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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9341 it is the complementary color #146CBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9341. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9341 shade: #F0933C, #FFA54F, #FFB762, #FFC975 and #FFDB88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9341. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9341 shade: #EB9341, #DA812E, #C96F1B, #B85D08 and #A74B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9341 shade: #EB9341, #EB6541 and #EB4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9341 shade: #EB9341, #EBC141, #E7EB41, #B9EB41 and #8CEB41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9341 shade matches the following richer shades: #EB9341 and #FC9230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9341 shade: #EB9341, #DA9452, #C99463, #B89574 and #A79585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9341 shade: #EB414D, #EB6341, #EB9041, #EBBD41 and #EBEB41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9341 shade: #C56A14, #E77E1C, #EB9341, #EFA867 and #F2BD8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9341 shade: #EB9341, #7AEB41 and #4D41EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9341 shade: #EB9341, #41EB90 and #9041EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9341 shade: #EB9341, #7AEB41, #419CEB and #B241EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9341 shade: #EB9341, #47EB41, #419CEB and #E541EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 72 / 8

HEX #EB9341

RGB 235 147 65

HSL 28.94, 0.81%, 0.59%

LAB 68.69, 26.53, 55.46

 

Complementary color

CMYK 89 / 43 / 0 / 25

HEX #146CBE

RGB 20 108 190

HSL 208.94, 0.81%, 0.41%

LAB 45.07, 6.64, -49.77

 

CMYK 0 / 39 / 75 / 6

HEX #F0933C

RGB 240 147 60

HSL 29, 0.86%, 0.59%

LAB 69.27, 28.37, 58.45

 

CMYK 0 / 35 / 69 / 0

HEX #FFA54F

RGB 255 165 79

HSL 29.32, 1%, 0.65%

LAB 75.29, 25.96, 56.81

 

CMYK 0 / 28 / 62 / 0

HEX #FFB762

RGB 255 183 98

HSL 32.48, 1%, 0.69%

LAB 79.62, 17.67, 52.74

 

CMYK 0 / 21 / 54 / 0

HEX #FFC975

RGB 255 201 117

HSL 36.52, 1%, 0.73%

LAB 84.13, 9.68, 48.88

 

CMYK 0 / 14 / 47 / 0

HEX #FFDB88

RGB 255 219 136

HSL 41.85, 1%, 0.77%

LAB 88.78, 2.06, 45.27

 

CMYK 0 / 37 / 72 / 8

HEX #EB9341

RGB 235 147 65

HSL 28.94, 0.81%, 0.59%

LAB 68.69, 26.53, 55.46

 

CMYK 0 / 41 / 79 / 15

HEX #DA812E

RGB 218 129 46

HSL 28.95, 0.7%, 0.52%

LAB 62.34, 28.25, 56.64

 

CMYK 0 / 45 / 87 / 21

HEX #C96F1B

RGB 201 111 27

HSL 28.97, 0.76%, 0.45%

LAB 55.95, 30.18, 57.22

 

CMYK 0 / 49 / 96 / 28

HEX #B85D08

RGB 184 93 8

HSL 28.98, 0.92%, 0.38%

LAB 49.54, 32.32, 56.46

 

CMYK 0 / 55 / 100 / 35

HEX #A74B00

RGB 167 75 0

HSL 26.95, 1%, 0.33%

LAB 43.13, 34.63, 53.13

 

CMYK 0 / 37 / 72 / 8

HEX #EB9341

RGB 235 147 65

HSL 28.94, 0.81%, 0.59%

LAB 68.69, 26.53, 55.46

 

CMYK 0 / 57 / 72 / 8

HEX #EB6541

RGB 235 101 65

HSL 12.71, 0.81%, 0.59%

LAB 59.3, 49.72, 45.44

 

CMYK 0 / 72 / 72 / 8

HEX #EB4141

RGB 235 65 65

HSL 0, 0.81%, 0.59%

LAB 53.84, 64.39, 39.32

 

CMYK 0 / 37 / 72 / 8

HEX #EB9341

RGB 235 147 65

HSL 28.94, 0.81%, 0.59%

LAB 68.69, 26.53, 55.46

 

CMYK 0 / 18 / 72 / 8

HEX #EBC141

RGB 235 193 65

HSL 45.18, 0.81%, 0.59%

LAB 79.72, 2.26, 66.59

 

CMYK 2 / 0 / 72 / 8

HEX #E7EB41

RGB 231 235 65

HSL 61.41, 0.81%, 0.59%

LAB 90.22, -20.49, 76.58

 

CMYK 21 / 0 / 72 / 8

HEX #B9EB41

RGB 185 235 65

HSL 77.65, 0.81%, 0.59%

LAB 87.05, -38.77, 72.44

 

CMYK 40 / 0 / 72 / 8

HEX #8CEB41

RGB 140 235 65

HSL 93.53, 0.81%, 0.59%

LAB 84.68, -54.7, 69.3

 

CMYK 0 / 37 / 72 / 8

HEX #EB9341

RGB 235 147 65

HSL 28.94, 0.81%, 0.59%

LAB 68.69, 26.53, 55.46

 

CMYK 0 / 42 / 81 / 1

HEX #FC9230

RGB 252 146 48

HSL 28.82, 0.97%, 0.59%

LAB 70.5, 33.34, 64.98

 

CMYK 0 / 37 / 72 / 8

HEX #EB9341

RGB 235 147 65

HSL 28.94, 0.81%, 0.59%

LAB 68.69, 26.53, 55.46

 

CMYK 0 / 32 / 62 / 15

HEX #DA9452

RGB 218 148 82

HSL 29.12, 0.65%, 0.59%

LAB 67.05, 19.91, 44.95

 

CMYK 0 / 26 / 51 / 21

HEX #C99463

RGB 201 148 99

HSL 28.82, 0.49%, 0.59%

LAB 65.36, 14.18, 33.6

 

CMYK 0 / 19 / 37 / 28

HEX #B89574

RGB 184 149 116

HSL 29.12, 0.32%, 0.59%

LAB 64.12, 8.44, 22.38

 

CMYK 0 / 11 / 20 / 35

HEX #A79585

RGB 167 149 133

HSL 28.24, 0.16%, 0.59%

LAB 62.85, 4.01, 10.88

 

CMYK 0 / 72 / 67 / 8

HEX #EB414D

RGB 235 65 77

HSL 355.76, 0.81%, 0.59%

LAB 54, 64.95, 32.66

 

CMYK 0 / 58 / 72 / 8

HEX #EB6341

RGB 235 99 65

HSL 12, 0.81%, 0.59%

LAB 58.94, 50.65, 45.05

 

CMYK 0 / 39 / 72 / 8

HEX #EB9041

RGB 235 144 65

HSL 27.88, 0.81%, 0.59%

LAB 68.01, 28.11, 54.76

 

CMYK 0 / 20 / 72 / 8

HEX #EBBD41

RGB 235 189 65

HSL 43.76, 0.81%, 0.59%

LAB 78.72, 4.35, 65.6

 

CMYK 0 / 0 / 72 / 8

HEX #EBEB41

RGB 235 235 65

HSL 60, 0.81%, 0.59%

LAB 90.53, -18.85, 76.98

 

CMYK 0 / 46 / 90 / 23

HEX #C56A14

RGB 197 106 20

HSL 29.15, 0.82%, 0.43%

LAB 54.27, 31.02, 57.8

 

CMYK 0 / 45 / 88 / 9

HEX #E77E1C

RGB 231 126 28

HSL 28.97, 0.81%, 0.51%

LAB 63.34, 34.66, 64.54

 

CMYK 0 / 37 / 72 / 8

HEX #EB9341

RGB 235 147 65

HSL 28.94, 0.81%, 0.59%

LAB 68.69, 26.53, 55.46

 

CMYK 0 / 30 / 57 / 6

HEX #EFA867

RGB 239 168 103

HSL 28.68, 0.81%, 0.67%

LAB 74.4, 19.39, 43.67

 

CMYK 0 / 22 / 42 / 5

HEX #F2BD8C

RGB 242 189 140

HSL 28.82, 0.8%, 0.75%

LAB 80.27, 12.87, 32.04

 

CMYK 0 / 37 / 72 / 8

HEX #EB9341

RGB 235 147 65

HSL 28.94, 0.81%, 0.59%

LAB 68.69, 26.53, 55.46

 

CMYK 48 / 0 / 72 / 8

HEX #7AEB41

RGB 122 235 65

HSL 99.88, 0.81%, 0.59%

LAB 83.93, -60.19, 68.31

 

CMYK 67 / 72 / 0 / 8

HEX #4D41EB

RGB 77 65 235

HSL 244.24, 0.81%, 0.59%

LAB 40.17, 55, -83.42

 

CMYK 0 / 37 / 72 / 8

HEX #EB9341

RGB 235 147 65

HSL 28.94, 0.81%, 0.59%

LAB 68.69, 26.53, 55.46

 

CMYK 72 / 0 / 39 / 8

HEX #41EB90

RGB 65 235 144

HSL 147.88, 0.81%, 0.59%

LAB 83.21, -62.79, 32.1

 

CMYK 39 / 72 / 0 / 8

HEX #9041EB

RGB 144 65 235

HSL 267.88, 0.81%, 0.59%

LAB 46.59, 64.44, -72.66

 

CMYK 0 / 37 / 72 / 8

HEX #EB9341

RGB 235 147 65

HSL 28.94, 0.81%, 0.59%

LAB 68.69, 26.53, 55.46

 

CMYK 48 / 0 / 72 / 8

HEX #7AEB41

RGB 122 235 65

HSL 99.88, 0.81%, 0.59%

LAB 83.93, -60.19, 68.31

 

CMYK 72 / 34 / 0 / 8

HEX #419CEB

RGB 65 156 235

HSL 207.88, 0.81%, 0.59%

LAB 62.42, -1.17, -47.51

 

CMYK 24 / 72 / 0 / 8

HEX #B241EB

RGB 178 65 235

HSL 279.88, 0.81%, 0.59%

LAB 50.97, 70.55, -65.34

 

CMYK 0 / 37 / 72 / 8

HEX #EB9341

RGB 235 147 65

HSL 28.94, 0.81%, 0.59%

LAB 68.69, 26.53, 55.46

 

CMYK 70 / 0 / 72 / 8

HEX #47EB41

RGB 71 235 65

HSL 117.88, 0.81%, 0.59%

LAB 82.45, -72.02, 66.34

 

CMYK 72 / 34 / 0 / 8

HEX #419CEB

RGB 65 156 235

HSL 207.88, 0.81%, 0.59%

LAB 62.42, -1.17, -47.51

 

CMYK 3 / 72 / 0 / 8

HEX #E541EB

RGB 229 65 235

HSL 297.88, 0.81%, 0.59%

LAB 58.45, 80.56, -52.94

 

Description

Color code: HEX #EB9341 | qconv.com Color code: HEX #EB9341 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 147 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 147 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 72 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 72% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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