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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB98BB it is the complementary color #146744. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB98BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB98BB shade: #F098B6, #FFAAC9, #FFBCDC, #FFCEEF and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB98BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB98BB shade: #EB98BB, #DA86A8, #C97495, #B86282 and #A7506F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB98BB shade: #EA98BB, #EA98A5 and #EA9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB98BB shade: #EA98BB, #EA98D1, #EA98E7, #D798EA and #C198EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB98BB shade matches the following richer shades: #EA98BB, #F48EB9 and #FE84B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB98BB shade: #EA98BB, #E0A2BC, #D6ACBE, #CDB6C0 and #C3C0C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB98BB shade: #EA98E8, #EA98D2, #EA98BC, #EA98A6 and #EAA098

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB98BB shade: #DD538D, #E376A4, #EA98BB, #F1BBD2 and #F8DDE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB98BB shade: #EB98BB, #EAD798 and #98DDEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB98BB shade: #EB98BB, #BCEA98 and #98BCEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB98BB shade: #EB98BB, #EAD798, #98EAC7 and #98ABEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB98BB shade: #EB98BB, #E5EA98, #98EAC7 and #9E98EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 20 / 8

HEX #EB98BB

RGB 235 152 187

HSL 334.7, 0.67%, 0.76%

LAB 72.03, 35.84, -5.13

 

Complementary color

CMYK 81 / 0 / 34 / 60

HEX #146744

RGB 20 103 68

HSL 154.7, 0.67%, 0.24%

LAB 38.32, -33.04, 13.06

 

CMYK 0 / 37 / 24 / 6

HEX #F098B6

RGB 240 152 182

HSL 339.55, 0.75%, 0.77%

LAB 72.47, 36.86, -1.65

 

CMYK 0 / 33 / 21 / 0

HEX #FFAAC9

RGB 255 170 201

HSL 338.12, 1%, 0.83%

LAB 78.59, 35.38, -2.89

 

CMYK 0 / 26 / 14 / 0

HEX #FFBCDC

RGB 255 188 220

HSL 331.34, 1%, 0.87%

LAB 83.12, 28.84, -6.47

 

CMYK 0 / 19 / 6 / 0

HEX #FFCEEF

RGB 255 206 239

HSL 319.59, 1%, 0.9%

LAB 87.79, 22.51, -9.66

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 35 / 20 / 8

HEX #EB98BB

RGB 235 152 187

HSL 334.7, 0.67%, 0.76%

LAB 72.03, 35.84, -5.13

 

CMYK 0 / 39 / 23 / 15

HEX #DA86A8

RGB 218 134 168

HSL 335.71, 0.53%, 0.69%

LAB 65.58, 36.63, -4.25

 

CMYK 0 / 42 / 26 / 21

HEX #C97495

RGB 201 116 149

HSL 336.71, 0.44%, 0.62%

LAB 59.05, 37.47, -3.27

 

CMYK 0 / 47 / 29 / 28

HEX #B86282

RGB 184 98 130

HSL 337.67, 0.38%, 0.55%

LAB 52.44, 38.34, -2.14

 

CMYK 0 / 52 / 34 / 35

HEX #A7506F

RGB 167 80 111

HSL 338.62, 0.35%, 0.48%

LAB 45.77, 39.22, -0.79

 

CMYK 0 / 35 / 20 / 8

HEX #EA98BB

RGB 234 152 187

HSL 334.39, 0.66%, 0.76%

LAB 71.92, 35.49, -5.31

 

CMYK 0 / 35 / 29 / 8

HEX #EA98A5

RGB 234 152 165

HSL 350.49, 0.66%, 0.76%

LAB 71.33, 32.4, 6.03

 

CMYK 0 / 35 / 35 / 8

HEX #EA9898

RGB 234 152 152

HSL 0, 0.66%, 0.76%

LAB 71.02, 30.76, 12.8

 

CMYK 0 / 35 / 20 / 8

HEX #EA98BB

RGB 234 152 187

HSL 334.39, 0.66%, 0.76%

LAB 71.92, 35.49, -5.31

 

CMYK 0 / 35 / 11 / 8

HEX #EA98D1

RGB 234 152 209

HSL 318.29, 0.66%, 0.76%

LAB 72.6, 38.95, -16.45

 

CMYK 0 / 35 / 1 / 8

HEX #EA98E7

RGB 234 152 231

HSL 302.2, 0.66%, 0.76%

LAB 73.36, 42.74, -27.36

 

CMYK 8 / 35 / 0 / 8

HEX #D798EA

RGB 215 152 234

HSL 286.1, 0.66%, 0.76%

LAB 71.45, 37.45, -32.12

 

CMYK 18 / 35 / 0 / 8

HEX #C198EA

RGB 193 152 234

HSL 270, 0.66%, 0.76%

LAB 69.28, 30.78, -35.65

 

CMYK 0 / 35 / 20 / 8

HEX #EA98BB

RGB 234 152 187

HSL 334.39, 0.66%, 0.76%

LAB 71.92, 35.49, -5.31

 

CMYK 0 / 42 / 24 / 4

HEX #F48EB9

RGB 244 142 185

HSL 334.71, 0.82%, 0.76%

LAB 70.93, 43.83, -5.53

 

CMYK 0 / 48 / 28 / 0

HEX #FE84B8

RGB 254 132 184

HSL 334.43, 0.98%, 0.76%

LAB 70.2, 52, -5.91

 

CMYK 0 / 35 / 20 / 8

HEX #EA98BB

RGB 234 152 187

HSL 334.39, 0.66%, 0.76%

LAB 71.92, 35.49, -5.31

 

CMYK 0 / 28 / 16 / 12

HEX #E0A2BC

RGB 224 162 188

HSL 334.84, 0.5%, 0.76%

LAB 73.1, 26.81, -4.24

 

CMYK 0 / 20 / 11 / 16

HEX #D6ACBE

RGB 214 172 190

HSL 334.29, 0.34%, 0.76%

LAB 74.52, 18.18, -3.36

 

CMYK 0 / 11 / 6 / 20

HEX #CDB6C0

RGB 205 182 192

HSL 333.91, 0.19%, 0.76%

LAB 76.22, 9.92, -2.06

 

CMYK 0 / 2 / 1 / 24

HEX #C3C0C1

RGB 195 192 193

HSL 340, 0.02%, 0.76%

LAB 77.96, 1.23, -0.14

 

CMYK 0 / 35 / 1 / 8

HEX #EA98E8

RGB 234 152 232

HSL 301.46, 0.66%, 0.76%

LAB 73.4, 42.92, -27.85

 

CMYK 0 / 35 / 10 / 8

HEX #EA98D2

RGB 234 152 210

HSL 317.56, 0.66%, 0.76%

LAB 72.63, 39.11, -16.95

 

CMYK 0 / 35 / 20 / 8

HEX #EA98BC

RGB 234 152 188

HSL 333.66, 0.66%, 0.76%

LAB 71.95, 35.64, -5.82

 

CMYK 0 / 35 / 29 / 8

HEX #EA98A6

RGB 234 152 166

HSL 349.76, 0.66%, 0.76%

LAB 71.35, 32.53, 5.51

 

CMYK 0 / 32 / 35 / 8

HEX #EAA098

RGB 234 160 152

HSL 5.85, 0.66%, 0.76%

LAB 72.83, 26.51, 15.34

 

CMYK 0 / 62 / 36 / 13

HEX #DD538D

RGB 221 83 141

HSL 334.78, 0.67%, 0.6%

LAB 55.57, 58.96, -3.41

 

CMYK 0 / 48 / 28 / 11

HEX #E376A4

RGB 227 118 164

HSL 334.68, 0.66%, 0.68%

LAB 63.32, 47.41, -5.2

 

CMYK 0 / 35 / 20 / 8

HEX #EA98BB

RGB 234 152 187

HSL 334.39, 0.66%, 0.76%

LAB 71.92, 35.49, -5.31

 

CMYK 0 / 22 / 13 / 5

HEX #F1BBD2

RGB 241 187 210

HSL 334.44, 0.66%, 0.84%

LAB 81.23, 22.93, -4.04

 

CMYK 0 / 11 / 6 / 3

HEX #F8DDE8

RGB 248 221 232

HSL 335.56, 0.66%, 0.92%

LAB 90.55, 11.11, -1.98

 

CMYK 0 / 35 / 20 / 8

HEX #EB98BB

RGB 235 152 187

HSL 334.7, 0.67%, 0.76%

LAB 72.03, 35.84, -5.13

 

CMYK 0 / 8 / 35 / 8

HEX #EAD798

RGB 234 215 152

HSL 46.1, 0.66%, 0.76%

LAB 86.19, -2.44, 33.5

 

CMYK 35 / 6 / 0 / 8

HEX #98DDEA

RGB 152 221 234

HSL 189.51, 0.66%, 0.76%

LAB 84.14, -18.39, -13.24

 

CMYK 0 / 35 / 20 / 8

HEX #EB98BB

RGB 235 152 187

HSL 334.7, 0.67%, 0.76%

LAB 72.03, 35.84, -5.13

 

CMYK 20 / 0 / 35 / 8

HEX #BCEA98

RGB 188 234 152

HSL 93.66, 0.66%, 0.76%

LAB 87.87, -28.99, 35.11

 

CMYK 35 / 20 / 0 / 8

HEX #98BCEA

RGB 152 188 234

HSL 213.66, 0.66%, 0.76%

LAB 75.19, -1.12, -26.79

 

CMYK 0 / 35 / 20 / 8

HEX #EB98BB

RGB 235 152 187

HSL 334.7, 0.67%, 0.76%

LAB 72.03, 35.84, -5.13

 

CMYK 0 / 8 / 35 / 8

HEX #EAD798

RGB 234 215 152

HSL 46.1, 0.66%, 0.76%

LAB 86.19, -2.44, 33.5

 

CMYK 35 / 0 / 15 / 8

HEX #98EAC7

RGB 152 234 199

HSL 154.39, 0.66%, 0.76%

LAB 86.82, -32.48, 9.14

 

CMYK 35 / 27 / 0 / 8

HEX #98ABEA

RGB 152 171 234

HSL 226.1, 0.66%, 0.76%

LAB 70.69, 8.26, -33.72

 

CMYK 0 / 35 / 20 / 8

HEX #EB98BB

RGB 235 152 187

HSL 334.7, 0.67%, 0.76%

LAB 72.03, 35.84, -5.13

 

CMYK 2 / 0 / 35 / 8

HEX #E5EA98

RGB 229 234 152

HSL 63.66, 0.66%, 0.76%

LAB 90.68, -13.93, 39.31

 

CMYK 35 / 0 / 15 / 8

HEX #98EAC7

RGB 152 234 199

HSL 154.39, 0.66%, 0.76%

LAB 86.82, -32.48, 9.14

 

CMYK 32 / 35 / 0 / 8

HEX #9E98EA

RGB 158 152 234

HSL 244.39, 0.66%, 0.76%

LAB 66.26, 20.67, -40.58

 

Description

Color code: HEX #EB98BB | qconv.com Color code: HEX #EB98BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 152 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 152 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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