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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3CC1 it is the complementary color #14C33E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB3CC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3CC1 shade: #F03CBC, #FF4ECF, #FF60E2, #FF72F5 and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB3CC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3CC1 shade: #EB3CC1, #DA2AAE, #C9189B, #B80688 and #A70075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3CC1 shade: #EA3DC1, #EA3D92, #EA3D63 and #EA3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3CC1 shade: #EA3DC1, #E53DEA, #B63DEA, #873DEA and #593DEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3CC1 shade matches the following richer shades: #EA3DC1 and #FB2BCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3CC1 shade: #EA3DC1, #D94EB7, #C75FAE, #B671A5 and #A5829C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3CC1 shade: #B63DEA, #E43DEA, #EA3DC2, #EA3D93 and #EA3D65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3CC1 shade: #C11497, #E618B4, #EA3DC1, #EE62CC and #F287D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3CC1 shade: #EB3CC1, #EA883D and #3DEACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3CC1 shade: #EB3CC1, #C2EA3D and #3DC2EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3CC1 shade: #EB3CC1, #EA883D, #3DEA65 and #3D9FEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3CC1 shade: #EB3CC1, #EABC3D, #3DEA65 and #3D6BEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 18 / 8

HEX #EB3CC1

RGB 235 60 193

HSL 314.4, 0.81%, 0.58%

LAB 56.83, 77.24, -31.6

 

Complementary color

CMYK 90 / 0 / 68 / 24

HEX #14C33E

RGB 20 195 62

HSL 134.4, 0.81%, 0.42%

LAB 69.13, -66.25, 53.36

 

CMYK 0 / 75 / 22 / 6

HEX #F03CBC

RGB 240 60 188

HSL 317.33, 0.86%, 0.59%

LAB 57.45, 77.74, -27.68

 

CMYK 0 / 69 / 19 / 0

HEX #FF4ECF

RGB 255 78 207

HSL 316.27, 1%, 0.65%

LAB 62.69, 78.06, -30.23

 

CMYK 0 / 62 / 11 / 0

HEX #FF60E2

RGB 255 96 226

HSL 310.94, 1%, 0.69%

LAB 65.84, 74.13, -36.01

 

CMYK 0 / 55 / 4 / 0

HEX #FF72F5

RGB 255 114 245

HSL 304.26, 1%, 0.72%

LAB 69.39, 69.59, -40.98

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 74 / 18 / 8

HEX #EB3CC1

RGB 235 60 193

HSL 314.4, 0.81%, 0.58%

LAB 56.83, 77.24, -31.6

 

CMYK 0 / 81 / 20 / 15

HEX #DA2AAE

RGB 218 42 174

HSL 315, 0.7%, 0.51%

LAB 51.4, 75.81, -29.22

 

CMYK 0 / 88 / 23 / 21

HEX #C9189B

RGB 201 24 155

HSL 315.59, 0.79%, 0.44%

LAB 46.23, 73.46, -26.22

 

CMYK 0 / 97 / 26 / 28

HEX #B80688

RGB 184 6 136

HSL 316.18, 0.94%, 0.37%

LAB 41.37, 69.95, -22.48

 

CMYK 0 / 100 / 30 / 35

HEX #A70075

RGB 167 0 117

HSL 317.96, 1%, 0.33%

LAB 36.93, 64.96, -17.8

 

CMYK 0 / 74 / 18 / 8

HEX #EA3DC1

RGB 234 61 193

HSL 314.22, 0.8%, 0.58%

LAB 56.76, 76.72, -31.71

 

CMYK 0 / 74 / 38 / 8

HEX #EA3D92

RGB 234 61 146

HSL 330.52, 0.8%, 0.58%

LAB 54.97, 71.22, -6.99

 

CMYK 0 / 74 / 58 / 8

HEX #EA3D63

RGB 234 61 99

HSL 346.82, 0.8%, 0.58%

LAB 53.74, 67.26, 19.29

 

CMYK 0 / 74 / 74 / 8

HEX #EA3D3D

RGB 234 61 61

HSL 0, 0.8%, 0.58%

LAB 53.13, 65.26, 40.71

 

CMYK 0 / 74 / 18 / 8

HEX #EA3DC1

RGB 234 61 193

HSL 314.22, 0.8%, 0.58%

LAB 56.76, 76.72, -31.71

 

CMYK 2 / 74 / 0 / 8

HEX #E53DEA

RGB 229 61 234

HSL 298.27, 0.8%, 0.58%

LAB 57.98, 81.6, -53.13

 

CMYK 22 / 74 / 0 / 8

HEX #B63DEA

RGB 182 61 234

HSL 281.97, 0.8%, 0.58%

LAB 50.95, 72.57, -64.79

 

CMYK 42 / 74 / 0 / 8

HEX #873DEA

RGB 135 61 234

HSL 265.66, 0.8%, 0.58%

LAB 44.84, 64.44, -74.99

 

CMYK 62 / 74 / 0 / 8

HEX #593DEA

RGB 89 61 234

HSL 249.71, 0.8%, 0.58%

LAB 40.25, 58.08, -82.7

 

CMYK 0 / 74 / 18 / 8

HEX #EA3DC1

RGB 234 61 193

HSL 314.22, 0.8%, 0.58%

LAB 56.76, 76.72, -31.71

 

CMYK 0 / 83 / 20 / 2

HEX #FB2BCA

RGB 251 43 202

HSL 314.13, 0.96%, 0.58%

LAB 58.51, 85.95, -33.93

 

CMYK 0 / 74 / 18 / 8

HEX #EA3DC1

RGB 234 61 193

HSL 314.22, 0.8%, 0.58%

LAB 56.76, 76.72, -31.71

 

CMYK 0 / 64 / 16 / 15

HEX #D94EB7

RGB 217 78 183

HSL 314.68, 0.65%, 0.58%

LAB 55.7, 65.27, -27.8

 

CMYK 0 / 52 / 13 / 22

HEX #C75FAE

RGB 199 95 174

HSL 314.42, 0.48%, 0.58%

LAB 55.46, 51.32, -23.18

 

CMYK 0 / 38 / 9 / 29

HEX #B671A5

RGB 182 113 165

HSL 314.78, 0.32%, 0.58%

LAB 56.56, 35.05, -16.49

 

CMYK 0 / 21 / 5 / 35

HEX #A5829C

RGB 165 130 156

HSL 315.43, 0.16%, 0.58%

LAB 58.38, 17.92, -8.74

 

CMYK 22 / 74 / 0 / 8

HEX #B63DEA

RGB 182 61 234

HSL 281.97, 0.8%, 0.58%

LAB 50.95, 72.57, -64.79

 

CMYK 3 / 74 / 0 / 8

HEX #E43DEA

RGB 228 61 234

HSL 297.92, 0.8%, 0.58%

LAB 57.82, 81.4, -53.39

 

CMYK 0 / 74 / 17 / 8

HEX #EA3DC2

RGB 234 61 194

HSL 313.87, 0.8%, 0.58%

LAB 56.81, 76.85, -32.21

 

CMYK 0 / 74 / 37 / 8

HEX #EA3D93

RGB 234 61 147

HSL 330.17, 0.8%, 0.58%

LAB 55.01, 71.32, -7.54

 

CMYK 0 / 74 / 57 / 8

HEX #EA3D65

RGB 234 61 101

HSL 346.13, 0.8%, 0.58%

LAB 53.78, 67.4, 18.15

 

CMYK 0 / 90 / 22 / 24

HEX #C11497

RGB 193 20 151

HSL 314.57, 0.81%, 0.42%

LAB 44.34, 71.94, -26.87

 

CMYK 0 / 90 / 22 / 10

HEX #E618B4

RGB 230 24 180

HSL 314.56, 0.81%, 0.5%

LAB 52.7, 82.28, -30.55

 

CMYK 0 / 74 / 18 / 8

HEX #EA3DC1

RGB 234 61 193

HSL 314.22, 0.8%, 0.58%

LAB 56.76, 76.72, -31.71

 

CMYK 0 / 59 / 14 / 7

HEX #EE62CC

RGB 238 98 204

HSL 314.57, 0.8%, 0.66%

LAB 62.74, 65.66, -28.67

 

CMYK 0 / 44 / 11 / 5

HEX #F287D8

RGB 242 135 216

HSL 314.58, 0.8%, 0.74%

LAB 70.29, 51.37, -23.73

 

CMYK 0 / 74 / 18 / 8

HEX #EB3CC1

RGB 235 60 193

HSL 314.4, 0.81%, 0.58%

LAB 56.83, 77.24, -31.6

 

CMYK 0 / 42 / 74 / 8

HEX #EA883D

RGB 234 136 61

HSL 26.01, 0.8%, 0.58%

LAB 66.09, 31.72, 54.54

 

CMYK 74 / 0 / 12 / 8

HEX #3DEACD

RGB 61 234 205

HSL 169.94, 0.8%, 0.58%

LAB 84.09, -49.49, 1.68

 

CMYK 0 / 74 / 18 / 8

HEX #EB3CC1

RGB 235 60 193

HSL 314.4, 0.81%, 0.58%

LAB 56.83, 77.24, -31.6

 

CMYK 17 / 0 / 74 / 8

HEX #C2EA3D

RGB 194 234 61

HSL 73.87, 0.8%, 0.58%

LAB 87.32, -35.05, 74.19

 

CMYK 74 / 17 / 0 / 8

HEX #3DC2EA

RGB 61 194 234

HSL 193.87, 0.8%, 0.58%

LAB 73.23, -22.62, -30.11

 

CMYK 0 / 74 / 18 / 8

HEX #EB3CC1

RGB 235 60 193

HSL 314.4, 0.81%, 0.58%

LAB 56.83, 77.24, -31.6

 

CMYK 0 / 42 / 74 / 8

HEX #EA883D

RGB 234 136 61

HSL 26.01, 0.8%, 0.58%

LAB 66.09, 31.72, 54.54

 

CMYK 74 / 0 / 57 / 8

HEX #3DEA65

RGB 61 234 101

HSL 133.87, 0.8%, 0.58%

LAB 82.26, -69.65, 51.58

 

CMYK 74 / 32 / 0 / 8

HEX #3D9FEA

RGB 61 159 234

HSL 206.01, 0.8%, 0.58%

LAB 63.12, -3.75, -45.87

 

CMYK 0 / 74 / 18 / 8

HEX #EB3CC1

RGB 235 60 193

HSL 314.4, 0.81%, 0.58%

LAB 56.83, 77.24, -31.6

 

CMYK 0 / 20 / 74 / 8

HEX #EABC3D

RGB 234 188 61

HSL 44.05, 0.8%, 0.58%

LAB 78.34, 4.27, 66.72

 

CMYK 74 / 0 / 57 / 8

HEX #3DEA65

RGB 61 234 101

HSL 133.87, 0.8%, 0.58%

LAB 82.26, -69.65, 51.58

 

CMYK 74 / 54 / 0 / 8

HEX #3D6BEA

RGB 61 107 234

HSL 224.05, 0.8%, 0.58%

LAB 48.82, 27.76, -68.75

 

Description

Color code: HEX #EB3CC1 | qconv.com Color code: HEX #EB3CC1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 60 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 60 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 18 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 18% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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