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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB32C4 it is the complementary color #14CD3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB32C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB32C4 shade: #F032BF, #FF44D2, #FF56E5, #FF68F8 and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB32C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB32C4 shade: #EB32C4, #DA20B1, #C90E9E, #B8008B and #A70078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB32C4 shade: #EA32C4, #EA3292, #EA3260 and #EA3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB32C4 shade: #EA32C4, #DF32EA, #AE32EA, #7C32EA and #4B32EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB32C4 shade matches the following richer shades: #EA32C4 and #FC20CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB32C4 shade: #EA32C4, #D844B9, #C657AF, #B469A4 and #A27B9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB32C4 shade: #AD32EA, #DE32EA, #EA32C6, #EA3294 and #EA3263

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB32C4 shade: #B81295, #DE15B4, #EA32C4, #EE58CE and #F27DD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB32C4 shade: #EB32C4, #EA7C32 and #32EAC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB32C4 shade: #EB32C4, #C6EA32 and #32C6EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB32C4 shade: #EB32C4, #EA7C32, #32EA57 and #32A1EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB32C4 shade: #EB32C4, #EAB332, #32EA57 and #3269EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 17 / 8

HEX #EB32C4

RGB 235 50 196

HSL 312.65, 0.82%, 0.56%

LAB 56.02, 80.33, -34.58

 

Complementary color

CMYK 90 / 0 / 71 / 20

HEX #14CD3B

RGB 20 205 59

HSL 132.65, 0.82%, 0.44%

LAB 72.31, -69.49, 57.87

 

CMYK 0 / 79 / 20 / 6

HEX #F032BF

RGB 240 50 191

HSL 315.47, 0.86%, 0.57%

LAB 56.65, 80.77, -30.65

 

CMYK 0 / 73 / 18 / 0

HEX #FF44D2

RGB 255 68 210

HSL 314.44, 1%, 0.63%

LAB 61.7, 81.61, -33.47

 

CMYK 0 / 66 / 10 / 0

HEX #FF56E5

RGB 255 86 229

HSL 309.23, 1%, 0.67%

LAB 64.62, 78.31, -39.58

 

CMYK 0 / 59 / 3 / 0

HEX #FF68F8

RGB 255 104 248

HSL 302.78, 1%, 0.7%

LAB 67.97, 74.3, -44.84

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 79 / 17 / 8

HEX #EB32C4

RGB 235 50 196

HSL 312.65, 0.82%, 0.56%

LAB 56.02, 80.33, -34.58

 

CMYK 0 / 85 / 19 / 15

HEX #DA20B1

RGB 218 32 177

HSL 313.23, 0.74%, 0.49%

LAB 50.82, 78.27, -31.89

 

CMYK 0 / 93 / 21 / 21

HEX #C90E9E

RGB 201 14 158

HSL 313.8, 0.87%, 0.42%

LAB 45.91, 75.16, -28.52

 

CMYK 0 / 100 / 24 / 28

HEX #B8008B

RGB 184 0 139

HSL 314.67, 1%, 0.36%

LAB 41.3, 70.9, -24.43

 

CMYK 0 / 100 / 28 / 35

HEX #A70078

RGB 167 0 120

HSL 316.89, 1%, 0.33%

LAB 37.06, 65.3, -19.48

 

CMYK 0 / 79 / 16 / 8

HEX #EA32C4

RGB 234 50 196

HSL 312.39, 0.81%, 0.56%

LAB 55.85, 80.12, -34.86

 

CMYK 0 / 79 / 38 / 8

HEX #EA3292

RGB 234 50 146

HSL 328.7, 0.81%, 0.56%

LAB 53.87, 74.36, -8.65

 

CMYK 0 / 79 / 59 / 8

HEX #EA3260

RGB 234 50 96

HSL 345, 0.81%, 0.56%

LAB 52.53, 70.3, 19.45

 

CMYK 0 / 79 / 79 / 8

HEX #EA3232

RGB 234 50 50

HSL 0, 0.81%, 0.56%

LAB 51.84, 68.16, 45.35

 

CMYK 0 / 79 / 16 / 8

HEX #EA32C4

RGB 234 50 196

HSL 312.39, 0.81%, 0.56%

LAB 55.85, 80.12, -34.86

 

CMYK 5 / 79 / 0 / 8

HEX #DF32EA

RGB 223 50 234

HSL 296.41, 0.81%, 0.56%

LAB 56, 83.43, -56.35

 

CMYK 26 / 79 / 0 / 8

HEX #AE32EA

RGB 174 50 234

HSL 280.43, 0.81%, 0.56%

LAB 48.54, 74.83, -68.75

 

CMYK 47 / 79 / 0 / 8

HEX #7C32EA

RGB 124 50 234

HSL 264.13, 0.81%, 0.56%

LAB 42.01, 67.31, -79.68

 

CMYK 68 / 79 / 0 / 8

HEX #4B32EA

RGB 75 50 234

HSL 248.15, 0.81%, 0.56%

LAB 37.33, 61.93, -87.55

 

CMYK 0 / 79 / 16 / 8

HEX #EA32C4

RGB 234 50 196

HSL 312.39, 0.81%, 0.56%

LAB 55.85, 80.12, -34.86

 

CMYK 0 / 87 / 18 / 1

HEX #FC20CE

RGB 252 32 206

HSL 312.55, 0.97%, 0.56%

LAB 58.21, 88.54, -36.67

 

CMYK 0 / 79 / 16 / 8

HEX #EA32C4

RGB 234 50 196

HSL 312.39, 0.81%, 0.56%

LAB 55.85, 80.12, -34.86

 

CMYK 0 / 69 / 14 / 15

HEX #D844B9

RGB 216 68 185

HSL 312.57, 0.65%, 0.56%

LAB 54.28, 69.08, -31.18

 

CMYK 0 / 56 / 12 / 22

HEX #C657AF

RGB 198 87 175

HSL 312.43, 0.49%, 0.56%

LAB 53.94, 54.98, -26.12

 

CMYK 0 / 42 / 9 / 29

HEX #B469A4

RGB 180 105 164

HSL 312.8, 0.33%, 0.56%

LAB 54.54, 38.54, -19.01

 

CMYK 0 / 24 / 5 / 36

HEX #A27B9A

RGB 162 123 154

HSL 312.31, 0.17%, 0.56%

LAB 56.27, 20.46, -10.78

 

CMYK 26 / 79 / 0 / 8

HEX #AD32EA

RGB 173 50 234

HSL 280.11, 0.81%, 0.56%

LAB 48.39, 74.66, -68.99

 

CMYK 5 / 79 / 0 / 8

HEX #DE32EA

RGB 222 50 234

HSL 296.09, 0.81%, 0.56%

LAB 55.84, 83.25, -56.61

 

CMYK 0 / 79 / 15 / 8

HEX #EA32C6

RGB 234 50 198

HSL 311.74, 0.81%, 0.56%

LAB 55.94, 80.38, -35.87

 

CMYK 0 / 79 / 37 / 8

HEX #EA3294

RGB 234 50 148

HSL 328.04, 0.81%, 0.56%

LAB 53.93, 74.56, -9.74

 

CMYK 0 / 79 / 58 / 8

HEX #EA3263

RGB 234 50 99

HSL 344.02, 0.81%, 0.56%

LAB 52.59, 70.49, 17.73

 

CMYK 0 / 90 / 19 / 28

HEX #B81295

RGB 184 18 149

HSL 312.65, 0.82%, 0.4%

LAB 42.45, 70.16, -28.73

 

CMYK 0 / 91 / 19 / 13

HEX #DE15B4

RGB 222 21 180

HSL 312.54, 0.83%, 0.48%

LAB 51.11, 81.11, -33.14

 

CMYK 0 / 79 / 16 / 8

HEX #EA32C4

RGB 234 50 196

HSL 312.39, 0.81%, 0.56%

LAB 55.85, 80.12, -34.86

 

CMYK 0 / 63 / 13 / 7

HEX #EE58CE

RGB 238 88 206

HSL 312.8, 0.82%, 0.64%

LAB 61.32, 70.06, -32

 

CMYK 0 / 48 / 10 / 5

HEX #F27DD9

RGB 242 125 217

HSL 312.82, 0.82%, 0.72%

LAB 68.43, 56.44, -27.14

 

CMYK 0 / 79 / 17 / 8

HEX #EB32C4

RGB 235 50 196

HSL 312.65, 0.82%, 0.56%

LAB 56.02, 80.33, -34.58

 

CMYK 0 / 47 / 79 / 8

HEX #EA7C32

RGB 234 124 50

HSL 24.13, 0.81%, 0.56%

LAB 63.46, 37.49, 56.79

 

CMYK 79 / 0 / 15 / 8

HEX #32EAC6

RGB 50 234 198

HSL 168.26, 0.81%, 0.56%

LAB 83.76, -52.41, 4.86

 

CMYK 0 / 79 / 17 / 8

HEX #EB32C4

RGB 235 50 196

HSL 312.65, 0.82%, 0.56%

LAB 56.02, 80.33, -34.58

 

CMYK 15 / 0 / 79 / 8

HEX #C6EA32

RGB 198 234 50

HSL 71.74, 0.81%, 0.56%

LAB 87.52, -33.94, 77.72

 

CMYK 79 / 15 / 0 / 8

HEX #32C6EA

RGB 50 198 234

HSL 191.74, 0.81%, 0.56%

LAB 74.19, -25.8, -28.65

 

CMYK 0 / 79 / 17 / 8

HEX #EB32C4

RGB 235 50 196

HSL 312.65, 0.82%, 0.56%

LAB 56.02, 80.33, -34.58

 

CMYK 0 / 47 / 79 / 8

HEX #EA7C32

RGB 234 124 50

HSL 24.13, 0.81%, 0.56%

LAB 63.46, 37.49, 56.79

 

CMYK 79 / 0 / 63 / 8

HEX #32EA57

RGB 50 234 87

HSL 132.07, 0.81%, 0.56%

LAB 81.95, -72.72, 57.26

 

CMYK 79 / 31 / 0 / 8

HEX #32A1EA

RGB 50 161 234

HSL 203.8, 0.81%, 0.56%

LAB 63.43, -6.12, -45.39

 

CMYK 0 / 79 / 17 / 8

HEX #EB32C4

RGB 235 50 196

HSL 312.65, 0.82%, 0.56%

LAB 56.02, 80.33, -34.58

 

CMYK 0 / 24 / 79 / 8

HEX #EAB332

RGB 234 179 50

HSL 42.07, 0.81%, 0.56%

LAB 76.05, 8.56, 68.49

 

CMYK 79 / 0 / 63 / 8

HEX #32EA57

RGB 50 234 87

HSL 132.07, 0.81%, 0.56%

LAB 81.95, -72.72, 57.26

 

CMYK 79 / 55 / 0 / 8

HEX #3269EA

RGB 50 105 234

HSL 222.07, 0.81%, 0.56%

LAB 47.91, 27.85, -70.25

 

Description

Color code: HEX #EB32C4 | qconv.com Color code: HEX #EB32C4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 50 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 50 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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