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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB49F1 it is the complementary color #14B60E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB49F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB49F1 shade: #F049EC, #FF5BFF, #FF6DFF, #FF7FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB49F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB49F1 shade: #EB49F1, #DA37DE, #C925CB, #B813B8 and #A701A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB49F1 shade: #EB4AF1, #F14ACA, #F14A9D, #F14A70 and #F14A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB49F1 shade: #EB4AF1, #BE4AF1, #914AF1, #644AF1 and #4A4AF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB49F1 shade matches the following richer shades: #EB4AF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB49F1 shade: #EB4AF1, #DC5AE1, #CE6AD2, #BF79C2 and #B189B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB49F1 shade: #904AF1, #BC4AF1, #E94AF1, #F14ACD and #F14AA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB49F1 shade: #D210D9, #E724EE, #EB4AF1, #EF71F4 and #F397F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB49F1 shade: #EB49F1, #F1634A and #4AF1A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB49F1 shade: #EB49F1, #F1E94A and #4AF1E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB49F1 shade: #EB49F1, #F1634A, #53F14A and #4AD8F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB49F1 shade: #EB49F1, #F1954A, #53F14A and #4AA6F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 70 / 0 / 5

HEX #EB49F1

RGB 235 73 241

HSL 297.86, 0.86%, 0.62%

LAB 60.59, 80.19, -52.83

 

Complementary color

CMYK 89 / 0 / 92 / 29

HEX #14B60E

RGB 20 182 14

HSL 117.86, 0.86%, 0.38%

LAB 64.67, -65.49, 62.95

 

CMYK 0 / 70 / 2 / 6

HEX #F049EC

RGB 240 73 236

HSL 301.44, 0.85%, 0.61%

LAB 61.09, 80.46, -49.21

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 2 / 70 / 0 / 5

HEX #EB49F1

RGB 235 73 241

HSL 297.86, 0.86%, 0.62%

LAB 60.59, 80.19, -52.83

 

CMYK 2 / 75 / 0 / 13

HEX #DA37DE

RGB 218 55 222

HSL 298.56, 0.72%, 0.54%

LAB 54.98, 79.26, -51.24

 

CMYK 1 / 82 / 0 / 20

HEX #C925CB

RGB 201 37 203

HSL 299.28, 0.69%, 0.47%

LAB 49.56, 77.59, -49.2

 

CMYK 0 / 90 / 0 / 28

HEX #B813B8

RGB 184 19 184

HSL 300, 0.81%, 0.4%

LAB 44.4, 74.91, -46.54

 

CMYK 0 / 99 / 1 / 35

HEX #A701A5

RGB 167 1 165

HSL 300.72, 0.99%, 0.33%

LAB 39.5, 71.16, -43.26

 

CMYK 2 / 69 / 0 / 5

HEX #EB4AF1

RGB 235 74 241

HSL 297.84, 0.86%, 0.62%

LAB 60.7, 79.86, -52.65

 

CMYK 0 / 69 / 16 / 5

HEX #F14ACA

RGB 241 74 202

HSL 314.01, 0.86%, 0.62%

LAB 59.76, 75.4, -32.1

 

CMYK 0 / 69 / 35 / 5

HEX #F14A9D

RGB 241 74 157

HSL 330.18, 0.86%, 0.62%

LAB 58.07, 69.89, -8.73

 

CMYK 0 / 69 / 54 / 5

HEX #F14A70

RGB 241 74 112

HSL 346.35, 0.86%, 0.62%

LAB 56.85, 65.77, 16.01

 

CMYK 0 / 69 / 69 / 5

HEX #F14A4A

RGB 241 74 74

HSL 0, 0.86%, 0.62%

LAB 56.18, 63.45, 37.25

 

CMYK 2 / 69 / 0 / 5

HEX #EB4AF1

RGB 235 74 241

HSL 297.84, 0.86%, 0.62%

LAB 60.7, 79.86, -52.65

 

CMYK 21 / 69 / 0 / 5

HEX #BE4AF1

RGB 190 74 241

HSL 281.68, 0.86%, 0.62%

LAB 54.23, 70.59, -63.36

 

CMYK 40 / 69 / 0 / 5

HEX #914AF1

RGB 145 74 241

HSL 265.51, 0.86%, 0.62%

LAB 48.6, 62.01, -72.76

 

CMYK 59 / 69 / 0 / 5

HEX #644AF1

RGB 100 74 241

HSL 249.34, 0.86%, 0.62%

LAB 44.17, 54.82, -80.17

 

CMYK 69 / 69 / 0 / 5

HEX #4A4AF1

RGB 74 74 241

HSL 240, 0.86%, 0.62%

LAB 42.31, 51.63, -83.29

 

CMYK 2 / 69 / 0 / 5

HEX #EB4AF1

RGB 235 74 241

HSL 297.84, 0.86%, 0.62%

LAB 60.7, 79.86, -52.65

 

CMYK 2 / 69 / 0 / 5

HEX #EB4AF1

RGB 235 74 241

HSL 297.84, 0.86%, 0.62%

LAB 60.7, 79.86, -52.65

 

CMYK 2 / 60 / 0 / 12

HEX #DC5AE1

RGB 220 90 225

HSL 297.78, 0.69%, 0.62%

LAB 59.86, 67.75, -45.19

 

CMYK 2 / 50 / 0 / 18

HEX #CE6AD2

RGB 206 106 210

HSL 297.69, 0.54%, 0.62%

LAB 59.96, 54.13, -36.71

 

CMYK 2 / 38 / 0 / 24

HEX #BF79C2

RGB 191 121 194

HSL 297.53, 0.37%, 0.62%

LAB 60.47, 38.94, -27.02

 

CMYK 1 / 23 / 0 / 30

HEX #B189B2

RGB 177 137 178

HSL 298.54, 0.21%, 0.62%

LAB 62.04, 22.38, -15.67

 

CMYK 40 / 69 / 0 / 5

HEX #904AF1

RGB 144 74 241

HSL 265.15, 0.86%, 0.62%

LAB 48.48, 61.83, -72.95

 

CMYK 22 / 69 / 0 / 5

HEX #BC4AF1

RGB 188 74 241

HSL 280.96, 0.86%, 0.62%

LAB 53.96, 70.19, -63.81

 

CMYK 3 / 69 / 0 / 5

HEX #E94AF1

RGB 233 74 241

HSL 297.13, 0.86%, 0.62%

LAB 60.4, 79.44, -53.14

 

CMYK 0 / 69 / 15 / 5

HEX #F14ACD

RGB 241 74 205

HSL 312.93, 0.86%, 0.62%

LAB 59.89, 75.81, -33.61

 

CMYK 0 / 69 / 34 / 5

HEX #F14AA0

RGB 241 74 160

HSL 329.1, 0.86%, 0.62%

LAB 58.17, 70.22, -10.33

 

CMYK 3 / 93 / 0 / 15

HEX #D210D9

RGB 210 16 217

HSL 297.91, 0.86%, 0.46%

LAB 50.78, 84.6, -55.19

 

CMYK 3 / 85 / 0 / 7

HEX #E724EE

RGB 231 36 238

HSL 297.92, 0.86%, 0.54%

LAB 56.51, 88.43, -57.7

 

CMYK 2 / 69 / 0 / 5

HEX #EB4AF1

RGB 235 74 241

HSL 297.84, 0.86%, 0.62%

LAB 60.7, 79.86, -52.65

 

CMYK 2 / 54 / 0 / 4

HEX #EF71F4

RGB 239 113 244

HSL 297.71, 0.86%, 0.7%

LAB 67.05, 65.73, -44.25

 

CMYK 2 / 39 / 0 / 3

HEX #F397F7

RGB 243 151 247

HSL 297.5, 0.86%, 0.78%

LAB 74.76, 48.88, -33.83

 

CMYK 2 / 70 / 0 / 5

HEX #EB49F1

RGB 235 73 241

HSL 297.86, 0.86%, 0.62%

LAB 60.59, 80.19, -52.83

 

CMYK 0 / 59 / 69 / 5

HEX #F1634A

RGB 241 99 74

HSL 8.98, 0.86%, 0.62%

LAB 60, 53.19, 41.72

 

CMYK 69 / 0 / 31 / 5

HEX #4AF1A6

RGB 74 241 166

HSL 153.05, 0.86%, 0.62%

LAB 85.56, -59.49, 24.11

 

CMYK 2 / 70 / 0 / 5

HEX #EB49F1

RGB 235 73 241

HSL 297.86, 0.86%, 0.62%

LAB 60.59, 80.19, -52.83

 

CMYK 0 / 3 / 69 / 5

HEX #F1E94A

RGB 241 233 74

HSL 57.13, 0.86%, 0.62%

LAB 90.54, -15.01, 74.09

 

CMYK 69 / 0 / 3 / 5

HEX #4AF1E9

RGB 74 241 233

HSL 177.13, 0.86%, 0.62%

LAB 87.12, -43.6, -8.55

 

CMYK 2 / 70 / 0 / 5

HEX #EB49F1

RGB 235 73 241

HSL 297.86, 0.86%, 0.62%

LAB 60.59, 80.19, -52.83

 

CMYK 0 / 59 / 69 / 5

HEX #F1634A

RGB 241 99 74

HSL 8.98, 0.86%, 0.62%

LAB 60, 53.19, 41.72

 

CMYK 66 / 0 / 69 / 5

HEX #53F14A

RGB 83 241 74

HSL 116.77, 0.86%, 0.62%

LAB 84.61, -71.03, 65.43

 

CMYK 69 / 10 / 0 / 5

HEX #4AD8F1

RGB 74 216 241

HSL 188.98, 0.86%, 0.62%

LAB 80.13, -29.77, -23.28

 

CMYK 2 / 70 / 0 / 5

HEX #EB49F1

RGB 235 73 241

HSL 297.86, 0.86%, 0.62%

LAB 60.59, 80.19, -52.83

 

CMYK 0 / 38 / 69 / 5

HEX #F1954A

RGB 241 149 74

HSL 26.95, 0.86%, 0.62%

LAB 69.96, 28.38, 52.88

 

CMYK 66 / 0 / 69 / 5

HEX #53F14A

RGB 83 241 74

HSL 116.77, 0.86%, 0.62%

LAB 84.61, -71.03, 65.43

 

CMYK 69 / 31 / 0 / 5

HEX #4AA6F1

RGB 74 166 241

HSL 206.95, 0.86%, 0.62%

LAB 65.81, -3.58, -45.45

 

Description

Color code: HEX #EB49F1 | qconv.com Color code: HEX #EB49F1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 73 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 73 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 70 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 70% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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