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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAFC83 it is the complementary color #15037C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAFC83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAFC83 shade: #EFFC7E, #FFFF91, #FFFFA4, #FFFFB7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAFC83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAFC83 shade: #EAFC83, #D9EA70, #C8D85D, #B7C64A and #A6B437

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAFC83 shade: #E9FB82, #FBED82, #FBCC82, #FBAB82 and #FB8B82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAFC83 shade: #E9FB82, #C9FB82, #A8FB82, #87FB82 and #82FB9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAFC83 shade matches the following richer shades: #E9FB82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAFC83 shade: #E9FB82, #E2F18D, #DBE797, #D4DCA1 and #CCD2AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAFC83 shade: #FBCB82, #FBEB82, #EBFB82, #CBFB82 and #ABFB82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAFC83 shade: #DCF932, #E2FA5A, #E9FB82, #F0FCAA and #F7FDD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAFC83 shade: #EAFC83, #82FBAB and #DB82FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAFC83 shade: #EAFC83, #82EBFB and #FB82EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAFC83 shade: #EAFC83, #82FBAB, #9282FB and #FB82D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAFC83 shade: #EAFC83, #82FBCF, #9282FB and #FB82AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 48 / 1

HEX #EAFC83

RGB 234 252 131

HSL 68.93, 0.95%, 0.75%

LAB 95.48, -22.95, 55.51

 

Complementary color

CMYK 83 / 98 / 0 / 51

HEX #15037C

RGB 21 3 124

HSL 248.93, 0.95%, 0.25%

LAB 13.71, 45.57, -60.9

 

CMYK 5 / 0 / 50 / 1

HEX #EFFC7E

RGB 239 252 126

HSL 66.19, 0.95%, 0.74%

LAB 95.78, -21.48, 58.24

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 7 / 0 / 48 / 1

HEX #EAFC83

RGB 234 252 131

HSL 68.93, 0.95%, 0.75%

LAB 95.48, -22.95, 55.51

 

CMYK 7 / 0 / 52 / 8

HEX #D9EA70

RGB 217 234 112

HSL 68.36, 0.74%, 0.68%

LAB 89.28, -22.61, 56.58

 

CMYK 7 / 0 / 57 / 15

HEX #C8D85D

RGB 200 216 93

HSL 67.8, 0.61%, 0.61%

LAB 83.01, -22.2, 57.58

 

CMYK 8 / 0 / 63 / 22

HEX #B7C64A

RGB 183 198 74

HSL 67.26, 0.52%, 0.53%

LAB 76.65, -21.68, 58.42

 

CMYK 8 / 0 / 69 / 29

HEX #A6B437

RGB 166 180 55

HSL 66.72, 0.53%, 0.46%

LAB 70.19, -21.04, 58.96

 

CMYK 7 / 0 / 48 / 2

HEX #E9FB82

RGB 233 251 130

HSL 68.93, 0.94%, 0.75%

LAB 95.13, -22.95, 55.54

 

CMYK 0 / 6 / 48 / 2

HEX #FBED82

RGB 251 237 130

HSL 53.06, 0.94%, 0.75%

LAB 92.88, -9.13, 53.14

 

CMYK 0 / 19 / 48 / 2

HEX #FBCC82

RGB 251 204 130

HSL 36.69, 0.94%, 0.75%

LAB 84.64, 7.63, 42.98

 

CMYK 0 / 32 / 48 / 2

HEX #FBAB82

RGB 251 171 130

HSL 20.33, 0.94%, 0.75%

LAB 76.83, 24.89, 32.97

 

CMYK 0 / 45 / 48 / 2

HEX #FB8B82

RGB 251 139 130

HSL 4.46, 0.94%, 0.75%

LAB 69.89, 41.47, 23.75

 

CMYK 7 / 0 / 48 / 2

HEX #E9FB82

RGB 233 251 130

HSL 68.93, 0.94%, 0.75%

LAB 95.13, -22.95, 55.54

 

CMYK 20 / 0 / 48 / 2

HEX #C9FB82

RGB 201 251 130

HSL 84.79, 0.94%, 0.75%

LAB 93.02, -34.88, 52.49

 

CMYK 33 / 0 / 48 / 2

HEX #A8FB82

RGB 168 251 130

HSL 101.16, 0.94%, 0.75%

LAB 91.2, -46.25, 49.85

 

CMYK 46 / 0 / 48 / 2

HEX #87FB82

RGB 135 251 130

HSL 117.52, 0.94%, 0.75%

LAB 89.75, -56.2, 47.73

 

CMYK 48 / 0 / 37 / 2

HEX #82FB9E

RGB 130 251 158

HSL 133.88, 0.94%, 0.75%

LAB 89.96, -53.42, 34.34

 

CMYK 7 / 0 / 48 / 2

HEX #E9FB82

RGB 233 251 130

HSL 68.93, 0.94%, 0.75%

LAB 95.13, -22.95, 55.54

 

CMYK 7 / 0 / 48 / 2

HEX #E9FB82

RGB 233 251 130

HSL 68.93, 0.94%, 0.75%

LAB 95.13, -22.95, 55.54

 

CMYK 6 / 0 / 41 / 5

HEX #E2F18D

RGB 226 241 141

HSL 69, 0.78%, 0.75%

LAB 92.13, -19.72, 46.53

 

CMYK 5 / 0 / 35 / 9

HEX #DBE797

RGB 219 231 151

HSL 69, 0.63%, 0.75%

LAB 89.13, -16.34, 37.66

 

CMYK 4 / 0 / 27 / 14

HEX #D4DCA1

RGB 212 220 161

HSL 68.14, 0.46%, 0.75%

LAB 85.88, -12.21, 28.16

 

CMYK 3 / 0 / 19 / 18

HEX #CCD2AB

RGB 204 210 171

HSL 69.23, 0.3%, 0.75%

LAB 82.84, -8.64, 18.68

 

CMYK 0 / 19 / 48 / 2

HEX #FBCB82

RGB 251 203 130

HSL 36.2, 0.94%, 0.75%

LAB 84.4, 8.15, 42.67

 

CMYK 0 / 6 / 48 / 2

HEX #FBEB82

RGB 251 235 130

HSL 52.07, 0.94%, 0.75%

LAB 92.37, -8.13, 52.53

 

CMYK 6 / 0 / 48 / 2

HEX #EBFB82

RGB 235 251 130

HSL 67.93, 0.94%, 0.75%

LAB 95.27, -22.18, 55.74

 

CMYK 19 / 0 / 48 / 2

HEX #CBFB82

RGB 203 251 130

HSL 83.8, 0.94%, 0.75%

LAB 93.15, -34.15, 52.67

 

CMYK 32 / 0 / 48 / 2

HEX #ABFB82

RGB 171 251 130

HSL 99.67, 0.94%, 0.75%

LAB 91.35, -45.27, 50.07

 

CMYK 12 / 0 / 80 / 2

HEX #DCF932

RGB 220 249 50

HSL 68.74, 0.94%, 0.59%

LAB 93.1, -32.09, 83.22

 

CMYK 10 / 0 / 64 / 2

HEX #E2FA5A

RGB 226 250 90

HSL 69, 0.94%, 0.67%

LAB 94, -28.29, 71.28

 

CMYK 7 / 0 / 48 / 2

HEX #E9FB82

RGB 233 251 130

HSL 68.93, 0.94%, 0.75%

LAB 95.13, -22.95, 55.54

 

CMYK 5 / 0 / 33 / 1

HEX #F0FCAA

RGB 240 252 170

HSL 68.78, 0.93%, 0.83%

LAB 96.43, -16.49, 38.02

 

CMYK 2 / 0 / 17 / 1

HEX #F7FDD3

RGB 247 253 211

HSL 68.57, 0.91%, 0.91%

LAB 97.92, -8.88, 19.46

 

CMYK 7 / 0 / 48 / 1

HEX #EAFC83

RGB 234 252 131

HSL 68.93, 0.95%, 0.75%

LAB 95.48, -22.95, 55.51

 

CMYK 48 / 0 / 32 / 2

HEX #82FBAB

RGB 130 251 171

HSL 140.33, 0.94%, 0.75%

LAB 90.17, -51.2, 28.11

 

CMYK 13 / 48 / 0 / 2

HEX #DB82FB

RGB 219 130 251

HSL 284.13, 0.94%, 0.75%

LAB 68.01, 53.54, -46.74

 

CMYK 7 / 0 / 48 / 1

HEX #EAFC83

RGB 234 252 131

HSL 68.93, 0.95%, 0.75%

LAB 95.48, -22.95, 55.51

 

CMYK 48 / 6 / 0 / 2

HEX #82EBFB

RGB 130 235 251

HSL 187.93, 0.94%, 0.75%

LAB 87.55, -26.34, -17.18

 

CMYK 0 / 48 / 6 / 2

HEX #FB82EB

RGB 251 130 235

HSL 307.93, 0.94%, 0.75%

LAB 71.2, 59.56, -32.72

 

CMYK 7 / 0 / 48 / 1

HEX #EAFC83

RGB 234 252 131

HSL 68.93, 0.95%, 0.75%

LAB 95.48, -22.95, 55.51

 

CMYK 48 / 0 / 32 / 2

HEX #82FBAB

RGB 130 251 171

HSL 140.33, 0.94%, 0.75%

LAB 90.17, -51.2, 28.11

 

CMYK 42 / 48 / 0 / 2

HEX #9282FB

RGB 146 130 251

HSL 247.93, 0.94%, 0.75%

LAB 60.82, 34.79, -58.6

 

CMYK 0 / 48 / 16 / 2

HEX #FB82D3

RGB 251 130 211

HSL 319.83, 0.94%, 0.75%

LAB 70.3, 55.8, -20.84

 

CMYK 7 / 0 / 48 / 1

HEX #EAFC83

RGB 234 252 131

HSL 68.93, 0.95%, 0.75%

LAB 95.48, -22.95, 55.51

 

CMYK 48 / 0 / 18 / 2

HEX #82FBCF

RGB 130 251 207

HSL 158.18, 0.94%, 0.75%

LAB 90.89, -44.17, 10.67

 

CMYK 42 / 48 / 0 / 2

HEX #9282FB

RGB 146 130 251

HSL 247.93, 0.94%, 0.75%

LAB 60.82, 34.79, -58.6

 

CMYK 0 / 48 / 30 / 2

HEX #FB82AF

RGB 251 130 175

HSL 337.69, 0.94%, 0.75%

LAB 69.16, 50.85, -2.44

 

Description

Color code: HEX #EAFC83 | qconv.com Color code: HEX #EAFC83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 252 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 252 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 48 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 48% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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