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Color name
HEX #EBC622

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBC622 it is the complementary color #1439DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBC622. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBC622 shade: #F0C61D, #FFD830, #FFEA43, #FFFC56 and #FFFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBC622. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBC622 shade: #EBC622, #DAB40F, #C9A200, #B89000 and #A77E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBC622 shade: #EAC623, #EA9023, #EA5A23, #EA2523 and #EA2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBC622 shade: #EAC623, #D9EA23, #A3EA23, #6EEA23 and #38EA23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBC622 shade matches the following richer shades: #EAC623 and #FED210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBC622 shade: #EAC623, #D7B937, #C3AD4A, #B0A15D and #9D9471

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBC622 shade: #EA5823, #EA8D23, #EAC223, #DDEA23 and #A8EA23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBC622 shade: #AB8F0F, #D1AE13, #EAC623, #EECF49 and #F1D96F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBC622 shade: #EBC622, #23EA23 and #7323EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBC622 shade: #EBC622, #23EAC2 and #C223EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBC622 shade: #EBC622, #23EA23, #234BEA and #EA23EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBC622 shade: #EBC622, #23EA5F, #234BEA and #EA23AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 86 / 8

HEX #EBC622

RGB 235 198 34

HSL 48.96, 0.83%, 0.53%

LAB 80.83, -1.37, 77.15

 

Complementary color

CMYK 91 / 74 / 0 / 13

HEX #1439DD

RGB 20 57 221

HSL 228.96, 0.83%, 0.47%

LAB 34.59, 50.95, -84.75

 

CMYK 0 / 18 / 88 / 6

HEX #F0C61D

RGB 240 198 29

HSL 48.06, 0.88%, 0.53%

LAB 81.29, 0.68, 78.79

 

CMYK 0 / 15 / 81 / 0

HEX #FFD830

RGB 255 216 48

HSL 48.7, 1%, 0.59%

LAB 87.28, -1.69, 79.78

 

CMYK 0 / 8 / 74 / 0

HEX #FFEA43

RGB 255 234 67

HSL 53.3, 1%, 0.63%

LAB 91.91, -10.04, 78.21

 

CMYK 0 / 1 / 66 / 0

HEX #FFFC56

RGB 255 252 86

HSL 58.93, 1%, 0.67%

LAB 96.64, -17.93, 76.17

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 16 / 86 / 8

HEX #EBC622

RGB 235 198 34

HSL 48.96, 0.83%, 0.53%

LAB 80.83, -1.37, 77.15

 

CMYK 0 / 17 / 93 / 15

HEX #DAB40F

RGB 218 180 15

HSL 48.77, 0.87%, 0.46%

LAB 74.56, 0.27, 75.09

 

CMYK 0 / 19 / 100 / 21

HEX #C9A200

RGB 201 162 0

HSL 48.36, 1%, 0.39%

LAB 68.21, 2.13, 71.56

 

CMYK 0 / 22 / 100 / 28

HEX #B89000

RGB 184 144 0

HSL 46.96, 1%, 0.36%

LAB 61.77, 4.22, 66.25

 

CMYK 0 / 25 / 100 / 35

HEX #A77E00

RGB 167 126 0

HSL 45.27, 1%, 0.33%

LAB 55.21, 6.41, 60.85

 

CMYK 0 / 15 / 85 / 8

HEX #EAC623

RGB 234 198 35

HSL 49.15, 0.83%, 0.53%

LAB 80.74, -1.77, 76.81

 

CMYK 0 / 38 / 85 / 8

HEX #EA9023

RGB 234 144 35

HSL 32.86, 0.83%, 0.53%

LAB 67.7, 26.64, 66.1

 

CMYK 0 / 62 / 85 / 8

HEX #EA5A23

RGB 234 90 35

HSL 16.58, 0.83%, 0.53%

LAB 57, 53.32, 57.21

 

CMYK 0 / 84 / 85 / 8

HEX #EA2523

RGB 234 37 35

HSL 0.6, 0.83%, 0.53%

LAB 50.61, 70.9, 51.83

 

CMYK 0 / 85 / 85 / 8

HEX #EA2323

RGB 234 35 35

HSL 0, 0.83%, 0.53%

LAB 50.47, 71.31, 51.71

 

CMYK 0 / 15 / 85 / 8

HEX #EAC623

RGB 234 198 35

HSL 49.15, 0.83%, 0.53%

LAB 80.74, -1.77, 76.81

 

CMYK 7 / 0 / 85 / 8

HEX #D9EA23

RGB 217 234 35

HSL 65.13, 0.83%, 0.53%

LAB 88.79, -26.75, 82.84

 

CMYK 30 / 0 / 85 / 8

HEX #A3EA23

RGB 163 234 35

HSL 81.41, 0.83%, 0.53%

LAB 85.38, -47.77, 78.61

 

CMYK 53 / 0 / 85 / 8

HEX #6EEA23

RGB 110 234 35

HSL 97.39, 0.83%, 0.53%

LAB 83.06, -64.71, 75.7

 

CMYK 76 / 0 / 85 / 8

HEX #38EA23

RGB 56 234 35

HSL 113.67, 0.83%, 0.53%

LAB 81.73, -75.78, 74.02

 

CMYK 0 / 15 / 85 / 8

HEX #EAC623

RGB 234 198 35

HSL 49.15, 0.83%, 0.53%

LAB 80.74, -1.77, 76.81

 

CMYK 0 / 17 / 94 / 0

HEX #FED210

RGB 254 210 16

HSL 48.91, 0.99%, 0.53%

LAB 85.61, 0.32, 84.68

 

CMYK 0 / 15 / 85 / 8

HEX #EAC623

RGB 234 198 35

HSL 49.15, 0.83%, 0.53%

LAB 80.74, -1.77, 76.81

 

CMYK 0 / 14 / 74 / 16

HEX #D7B937

RGB 215 185 55

HSL 48.75, 0.67%, 0.53%

LAB 75.71, -2.57, 65.76

 

CMYK 0 / 11 / 62 / 24

HEX #C3AD4A

RGB 195 173 74

HSL 49.09, 0.5%, 0.53%

LAB 70.86, -3.85, 52.44

 

CMYK 0 / 9 / 47 / 31

HEX #B0A15D

RGB 176 161 93

HSL 49.16, 0.34%, 0.53%

LAB 66.14, -3.98, 37.22

 

CMYK 0 / 6 / 28 / 38

HEX #9D9471

RGB 157 148 113

HSL 47.73, 0.18%, 0.53%

LAB 61.26, -2.4, 19.74

 

CMYK 0 / 62 / 85 / 8

HEX #EA5823

RGB 234 88 35

HSL 15.98, 0.83%, 0.53%

LAB 56.68, 54.19, 56.94

 

CMYK 0 / 40 / 85 / 8

HEX #EA8D23

RGB 234 141 35

HSL 31.96, 0.83%, 0.53%

LAB 67.02, 28.22, 65.54

 

CMYK 0 / 17 / 85 / 8

HEX #EAC223

RGB 234 194 35

HSL 47.94, 0.83%, 0.53%

LAB 79.73, 0.29, 75.98

 

CMYK 6 / 0 / 85 / 8

HEX #DDEA23

RGB 221 234 35

HSL 63.92, 0.83%, 0.53%

LAB 89.08, -25.11, 83.2

 

CMYK 28 / 0 / 85 / 8

HEX #A8EA23

RGB 168 234 35

HSL 79.9, 0.83%, 0.53%

LAB 85.65, -45.94, 78.94

 

CMYK 0 / 16 / 91 / 33

HEX #AB8F0F

RGB 171 143 15

HSL 49.23, 0.84%, 0.36%

LAB 60.19, -0.94, 62.15

 

CMYK 0 / 17 / 91 / 18

HEX #D1AE13

RGB 209 174 19

HSL 48.95, 0.83%, 0.45%

LAB 72.14, -0.47, 72.26

 

CMYK 0 / 15 / 85 / 8

HEX #EAC623

RGB 234 198 35

HSL 49.15, 0.83%, 0.53%

LAB 80.74, -1.77, 76.81

 

CMYK 0 / 13 / 69 / 7

HEX #EECF49

RGB 238 207 73

HSL 48.73, 0.83%, 0.61%

LAB 83.59, -3.29, 67.46

 

CMYK 0 / 10 / 54 / 5

HEX #F1D96F

RGB 241 217 111

HSL 48.92, 0.82%, 0.69%

LAB 86.74, -4.69, 54.54

 

CMYK 0 / 16 / 86 / 8

HEX #EBC622

RGB 235 198 34

HSL 48.96, 0.83%, 0.53%

LAB 80.83, -1.37, 77.15

 

CMYK 85 / 0 / 85 / 8

HEX #23EA23

RGB 35 234 35

HSL 120, 0.83%, 0.53%

LAB 81.47, -78.12, 73.68

 

CMYK 51 / 85 / 0 / 8

HEX #7323EA

RGB 115 35 234

HSL 264.12, 0.83%, 0.53%

LAB 39.22, 71.39, -84.31

 

CMYK 0 / 16 / 86 / 8

HEX #EBC622

RGB 235 198 34

HSL 48.96, 0.83%, 0.53%

LAB 80.83, -1.37, 77.15

 

CMYK 85 / 0 / 17 / 8

HEX #23EAC2

RGB 35 234 194

HSL 167.94, 0.83%, 0.53%

LAB 83.49, -54.62, 6.56

 

CMYK 17 / 85 / 0 / 8

HEX #C223EA

RGB 194 35 234

HSL 287.94, 0.83%, 0.53%

LAB 50.23, 81.9, -65.86

 

CMYK 0 / 16 / 86 / 8

HEX #EBC622

RGB 235 198 34

HSL 48.96, 0.83%, 0.53%

LAB 80.83, -1.37, 77.15

 

CMYK 85 / 0 / 85 / 8

HEX #23EA23

RGB 35 234 35

HSL 120, 0.83%, 0.53%

LAB 81.47, -78.12, 73.68

 

CMYK 85 / 68 / 0 / 8

HEX #234BEA

RGB 35 75 234

HSL 227.94, 0.83%, 0.53%

LAB 40.13, 45.51, -83

 

CMYK 0 / 85 / 0 / 8

HEX #EA23EA

RGB 234 35 234

HSL 300, 0.83%, 0.53%

LAB 56.72, 88.52, -55.09

 

CMYK 0 / 16 / 86 / 8

HEX #EBC622

RGB 235 198 34

HSL 48.96, 0.83%, 0.53%

LAB 80.83, -1.37, 77.15

 

CMYK 85 / 0 / 59 / 8

HEX #23EA5F

RGB 35 234 95

HSL 138.09, 0.83%, 0.53%

LAB 81.85, -73.29, 53.68

 

CMYK 85 / 68 / 0 / 8

HEX #234BEA

RGB 35 75 234

HSL 227.94, 0.83%, 0.53%

LAB 40.13, 45.51, -83

 

CMYK 0 / 85 / 26 / 8

HEX #EA23AE

RGB 234 35 174

HSL 318.09, 0.83%, 0.53%

LAB 53.76, 80.66, -25.33

 

Description

Color code: HEX #EBC622 | qconv.com Color code: HEX #EBC622 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 198 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 198 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 86 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 86% 8% C M Y K

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Provide designers and agencies with accurate color values.

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