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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBA674 it is the complementary color #14598B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBA674. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBA674 shade: #F0A66F, #FFB882, #FFCA95, #FFDCA8 and #FFEEBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBA674. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBA674 shade: #EBA674, #DA9461, #C9824E, #B8703B and #A75E28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBA674 shade: #EBA674, #EB8674 and #EB7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBA674 shade: #EBA674, #EBC674, #EBE674, #D0EB74 and #B0EB74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBA674 shade matches the following richer shades: #EBA674 and #F8A467

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBA674 shade: #EBA674, #DEA881, #D1AA8E, #C4AC9B and #B8AEA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBA674 shade: #EB7482, #EB8674, #EBA674, #EBC574 and #EBE574

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBA674 shade: #E0782C, #E68F50, #EBA674, #F0BD98 and #F5D4BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBA674 shade: #EBA674, #A2EB74 and #7674EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBA674 shade: #EBA674, #74EBA6 and #A674EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBA674 shade: #EBA674, #A2EB74, #74B9EB and #BD74EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBA674 shade: #EBA674, #7EEB74, #74B9EB and #E174EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

Complementary color

CMYK 86 / 36 / 0 / 45

HEX #14598B

RGB 20 89 139

HSL 205.21, 0.75%, 0.31%

LAB 36.29, -1.59, -33.52

 

CMYK 0 / 31 / 54 / 6

HEX #F0A66F

RGB 240 166 111

HSL 25.58, 0.81%, 0.69%

LAB 74.15, 21.49, 39.27

 

CMYK 0 / 28 / 49 / 0

HEX #FFB882

RGB 255 184 130

HSL 25.92, 1%, 0.75%

LAB 80.27, 19.65, 37.5

 

CMYK 0 / 21 / 42 / 0

HEX #FFCA95

RGB 255 202 149

HSL 30, 1%, 0.79%

LAB 84.83, 12.12, 33.6

 

CMYK 0 / 14 / 34 / 0

HEX #FFDCA8

RGB 255 220 168

HSL 35.86, 1%, 0.83%

LAB 89.52, 4.94, 30.06

 

CMYK 0 / 7 / 27 / 0

HEX #FFEEBB

RGB 255 238 187

HSL 45, 1%, 0.87%

LAB 94.31, -1.86, 26.81

 

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

CMYK 0 / 32 / 56 / 15

HEX #DA9461

RGB 218 148 97

HSL 25.29, 0.62%, 0.62%

LAB 67.24, 21.03, 37.44

 

CMYK 0 / 35 / 61 / 21

HEX #C9824E

RGB 201 130 78

HSL 25.37, 0.53%, 0.55%

LAB 60.72, 22.3, 39.05

 

CMYK 0 / 39 / 68 / 28

HEX #B8703B

RGB 184 112 59

HSL 25.44, 0.51%, 0.48%

LAB 54.13, 23.76, 40.74

 

CMYK 0 / 44 / 76 / 35

HEX #A75E28

RGB 167 94 40

HSL 25.51, 0.61%, 0.41%

LAB 47.46, 25.44, 42.4

 

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

CMYK 0 / 43 / 51 / 8

HEX #EB8674

RGB 235 134 116

HSL 9.08, 0.75%, 0.69%

LAB 66.5, 36.79, 26.6

 

CMYK 0 / 51 / 51 / 8

HEX #EB7474

RGB 235 116 116

HSL 0, 0.75%, 0.69%

LAB 62.86, 45.89, 21.73

 

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

CMYK 0 / 16 / 51 / 8

HEX #EBC674

RGB 235 198 116

HSL 41.34, 0.75%, 0.69%

LAB 81.46, 3.04, 45.68

 

CMYK 0 / 2 / 51 / 8

HEX #EBE674

RGB 235 230 116

HSL 57.48, 0.75%, 0.69%

LAB 89.63, -13.21, 55.5

 

CMYK 11 / 0 / 51 / 8

HEX #D0EB74

RGB 208 235 116

HSL 73.61, 0.75%, 0.69%

LAB 88.96, -26.21, 54.21

 

CMYK 25 / 0 / 51 / 8

HEX #B0EB74

RGB 176 235 116

HSL 89.75, 0.75%, 0.69%

LAB 86.95, -38.08, 51.33

 

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

CMYK 0 / 34 / 58 / 3

HEX #F8A467

RGB 248 164 103

HSL 25.24, 0.91%, 0.69%

LAB 74.5, 25.14, 44.02

 

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

CMYK 0 / 24 / 42 / 13

HEX #DEA881

RGB 222 168 129

HSL 25.16, 0.58%, 0.69%

LAB 72.97, 14.92, 27.84

 

CMYK 0 / 19 / 32 / 18

HEX #D1AA8E

RGB 209 170 142

HSL 25.07, 0.42%, 0.69%

LAB 72.4, 10.25, 19.81

 

CMYK 0 / 12 / 21 / 23

HEX #C4AC9B

RGB 196 172 155

HSL 24.88, 0.26%, 0.69%

LAB 71.97, 5.96, 11.93

 

CMYK 0 / 5 / 9 / 28

HEX #B8AEA7

RGB 184 174 167

HSL 24.71, 0.11%, 0.69%

LAB 71.73, 2.34, 4.86

 

CMYK 0 / 51 / 45 / 8

HEX #EB7482

RGB 235 116 130

HSL 352.94, 0.75%, 0.69%

LAB 63.15, 47.2, 14.15

 

CMYK 0 / 43 / 51 / 8

HEX #EB8674

RGB 235 134 116

HSL 9.08, 0.75%, 0.69%

LAB 66.5, 36.79, 26.6

 

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

CMYK 0 / 16 / 51 / 8

HEX #EBC574

RGB 235 197 116

HSL 40.84, 0.75%, 0.69%

LAB 81.21, 3.56, 45.37

 

CMYK 0 / 3 / 51 / 8

HEX #EBE574

RGB 235 229 116

HSL 56.97, 0.75%, 0.69%

LAB 89.38, -12.71, 55.19

 

CMYK 0 / 46 / 80 / 12

HEX #E0782C

RGB 224 120 44

HSL 25.33, 0.74%, 0.53%

LAB 61.19, 35.35, 56.67

 

CMYK 0 / 38 / 65 / 10

HEX #E68F50

RGB 230 143 80

HSL 25.2, 0.75%, 0.61%

LAB 67.31, 27.4, 46.63

 

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

CMYK 0 / 21 / 37 / 6

HEX #F0BD98

RGB 240 189 152

HSL 25.23, 0.75%, 0.77%

LAB 80.28, 13.42, 25.7

 

CMYK 0 / 13 / 23 / 4

HEX #F5D4BC

RGB 245 212 188

HSL 25.26, 0.74%, 0.85%

LAB 87.06, 7.9, 16.12

 

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

CMYK 31 / 0 / 51 / 8

HEX #A2EB74

RGB 162 235 116

HSL 96.81, 0.75%, 0.69%

LAB 86.19, -42.95, 50.22

 

CMYK 50 / 51 / 0 / 8

HEX #7674EB

RGB 118 116 235

HSL 241.01, 0.75%, 0.69%

LAB 54.39, 32.1, -60.16

 

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

CMYK 51 / 0 / 29 / 8

HEX #74EBA6

RGB 116 235 166

HSL 145.21, 0.75%, 0.69%

LAB 84.94, -48.89, 23.43

 

CMYK 29 / 51 / 0 / 8

HEX #A674EB

RGB 166 116 235

HSL 265.21, 0.75%, 0.69%

LAB 58.6, 43.43, -53.18

 

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

CMYK 31 / 0 / 51 / 8

HEX #A2EB74

RGB 162 235 116

HSL 96.81, 0.75%, 0.69%

LAB 86.19, -42.95, 50.22

 

CMYK 51 / 21 / 0 / 8

HEX #74B9EB

RGB 116 185 235

HSL 205.21, 0.75%, 0.69%

LAB 72.5, -8.2, -31.63

 

CMYK 20 / 51 / 0 / 8

HEX #BD74EB

RGB 189 116 235

HSL 276.81, 0.75%, 0.69%

LAB 61.05, 49.4, -49.13

 

CMYK 0 / 29 / 51 / 8

HEX #EBA674

RGB 235 166 116

HSL 25.21, 0.75%, 0.69%

LAB 73.67, 19.91, 35.93

 

CMYK 46 / 0 / 51 / 8

HEX #7EEB74

RGB 126 235 116

HSL 114.96, 0.75%, 0.69%

LAB 84.54, -54.16, 47.84

 

CMYK 51 / 21 / 0 / 8

HEX #74B9EB

RGB 116 185 235

HSL 205.21, 0.75%, 0.69%

LAB 72.5, -8.2, -31.63

 

CMYK 4 / 51 / 0 / 8

HEX #E174EB

RGB 225 116 235

HSL 294.96, 0.75%, 0.69%

LAB 65.35, 59.04, -42.06

 

Description

Color code: HEX #EBA674 | qconv.com Color code: HEX #EBA674 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 166 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 166 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 51 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 51% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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