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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBA1EA it is the complementary color #145E15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBA1EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBA1EA shade: #F0A1E5, #FFB3F8, #FFC5FF, #FFD7FF and #FFE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBA1EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBA1EA shade: #EBA1EA, #DA8FD7, #C97DC4, #B86BB1 and #A7599E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBA1EA shade: #EBA2EA, #EBA2D6, #EBA2C3, #EBA2AF and #EBA2A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBA1EA shade: #EBA2EA, #D8A2EB, #C5A2EB, #B1A2EB and #A2A2EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBA1EA shade matches the following richer shades: #EBA2EA, #F499F3 and #FD90FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBA1EA shade: #EBA2EA, #E2ABE1, #D9B4D8, #D0BDCF and #C7C6C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBA1EA shade: #C4A2EB, #D7A2EB, #EBA2EB, #EBA2D7 and #EBA2C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBA1EA shade: #DC5EDB, #E480E2, #EBA2EA, #F2C4F1 and #F9E6F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBA1EA shade: #EBA1EA, #EBB1A2 and #A2EBCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBA1EA shade: #EBA1EA, #EBEBA2 and #A2EBEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBA1EA shade: #EBA1EA, #EBB1A2, #A2EBA2 and #A2DCEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBA1EA shade: #EBA1EA, #EBC6A2, #A2EBA2 and #A2C6EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 0 / 8

HEX #EBA1EA

RGB 235 161 234

HSL 300.81, 0.65%, 0.78%

LAB 75.51, 38.86, -25.7

 

Complementary color

CMYK 79 / 0 / 78 / 63

HEX #145E15

RGB 20 94 21

HSL 120.81, 0.65%, 0.22%

LAB 34.41, -37.4, 33.62

 

CMYK 0 / 33 / 5 / 6

HEX #F0A1E5

RGB 240 161 229

HSL 308.35, 0.72%, 0.79%

LAB 75.87, 39.56, -22.38

 

CMYK 0 / 30 / 3 / 0

HEX #FFB3F8

RGB 255 179 248

HSL 305.53, 1%, 0.85%

LAB 81.99, 38.24, -23.18

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 31 / 0 / 8

HEX #EBA1EA

RGB 235 161 234

HSL 300.81, 0.65%, 0.78%

LAB 75.51, 38.86, -25.7

 

CMYK 0 / 34 / 1 / 15

HEX #DA8FD7

RGB 218 143 215

HSL 302.4, 0.5%, 0.71%

LAB 69.08, 39.58, -25.28

 

CMYK 0 / 38 / 2 / 21

HEX #C97DC4

RGB 201 125 196

HSL 303.95, 0.41%, 0.64%

LAB 62.57, 40.32, -24.82

 

CMYK 0 / 42 / 4 / 28

HEX #B86BB1

RGB 184 107 177

HSL 305.45, 0.35%, 0.57%

LAB 55.97, 41.08, -24.3

 

CMYK 0 / 47 / 5 / 35

HEX #A7599E

RGB 167 89 158

HSL 306.92, 0.31%, 0.5%

LAB 49.29, 41.83, -23.7

 

CMYK 0 / 31 / 0 / 8

HEX #EBA2EA

RGB 235 162 234

HSL 300.82, 0.65%, 0.78%

LAB 75.73, 38.34, -25.37

 

CMYK 0 / 31 / 9 / 8

HEX #EBA2D6

RGB 235 162 214

HSL 317.26, 0.65%, 0.78%

LAB 75.05, 34.83, -15.49

 

CMYK 0 / 31 / 17 / 8

HEX #EBA2C3

RGB 235 162 195

HSL 332.88, 0.65%, 0.78%

LAB 74.47, 31.76, -5.94

 

CMYK 0 / 31 / 26 / 8

HEX #EBA2AF

RGB 235 162 175

HSL 349.32, 0.65%, 0.78%

LAB 73.93, 28.81, 4.27

 

CMYK 0 / 31 / 31 / 8

HEX #EBA2A2

RGB 235 162 162

HSL 0, 0.65%, 0.78%

LAB 73.62, 27.07, 10.97

 

CMYK 0 / 31 / 0 / 8

HEX #EBA2EA

RGB 235 162 234

HSL 300.82, 0.65%, 0.78%

LAB 75.73, 38.34, -25.37

 

CMYK 8 / 31 / 0 / 8

HEX #D8A2EB

RGB 216 162 235

HSL 284.38, 0.65%, 0.78%

LAB 73.83, 32.56, -28.99

 

CMYK 16 / 31 / 0 / 8

HEX #C5A2EB

RGB 197 162 235

HSL 268.77, 0.65%, 0.78%

LAB 72.03, 26.69, -31.9

 

CMYK 25 / 31 / 0 / 8

HEX #B1A2EB

RGB 177 162 235

HSL 252.33, 0.65%, 0.78%

LAB 70.31, 20.69, -34.71

 

CMYK 31 / 31 / 0 / 8

HEX #A2A2EB

RGB 162 162 235

HSL 240, 0.65%, 0.78%

LAB 69.13, 16.36, -36.64

 

CMYK 0 / 31 / 0 / 8

HEX #EBA2EA

RGB 235 162 234

HSL 300.82, 0.65%, 0.78%

LAB 75.73, 38.34, -25.37

 

CMYK 0 / 37 / 0 / 4

HEX #F499F3

RGB 244 153 243

HSL 300.66, 0.81%, 0.78%

LAB 75.13, 47.43, -31.08

 

CMYK 0 / 43 / 0 / 1

HEX #FD90FC

RGB 253 144 252

HSL 300.55, 0.96%, 0.78%

LAB 74.73, 56.21, -36.49

 

CMYK 0 / 31 / 0 / 8

HEX #EBA2EA

RGB 235 162 234

HSL 300.82, 0.65%, 0.78%

LAB 75.73, 38.34, -25.37

 

CMYK 0 / 24 / 0 / 11

HEX #E2ABE1

RGB 226 171 225

HSL 301.09, 0.49%, 0.78%

LAB 76.52, 28.99, -19.36

 

CMYK 0 / 17 / 0 / 15

HEX #D9B4D8

RGB 217 180 216

HSL 301.62, 0.33%, 0.78%

LAB 77.49, 19.48, -13.09

 

CMYK 0 / 9 / 0 / 18

HEX #D0BDCF

RGB 208 189 207

HSL 303.16, 0.17%, 0.78%

LAB 78.64, 9.91, -6.59

 

CMYK 0 / 1 / 0 / 22

HEX #C7C6C7

RGB 199 198 199

HSL 300, 0.01%, 0.78%

LAB 79.98, 0.53, -0.39

 

CMYK 17 / 31 / 0 / 8

HEX #C4A2EB

RGB 196 162 235

HSL 267.95, 0.65%, 0.78%

LAB 71.94, 26.39, -32.05

 

CMYK 9 / 31 / 0 / 8

HEX #D7A2EB

RGB 215 162 235

HSL 283.56, 0.65%, 0.78%

LAB 73.73, 32.25, -29.15

 

CMYK 0 / 31 / 0 / 8

HEX #EBA2EB

RGB 235 162 235

HSL 300, 0.65%, 0.78%

LAB 75.76, 38.52, -25.85

 

CMYK 0 / 31 / 9 / 8

HEX #EBA2D7

RGB 235 162 215

HSL 316.44, 0.65%, 0.78%

LAB 75.08, 35, -15.99

 

CMYK 0 / 31 / 17 / 8

HEX #EBA2C4

RGB 235 162 196

HSL 332.05, 0.65%, 0.78%

LAB 74.5, 31.91, -6.44

 

CMYK 0 / 57 / 0 / 14

HEX #DC5EDB

RGB 220 94 219

HSL 300.48, 0.64%, 0.62%

LAB 60.19, 65.02, -41.29

 

CMYK 0 / 44 / 1 / 11

HEX #E480E2

RGB 228 128 226

HSL 301.2, 0.65%, 0.7%

LAB 67.59, 52.37, -33.56

 

CMYK 0 / 31 / 0 / 8

HEX #EBA2EA

RGB 235 162 234

HSL 300.82, 0.65%, 0.78%

LAB 75.73, 38.34, -25.37

 

CMYK 0 / 19 / 0 / 5

HEX #F2C4F1

RGB 242 196 241

HSL 301.3, 0.64%, 0.86%

LAB 84.33, 23.82, -16.02

 

CMYK 0 / 8 / 0 / 2

HEX #F9E6F9

RGB 249 230 249

HSL 300, 0.61%, 0.94%

LAB 93.26, 9.74, -6.86

 

CMYK 0 / 31 / 0 / 8

HEX #EBA1EA

RGB 235 161 234

HSL 300.81, 0.65%, 0.78%

LAB 75.51, 38.86, -25.7

 

CMYK 0 / 25 / 31 / 8

HEX #EBB1A2

RGB 235 177 162

HSL 12.33, 0.65%, 0.78%

LAB 77.11, 19.09, 15.89

 

CMYK 31 / 0 / 12 / 8

HEX #A2EBCE

RGB 162 235 206

HSL 156.16, 0.65%, 0.78%

LAB 87.75, -28.67, 6.88

 

CMYK 0 / 31 / 0 / 8

HEX #EBA1EA

RGB 235 161 234

HSL 300.81, 0.65%, 0.78%

LAB 75.51, 38.86, -25.7

 

CMYK 0 / 0 / 31 / 8

HEX #EBEBA2

RGB 235 235 162

HSL 60, 0.65%, 0.78%

LAB 91.54, -10.97, 35.52

 

CMYK 31 / 0 / 0 / 8

HEX #A2EBEB

RGB 162 235 235

HSL 180, 0.65%, 0.78%

LAB 88.49, -22.43, -7.23

 

CMYK 0 / 31 / 0 / 8

HEX #EBA1EA

RGB 235 161 234

HSL 300.81, 0.65%, 0.78%

LAB 75.51, 38.86, -25.7

 

CMYK 0 / 25 / 31 / 8

HEX #EBB1A2

RGB 235 177 162

HSL 12.33, 0.65%, 0.78%

LAB 77.11, 19.09, 15.89

 

CMYK 31 / 0 / 31 / 8

HEX #A2EBA2

RGB 162 235 162

HSL 120, 0.65%, 0.78%

LAB 86.85, -36.69, 28.42

 

CMYK 31 / 6 / 0 / 8

HEX #A2DCEB

RGB 162 220 235

HSL 192.33, 0.65%, 0.78%

LAB 84.41, -14.93, -13.3

 

CMYK 0 / 31 / 0 / 8

HEX #EBA1EA

RGB 235 161 234

HSL 300.81, 0.65%, 0.78%

LAB 75.51, 38.86, -25.7

 

CMYK 0 / 16 / 31 / 8

HEX #EBC6A2

RGB 235 198 162

HSL 29.59, 0.65%, 0.78%

LAB 82.2, 7.98, 22.94

 

CMYK 31 / 0 / 31 / 8

HEX #A2EBA2

RGB 162 235 162

HSL 120, 0.65%, 0.78%

LAB 86.85, -36.69, 28.42

 

CMYK 31 / 16 / 0 / 8

HEX #A2C6EB

RGB 162 198 235

HSL 210.41, 0.65%, 0.78%

LAB 78.5, -3.46, -22.22

 

Description

Color code: HEX #EBA1EA | qconv.com Color code: HEX #EBA1EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 161 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 161 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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