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Color name
HEX #EB9F47

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9F47 it is the complementary color #1460B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9F47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9F47 shade: #F09F42, #FFB155, #FFC368, #FFD57B and #FFE78E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9F47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9F47 shade: #EB9F47, #DA8D34, #C97B21, #B8690E and #A75700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9F47 shade: #EA9E47, #EA7247 and #EA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9F47 shade: #EA9E47, #EACA47, #DEEA47, #B2EA47 and #86EA47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9F47 shade matches the following richer shades: #EA9E47 and #FBA036

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9F47 shade: #EA9E47, #DA9D57, #C99C68, #B99B78 and #A89A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9F47 shade: #EA4747, #EA7247, #EA9E47, #EAC947 and #DFEA47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9F47 shade: #C97616, #E68B22, #EA9E47, #EEB26C and #F2C591

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9F47 shade: #EB9F47, #72EA47 and #5D47EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9F47 shade: #EB9F47, #47EA9E and #9E47EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9F47 shade: #EB9F47, #72EA47, #4793EA and #BF47EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9F47 shade: #EB9F47, #47EA4C, #4793EA and #EA47E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 70 / 8

HEX #EB9F47

RGB 235 159 71

HSL 32.2, 0.8%, 0.6%

LAB 71.5, 20.47, 55.7

 

Complementary color

CMYK 89 / 48 / 0 / 28

HEX #1460B8

RGB 20 96 184

HSL 212.2, 0.8%, 0.4%

LAB 41.18, 11.97, -52.53

 

CMYK 0 / 34 / 73 / 6

HEX #F09F42

RGB 240 159 66

HSL 32.07, 0.85%, 0.6%

LAB 72.04, 22.31, 58.66

 

CMYK 0 / 31 / 67 / 0

HEX #FFB155

RGB 255 177 85

HSL 32.47, 1%, 0.67%

LAB 78.09, 20.01, 57.11

 

CMYK 0 / 24 / 59 / 0

HEX #FFC368

RGB 255 195 104

HSL 36.16, 1%, 0.7%

LAB 82.53, 11.82, 53.26

 

CMYK 0 / 16 / 52 / 0

HEX #FFD57B

RGB 255 213 123

HSL 40.91, 1%, 0.74%

LAB 87.13, 3.98, 49.6

 

CMYK 0 / 9 / 44 / 0

HEX #FFE78E

RGB 255 231 142

HSL 47.26, 1%, 0.78%

LAB 91.85, -3.45, 46.17

 

CMYK 0 / 32 / 70 / 8

HEX #EB9F47

RGB 235 159 71

HSL 32.2, 0.8%, 0.6%

LAB 71.5, 20.47, 55.7

 

CMYK 0 / 35 / 76 / 15

HEX #DA8D34

RGB 218 141 52

HSL 32.17, 0.69%, 0.53%

LAB 65.12, 22.06, 56.83

 

CMYK 0 / 39 / 84 / 21

HEX #C97B21

RGB 201 123 33

HSL 32.14, 0.72%, 0.46%

LAB 58.69, 23.88, 57.47

 

CMYK 0 / 43 / 92 / 28

HEX #B8690E

RGB 184 105 14

HSL 32.12, 0.86%, 0.39%

LAB 52.2, 25.94, 57.01

 

CMYK 0 / 48 / 100 / 35

HEX #A75700

RGB 167 87 0

HSL 31.26, 1%, 0.33%

LAB 45.68, 28.26, 54.63

 

CMYK 0 / 32 / 70 / 8

HEX #EA9E47

RGB 234 158 71

HSL 32.02, 0.8%, 0.6%

LAB 71.15, 20.58, 55.3

 

CMYK 0 / 51 / 70 / 8

HEX #EA7247

RGB 234 114 71

HSL 15.83, 0.8%, 0.6%

LAB 61.64, 43.41, 44.9

 

CMYK 0 / 70 / 70 / 8

HEX #EA4747

RGB 234 71 71

HSL 0, 0.8%, 0.6%

LAB 54.51, 62.24, 36.66

 

CMYK 0 / 32 / 70 / 8

HEX #EA9E47

RGB 234 158 71

HSL 32.02, 0.8%, 0.6%

LAB 71.15, 20.58, 55.3

 

CMYK 0 / 14 / 70 / 8

HEX #EACA47

RGB 234 202 71

HSL 48.22, 0.8%, 0.6%

LAB 81.94, -2.52, 66.46

 

CMYK 5 / 0 / 70 / 8

HEX #DEEA47

RGB 222 234 71

HSL 64.42, 0.8%, 0.6%

LAB 89.31, -23.39, 73.45

 

CMYK 24 / 0 / 70 / 8

HEX #B2EA47

RGB 178 234 71

HSL 80.61, 0.8%, 0.6%

LAB 86.39, -40.63, 69.57

 

CMYK 43 / 0 / 70 / 8

HEX #86EA47

RGB 134 234 71

HSL 96.81, 0.8%, 0.6%

LAB 84.16, -55.8, 66.58

 

CMYK 0 / 32 / 70 / 8

HEX #EA9E47

RGB 234 158 71

HSL 32.02, 0.8%, 0.6%

LAB 71.15, 20.58, 55.3

 

CMYK 0 / 36 / 78 / 2

HEX #FBA036

RGB 251 160 54

HSL 32.28, 0.96%, 0.6%

LAB 73.49, 25.86, 65.41

 

CMYK 0 / 32 / 70 / 8

HEX #EA9E47

RGB 234 158 71

HSL 32.02, 0.8%, 0.6%

LAB 71.15, 20.58, 55.3

 

CMYK 0 / 28 / 60 / 15

HEX #DA9D57

RGB 218 157 87

HSL 32.06, 0.64%, 0.6%

LAB 69.26, 15.41, 45.03

 

CMYK 0 / 22 / 48 / 21

HEX #C99C68

RGB 201 156 104

HSL 32.16, 0.47%, 0.6%

LAB 67.42, 10.29, 33.56

 

CMYK 0 / 16 / 35 / 27

HEX #B99B78

RGB 185 155 120

HSL 32.31, 0.32%, 0.6%

LAB 65.84, 6.04, 22.51

 

CMYK 0 / 8 / 18 / 34

HEX #A89A89

RGB 168 154 137

HSL 32.9, 0.15%, 0.6%

LAB 64.36, 2.26, 10.78

 

CMYK 0 / 70 / 70 / 8

HEX #EA4747

RGB 234 71 71

HSL 0, 0.8%, 0.6%

LAB 54.51, 62.24, 36.66

 

CMYK 0 / 51 / 70 / 8

HEX #EA7247

RGB 234 114 71

HSL 15.83, 0.8%, 0.6%

LAB 61.64, 43.41, 44.9

 

CMYK 0 / 32 / 70 / 8

HEX #EA9E47

RGB 234 158 71

HSL 32.02, 0.8%, 0.6%

LAB 71.15, 20.58, 55.3

 

CMYK 0 / 14 / 70 / 8

HEX #EAC947

RGB 234 201 71

HSL 47.85, 0.8%, 0.6%

LAB 81.69, -2.01, 66.2

 

CMYK 5 / 0 / 70 / 8

HEX #DFEA47

RGB 223 234 71

HSL 64.05, 0.8%, 0.6%

LAB 89.39, -22.99, 73.54

 

CMYK 0 / 41 / 89 / 21

HEX #C97616

RGB 201 118 22

HSL 32.18, 0.8%, 0.44%

LAB 57.49, 26.31, 59.96

 

CMYK 0 / 40 / 85 / 10

HEX #E68B22

RGB 230 139 34

HSL 32.14, 0.8%, 0.52%

LAB 66.06, 27.59, 64.85

 

CMYK 0 / 32 / 70 / 8

HEX #EA9E47

RGB 234 158 71

HSL 32.02, 0.8%, 0.6%

LAB 71.15, 20.58, 55.3

 

CMYK 0 / 25 / 55 / 7

HEX #EEB26C

RGB 238 178 108

HSL 32.31, 0.79%, 0.68%

LAB 76.74, 14.09, 43.96

 

CMYK 0 / 19 / 40 / 5

HEX #F2C591

RGB 242 197 145

HSL 32.16, 0.79%, 0.76%

LAB 82.3, 9.21, 32.11

 

CMYK 0 / 32 / 70 / 8

HEX #EB9F47

RGB 235 159 71

HSL 32.2, 0.8%, 0.6%

LAB 71.5, 20.47, 55.7

 

CMYK 51 / 0 / 70 / 8

HEX #72EA47

RGB 114 234 71

HSL 104.17, 0.8%, 0.6%

LAB 83.38, -61.64, 65.54

 

CMYK 60 / 70 / 0 / 8

HEX #5D47EA

RGB 93 71 234

HSL 248.1, 0.8%, 0.6%

LAB 42.42, 53.4, -79.12

 

CMYK 0 / 32 / 70 / 8

HEX #EB9F47

RGB 235 159 71

HSL 32.2, 0.8%, 0.6%

LAB 71.5, 20.47, 55.7

 

CMYK 70 / 0 / 32 / 8

HEX #47EA9E

RGB 71 234 158

HSL 152.02, 0.8%, 0.6%

LAB 83.26, -58.88, 25.06

 

CMYK 32 / 70 / 0 / 8

HEX #9E47EA

RGB 158 71 234

HSL 272.02, 0.8%, 0.6%

LAB 49.15, 64.11, -67.85

 

CMYK 0 / 32 / 70 / 8

HEX #EB9F47

RGB 235 159 71

HSL 32.2, 0.8%, 0.6%

LAB 71.5, 20.47, 55.7

 

CMYK 51 / 0 / 70 / 8

HEX #72EA47

RGB 114 234 71

HSL 104.17, 0.8%, 0.6%

LAB 83.38, -61.64, 65.54

 

CMYK 70 / 37 / 0 / 8

HEX #4793EA

RGB 71 147 234

HSL 212.02, 0.8%, 0.6%

LAB 60.02, 4.55, -50.75

 

CMYK 18 / 70 / 0 / 8

HEX #BF47EA

RGB 191 71 234

HSL 284.17, 0.8%, 0.6%

LAB 53.52, 70.6, -60.58

 

CMYK 0 / 32 / 70 / 8

HEX #EB9F47

RGB 235 159 71

HSL 32.2, 0.8%, 0.6%

LAB 71.5, 20.47, 55.7

 

CMYK 70 / 0 / 68 / 8

HEX #47EA4C

RGB 71 234 76

HSL 121.84, 0.8%, 0.6%

LAB 82.22, -70.79, 62.08

 

CMYK 70 / 37 / 0 / 8

HEX #4793EA

RGB 71 147 234

HSL 212.02, 0.8%, 0.6%

LAB 60.02, 4.55, -50.75

 

CMYK 0 / 70 / 2 / 8

HEX #EA47E5

RGB 234 71 229

HSL 301.84, 0.8%, 0.6%

LAB 59.58, 78.75, -47.74

 

Description

Color code: HEX #EB9F47 | qconv.com Color code: HEX #EB9F47 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 159 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 159 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 70 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 70% 8% C M Y K

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