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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB6A85 it is the complementary color #14957A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB6A85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB6A85 shade: #F06A80, #FF7C93, #FF8EA6, #FFA0B9 and #FFB2CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB6A85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB6A85 shade: #EB6A85, #DA5872, #C9465F, #B8344C and #A72239

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB6A85 shade: #EA6A85 and #EA6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB6A85 shade: #EA6A85, #EA6AA8, #EA6ACA, #E86AEA and #C56AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB6A85 shade matches the following richer shades: #EA6A85 and #F85D7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB6A85 shade: #EA6A85, #DD788D, #CF8695, #C1939D and #B4A1A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB6A85 shade: #EA6ACA, #EA6AA8, #EA6A86, #EA716A and #EA936A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB6A85 shade: #E0224A, #E54667, #EA6A85, #EF8FA3 and #F4B3C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB6A85 shade: #EB6A85, #EAE86A and #6AB9EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB6A85 shade: #EB6A85, #86EA6A and #6A86EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB6A85 shade: #EB6A85, #EAE86A, #6AEACF and #6A6DEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB6A85 shade: #EB6A85, #C6EA6A, #6AEACF and #8F6AEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 43 / 8

HEX #EB6A85

RGB 235 106 133

HSL 347.44, 0.76%, 0.67%

LAB 61.36, 52.3, 9.92

 

Complementary color

CMYK 87 / 0 / 18 / 42

HEX #14957A

RGB 20 149 122

HSL 167.44, 0.76%, 0.33%

LAB 55.12, -39.1, 5.1

 

CMYK 0 / 56 / 47 / 6

HEX #F06A80

RGB 240 106 128

HSL 350.15, 0.82%, 0.68%

LAB 61.99, 53.49, 13.79

 

CMYK 0 / 51 / 42 / 0

HEX #FF7C93

RGB 255 124 147

HSL 349.47, 1%, 0.74%

LAB 67.86, 51.92, 11.52

 

CMYK 0 / 44 / 35 / 0

HEX #FF8EA6

RGB 255 142 166

HSL 347.26, 1%, 0.78%

LAB 71.8, 45.16, 6.49

 

CMYK 0 / 37 / 27 / 0

HEX #FFA0B9

RGB 255 160 185

HSL 344.21, 1%, 0.81%

LAB 76.01, 38.35, 2.07

 

CMYK 0 / 30 / 20 / 0

HEX #FFB2CC

RGB 255 178 204

HSL 339.74, 1%, 0.85%

LAB 80.44, 31.64, -1.81

 

CMYK 0 / 55 / 43 / 8

HEX #EB6A85

RGB 235 106 133

HSL 347.44, 0.76%, 0.67%

LAB 61.36, 52.3, 9.92

 

CMYK 0 / 60 / 48 / 15

HEX #DA5872

RGB 218 88 114

HSL 348, 0.64%, 0.6%

LAB 55.17, 53.09, 11.92

 

CMYK 0 / 65 / 53 / 21

HEX #C9465F

RGB 201 70 95

HSL 348.55, 0.55%, 0.53%

LAB 49.04, 53.71, 14.33

 

CMYK 0 / 72 / 59 / 28

HEX #B8344C

RGB 184 52 76

HSL 349.09, 0.56%, 0.46%

LAB 43.02, 54.01, 17.28

 

CMYK 0 / 80 / 66 / 35

HEX #A72239

RGB 167 34 57

HSL 349.62, 0.66%, 0.39%

LAB 37.22, 53.69, 20.97

 

CMYK 0 / 55 / 43 / 8

HEX #EA6A85

RGB 234 106 133

HSL 347.34, 0.75%, 0.67%

LAB 61.22, 51.96, 9.69

 

CMYK 0 / 55 / 55 / 8

HEX #EA6A6A

RGB 234 106 106

HSL 0, 0.75%, 0.67%

LAB 60.64, 49.54, 24.43

 

CMYK 0 / 55 / 43 / 8

HEX #EA6A85

RGB 234 106 133

HSL 347.34, 0.75%, 0.67%

LAB 61.22, 51.96, 9.69

 

CMYK 0 / 55 / 28 / 8

HEX #EA6AA8

RGB 234 106 168

HSL 330.94, 0.75%, 0.67%

LAB 62.19, 55.97, -9.05

 

CMYK 0 / 55 / 14 / 8

HEX #EA6ACA

RGB 234 106 202

HSL 315, 0.75%, 0.67%

LAB 63.4, 60.72, -26.57

 

CMYK 1 / 55 / 0 / 8

HEX #E86AEA

RGB 232 106 234

HSL 299.06, 0.75%, 0.67%

LAB 64.49, 65.35, -42.81

 

CMYK 16 / 55 / 0 / 8

HEX #C56AEA

RGB 197 106 234

HSL 282.66, 0.75%, 0.67%

LAB 60, 56.36, -50.19

 

CMYK 0 / 55 / 43 / 8

HEX #EA6A85

RGB 234 106 133

HSL 347.34, 0.75%, 0.67%

LAB 61.22, 51.96, 9.69

 

CMYK 0 / 63 / 50 / 3

HEX #F85D7D

RGB 248 93 125

HSL 347.61, 0.92%, 0.67%

LAB 61.02, 61.53, 14.35

 

CMYK 0 / 55 / 43 / 8

HEX #EA6A85

RGB 234 106 133

HSL 347.34, 0.75%, 0.67%

LAB 61.22, 51.96, 9.69

 

CMYK 0 / 46 / 36 / 13

HEX #DD788D

RGB 221 120 141

HSL 347.52, 0.6%, 0.67%

LAB 62.28, 41.44, 6.35

 

CMYK 0 / 35 / 28 / 19

HEX #CF8695

RGB 207 134 149

HSL 347.67, 0.43%, 0.67%

LAB 63.74, 29.98, 3.67

 

CMYK 0 / 24 / 19 / 24

HEX #C1939D

RGB 193 147 157

HSL 346.96, 0.27%, 0.67%

LAB 65.47, 18.84, 1.46

 

CMYK 0 / 11 / 8 / 29

HEX #B4A1A5

RGB 180 161 165

HSL 347.37, 0.11%, 0.67%

LAB 67.95, 7.63, 0.45

 

CMYK 0 / 55 / 14 / 8

HEX #EA6ACA

RGB 234 106 202

HSL 315, 0.75%, 0.67%

LAB 63.4, 60.72, -26.57

 

CMYK 0 / 55 / 28 / 8

HEX #EA6AA8

RGB 234 106 168

HSL 330.94, 0.75%, 0.67%

LAB 62.19, 55.97, -9.05

 

CMYK 0 / 55 / 43 / 8

HEX #EA6A86

RGB 234 106 134

HSL 346.88, 0.75%, 0.67%

LAB 61.24, 52.06, 9.15

 

CMYK 0 / 52 / 55 / 8

HEX #EA716A

RGB 234 113 106

HSL 3.28, 0.75%, 0.67%

LAB 61.95, 46.17, 26.16

 

CMYK 0 / 37 / 55 / 8

HEX #EA936A

RGB 234 147 106

HSL 19.22, 0.75%, 0.67%

LAB 69.04, 28.74, 35.32

 

CMYK 0 / 85 / 67 / 12

HEX #E0224A

RGB 224 34 74

HSL 347.37, 0.75%, 0.51%

LAB 48.87, 70.22, 27.59

 

CMYK 0 / 69 / 55 / 10

HEX #E54667

RGB 229 70 103

HSL 347.55, 0.75%, 0.59%

LAB 54.05, 63, 17.17

 

CMYK 0 / 55 / 43 / 8

HEX #EA6A85

RGB 234 106 133

HSL 347.34, 0.75%, 0.67%

LAB 61.22, 51.96, 9.69

 

CMYK 0 / 40 / 32 / 6

HEX #EF8FA3

RGB 239 143 163

HSL 347.5, 0.75%, 0.75%

LAB 69.92, 38.66, 5.2

 

CMYK 0 / 27 / 21 / 4

HEX #F4B3C1

RGB 244 179 193

HSL 347.08, 0.75%, 0.83%

LAB 79.23, 25.61, 2.24

 

CMYK 0 / 55 / 43 / 8

HEX #EB6A85

RGB 235 106 133

HSL 347.44, 0.76%, 0.67%

LAB 61.36, 52.3, 9.92

 

CMYK 0 / 1 / 55 / 8

HEX #EAE86A

RGB 234 232 106

HSL 59.06, 0.75%, 0.67%

LAB 89.97, -15.39, 60.4

 

CMYK 55 / 21 / 0 / 8

HEX #6AB9EA

RGB 106 185 234

HSL 202.97, 0.75%, 0.67%

LAB 72.03, -10.63, -31.85

 

CMYK 0 / 55 / 43 / 8

HEX #EB6A85

RGB 235 106 133

HSL 347.44, 0.76%, 0.67%

LAB 61.36, 52.3, 9.92

 

CMYK 43 / 0 / 55 / 8

HEX #86EA6A

RGB 134 234 106

HSL 106.88, 0.75%, 0.67%

LAB 84.46, -52.62, 52.45

 

CMYK 55 / 43 / 0 / 8

HEX #6A86EA

RGB 106 134 234

HSL 226.88, 0.75%, 0.67%

LAB 58.09, 18.49, -53.72

 

CMYK 0 / 55 / 43 / 8

HEX #EB6A85

RGB 235 106 133

HSL 347.44, 0.76%, 0.67%

LAB 61.36, 52.3, 9.92

 

CMYK 0 / 1 / 55 / 8

HEX #EAE86A

RGB 234 232 106

HSL 59.06, 0.75%, 0.67%

LAB 89.97, -15.39, 60.4

 

CMYK 55 / 0 / 12 / 8

HEX #6AEACF

RGB 106 234 207

HSL 167.34, 0.75%, 0.67%

LAB 85.21, -41.89, 2.38

 

CMYK 55 / 53 / 0 / 8

HEX #6A6DEA

RGB 106 109 234

HSL 238.59, 0.75%, 0.67%

LAB 51.77, 33.55, -63.85

 

CMYK 0 / 55 / 43 / 8

HEX #EB6A85

RGB 235 106 133

HSL 347.44, 0.76%, 0.67%

LAB 61.36, 52.3, 9.92

 

CMYK 15 / 0 / 55 / 8

HEX #C6EA6A

RGB 198 234 106

HSL 76.88, 0.75%, 0.67%

LAB 87.92, -30.47, 57.36

 

CMYK 55 / 0 / 12 / 8

HEX #6AEACF

RGB 106 234 207

HSL 167.34, 0.75%, 0.67%

LAB 85.21, -41.89, 2.38

 

CMYK 39 / 55 / 0 / 8

HEX #8F6AEA

RGB 143 106 234

HSL 257.34, 0.75%, 0.67%

LAB 54.12, 43.16, -59.91

 

Description

Color code: HEX #EB6A85 | qconv.com Color code: HEX #EB6A85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 106 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 106 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 43 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 43% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Ispydiy
Link: http://ispydiy.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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