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Color name
HEX #EB419A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB419A it is the complementary color #14BE65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB419A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB419A shade: #F04195, #FF53A8, #FF65BB, #FF77CE and #FF89E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB419A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB419A shade: #EB419A, #DA2F87, #C91D74, #B80B61 and #A7004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB419A shade: #EB419A, #EB416C and #EB4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB419A shade: #EB419A, #EB41C8, #E041EB, #B241EB and #8541EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB419A shade matches the following richer shades: #EB419A and #FC309B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB419A shade: #EB419A, #DA5299, #C96398, #B87498 and #A78597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB419A shade: #DF41EB, #EB41C9, #EB419C, #EB416E and #EB4141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB419A shade: #C51471, #E71C86, #EB419A, #EF67AE and #F28CC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB419A shade: #EB419A, #EBB241 and #41DFEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB419A shade: #EB419A, #9CEB41 and #419CEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB419A shade: #EB419A, #EBB241, #41EB90 and #417AEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB419A shade: #EB419A, #EBE541, #41EB90 and #4147EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 34 / 8

HEX #EB419A

RGB 235 65 154

HSL 328.59, 0.81%, 0.59%

LAB 55.86, 71.04, -10.37

 

Complementary color

CMYK 89 / 0 / 47 / 25

HEX #14BE65

RGB 20 190 101

HSL 148.59, 0.81%, 0.41%

LAB 67.96, -59.37, 33.94

 

CMYK 0 / 73 / 38 / 6

HEX #F04195

RGB 240 65 149

HSL 331.2, 0.85%, 0.6%

LAB 56.56, 71.82, -6.29

 

CMYK 0 / 67 / 34 / 0

HEX #FF53A8

RGB 255 83 168

HSL 330.35, 1%, 0.66%

LAB 61.89, 71.63, -9.16

 

CMYK 0 / 60 / 27 / 0

HEX #FF65BB

RGB 255 101 187

HSL 326.49, 1%, 0.7%

LAB 65.09, 66.8, -15.23

 

CMYK 0 / 53 / 19 / 0

HEX #FF77CE

RGB 255 119 206

HSL 321.62, 1%, 0.73%

LAB 68.69, 61.44, -20.47

 

CMYK 0 / 46 / 12 / 0

HEX #FF89E1

RGB 255 137 225

HSL 315.25, 1%, 0.77%

LAB 72.62, 55.75, -24.99

 

CMYK 0 / 72 / 34 / 8

HEX #EB419A

RGB 235 65 154

HSL 328.59, 0.81%, 0.59%

LAB 55.86, 71.04, -10.37

 

CMYK 0 / 78 / 38 / 15

HEX #DA2F87

RGB 218 47 135

HSL 329.12, 0.7%, 0.52%

LAB 50.32, 70.13, -7.67

 

CMYK 0 / 86 / 42 / 21

HEX #C91D74

RGB 201 29 116

HSL 329.65, 0.75%, 0.45%

LAB 45.02, 68.39, -4.3

 

CMYK 0 / 94 / 47 / 28

HEX #B80B61

RGB 184 11 97

HSL 330.17, 0.89%, 0.38%

LAB 40.07, 65.52, -0.08

 

CMYK 0 / 100 / 53 / 35

HEX #A7004E

RGB 167 0 78

HSL 331.98, 1%, 0.33%

LAB 35.53, 61.32, 5.12

 

CMYK 0 / 72 / 34 / 8

HEX #EB419A

RGB 235 65 154

HSL 328.59, 0.81%, 0.59%

LAB 55.86, 71.04, -10.37

 

CMYK 0 / 72 / 54 / 8

HEX #EB416C

RGB 235 65 108

HSL 344.82, 0.81%, 0.59%

LAB 54.58, 66.87, 15.09

 

CMYK 0 / 72 / 72 / 8

HEX #EB4141

RGB 235 65 65

HSL 0, 0.81%, 0.59%

LAB 53.84, 64.39, 39.32

 

CMYK 0 / 72 / 34 / 8

HEX #EB419A

RGB 235 65 154

HSL 328.59, 0.81%, 0.59%

LAB 55.86, 71.04, -10.37

 

CMYK 0 / 72 / 15 / 8

HEX #EB41C8

RGB 235 65 200

HSL 312.35, 0.81%, 0.59%

LAB 57.67, 76.66, -34.3

 

CMYK 5 / 72 / 0 / 8

HEX #E041EB

RGB 224 65 235

HSL 296.12, 0.81%, 0.59%

LAB 57.68, 79.55, -54.21

 

CMYK 24 / 72 / 0 / 8

HEX #B241EB

RGB 178 65 235

HSL 279.88, 0.81%, 0.59%

LAB 50.97, 70.55, -65.34

 

CMYK 43 / 72 / 0 / 8

HEX #8541EB

RGB 133 65 235

HSL 264, 0.81%, 0.59%

LAB 45.31, 62.61, -74.8

 

CMYK 0 / 72 / 34 / 8

HEX #EB419A

RGB 235 65 154

HSL 328.59, 0.81%, 0.59%

LAB 55.86, 71.04, -10.37

 

CMYK 0 / 81 / 38 / 1

HEX #FC309B

RGB 252 48 155

HSL 328.53, 0.97%, 0.59%

LAB 57.25, 80, -8.58

 

CMYK 0 / 72 / 34 / 8

HEX #EB419A

RGB 235 65 154

HSL 328.59, 0.81%, 0.59%

LAB 55.86, 71.04, -10.37

 

CMYK 0 / 62 / 30 / 15

HEX #DA5299

RGB 218 82 153

HSL 328.68, 0.65%, 0.59%

LAB 55.32, 59.9, -10.89

 

CMYK 0 / 51 / 24 / 21

HEX #C96398

RGB 201 99 152

HSL 328.82, 0.49%, 0.59%

LAB 55.69, 46.67, -10

 

CMYK 0 / 37 / 17 / 28

HEX #B87498

RGB 184 116 152

HSL 328.24, 0.32%, 0.59%

LAB 57.02, 31.91, -8.24

 

CMYK 0 / 20 / 10 / 35

HEX #A78597

RGB 167 133 151

HSL 328.24, 0.16%, 0.59%

LAB 59.18, 16.03, -4.66

 

CMYK 5 / 72 / 0 / 8

HEX #DF41EB

RGB 223 65 235

HSL 295.76, 0.81%, 0.59%

LAB 57.53, 79.35, -54.46

 

CMYK 0 / 72 / 14 / 8

HEX #EB41C9

RGB 235 65 201

HSL 312, 0.81%, 0.59%

LAB 57.71, 76.8, -34.8

 

CMYK 0 / 72 / 34 / 8

HEX #EB419C

RGB 235 65 156

HSL 327.88, 0.81%, 0.59%

LAB 55.93, 71.25, -11.45

 

CMYK 0 / 72 / 53 / 8

HEX #EB416E

RGB 235 65 110

HSL 344.12, 0.81%, 0.59%

LAB 54.63, 67.02, 13.96

 

CMYK 0 / 72 / 72 / 8

HEX #EB4141

RGB 235 65 65

HSL 0, 0.81%, 0.59%

LAB 53.84, 64.39, 39.32

 

CMYK 0 / 90 / 43 / 23

HEX #C51471

RGB 197 20 113

HSL 328.47, 0.82%, 0.43%

LAB 43.6, 68.75, -4.63

 

CMYK 0 / 88 / 42 / 9

HEX #E71C86

RGB 231 28 134

HSL 328.67, 0.81%, 0.51%

LAB 51.31, 77.14, -5.32

 

CMYK 0 / 72 / 34 / 8

HEX #EB419A

RGB 235 65 154

HSL 328.59, 0.81%, 0.59%

LAB 55.86, 71.04, -10.37

 

CMYK 0 / 57 / 27 / 6

HEX #EF67AE

RGB 239 103 174

HSL 328.68, 0.81%, 0.67%

LAB 62.6, 59.63, -11.8

 

CMYK 0 / 42 / 20 / 5

HEX #F28CC2

RGB 242 140 194

HSL 328.24, 0.8%, 0.75%

LAB 70.54, 45.46, -11.14

 

CMYK 0 / 72 / 34 / 8

HEX #EB419A

RGB 235 65 154

HSL 328.59, 0.81%, 0.59%

LAB 55.86, 71.04, -10.37

 

CMYK 0 / 24 / 72 / 8

HEX #EBB241

RGB 235 178 65

HSL 39.88, 0.81%, 0.59%

LAB 76, 10.12, 62.9

 

CMYK 72 / 5 / 0 / 8

HEX #41DFEB

RGB 65 223 235

HSL 184.24, 0.81%, 0.59%

LAB 81.78, -35.97, -17.61

 

CMYK 0 / 72 / 34 / 8

HEX #EB419A

RGB 235 65 154

HSL 328.59, 0.81%, 0.59%

LAB 55.86, 71.04, -10.37

 

CMYK 34 / 0 / 72 / 8

HEX #9CEB41

RGB 156 235 65

HSL 87.88, 0.81%, 0.59%

LAB 85.44, -49.35, 70.31

 

CMYK 72 / 34 / 0 / 8

HEX #419CEB

RGB 65 156 235

HSL 207.88, 0.81%, 0.59%

LAB 62.42, -1.17, -47.51

 

CMYK 0 / 72 / 34 / 8

HEX #EB419A

RGB 235 65 154

HSL 328.59, 0.81%, 0.59%

LAB 55.86, 71.04, -10.37

 

CMYK 0 / 24 / 72 / 8

HEX #EBB241

RGB 235 178 65

HSL 39.88, 0.81%, 0.59%

LAB 76, 10.12, 62.9

 

CMYK 72 / 0 / 39 / 8

HEX #41EB90

RGB 65 235 144

HSL 147.88, 0.81%, 0.59%

LAB 83.21, -62.79, 32.1

 

CMYK 72 / 48 / 0 / 8

HEX #417AEB

RGB 65 122 235

HSL 219.88, 0.81%, 0.59%

LAB 52.99, 19.23, -62.55

 

CMYK 0 / 72 / 34 / 8

HEX #EB419A

RGB 235 65 154

HSL 328.59, 0.81%, 0.59%

LAB 55.86, 71.04, -10.37

 

CMYK 0 / 3 / 72 / 8

HEX #EBE541

RGB 235 229 65

HSL 57.88, 0.81%, 0.59%

LAB 88.96, -15.93, 75.5

 

CMYK 72 / 0 / 39 / 8

HEX #41EB90

RGB 65 235 144

HSL 147.88, 0.81%, 0.59%

LAB 83.21, -62.79, 32.1

 

CMYK 72 / 70 / 0 / 8

HEX #4147EB

RGB 65 71 235

HSL 237.88, 0.81%, 0.59%

LAB 40.62, 50.49, -82.71

 

Description

Color code: HEX #EB419A | qconv.com Color code: HEX #EB419A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 65 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 65 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 34 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 34% 8% C M Y K

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