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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAFF5C it is the complementary color #1500A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAFF5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAFF5C shade: #EFFF57, #FFFF6A, #FFFF7D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAFF5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAFF5C shade: #EAFF5C, #D9ED49, #C8DB36, #B7C923 and #A6B710

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAFF5C shade: #E9FF5B, #FFE85B, #FFBC5B, #FF8F5B and #FF635B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAFF5C shade: #E9FF5B, #BDFF5B, #91FF5B, #65FF5B and #5BFF7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAFF5C shade matches the following richer shades: #E9FF5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAFF5C shade: #E9FF5B, #E0F169, #D6E476, #CCD783 and #C2CA90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAFF5C shade: #FFBB5B, #FFE65B, #EBFF5B, #C0FF5B and #94FF5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAFF5C shade: #DFFF09, #E4FF32, #E9FF5B, #EFFF85 and #F4FFAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAFF5C shade: #EAFF5C, #5BFF8F and #D05BFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAFF5C shade: #EAFF5C, #5BEBFF and #FF5BEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAFF5C shade: #EAFF5C, #5BFF8F, #6E5BFF and #FF5BCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAFF5C shade: #EAFF5C, #5BFFC0, #6E5BFF and #FF5B9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 64 / 0

HEX #EAFF5C

RGB 234 255 92

HSL 67.73, 1%, 0.68%

LAB 95.91, -27.36, 72.67

 

Complementary color

CMYK 87 / 100 / 0 / 36

HEX #1500A3

RGB 21 0 163

HSL 247.73, 1%, 0.32%

LAB 19.24, 56.89, -76.02

 

CMYK 6 / 0 / 66 / 0

HEX #EFFF57

RGB 239 255 87

HSL 65.71, 1%, 0.67%

LAB 96.23, -25.69, 75

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 8 / 0 / 64 / 0

HEX #EAFF5C

RGB 234 255 92

HSL 67.73, 1%, 0.68%

LAB 95.91, -27.36, 72.67

 

CMYK 8 / 0 / 69 / 7

HEX #D9ED49

RGB 217 237 73

HSL 67.32, 0.82%, 0.61%

LAB 89.77, -26.73, 73.07

 

CMYK 9 / 0 / 75 / 14

HEX #C8DB36

RGB 200 219 54

HSL 66.91, 0.7%, 0.54%

LAB 83.55, -25.97, 73

 

CMYK 9 / 0 / 83 / 21

HEX #B7C923

RGB 183 201 35

HSL 66.51, 0.7%, 0.46%

LAB 77.26, -25.05, 72.17

 

CMYK 9 / 0 / 91 / 28

HEX #A6B710

RGB 166 183 16

HSL 66.11, 0.84%, 0.39%

LAB 70.88, -23.94, 70.16

 

CMYK 9 / 0 / 64 / 0

HEX #E9FF5B

RGB 233 255 91

HSL 68.05, 1%, 0.68%

LAB 95.83, -27.82, 72.95

 

CMYK 0 / 9 / 64 / 0

HEX #FFE85B

RGB 255 232 91

HSL 51.59, 1%, 0.68%

LAB 91.56, -7.87, 69

 

CMYK 0 / 26 / 64 / 0

HEX #FFBC5B

RGB 255 188 91

HSL 35.49, 1%, 0.68%

LAB 80.73, 14.62, 57.28

 

CMYK 0 / 44 / 64 / 0

HEX #FF8F5B

RGB 255 143 91

HSL 19.02, 1%, 0.68%

LAB 70.64, 37.98, 45.74

 

CMYK 0 / 61 / 64 / 0

HEX #FF635B

RGB 255 99 91

HSL 2.93, 1%, 0.68%

LAB 62.46, 58.86, 35.88

 

CMYK 9 / 0 / 64 / 0

HEX #E9FF5B

RGB 233 255 91

HSL 68.05, 1%, 0.68%

LAB 95.83, -27.82, 72.95

 

CMYK 26 / 0 / 64 / 0

HEX #BDFF5B

RGB 189 255 91

HSL 84.15, 1%, 0.68%

LAB 93.06, -44.43, 69.18

 

CMYK 43 / 0 / 64 / 0

HEX #91FF5B

RGB 145 255 91

HSL 100.24, 1%, 0.68%

LAB 90.91, -59.03, 66.25

 

CMYK 60 / 0 / 64 / 0

HEX #65FF5B

RGB 101 255 91

HSL 116.34, 1%, 0.68%

LAB 89.41, -70.48, 64.18

 

CMYK 64 / 0 / 51 / 0

HEX #5BFF7D

RGB 91 255 125

HSL 132.44, 1%, 0.68%

LAB 89.5, -68.6, 49.46

 

CMYK 9 / 0 / 64 / 0

HEX #E9FF5B

RGB 233 255 91

HSL 68.05, 1%, 0.68%

LAB 95.83, -27.82, 72.95

 

CMYK 9 / 0 / 64 / 0

HEX #E9FF5B

RGB 233 255 91

HSL 68.05, 1%, 0.68%

LAB 95.83, -27.82, 72.95

 

CMYK 7 / 0 / 56 / 5

HEX #E0F169

RGB 224 241 105

HSL 67.5, 0.83%, 0.68%

LAB 91.59, -23.79, 62.45

 

CMYK 6 / 0 / 48 / 11

HEX #D6E476

RGB 214 228 118

HSL 67.64, 0.67%, 0.68%

LAB 87.53, -20.34, 51.67

 

CMYK 5 / 0 / 39 / 16

HEX #CCD783

RGB 204 215 131

HSL 67.86, 0.51%, 0.68%

LAB 83.48, -16.49, 40.18

 

CMYK 4 / 0 / 29 / 21

HEX #C2CA90

RGB 194 202 144

HSL 68.28, 0.35%, 0.68%

LAB 79.46, -12.17, 28.11

 

CMYK 0 / 27 / 64 / 0

HEX #FFBB5B

RGB 255 187 91

HSL 35.12, 1%, 0.68%

LAB 80.49, 15.14, 57.01

 

CMYK 0 / 10 / 64 / 0

HEX #FFE65B

RGB 255 230 91

HSL 50.85, 1%, 0.68%

LAB 91.06, -6.88, 68.47

 

CMYK 8 / 0 / 64 / 0

HEX #EBFF5B

RGB 235 255 91

HSL 67.32, 1%, 0.68%

LAB 95.97, -27.03, 73.14

 

CMYK 25 / 0 / 64 / 0

HEX #C0FF5B

RGB 192 255 91

HSL 83.05, 1%, 0.68%

LAB 93.22, -43.35, 69.41

 

CMYK 42 / 0 / 64 / 0

HEX #94FF5B

RGB 148 255 91

HSL 99.15, 1%, 0.68%

LAB 91.04, -58.13, 66.42

 

CMYK 13 / 0 / 96 / 0

HEX #DFFF09

RGB 223 255 9

HSL 67.8, 1%, 0.52%

LAB 94.83, -34.43, 91.11

 

CMYK 11 / 0 / 80 / 0

HEX #E4FF32

RGB 228 255 50

HSL 67.9, 1%, 0.6%

LAB 95.26, -31.67, 85.32

 

CMYK 9 / 0 / 64 / 0

HEX #E9FF5B

RGB 233 255 91

HSL 68.05, 1%, 0.68%

LAB 95.83, -27.82, 72.95

 

CMYK 6 / 0 / 48 / 0

HEX #EFFF85

RGB 239 255 133

HSL 67.87, 1%, 0.76%

LAB 96.64, -22.28, 56.07

 

CMYK 4 / 0 / 32 / 0

HEX #F4FFAE

RGB 244 255 174

HSL 68.15, 1%, 0.84%

LAB 97.56, -15.99, 37.57

 

CMYK 8 / 0 / 64 / 0

HEX #EAFF5C

RGB 234 255 92

HSL 67.73, 1%, 0.68%

LAB 95.91, -27.36, 72.67

 

CMYK 64 / 0 / 44 / 0

HEX #5BFF8F

RGB 91 255 143

HSL 139.02, 1%, 0.68%

LAB 89.73, -65.95, 41.2

 

CMYK 18 / 64 / 0 / 0

HEX #D05BFF

RGB 208 91 255

HSL 282.8, 1%, 0.68%

LAB 59.99, 70.09, -61.76

 

CMYK 8 / 0 / 64 / 0

HEX #EAFF5C

RGB 234 255 92

HSL 67.73, 1%, 0.68%

LAB 95.91, -27.36, 72.67

 

CMYK 64 / 8 / 0 / 0

HEX #5BEBFF

RGB 91 235 255

HSL 187.32, 1%, 0.68%

LAB 86.44, -32.4, -21.08

 

CMYK 0 / 64 / 8 / 0

HEX #FF5BEB

RGB 255 91 235

HSL 307.32, 1%, 0.68%

LAB 65.55, 77.37, -41.47

 

CMYK 8 / 0 / 64 / 0

HEX #EAFF5C

RGB 234 255 92

HSL 67.73, 1%, 0.68%

LAB 95.91, -27.36, 72.67

 

CMYK 64 / 0 / 44 / 0

HEX #5BFF8F

RGB 91 255 143

HSL 139.02, 1%, 0.68%

LAB 89.73, -65.95, 41.2

 

CMYK 57 / 64 / 0 / 0

HEX #6E5BFF

RGB 110 91 255

HSL 246.95, 1%, 0.68%

LAB 49.52, 51.17, -79.22

 

CMYK 0 / 64 / 20 / 0

HEX #FF5BCB

RGB 255 91 203

HSL 319.02, 1%, 0.68%

LAB 64.2, 72.86, -25.63

 

CMYK 8 / 0 / 64 / 0

HEX #EAFF5C

RGB 234 255 92

HSL 67.73, 1%, 0.68%

LAB 95.91, -27.36, 72.67

 

CMYK 64 / 0 / 25 / 0

HEX #5BFFC0

RGB 91 255 192

HSL 156.95, 1%, 0.68%

LAB 90.57, -56.85, 17.78

 

CMYK 57 / 64 / 0 / 0

HEX #6E5BFF

RGB 110 91 255

HSL 246.95, 1%, 0.68%

LAB 49.52, 51.17, -79.22

 

CMYK 0 / 64 / 40 / 0

HEX #FF5B9A

RGB 255 91 154

HSL 336.95, 1%, 0.68%

LAB 62.57, 67.14, -0.07

 

Description

Color code: HEX #EAFF5C | qconv.com Color code: HEX #EAFF5C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 255 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 255 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 64 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 64% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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