

HSL 42.86, 0.72%, 0.72%

LAB 83.41, 0.72, 41.11

 

CMYK 40 / 0 / 44 / 8

HEX #8EEB84

RGB 142 235 132

HSL 114.17, 0.72%, 0.72%

LAB 85.42, -47.37, 41.4

 

CMYK 31 / 44 / 0 / 8

HEX #A384EB

RGB 163 132 235

HSL 258.06, 0.72%, 0.72%

LAB 61.9, 33.69, -47.96

 

CMYK 0 / 13 / 45 / 8

HEX #EBCD82

RGB 235 205 130

HSL 42.86, 0.72%, 0.72%

LAB 83.41, 0.72, 41.11

 

CMYK 44 / 0 / 13 / 8

HEX #84EBCC

RGB 132 235 204

HSL 161.94, 0.72%, 0.72%

LAB 86.35, -37.19, 5.72

 

CMYK 13 / 44 / 0 / 8

HEX #CC84EB

RGB 204 132 235

HSL 281.94, 0.72%, 0.72%

LAB 66.01, 45.09, -41.21

 

CMYK 0 / 13 / 45 / 8

HEX #EBCD82

RGB 235 205 130

HSL 42.86, 0.72%, 0.72%

LAB 83.41, 0.72, 41.11

 

CMYK 40 / 0 / 44 / 8

HEX #8EEB84

RGB 142 235 132

HSL 114.17, 0.72%, 0.72%

LAB 85.42, -47.37, 41.4

 

CMYK 44 / 31 / 0 / 8

HEX #84A3EB

RGB 132 163 235

HSL 221.94, 0.72%, 0.72%

LAB 67.35, 7.8, -39.56

 

CMYK 5 / 44 / 0 / 8

HEX #E084EB

RGB 224 132 235

HSL 293.59, 0.72%, 0.72%

LAB 68.28, 50.82, -37.51

 

CMYK 0 / 13 / 45 / 8

HEX #EBCD82

RGB 235 205 130

HSL 42.86, 0.72%, 0.72%

LAB 83.41, 0.72, 41.11

 

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

CMYK 44 / 31 / 0 / 8

HEX #84A3EB

RGB 132 163 235

HSL 221.94, 0.72%, 0.72%

LAB 67.35, 7.8, -39.56

 

CMYK 0 / 44 / 9 / 8

HEX #EB84D6

RGB 235 132 214

HSL 312.23, 0.72%, 0.72%

LAB 68.77, 50.4, -25.03

 

Description

Color code: HEX #EBCD82 | qconv.com Color code: HEX #EBCD82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 205 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 205 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 45 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 45% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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