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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5093 it is the complementary color #14AF6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5093. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5093 shade: #F0508E, #FF62A1, #FF74B4, #FF86C7 and #FF98DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5093. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5093 shade: #EB5093, #DA3E80, #C92C6D, #B81A5A and #A70847

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5093 shade: #EA5193, #EA516A and #EA5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5093 shade: #EA5193, #EA51BD, #EA51E6, #C551EA and #9C51EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5093 shade matches the following richer shades: #EA5193 and #FA4191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5093 shade: #EA5193, #DA6195, #CB7097, #BB809A and #AB909C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5093 shade: #EA51E5, #EA51BC, #EA5193, #EA516B and #EA6051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5093 shade: #D11868, #E62C7C, #EA5193, #EE76AA and #F39BC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5093 shade: #EB5093, #EAC651 and #51D1EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5093 shade: #EB5093, #93EA51 and #5193EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5093 shade: #EB5093, #EAC651, #51EAA8 and #5175EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5093 shade: #EB5093, #E0EA51, #51EAA8 and #5B51EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 37 / 8

HEX #EB5093

RGB 235 80 147

HSL 334.06, 0.79%, 0.62%

LAB 57.57, 64.94, -3.73

 

Complementary color

CMYK 89 / 0 / 38 / 31

HEX #14AF6C

RGB 20 175 108

HSL 154.06, 0.79%, 0.38%

LAB 63.25, -52.76, 24.15

 

CMYK 0 / 67 / 41 / 6

HEX #F0508E

RGB 240 80 142

HSL 336.75, 0.84%, 0.63%

LAB 58.24, 65.86, 0.29

 

CMYK 0 / 62 / 37 / 0

HEX #FF62A1

RGB 255 98 161

HSL 335.92, 1%, 0.69%

LAB 63.81, 65.04, -2.29

 

CMYK 0 / 55 / 29 / 0

HEX #FF74B4

RGB 255 116 180

HSL 332.37, 1%, 0.73%

LAB 67.31, 59.37, -7.93

 

CMYK 0 / 47 / 22 / 0

HEX #FF86C7

RGB 255 134 199

HSL 327.77, 1%, 0.76%

LAB 71.17, 53.37, -12.81

 

CMYK 0 / 40 / 15 / 0

HEX #FF98DA

RGB 255 152 218

HSL 321.55, 1%, 0.8%

LAB 75.31, 47.2, -17.06

 

CMYK 0 / 66 / 37 / 8

HEX #EB5093

RGB 235 80 147

HSL 334.06, 0.79%, 0.62%

LAB 57.57, 64.94, -3.73

 

CMYK 0 / 72 / 41 / 15

HEX #DA3E80

RGB 218 62 128

HSL 334.62, 0.68%, 0.55%

LAB 51.73, 64.82, -1.36

 

CMYK 0 / 78 / 46 / 21

HEX #C92C6D

RGB 201 44 109

HSL 335.16, 0.64%, 0.48%

LAB 46.07, 64.14, 1.56

 

CMYK 0 / 86 / 51 / 28

HEX #B81A5A

RGB 184 26 90

HSL 335.7, 0.75%, 0.41%

LAB 40.68, 62.59, 5.24

 

CMYK 0 / 95 / 57 / 35

HEX #A70847

RGB 167 8 71

HSL 336.23, 0.91%, 0.34%

LAB 35.68, 59.83, 9.9

 

CMYK 0 / 65 / 37 / 8

HEX #EA5193

RGB 234 81 147

HSL 334.12, 0.78%, 0.62%

LAB 57.54, 64.26, -3.78

 

CMYK 0 / 65 / 55 / 8

HEX #EA516A

RGB 234 81 106

HSL 350.2, 0.78%, 0.62%

LAB 56.5, 60.53, 18.88

 

CMYK 0 / 65 / 65 / 8

HEX #EA5151

RGB 234 81 81

HSL 0, 0.78%, 0.62%

LAB 56.06, 58.9, 32.85

 

CMYK 0 / 65 / 37 / 8

HEX #EA5193

RGB 234 81 147

HSL 334.12, 0.78%, 0.62%

LAB 57.54, 64.26, -3.78

 

CMYK 0 / 65 / 19 / 8

HEX #EA51BD

RGB 234 81 189

HSL 317.65, 0.78%, 0.62%

LAB 59.02, 69.36, -25.91

 

CMYK 0 / 65 / 2 / 8

HEX #EA51E6

RGB 234 81 230

HSL 301.57, 0.78%, 0.62%

LAB 60.86, 75.42, -46.27

 

CMYK 16 / 65 / 0 / 8

HEX #C551EA

RGB 197 81 234

HSL 285.49, 0.78%, 0.62%

LAB 55.78, 67.83, -56.91

 

CMYK 33 / 65 / 0 / 8

HEX #9C51EA

RGB 156 81 234

HSL 269.41, 0.78%, 0.62%

LAB 50.56, 59.12, -65.58

 

CMYK 0 / 65 / 37 / 8

HEX #EA5193

RGB 234 81 147

HSL 334.12, 0.78%, 0.62%

LAB 57.54, 64.26, -3.78

 

CMYK 0 / 74 / 42 / 2

HEX #FA4191

RGB 250 65 145

HSL 334.05, 0.95%, 0.62%

LAB 58.18, 74.04, -1.36

 

CMYK 0 / 65 / 37 / 8

HEX #EA5193

RGB 234 81 147

HSL 334.12, 0.78%, 0.62%

LAB 57.54, 64.26, -3.78

 

CMYK 0 / 56 / 32 / 15

HEX #DA6195

RGB 218 97 149

HSL 334.21, 0.62%, 0.62%

LAB 57.68, 52.73, -5.03

 

CMYK 0 / 45 / 26 / 20

HEX #CB7097

RGB 203 112 151

HSL 334.29, 0.47%, 0.62%

LAB 58.53, 40.56, -5.17

 

CMYK 0 / 32 / 18 / 27

HEX #BB809A

RGB 187 128 154

HSL 333.56, 0.3%, 0.62%

LAB 60.19, 26.68, -4.65

 

CMYK 0 / 16 / 9 / 33

HEX #AB909C

RGB 171 144 156

HSL 333.33, 0.14%, 0.62%

LAB 62.51, 12.19, -2.56

 

CMYK 0 / 65 / 2 / 8

HEX #EA51E5

RGB 234 81 229

HSL 301.96, 0.78%, 0.62%

LAB 60.81, 75.26, -45.79

 

CMYK 0 / 65 / 20 / 8

HEX #EA51BC

RGB 234 81 188

HSL 318.04, 0.78%, 0.62%

LAB 58.98, 69.23, -25.4

 

CMYK 0 / 65 / 37 / 8

HEX #EA5193

RGB 234 81 147

HSL 334.12, 0.78%, 0.62%

LAB 57.54, 64.26, -3.78

 

CMYK 0 / 65 / 54 / 8

HEX #EA516B

RGB 234 81 107

HSL 349.8, 0.78%, 0.62%

LAB 56.52, 60.61, 18.32

 

CMYK 0 / 59 / 65 / 8

HEX #EA6051

RGB 234 96 81

HSL 5.88, 0.78%, 0.62%

LAB 58.46, 52.48, 35.8

 

CMYK 0 / 89 / 50 / 18

HEX #D11868

RGB 209 24 104

HSL 334.05, 0.79%, 0.46%

LAB 45.92, 70.18, 4.63

 

CMYK 0 / 81 / 46 / 10

HEX #E62C7C

RGB 230 44 124

HSL 334.19, 0.79%, 0.54%

LAB 51.93, 72.86, 1.59

 

CMYK 0 / 65 / 37 / 8

HEX #EA5193

RGB 234 81 147

HSL 334.12, 0.78%, 0.62%

LAB 57.54, 64.26, -3.78

 

CMYK 0 / 50 / 29 / 7

HEX #EE76AA

RGB 238 118 170

HSL 334, 0.78%, 0.7%

LAB 64.99, 51.8, -5.97

 

CMYK 0 / 36 / 21 / 5

HEX #F39BC1

RGB 243 155 193

HSL 334.09, 0.79%, 0.78%

LAB 73.77, 37.91, -5.77

 

CMYK 0 / 66 / 37 / 8

HEX #EB5093

RGB 235 80 147

HSL 334.06, 0.79%, 0.62%

LAB 57.57, 64.94, -3.73

 

CMYK 0 / 15 / 65 / 8

HEX #EAC651

RGB 234 198 81

HSL 45.88, 0.78%, 0.62%

LAB 81, 0.08, 61.4

 

CMYK 65 / 11 / 0 / 8

HEX #51D1EA

RGB 81 209 234

HSL 189.8, 0.78%, 0.62%

LAB 78.05, -27.44, -22.7

 

CMYK 0 / 66 / 37 / 8

HEX #EB5093

RGB 235 80 147

HSL 334.06, 0.79%, 0.62%

LAB 57.57, 64.94, -3.73

 

CMYK 37 / 0 / 65 / 8

HEX #93EA51

RGB 147 234 81

HSL 94.12, 0.78%, 0.62%

LAB 84.81, -50.88, 63.66

 

CMYK 65 / 37 / 0 / 8

HEX #5193EA

RGB 81 147 234

HSL 214.12, 0.78%, 0.62%

LAB 60.39, 6.1, -50.14

 

CMYK 0 / 66 / 37 / 8

HEX #EB5093

RGB 235 80 147

HSL 334.06, 0.79%, 0.62%

LAB 57.57, 64.94, -3.73

 

CMYK 0 / 15 / 65 / 8

HEX #EAC651

RGB 234 198 81

HSL 45.88, 0.78%, 0.62%

LAB 81, 0.08, 61.4

 

CMYK 65 / 0 / 28 / 8

HEX #51EAA8

RGB 81 234 168

HSL 154.12, 0.78%, 0.62%

LAB 83.66, -55.25, 20.49

 

CMYK 65 / 50 / 0 / 8

HEX #5175EA

RGB 81 117 234

HSL 225.88, 0.78%, 0.62%

LAB 52.3, 24.27, -63.08

 

CMYK 0 / 66 / 37 / 8

HEX #EB5093

RGB 235 80 147

HSL 334.06, 0.79%, 0.62%

LAB 57.57, 64.94, -3.73

 

CMYK 4 / 0 / 65 / 8

HEX #E0EA51

RGB 224 234 81

HSL 63.92, 0.78%, 0.62%

LAB 89.53, -22.05, 70.05

 

CMYK 65 / 0 / 28 / 8

HEX #51EAA8

RGB 81 234 168

HSL 154.12, 0.78%, 0.62%

LAB 83.66, -55.25, 20.49

 

CMYK 61 / 65 / 0 / 8

HEX #5B51EA

RGB 91 81 234

HSL 243.92, 0.78%, 0.62%

LAB 44.3, 47.57, -76.04

 

Description

Color code: HEX #EB5093 | qconv.com Color code: HEX #EB5093 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 80 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 80 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 37 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 37% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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