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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB6B56 it is the complementary color #1494A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB6B56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB6B56 shade: #F06B51, #FF7D64, #FF8F77, #FFA18A and #FFB39D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB6B56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB6B56 shade: #EB6B56, #DA5943, #C94730, #B8351D and #A7230A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB6B56 shade: #EB6B56 and #EB5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB6B56 shade: #EB6B56, #EB9356, #EBBB56, #EBE356 and #CAEB56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB6B56 shade matches the following richer shades: #EB6B56 and #FA6046

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB6B56 shade: #EB6B56, #DB7665, #CC8174, #BD8C83 and #AE9693

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB6B56 shade: #EB5691, #EB5669, #EB6956, #EB9156 and #EBB956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB6B56 shade: #D53319, #E64A31, #EB6B56, #EF8B7B and #F3AB9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB6B56 shade: #EB6B56, #B9EB56 and #567DEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB6B56 shade: #EB6B56, #56EB69 and #6956EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB6B56 shade: #EB6B56, #B9EB56, #56D7EB and #8756EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB6B56 shade: #EB6B56, #8CEB56, #56D7EB and #B456EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

Complementary color

CMYK 88 / 12 / 0 / 34

HEX #1494A9

RGB 20 148 169

HSL 188.46, 0.79%, 0.37%

LAB 56.28, -24.21, -20.1

 

CMYK 0 / 55 / 66 / 6

HEX #F06B51

RGB 240 107 81

HSL 9.81, 0.84%, 0.63%

LAB 61.34, 49.52, 39.48

 

CMYK 0 / 51 / 61 / 0

HEX #FF7D64

RGB 255 125 100

HSL 9.68, 1%, 0.7%

LAB 67.16, 47.51, 36.78

 

CMYK 0 / 44 / 53 / 0

HEX #FF8F77

RGB 255 143 119

HSL 10.59, 1%, 0.73%

LAB 71.03, 39.97, 31.4

 

CMYK 0 / 37 / 46 / 0

HEX #FFA18A

RGB 255 161 138

HSL 11.79, 1%, 0.77%

LAB 75.19, 32.42, 26.6

 

CMYK 0 / 30 / 38 / 0

HEX #FFB39D

RGB 255 179 157

HSL 13.47, 1%, 0.81%

LAB 79.58, 25.01, 22.33

 

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

CMYK 0 / 59 / 69 / 15

HEX #DA5943

RGB 218 89 67

HSL 8.74, 0.67%, 0.56%

LAB 54.51, 49.27, 38.22

 

CMYK 0 / 65 / 76 / 21

HEX #C94730

RGB 201 71 48

HSL 9.02, 0.61%, 0.49%

LAB 48.43, 50.45, 40.99

 

CMYK 0 / 71 / 84 / 28

HEX #B8351D

RGB 184 53 29

HSL 9.29, 0.73%, 0.42%

LAB 42.5, 51.37, 43.88

 

CMYK 0 / 79 / 94 / 35

HEX #A7230A

RGB 167 35 10

HSL 9.55, 0.89%, 0.35%

LAB 36.82, 51.78, 46.13

 

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

CMYK 0 / 63 / 63 / 8

HEX #EB5656

RGB 235 86 86

HSL 0, 0.79%, 0.63%

LAB 57.07, 57.46, 31.28

 

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

CMYK 0 / 37 / 63 / 8

HEX #EB9356

RGB 235 147 86

HSL 24.56, 0.79%, 0.63%

LAB 68.9, 27.69, 45.61

 

CMYK 0 / 20 / 63 / 8

HEX #EBBB56

RGB 235 187 86

HSL 40.67, 0.79%, 0.63%

LAB 78.39, 6.53, 56.39

 

CMYK 0 / 3 / 63 / 8

HEX #EBE356

RGB 235 227 86

HSL 56.78, 0.79%, 0.63%

LAB 88.58, -13.87, 67.37

 

CMYK 14 / 0 / 63 / 8

HEX #CAEB56

RGB 202 235 86

HSL 73.29, 0.79%, 0.63%

LAB 88.28, -30.95, 66.31

 

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

CMYK 0 / 62 / 72 / 2

HEX #FA6046

RGB 250 96 70

HSL 8.67, 0.95%, 0.63%

LAB 60.9, 57.41, 45.27

 

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

CMYK 0 / 46 / 54 / 14

HEX #DB7665

RGB 219 118 101

HSL 8.64, 0.62%, 0.63%

LAB 60.74, 37.68, 27

 

CMYK 0 / 37 / 43 / 20

HEX #CC8174

RGB 204 129 116

HSL 8.86, 0.46%, 0.63%

LAB 61.48, 27.48, 19.18

 

CMYK 0 / 26 / 31 / 26

HEX #BD8C83

RGB 189 140 131

HSL 9.31, 0.31%, 0.63%

LAB 62.69, 17.36, 12.1

 

CMYK 0 / 14 / 16 / 32

HEX #AE9693

RGB 174 150 147

HSL 6.67, 0.14%, 0.63%

LAB 64.09, 8.4, 4.87

 

CMYK 0 / 63 / 38 / 8

HEX #EB5691

RGB 235 86 145

HSL 336.24, 0.79%, 0.63%

LAB 58.38, 62.34, -1.36

 

CMYK 0 / 63 / 55 / 8

HEX #EB5669

RGB 235 86 105

HSL 352.35, 0.79%, 0.63%

LAB 57.4, 58.73, 20.71

 

CMYK 0 / 55 / 63 / 8

HEX #EB6956

RGB 235 105 86

HSL 7.65, 0.79%, 0.63%

LAB 60.28, 48.97, 35.28

 

CMYK 0 / 38 / 63 / 8

HEX #EB9156

RGB 235 145 86

HSL 23.76, 0.79%, 0.63%

LAB 68.45, 28.74, 45.08

 

CMYK 0 / 21 / 63 / 8

HEX #EBB956

RGB 235 185 86

HSL 39.87, 0.79%, 0.63%

LAB 77.89, 7.58, 55.84

 

CMYK 0 / 76 / 88 / 16

HEX #D53319

RGB 213 51 25

HSL 8.3, 0.79%, 0.47%

LAB 47.73, 61.13, 52.27

 

CMYK 0 / 68 / 79 / 10

HEX #E64A31

RGB 230 74 49

HSL 8.29, 0.78%, 0.55%

LAB 53.97, 58.96, 47.78

 

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

CMYK 0 / 42 / 49 / 6

HEX #EF8B7B

RGB 239 139 123

HSL 8.28, 0.78%, 0.71%

LAB 68.2, 36.35, 25.09

 

CMYK 0 / 30 / 35 / 5

HEX #F3AB9F

RGB 243 171 159

HSL 8.57, 0.78%, 0.79%

LAB 76.49, 24.92, 16.77

 

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

CMYK 21 / 0 / 63 / 8

HEX #B9EB56

RGB 185 235 86

HSL 80.13, 0.79%, 0.63%

LAB 87.19, -37.45, 64.83

 

CMYK 63 / 47 / 0 / 8

HEX #567DEB

RGB 86 125 235

HSL 224.3, 0.79%, 0.63%

LAB 54.7, 20.51, -59.75

 

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

CMYK 63 / 0 / 55 / 8

HEX #56EB69

RGB 86 235 105

HSL 127.65, 0.79%, 0.63%

LAB 83.13, -65.22, 50.94

 

CMYK 55 / 63 / 0 / 8

HEX #6956EB

RGB 105 86 235

HSL 247.65, 0.79%, 0.63%

LAB 46.52, 47.19, -72.94

 

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

CMYK 21 / 0 / 63 / 8

HEX #B9EB56

RGB 185 235 86

HSL 80.13, 0.79%, 0.63%

LAB 87.19, -37.45, 64.83

 

CMYK 63 / 9 / 0 / 8

HEX #56D7EB

RGB 86 215 235

HSL 188.05, 0.79%, 0.63%

LAB 79.94, -29.31, -20.35

 

CMYK 43 / 63 / 0 / 8

HEX #8756EB

RGB 135 86 235

HSL 259.73, 0.79%, 0.63%

LAB 49.26, 52.65, -68.36

 

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

CMYK 40 / 0 / 63 / 8

HEX #8CEB56

RGB 140 235 86

HSL 98.26, 0.79%, 0.63%

LAB 84.82, -53.14, 61.58

 

CMYK 63 / 9 / 0 / 8

HEX #56D7EB

RGB 86 215 235

HSL 188.05, 0.79%, 0.63%

LAB 79.94, -29.31, -20.35

 

CMYK 23 / 63 / 0 / 8

HEX #B456EB

RGB 180 86 235

HSL 277.85, 0.79%, 0.63%

LAB 54.4, 62.1, -59.8

 

Description

Color code: HEX #EB6B56 | qconv.com Color code: HEX #EB6B56 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 107 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 107 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 63 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 63% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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