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Color name
HEX #EBBA46

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBBA46 it is the complementary color #1445B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBBA46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBBA46 shade: #F0BA41, #FFCC54, #FFDE67, #FFF07A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBBA46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBBA46 shade: #EBBA46, #DAA833, #C99620, #B8840D and #A77200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBBA46 shade: #EABA47, #EA8E47, #EA6247 and #EA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBBA46 shade: #EABA47, #EAE647, #C3EA47, #97EA47 and #6BEA47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBBA46 shade matches the following richer shades: #EABA47 and #FBC036

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBBA46 shade: #EABA47, #DAB357, #C9AC68, #B9A678 and #A89F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBBA46 shade: #EA6247, #EA8E47, #EAB947, #EAE547 and #C4EA47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBBA46 shade: #C99416, #E6AC22, #EABA47, #EEC86C and #F2D591

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBBA46 shade: #EBBA46, #57EA47 and #7847EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBBA46 shade: #EBBA46, #47EAB9 and #B947EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBBA46 shade: #EBBA46, #57EA47, #4778EA and #DA47EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBBA46 shade: #EBBA46, #47EA68, #4778EA and #EA47C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 70 / 8

HEX #EBBA46

RGB 235 186 70

HSL 42.18, 0.8%, 0.6%

LAB 78.01, 6.15, 62.9

 

Complementary color

CMYK 89 / 63 / 0 / 27

HEX #1445B9

RGB 20 69 185

HSL 222.18, 0.8%, 0.4%

LAB 33.79, 30.32, -65.13

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA41

RGB 240 186 65

HSL 41.49, 0.85%, 0.6%

LAB 78.48, 8.03, 65.53

 

CMYK 0 / 20 / 67 / 0

HEX #FFCC54

RGB 255 204 84

HSL 42.11, 1%, 0.66%

LAB 84.53, 5.92, 64.47

 

CMYK 0 / 13 / 60 / 0

HEX #FFDE67

RGB 255 222 103

HSL 46.97, 1%, 0.7%

LAB 89.15, -2.11, 61.28

 

CMYK 0 / 6 / 52 / 0

HEX #FFF07A

RGB 255 240 122

HSL 53.23, 1%, 0.74%

LAB 93.88, -9.7, 58.13

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 21 / 70 / 8

HEX #EBBA46

RGB 235 186 70

HSL 42.18, 0.8%, 0.6%

LAB 78.01, 6.15, 62.9

 

CMYK 0 / 23 / 77 / 15

HEX #DAA833

RGB 218 168 51

HSL 42.04, 0.69%, 0.53%

LAB 71.66, 7.53, 63.47

 

CMYK 0 / 25 / 84 / 21

HEX #C99620

RGB 201 150 32

HSL 41.89, 0.73%, 0.46%

LAB 65.23, 9.13, 63.37

 

CMYK 0 / 28 / 93 / 28

HEX #B8840D

RGB 184 132 13

HSL 41.75, 0.87%, 0.39%

LAB 58.72, 11, 62.01

 

CMYK 0 / 32 / 100 / 35

HEX #A77200

RGB 167 114 0

HSL 40.96, 1%, 0.33%

LAB 52.12, 13.16, 58.76

 

CMYK 0 / 21 / 70 / 8

HEX #EABA47

RGB 234 186 71

HSL 42.33, 0.8%, 0.6%

LAB 77.91, 5.78, 62.36

 

CMYK 0 / 39 / 70 / 8

HEX #EA8E47

RGB 234 142 71

HSL 26.13, 0.8%, 0.6%

LAB 67.5, 29.05, 51.38

 

CMYK 0 / 58 / 70 / 8

HEX #EA6247

RGB 234 98 71

HSL 9.94, 0.8%, 0.6%

LAB 58.68, 51.03, 41.53

 

CMYK 0 / 70 / 70 / 8

HEX #EA4747

RGB 234 71 71

HSL 0, 0.8%, 0.6%

LAB 54.51, 62.24, 36.66

 

CMYK 0 / 21 / 70 / 8

HEX #EABA47

RGB 234 186 71

HSL 42.33, 0.8%, 0.6%

LAB 77.91, 5.78, 62.36

 

CMYK 0 / 2 / 70 / 8

HEX #EAE647

RGB 234 230 71

HSL 58.53, 0.8%, 0.6%

LAB 89.18, -16.56, 73.63

 

CMYK 17 / 0 / 70 / 8

HEX #C3EA47

RGB 195 234 71

HSL 74.36, 0.8%, 0.6%

LAB 87.44, -34.14, 70.96

 

CMYK 35 / 0 / 70 / 8

HEX #97EA47

RGB 151 234 71

HSL 90.55, 0.8%, 0.6%

LAB 84.94, -50.27, 67.63

 

CMYK 54 / 0 / 70 / 8

HEX #6BEA47

RGB 107 234 71

HSL 106.75, 0.8%, 0.6%

LAB 83.14, -63.49, 65.21

 

CMYK 0 / 21 / 70 / 8

HEX #EABA47

RGB 234 186 71

HSL 42.33, 0.8%, 0.6%

LAB 77.91, 5.78, 62.36

 

CMYK 0 / 24 / 78 / 2

HEX #FBC036

RGB 251 192 54

HSL 42.03, 0.96%, 0.6%

LAB 81, 9.13, 72.29

 

CMYK 0 / 21 / 70 / 8

HEX #EABA47

RGB 234 186 71

HSL 42.33, 0.8%, 0.6%

LAB 77.91, 5.78, 62.36

 

CMYK 0 / 18 / 60 / 15

HEX #DAB357

RGB 218 179 87

HSL 42.14, 0.64%, 0.6%

LAB 74.72, 3.66, 51.35

 

CMYK 0 / 14 / 48 / 21

HEX #C9AC68

RGB 201 172 104

HSL 42.06, 0.47%, 0.6%

LAB 71.5, 1.66, 38.71

 

CMYK 0 / 10 / 35 / 27

HEX #B9A678

RGB 185 166 120

HSL 42.46, 0.32%, 0.6%

LAB 68.71, 0.07, 26.37

 

CMYK 0 / 5 / 18 / 34

HEX #A89F89

RGB 168 159 137

HSL 42.58, 0.15%, 0.6%

LAB 65.69, -0.48, 12.66

 

CMYK 0 / 58 / 70 / 8

HEX #EA6247

RGB 234 98 71

HSL 9.94, 0.8%, 0.6%

LAB 58.68, 51.03, 41.53

 

CMYK 0 / 39 / 70 / 8

HEX #EA8E47

RGB 234 142 71

HSL 26.13, 0.8%, 0.6%

LAB 67.5, 29.05, 51.38

 

CMYK 0 / 21 / 70 / 8

HEX #EAB947

RGB 234 185 71

HSL 41.96, 0.8%, 0.6%

LAB 77.67, 6.3, 62.11

 

CMYK 0 / 2 / 70 / 8

HEX #EAE547

RGB 234 229 71

HSL 58.16, 0.8%, 0.6%

LAB 88.92, -16.07, 73.37

 

CMYK 16 / 0 / 70 / 8

HEX #C4EA47

RGB 196 234 71

HSL 73.99, 0.8%, 0.6%

LAB 87.5, -33.75, 71.05

 

CMYK 0 / 26 / 89 / 21

HEX #C99416

RGB 201 148 22

HSL 42.23, 0.8%, 0.44%

LAB 64.69, 9.98, 65.55

 

CMYK 0 / 25 / 85 / 10

HEX #E6AC22

RGB 230 172 34

HSL 42.24, 0.8%, 0.52%

LAB 73.83, 10.06, 71.24

 

CMYK 0 / 21 / 70 / 8

HEX #EABA47

RGB 234 186 71

HSL 42.33, 0.8%, 0.6%

LAB 77.91, 5.78, 62.36

 

CMYK 0 / 16 / 55 / 7

HEX #EEC86C

RGB 238 200 108

HSL 42.46, 0.79%, 0.68%

LAB 82.15, 2.56, 50.47

 

CMYK 0 / 12 / 40 / 5

HEX #F2D591

RGB 242 213 145

HSL 42.06, 0.79%, 0.76%

LAB 86.26, 0.91, 37.3

 

CMYK 0 / 21 / 70 / 8

HEX #EBBA46

RGB 235 186 70

HSL 42.18, 0.8%, 0.6%

LAB 78.01, 6.15, 62.9

 

CMYK 63 / 0 / 70 / 8

HEX #57EA47

RGB 87 234 71

HSL 114.11, 0.8%, 0.6%

LAB 82.55, -68.17, 64.42

 

CMYK 49 / 70 / 0 / 8

HEX #7847EA

RGB 120 71 234

HSL 258.04, 0.8%, 0.6%

LAB 44.86, 57.4, -75.03

 

CMYK 0 / 21 / 70 / 8

HEX #EBBA46

RGB 235 186 70

HSL 42.18, 0.8%, 0.6%

LAB 78.01, 6.15, 62.9

 

CMYK 70 / 0 / 21 / 8

HEX #47EAB9

RGB 71 234 185

HSL 161.96, 0.8%, 0.6%

LAB 83.8, -53.08, 11.79

 

CMYK 21 / 70 / 0 / 8

HEX #B947EA

RGB 185 71 234

HSL 281.96, 0.8%, 0.6%

LAB 52.69, 69.39, -61.96

 

CMYK 0 / 21 / 70 / 8

HEX #EBBA46

RGB 235 186 70

HSL 42.18, 0.8%, 0.6%

LAB 78.01, 6.15, 62.9

 

CMYK 63 / 0 / 70 / 8

HEX #57EA47

RGB 87 234 71

HSL 114.11, 0.8%, 0.6%

LAB 82.55, -68.17, 64.42

 

CMYK 70 / 49 / 0 / 8

HEX #4778EA

RGB 71 120 234

HSL 221.96, 0.8%, 0.6%

LAB 52.63, 20.92, -62.56

 

CMYK 7 / 70 / 0 / 8

HEX #DA47EA

RGB 218 71 234

HSL 294.11, 0.8%, 0.6%

LAB 57.42, 76.16, -54.12

 

CMYK 0 / 21 / 70 / 8

HEX #EBBA46

RGB 235 186 70

HSL 42.18, 0.8%, 0.6%

LAB 78.01, 6.15, 62.9

 

CMYK 70 / 0 / 56 / 8

HEX #47EA68

RGB 71 234 104

HSL 132.15, 0.8%, 0.6%

LAB 82.48, -67.74, 50.53

 

CMYK 70 / 49 / 0 / 8

HEX #4778EA

RGB 71 120 234

HSL 221.96, 0.8%, 0.6%

LAB 52.63, 20.92, -62.56

 

CMYK 0 / 70 / 14 / 8

HEX #EA47C9

RGB 234 71 201

HSL 312.15, 0.8%, 0.6%

LAB 58.24, 74.62, -33.99

 

Description

Color code: HEX #EBBA46 | qconv.com Color code: HEX #EBBA46 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 186 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 186 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 70 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 70% 8% C M Y K

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