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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5537 it is the complementary color #14AAC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5537. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5537 shade: #F05532, #FF6745, #FF7958, #FF8B6B and #FF9D7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5537. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5537 shade: #EB5537, #DA4324, #C93111, #B81F00 and #A70D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5537 shade: #EB5537 and #EB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5537 shade: #EB5537, #EB8537, #EBB637, #EBE637 and #BFEB37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5537 shade matches the following richer shades: #EB5537 and #FD4925

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5537 shade: #EB5537, #D96149, #C76D5A, #B6786C and #A4847E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5537 shade: #EB3779, #EB3749, #EB5537, #EB8537 and #EBB537

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5537 shade: #BD2F12, #E23816, #EB5537, #EE755C and #F29582

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5537 shade: #EB5537, #A9EB37 and #3761EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5537 shade: #EB5537, #37EB55 and #5537EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5537 shade: #EB5537, #A9EB37, #37CDEB and #7937EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5537 shade: #EB5537, #73EB37, #37CDEB and #AF37EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

Complementary color

CMYK 90 / 15 / 0 / 22

HEX #14AAC8

RGB 20 170 200

HSL 190, 0.82%, 0.43%

LAB 64.22, -25.02, -25.39

 

CMYK 0 / 65 / 79 / 6

HEX #F05532

RGB 240 85 50

HSL 11.05, 0.86%, 0.57%

LAB 57.32, 57.9, 51.18

 

CMYK 0 / 60 / 73 / 0

HEX #FF6745

RGB 255 103 69

HSL 10.97, 1%, 0.64%

LAB 62.84, 56.04, 48.15

 

CMYK 0 / 53 / 65 / 0

HEX #FF7958

RGB 255 121 88

HSL 11.86, 1%, 0.67%

LAB 66.24, 48.7, 42.11

 

CMYK 0 / 45 / 58 / 0

HEX #FF8B6B

RGB 255 139 107

HSL 12.97, 1%, 0.71%

LAB 70.03, 41.07, 36.59

 

CMYK 0 / 38 / 51 / 0

HEX #FF9D7E

RGB 255 157 126

HSL 14.42, 1%, 0.75%

LAB 74.11, 33.38, 31.64

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 0 / 69 / 83 / 15

HEX #DA4324

RGB 218 67 36

HSL 10.22, 0.72%, 0.5%

LAB 50.74, 57.37, 50.3

 

CMYK 0 / 76 / 92 / 21

HEX #C93111

RGB 201 49 17

HSL 10.43, 0.84%, 0.43%

LAB 45.16, 57.97, 52.44

 

CMYK 0 / 83 / 100 / 28

HEX #B81F00

RGB 184 31 0

HSL 10.11, 1%, 0.36%

LAB 39.87, 57.86, 53.24

 

CMYK 0 / 92 / 100 / 35

HEX #A70D00

RGB 167 13 0

HSL 4.67, 1%, 0.33%

LAB 35.01, 56.67, 49.01

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 0 / 77 / 77 / 8

HEX #EB3737

RGB 235 55 55

HSL 0, 0.82%, 0.57%

LAB 52.59, 67.19, 43.48

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 0 / 43 / 77 / 8

HEX #EB8537

RGB 235 133 55

HSL 26, 0.82%, 0.57%

LAB 65.52, 33.44, 56.69

 

CMYK 0 / 23 / 77 / 8

HEX #EBB637

RGB 235 182 55

HSL 42.33, 0.82%, 0.57%

LAB 76.92, 7.59, 67.59

 

CMYK 0 / 2 / 77 / 8

HEX #EBE637

RGB 235 230 55

HSL 58.33, 0.82%, 0.57%

LAB 89.17, -16.81, 78.81

 

CMYK 19 / 0 / 77 / 8

HEX #BFEB37

RGB 191 235 55

HSL 74.67, 0.82%, 0.57%

LAB 87.37, -36.94, 76

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 0 / 71 / 85 / 1

HEX #FD4925

RGB 253 73 37

HSL 10, 0.98%, 0.57%

LAB 57.83, 66.28, 58.41

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 0 / 55 / 66 / 15

HEX #D96149

RGB 217 97 73

HSL 10, 0.65%, 0.57%

LAB 55.87, 45.48, 36.48

 

CMYK 0 / 45 / 55 / 22

HEX #C76D5A

RGB 199 109 90

HSL 10.46, 0.49%, 0.57%

LAB 55.9, 33.75, 26.4

 

CMYK 0 / 34 / 41 / 29

HEX #B6786C

RGB 182 120 108

HSL 9.73, 0.34%, 0.57%

LAB 56.55, 22.8, 16.56

 

CMYK 0 / 20 / 23 / 36

HEX #A4847E

RGB 164 132 126

HSL 9.47, 0.17%, 0.57%

LAB 57.94, 11.28, 7.87

 

CMYK 0 / 77 / 49 / 8

HEX #EB3779

RGB 235 55 121

HSL 338, 0.82%, 0.57%

LAB 53.79, 70.99, 6.19

 

CMYK 0 / 77 / 69 / 8

HEX #EB3749

RGB 235 55 73

HSL 354, 0.82%, 0.57%

LAB 52.81, 67.91, 33.53

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 0 / 43 / 77 / 8

HEX #EB8537

RGB 235 133 55

HSL 26, 0.82%, 0.57%

LAB 65.52, 33.44, 56.69

 

CMYK 0 / 23 / 77 / 8

HEX #EBB537

RGB 235 181 55

HSL 42, 0.82%, 0.57%

LAB 76.67, 8.12, 67.36

 

CMYK 0 / 75 / 90 / 26

HEX #BD2F12

RGB 189 47 18

HSL 10.18, 0.83%, 0.41%

LAB 42.61, 54.91, 49.21

 

CMYK 0 / 75 / 90 / 11

HEX #E23816

RGB 226 56 22

HSL 10, 0.82%, 0.49%

LAB 50.75, 63.43, 56.75

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 0 / 51 / 61 / 7

HEX #EE755C

RGB 238 117 92

HSL 10.27, 0.81%, 0.65%

LAB 63.07, 44.65, 35.52

 

CMYK 0 / 38 / 46 / 5

HEX #F29582

RGB 242 149 130

HSL 10.18, 0.81%, 0.73%

LAB 70.86, 32.95, 24.87

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 28 / 0 / 77 / 8

HEX #A9EB37

RGB 169 235 55

HSL 82, 0.82%, 0.57%

LAB 86.07, -45.24, 74.32

 

CMYK 77 / 59 / 0 / 8

HEX #3761EB

RGB 55 97 235

HSL 226, 0.82%, 0.57%

LAB 46.12, 33.76, -73.71

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 77 / 0 / 64 / 8

HEX #37EB55

RGB 55 235 85

HSL 130, 0.82%, 0.57%

LAB 82.32, -72.63, 58.52

 

CMYK 64 / 77 / 0 / 8

HEX #5537EB

RGB 85 55 235

HSL 250, 0.82%, 0.57%

LAB 39, 60.84, -85.33

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 28 / 0 / 77 / 8

HEX #A9EB37

RGB 169 235 55

HSL 82, 0.82%, 0.57%

LAB 86.07, -45.24, 74.32

 

CMYK 77 / 13 / 0 / 8

HEX #37CDEB

RGB 55 205 235

HSL 190, 0.82%, 0.57%

LAB 76.36, -28.46, -25.86

 

CMYK 49 / 77 / 0 / 8

HEX #7937EB

RGB 121 55 235

HSL 262, 0.82%, 0.57%

LAB 42.45, 65.15, -79.53

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 51 / 0 / 77 / 8

HEX #73EB37

RGB 115 235 55

HSL 100, 0.82%, 0.57%

LAB 83.62, -62.78, 71.14

 

CMYK 77 / 13 / 0 / 8

HEX #37CDEB

RGB 55 205 235

HSL 190, 0.82%, 0.57%

LAB 76.36, -28.46, -25.86

 

CMYK 26 / 77 / 0 / 8

HEX #AF37EB

RGB 175 55 235

HSL 280, 0.82%, 0.57%

LAB 49.31, 73.58, -68.06

 

Description

Color code: HEX #EB5537 | qconv.com Color code: HEX #EB5537 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 85 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 85 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 77% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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