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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBC08D it is the complementary color #143F72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBC08D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBC08D shade: #F0C088, #FFD29B, #FFE4AE, #FFF6C1 and #FFFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBC08D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBC08D shade: #EBC08D, #DAAE7A, #C99C67, #B88A54 and #A77841

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBC08D shade: #EBC08E, #EBA78E, #EB8E8E and #EB8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBC08D shade: #EBC08E, #EBD98E, #E3EB8E, #CAEB8E and #B1EB8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBC08D shade matches the following richer shades: #EBC08E and #F5C183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBC08D shade: #EBC08E, #E0BF99, #D5BEA3, #CABDAE and #C0BCB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBC08D shade: #EB8E8E, #EBA78E, #EBBF8E, #EBD88E and #E4EB8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBC08D shade: #DE9948, #E4AD6B, #EBC08E, #F1D4B1 and #F7E7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBC08D shade: #EBC08D, #A7EB8E and #9A8EEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBC08D shade: #EBC08D, #8EEBBF and #BF8EEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBC08D shade: #EBC08D, #A7EB8E, #8EB9EB and #D28EEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBC08D shade: #EBC08D, #8EEB91, #8EB9EB and #EB8EE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 40 / 8

HEX #EBC08D

RGB 235 192 141

HSL 32.55, 0.7%, 0.74%

LAB 80.34, 8.64, 31.48

 

Complementary color

CMYK 82 / 45 / 0 / 55

HEX #143F72

RGB 20 63 114

HSL 212.55, 0.7%, 0.26%

LAB 26.5, 5.43, -33.56

 

CMYK 0 / 20 / 43 / 6

HEX #F0C088

RGB 240 192 136

HSL 32.31, 0.78%, 0.74%

LAB 80.74, 10.09, 34.7

 

CMYK 0 / 18 / 39 / 0

HEX #FFD29B

RGB 255 210 155

HSL 33, 1%, 0.8%

LAB 86.86, 8.61, 33.19

 

CMYK 0 / 11 / 32 / 0

HEX #FFE4AE

RGB 255 228 174

HSL 40, 1%, 0.84%

LAB 91.6, 1.57, 29.77

 

CMYK 0 / 4 / 24 / 0

HEX #FFF6C1

RGB 255 246 193

HSL 51.29, 1%, 0.88%

LAB 96.42, -5.08, 26.64

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 18 / 40 / 8

HEX #EBC08D

RGB 235 192 141

HSL 32.55, 0.7%, 0.74%

LAB 80.34, 8.64, 31.48

 

CMYK 0 / 20 / 44 / 15

HEX #DAAE7A

RGB 218 174 122

HSL 32.5, 0.56%, 0.67%

LAB 73.92, 9.36, 32.74

 

CMYK 0 / 22 / 49 / 21

HEX #C99C67

RGB 201 156 103

HSL 32.45, 0.48%, 0.6%

LAB 67.41, 10.19, 34.08

 

CMYK 0 / 25 / 54 / 28

HEX #B88A54

RGB 184 138 84

HSL 32.4, 0.41%, 0.53%

LAB 60.79, 11.16, 35.5

 

CMYK 0 / 28 / 61 / 35

HEX #A77841

RGB 167 120 65

HSL 32.35, 0.44%, 0.45%

LAB 54.06, 12.32, 36.99

 

CMYK 0 / 18 / 40 / 8

HEX #EBC08E

RGB 235 192 142

HSL 32.26, 0.7%, 0.74%

LAB 80.36, 8.75, 30.98

 

CMYK 0 / 29 / 40 / 8

HEX #EBA78E

RGB 235 167 142

HSL 16.13, 0.7%, 0.74%

LAB 74.35, 22, 22.92

 

CMYK 0 / 40 / 40 / 8

HEX #EB8E8E

RGB 235 142 142

HSL 0, 0.7%, 0.74%

LAB 68.72, 35.23, 15.16

 

CMYK 0 / 40 / 40 / 8

HEX #EB8E8E

RGB 235 142 142

HSL 0, 0.7%, 0.74%

LAB 68.72, 35.23, 15.16

 

CMYK 0 / 18 / 40 / 8

HEX #EBC08E

RGB 235 192 142

HSL 32.26, 0.7%, 0.74%

LAB 80.36, 8.75, 30.98

 

CMYK 0 / 8 / 40 / 8

HEX #EBD98E

RGB 235 217 142

HSL 48.39, 0.7%, 0.74%

LAB 86.62, -4.2, 39.17

 

CMYK 3 / 0 / 40 / 8

HEX #E3EB8E

RGB 227 235 142

HSL 65.16, 0.7%, 0.74%

LAB 90.64, -16.3, 44.18

 

CMYK 14 / 0 / 40 / 8

HEX #CAEB8E

RGB 202 235 142

HSL 81.29, 0.7%, 0.74%

LAB 88.89, -25.71, 41.59

 

CMYK 25 / 0 / 40 / 8

HEX #B1EB8E

RGB 177 235 142

HSL 97.42, 0.7%, 0.74%

LAB 87.35, -34.64, 39.3

 

CMYK 0 / 18 / 40 / 8

HEX #EBC08E

RGB 235 192 142

HSL 32.26, 0.7%, 0.74%

LAB 80.36, 8.75, 30.98

 

CMYK 0 / 21 / 47 / 4

HEX #F5C183

RGB 245 193 131

HSL 32.63, 0.85%, 0.74%

LAB 81.4, 11.06, 38.23

 

CMYK 0 / 18 / 40 / 8

HEX #EBC08E

RGB 235 192 142

HSL 32.26, 0.7%, 0.74%

LAB 80.36, 8.75, 30.98

 

CMYK 0 / 15 / 32 / 12

HEX #E0BF99

RGB 224 191 153

HSL 32.11, 0.53%, 0.74%

LAB 79.28, 6.29, 23.55

 

CMYK 0 / 11 / 23 / 16

HEX #D5BEA3

RGB 213 190 163

HSL 32.4, 0.37%, 0.74%

LAB 78.24, 3.96, 16.62

 

CMYK 0 / 6 / 14 / 21

HEX #CABDAE

RGB 202 189 174

HSL 32.14, 0.21%, 0.74%

LAB 77.29, 2.06, 9.22

 

CMYK 0 / 2 / 4 / 25

HEX #C0BCB9

RGB 192 188 185

HSL 25.71, 0.05%, 0.74%

LAB 76.48, 0.86, 2

 

CMYK 0 / 40 / 40 / 8

HEX #EB8E8E

RGB 235 142 142

HSL 0, 0.7%, 0.74%

LAB 68.72, 35.23, 15.16

 

CMYK 0 / 29 / 40 / 8

HEX #EBA78E

RGB 235 167 142

HSL 16.13, 0.7%, 0.74%

LAB 74.35, 22, 22.92

 

CMYK 0 / 19 / 40 / 8

HEX #EBBF8E

RGB 235 191 142

HSL 31.61, 0.7%, 0.74%

LAB 80.11, 9.28, 30.66

 

CMYK 0 / 8 / 40 / 8

HEX #EBD88E

RGB 235 216 142

HSL 47.74, 0.7%, 0.74%

LAB 86.37, -3.69, 38.85

 

CMYK 3 / 0 / 40 / 8

HEX #E4EB8E

RGB 228 235 142

HSL 64.52, 0.7%, 0.74%

LAB 90.72, -15.92, 44.29

 

CMYK 0 / 31 / 68 / 13

HEX #DE9948

RGB 222 153 72

HSL 32.4, 0.69%, 0.58%

LAB 68.59, 18.28, 51.68

 

CMYK 0 / 24 / 53 / 11

HEX #E4AD6B

RGB 228 173 107

HSL 32.73, 0.69%, 0.66%

LAB 74.47, 12.56, 41.44

 

CMYK 0 / 18 / 40 / 8

HEX #EBC08E

RGB 235 192 142

HSL 32.26, 0.7%, 0.74%

LAB 80.36, 8.75, 30.98

 

CMYK 0 / 12 / 27 / 5

HEX #F1D4B1

RGB 241 212 177

HSL 32.81, 0.7%, 0.82%

LAB 86.49, 4.91, 21.04

 

CMYK 0 / 6 / 14 / 3

HEX #F7E7D4

RGB 247 231 212

HSL 32.57, 0.69%, 0.9%

LAB 92.43, 2.36, 11.19

 

CMYK 0 / 18 / 40 / 8

HEX #EBC08D

RGB 235 192 141

HSL 32.55, 0.7%, 0.74%

LAB 80.34, 8.64, 31.48

 

CMYK 29 / 0 / 40 / 8

HEX #A7EB8E

RGB 167 235 142

HSL 103.87, 0.7%, 0.74%

LAB 86.79, -38.03, 38.47

 

CMYK 34 / 40 / 0 / 8

HEX #9A8EEB

RGB 154 142 235

HSL 247.74, 0.7%, 0.74%

LAB 63.52, 25.57, -45.46

 

CMYK 0 / 18 / 40 / 8

HEX #EBC08D

RGB 235 192 141

HSL 32.55, 0.7%, 0.74%

LAB 80.34, 8.64, 31.48

 

CMYK 40 / 0 / 19 / 8

HEX #8EEBBF

RGB 142 235 191

HSL 151.61, 0.7%, 0.74%

LAB 86.47, -37.33, 12.75

 

CMYK 19 / 40 / 0 / 8

HEX #BF8EEB

RGB 191 142 235

HSL 271.61, 0.7%, 0.74%

LAB 66.84, 35.93, -40.01

 

CMYK 0 / 18 / 40 / 8

HEX #EBC08D

RGB 235 192 141

HSL 32.55, 0.7%, 0.74%

LAB 80.34, 8.64, 31.48

 

CMYK 29 / 0 / 40 / 8

HEX #A7EB8E

RGB 167 235 142

HSL 103.87, 0.7%, 0.74%

LAB 86.79, -38.03, 38.47

 

CMYK 40 / 21 / 0 / 8

HEX #8EB9EB

RGB 142 185 235

HSL 212.26, 0.7%, 0.74%

LAB 73.83, -1.9, -29.46

 

CMYK 11 / 40 / 0 / 8

HEX #D28EEB

RGB 210 142 235

HSL 283.87, 0.7%, 0.74%

LAB 68.78, 41.5, -36.84

 

CMYK 0 / 18 / 40 / 8

HEX #EBC08D

RGB 235 192 141

HSL 32.55, 0.7%, 0.74%

LAB 80.34, 8.64, 31.48

 

CMYK 40 / 0 / 38 / 8

HEX #8EEB91

RGB 142 235 145

HSL 121.94, 0.7%, 0.74%

LAB 85.61, -45.49, 35.2

 

CMYK 40 / 21 / 0 / 8

HEX #8EB9EB

RGB 142 185 235

HSL 212.26, 0.7%, 0.74%

LAB 73.83, -1.9, -29.46

 

CMYK 0 / 40 / 1 / 8

HEX #EB8EE8

RGB 235 142 232

HSL 301.94, 0.7%, 0.74%

LAB 71.44, 48.41, -30.85

 

Description

Color code: HEX #EBC08D | qconv.com Color code: HEX #EBC08D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 192 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 192 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 40 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 40% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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